It is very rare that I get to meet my favourite authors, or in fact, any authors, even though we interact over social media, so when I heard that Kate Forsyth would be at an author event at Kincumber Library, I booked to go before the tickets were all gone. It was a lengthy month waiting to go, but finally the day came to go and listen to Kate talk about her writing and fairy tales – creating a very interesting evening for all. Last night, Tuesday the 4th of July, was a magical evening and it was one of the most enjoyable evenings I have had.
The night began with Kate telling us about her writing journey. Like me, she has always wanted to be a writer and has always loved reading, and at age 7, wrote her first novel, followed by her second and third at ages 9 and 11 – around the same ages I began writing and dreaming up stories, and at age sixteen, she sent off her first manuscript – something I would not have dreamed of doing at that age, as I had only just started thinking of writing novels then. But it has since been a goal of mine to achieve publication, and Kate had many words of encouragement about writing and publishing – to keep writing and trying, and rewriting and getting your work out there, so I am going to try entering a local short story competition, using her words as my inspiration and drive to do so.
At age 25, Kate’s boyfriend, and now husband, gave her five years to get published – five years, where she could polish her work and query it, and learn her craft through study and writing and rewriting. As Kate tells it, the story came, as several of her stories have, from a dream. Using this as a launchpad, she set out to write what would become her first book, with the contract signed two days before she turned thirty, and that book is turning twenty years old this year. I still have my original copy of this book that Kate signed for me after the talk on last night. This book was the beginning of a six-book saga that introduced me to the world of fantasy, and led me into reading Kate’s books for life. This book was Dragonclaw, first book in the Witches of Eileanan series, which is followed by the Rhiannon’s Ride Trilogy. Kate has written forty books, and has had them published into 17 languages across the world, and has cemented her as an extraordinary storyteller, with a broad audience across ages and genres, as evidenced by the gathering at the event at Kincumber Library.
Fun fact: Dragonclaw was published a month before Harry Potter and the Philosopher’s Stone in 1997, and both just turned twenty this year!
Dragonclaw’s publication then led to Kate’s career as a full time writer, resulting in that series, and the trilogy that followed, her children’s books which include The Puzzle Ring in 2009, The Starthorn Tree, The Wildkin’s Curse and The Starkin Crown, as well as recent kids series The Impossible Quest and Chain of Charms, as well as picture books and the adult books: Bitter Greens, The Wild Girl, Dancing on Knives, The Beast’s Garden and Beauty in Thorns, all fairy tale infused historical fiction, apart from Dancing on Knives, which has a more contemporary setting – a distinction Kate and I discussed last night – that tell powerful stories of humanity and love against all odds and set against the back drops of very different time periods within each novel, resulting in powerful stories and characters that seep into your subconscious and dreams as you read.
Kate and her siblings have a literary lineage that can be traced back to at least colonial Australia, and Charlotte Waring-Atkinson, who wrote the first children’s book in 
Australia: A Mother’s Offering to Her Children by A Lady Long Resident in New South Wales in 1841, the mother of four children, fighting to keep them safe, and loved in a harsh world that tried to separate them, and this book is a testament not only to the literary blood in Kate’s family but to the love, sacrifices, triumphs and moments of grief that Charlotte went through to keep her family safe.
Hearing about Kate’s writing process and literary family was fascinating and she had the audience captured with her words, and very interested to hear about her writing journey, and the moments in her life that affected her and her writing, and introduced her to a love of fairy tales, a love that I share with her, just as we both enjoy reading and watching different fairy tale retellings to see how someone else interprets a fairy tale. The fascination of fairy tales has as much to do with their history and where they came from as what we know them as today – from the oral traditions to the many interpretations that have come about since they were first recorded the early 1800s by Jacob and Wihelm Grimm, whose stories mostly came from Dortchen Wild, their neighbour. During the talk, Kate recounted the childhood incident and subsequent hospital stays that had sparked her interest in fairy tales and desire to write, specifically the fairy tale of Rapunzel. 
Most people would associate Rapunzel with the version recorded by the Grimm Brothers, and this is the version Kate began focussing on in her Doctoral research. During this research, she found out more about the fairy tale, and that the first versions pre-dated the Grimm Brothers by about two hundred years, dating back to the 1600s and Giambiattista Basile, and soon came to the story of Charlotte Rose de la Force in the seventeenth century, and her imprisonment in a convent, while she was writing the story. There are three threads, the other two, the witch, and the third, Rapunzel’s perspective, and together, they form an intricate and surprising story, much like Kate’s other books.
Moving on from Bitter Greens, Kate discussed her latest novel, Beauty in Thorns and the Pre-Raphaelites. Beauty in Thorns, and Kate’s journey in writing it, had been the first time I had heard about the Pre-Raphaelites talked about collectively. The art and poetry of the Pre-Raphaelites was inspired by myth and fairy tale, and a longing to be awakened from the dreariness of accepted art in Victorian times, to bring colour back into the world.
Before Beauty in Thorns and Kate Forsyth’s talk, I had heard 
of individual names such as William Morris and Dante Gabriel Rossetti, and had read some poetry by Dante’s sister, Christina – my favourite of hers was Goblin Market and re-reading it, I wondered if the characters of Lizzie and Laura in her poem had been inspired by Sleeping Beauty as well, and those in the Pre-Raphaelite circles, though perhaps not as obsessively as the series of paintings of her done by Dante Gabriel had been – an obsession that led him to running back to her after affairs, and burying his only copy of his poetry with her, and seven years later, digging her up to retrieve his poetry. Beauty in Thorns tells the stories of Lizzie Siddal, Georgie MacDonald, who married Edward Burne-Jones and Janey Burden, and the various affairs and love triangles that happened with each other and the models that the men longed to paint. But the main story became the story of Margot Burne-Jones, daughter of Georgie and Edward, whose father longed to keep her from growing up and falling in love an experiencing the pain of adult life, and the contrast in her longing to be awakened like Sleeping Beauty, an obsession that Edward had had for many years, since childhood. Together with Georgie’s story of being the faithful wife, Margot’s story shows how obsessions ate away at these artists, and what their passions did to their families and their great loves, how their obsessions became what finally consumed them in the end. Kate said she structured this story along the lines of Sleeping Beauty, with Margot representing Sleeping Beauty, and Georgie as the Queen, and the paintings were Edward’s way of awakening the world, as the Pre-Raphaelites were trying to do through their involvement in the suffrage movement, for example. I was lucky enough to be an early reader and reviewer for Beauty in Thorns, and it was full of hope, love, tragedy and despair, and everything else that makes Kate’s novels so good. Like her written word, Kate’s spoken word is powerful and weaves a spell on her audience, capturing their attention wholly and completely across the room, not even a gasp at times flying forth from the crowd. And like her books, the talk was over all too soon. It was a lovely evening for all, and Kate was so generous with her time afterwards as well.
After the talk, she signed books for us all, and spent time answering our questions, and when I approached the signing table, she gave me a huge hug, and we talked about her books, the book launch I had just attended, and my reviewing. Hearing how supportive she was, and getting advice on writing and reading and reviewing – to only review what I like, and not to worry about not reading something I get sent that isn’t my thing, so I am going to try this method, as well as being more honest i my reviews about things I don’t like or am unsure about. I appreciated this talk with Kate, and all the interaction she has with me and her other fans on social media, and hope to attend more events with her soon.
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Title: Beauty in Thorns
adults in the world of art and poetry their parents raised them in. Lizzie, Georgie, Janey and the other models share in their jealousy of each other, and desire to have the men they love to themselves, but they are more than that – they wish to be recognised in their own right as artists and poets, not just wives and mothers, or lovers and models. Beauty in Thorns is a novel full of complex characters whose desires in all aspects of their lives drive them, and influence the decisions they make. I found Georgie and Ned’s story to be the most hopeful – they stayed together through thick and thin, and Georgie didn’t sacrifice her sense of self to become a wife and mother. It is a story of women who fit into their time period, but at the same time, step out of the conventions they were born into and forge their own paths, sometimes separate from the men in their lives, sometimes alongside them, and at times, they do both, creating intrigue within the plot, pulling the reader along towards the conclusion of a story filled with tragedy at times, but hope at others.
Kate’s story follows the four women listed above, and their association with William Morris and Rosetti, and how their experiences of being mothers, and losing children, being models and inspirations and having their own desires, formed who they were, and who they would become in history. Lizzie, Jane, Georgie and Margaret are the voices that tell the story, allowing love, desire, tragedy and betrayal, and the people behind the wives and the muses of the Pre-Raphaelite’s to be given a voice.
the invisible stories that history may have forgotten, such as Jackie French’s Matilda Saga, which begins in 1894 in book one, and by book seven, is in the 1970s. It deals with the silenced voices I mentioned before – the women and children left out of the record, or simply associated with a husband’s name, or the fictional daughter of the swaggie of Waltzing Matilda, whose imagined existence and therefore imagined erasure from the song by Banjo Paterson brings Matilda O’Halloran of the Matilda Saga to life.
Over the course of seventy years, the Matilda Saga tells the story of women’s rights, of wars – The Boer War, World War One, World War Two and Vietnam by book five The Ghost by the Billabong, which I am currently reading, those left behind on the home front, and the 
innocents whose lives are turned upside down. It tells of the inter-war period between World War One and The Great Depression, and how orphaned teenagers like Flinty McAlpine raised families, after injuring her back, and how Blue escaped a prison-like home to find her family, and how Nancy went to Malaya to get her sister-in-law home, and found herself trapped in a prisoner of war camp by the Japanese on a small island off Malaya. The most recent books focus on Jed Kelly, and as I’ve just started book five, I’m still getting to know her and her story, but she comes to Drinkwater – Matilda’s property – and the characters that link all the books together – to find out who her great-grandfather is. Jackie French weaves history and imagination together to create this world and those who worked behind the scenes and brings the forgotten stories to light – the women, the orphans, the Indigenous Australians whose voices are clear in these books. Each book can be read alone, however, reading them in order has helped me see all the connections and links.
Another Australian author I enjoy is Kate Forsyth. Her historical fiction stories also place the female character in the centre. My favourite is The Beast’s Garden, set in World War Two Germany, where Ava works to subvert Nazi power, whilst married to a Nazi, one whom she loves but at the same time fears, unsure of what he will do should he find out about her Jewish friends and their resistance, or her work against the Nazis. The power of a subversive voice not often heard in literature is what gave The Beast’s Garden it’s heart and power: we saw the impact of the Nazi regime through Ava’s eyes. What it did to her family, her friends, and what having a Spanish mother did to her, how it affected her as she lived with typically Aryan sisters. Even though this doesn’t tell the story of an Australian character, it is definitely one of my favourites.
r family is hiding. The book delves int
o various prejudices in the community at the time of war, and how they felt towards each other. As I read this, I had the question in the back of my mind: Did societal expectations drive the behaviour of some? The book dealt with the history nicely, and again, used voices not often heard in the history books to tell those experiences – perhaps something the history books need more of to have a rounded understanding of the war as a whole, even on the home front. Using silenced voices like Heiss, Forsyth and French have done makes the story more powerful, gives it more impact.
throughout the series. Poor Rowly has been shot, stabbed, beaten, and in a car accident, and has come through it all. He is an Australian gentleman. It is another fabulous series by a great Australian author.
Writing reviews for books that aren’t my taste or that I don’t enjoy, or just find a bit boring or not quite up there can be hard. I want to be honest, but at the same time, be positive, so I’ve taken to giving balanced reviews, saying good and bad things about them, and hopefully that doesn’t hurt anyone, reader, reviewer or author. Honest reviews can help guide people too. My review website has slowly been improved over the months as I’ve found my way around WordPress and it’s functions – I tend to learn by doing it on my own, before asking for help with some things. I hope to review much more in 2017, without having to juggle studying as well, but at some stage will likely be juggling a job whilst reviewing.
Carroll’s Alice’s Adventures in Wonderland, Meyer’s story shows how the Queen of Hearts became the character in the original, a girl who had dreams that fate thwarted.
