The Beast’s Heart by Liefe Shallcross

the beasts heart.jpgTitle: The Beast’s Heart

Author: Leife Shallcross

Genre: Fantasy

Publisher: Hodder & Stoughton/Hachette Australia

Published:  24th April 2018

Format: Paperback

Pages: 342

Price: $19.99

Synopsis: A richly magical retelling of the Beauty and the Beast fairy tale, from the point of view of the Beast.

A sumptuously magical, brand new take on a tale as old as time – read the Beast’s side of the story at long last.

My beast’s nose scented cold, and earth, and the faintest tang of magic. Not the same magic that pervaded the house, or even the forest. This was something older and wilder, filled with sadness and decay. Yet at its core was something pure and clear, like the peal of a bell or the heat of a burning ember. Or the colour of a crimson rose.

 

I am neither monster nor man – yet I am both.

I am the Beast.

I know why I was cursed; I know the legacy of evil I carry in my tainted blood. So how could she ever love me?

My Isabeau. She opened my eyes, my mind and my heart when I was struggling just to be human.

And now I might lose her forever.

~*~

Most retellings of the French fairy tale, written in 1740, by Madame Gabrielle-Suzanne de Villeneuve, and influenced by the literary fairy tales of authors such as Charles Perrault and Marie-Catherine d’Aulnoy. Unlike the fairy tales collected by The Brothers Grimm, which include a similar tale known as The Singing, Springing Lark, Beauty and the Beast was one of the first literary fairy tales recorded, though the specific tale that many retellings are based on oral tales over many years beforehand.

Where many retellings of this tale focus on the perspective of the Beauty – the girl who will break the spell, told in first or third person with this focus, Leife Shallcross’s debut novel takes the traditional fairy tale, and gives it new life, writing it from the perspective of the Beast, and how he deals with his situation and the beautiful girl – named Isabeau in this story – living in his house.

AWW-2018-badge-roseAt the start of the story, the Beast, whom we know to be a prince or at least, a noble from the original and previous retellings, is lonely, and losing track of time. He mentions a Fairy and the curse, and the invisible servants – who see to his every need. When Isabeau’s father, Monsieur de la Noue stumbles across his wintry castle, where seasons don’t occur as they do outside the gates, the Beast and his invisible servants extend hospitality towards him – until he plucks a rise from the rose garden for Isabeau – and a deal is struck: Isabeau must come and stay with the Beast for a year in exchange for her father not being killed. Isabeau agrees, and whilst she is at the castle, the Beast watches her family thrive with gifts he sends them magically, and their fortunes change. As the year goes by, the Beast and Isabeau become friends – but the Beast – as in other reincarnations – begins to fall in love, seeking for her to save him from the curse.

But he can’t tell her this – the Fairy warns him against it and is quite malevolent in the few appearances she makes, and even when the Beast refers to her in his private musings. What I did like was that the Beast did not force Isabeau. Rather, he was hopeful and allowed her to come to him, but also, the respect and friendship they had for each other was more important. It was an exquisitely and enchantingly written story, where lessons must be learned by all, and where forgiveness becomes a large part of the plot – forgiveness of self, forgiveness of family and forgiveness of those who appear to have done the wrong thing. Set in France, in what I imagine is the eighteenth century, it has the same magic of the original and the other incarnations but an originality that no other retelling has come close to capturing. In each retelling, we always know the Beast isn’t the horrid monster some characters, such as Gaston in the Disney version – make him out to be – much like Isabeau’s father does in this novel, and her sisters, Claude and Marie, who are inclined to believe him, are the ones who at first believe their father’s claims but then begin to doubt them, hoping that Isabeau is alive – and it is Marie who is the catalyst for this.

Each character is flawed – not one is perfect, and to this end, I think this worked exceptionally well for this novel. It showed that flaws are everywhere, and that even if we see them in others, we don’t see them in ourselves all the time. Isabeau recognises her own flaws when she goes to live with the Beast and is aware of them. She can also see past his flaws. Yet it is her family she must find a way to reassure, with a father whose stubbornness would see her live at home forever, and sisters who once relied on her for everything, must recognise what they are capable of in her absence, and as a result, make their own fortunes with suitors. Each version of the story has a variance on the siblings the Beauty character has – from the six brothers and sisters of the original, to Belle as an only child in the Disney version, and in this version, the two sisters who work to pull the family through in Isabeau’s absence.

As each character begins to recognise their flaws, I could see them grow to accept what they had to deal with in life – except Monsieur de la Noue, whose resistance illustrated that not everyone adapts to change, or wishes to. Where I loved that his daughters made the best of their circumstances, I found myself wishing he would start doing the same.

Overall, I thoroughly enjoyed this novel. I adore fairy tale retellings, and this is a really good one. It is up there with The Beast’s Garden by Kate Forsyth, which is more of a fairy tale infused historical fiction, and other novels such as Frogkisserthat incorporate fairy tale elements. Whilst this used the traditional elements and tale, turning it around and telling the Beast’s story gave more of an insight into what it must have been like for him, living as a Beast under a curse that only love, and the promise of marriage can break, and return him to his true form. What I most enjoyed as well was that the mysteries of the castle, and magic, and Marie’s letters to Isabeau weren’t solved immediately – the answers to these and many other questions were given gradually.

The chapters where Isabeau was at home for a time were dealt with well, written from the Beast’s perspective as he watched them in his mirror – his window to the outside world. The mirror and the roses were there, as they always are – key aspects to the fairy tale that has sparked many retellings and interpretations over the years.

A delightful read, and one I hope to be able to revisit one day.

Booktopia

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I Am Sasha by Anita Selzer

I am Sasha.jpgTitle: I Am Sasha

Author: Anita Selzer

Genre: Historical Fiction, Creative Non-Fiction

Publisher: Penguin Random House

Published:  2nd April, 2018

Format: Paperback

Pages: 325

Price: $17.99

Synopsis: One boy’s extraordinary experience of wartime survival. One mother’s incredible courage. Based on an astounding true story.  It is German-occupied Poland in 1942, and Jewish lives are at risk. Nazi soldiers order young boys to pull down their trousers to see if they are circumcised. Many are summarily shot or sent to the camps.
A devoted mother takes an ingenious step. To avoid suspicion, she trains her teenage son the be a girl: his clothing, voice, hair, manners and more. Together, mother and son face incredible odds as their story sweeps backwards and forwards across occupied Europe.

~*~

Based on a true story, I am Sasha is the story of the author’s father, who spent his teenage years from 1942-1944, after the Soviet liberation of Poland, hiding as a girl, under false papers that also hid his, and his mother’s Jewish identity from the Nazis as they marched and invaded their way across Europe. Larissa, Sasha’s mother, ensures his safety as they move back and forth between Polish towns, avoiding the ghettos and transports to camp. After seeing what happens to boys from their hiding place in a barn, Larissa concocts a plan to turn Sasha into a girl – Sala – to keep him safe. Their lives are constantly under threat though, and they’re always moving finding new places to live and settle, until they find somewhere they are able to stay until the Soviets liberate Poland, and a place where Sasha’s mother begins work for the Zegota, a Jewish underground resistance that helps Jewish people escape the Nazis.

At the end of the war, their story is followed until their arrival in Australia, and their reconnections with their family, friends and the new friends they make in the displacement and refugee camps as they journey to their new home in Melbourne.

AWW-2018-badge-roseI am Sasha was inspired by a family’s history, a grandmother’s memoir and a father’s short story, given to a daughter and granddaughter to retell for the world. In 1994, Larissa gave Anita the manuscript, written in English – because she wanted to reach as many people as possible with her story, explaining to Anita that she wrote it in English to reach a wide audience – an audience that would include those affected and those not affected, and those all over the world who wanted to know more.

It is a story of sacrifice and the drive to do whatever one can to survive, whilst witnessing the depravity of humanity, and what humans are capable of at their worst, but also, what people will risk to save themselves, and keep others safe – what they will sacrifice or potentially lose just to keep friends safe – as Bella, Larissa’s gentile friend did for Larissa and Sasha throughout the years, before disappearing to Warsaw shortly before the end of the war.

Larissa and Sasha showed great resilience through their years of hiding and Sasha pretending to be a girl – Sala – under false papers, in a regime where you never knew who you could trust and where your landlady, or neighbours could turn you into the Gestapo at any time, on the mere suspicion of being Jewish, or a Communist or anyone who was against the Nazi regime. It is just one of many stories about the Holocaust and the horrors of World War Two around today.

Never forget are the final two words in the author’s note, and the horrors of the Holocaust, of stories like Sasha’s, Anne Frank and many more are a part of history we should never forget, and never let happen again. We should never forget the millions of people the Nazi’s persecuted based on religion, race, politics, sexuality or anyone who simply tried to resist them, and the brutality that these people faced, and the survival stories as well as the tragic ends. None of this should be forgotten. This is why Sasha’s story is an important one, and why it was important for Anita, his daughter, to tell.

Stories like this remind us of why we must resist regimes and abuse, and why we must speak out and stand up for what we believe in, because otherwise, the people who commit these atrocities and who support them win. I found this story to be powerful and moving, and as such, I read it very quickly. Whilst it is aimed at a Young Adult audience, I feel anyone interested will be able to read this and understand it.

Booktopia

Book Bingo Six: A Book With a One-word title, a book published more than ten years ago. 

book bingo 2018.jpg

Only two books for today’s book bingo post – both of which fit into one of the categories I am filling today, and two more rows have a bingo – Row One Across:

Row #1 – – BINGO

 

A book set more than 100 years ago: Rose Raventhorpe Investigates: Hounds and Hauntings by Janine Beacham – AWW2018

A book written more than ten years ago: Thunderwith by Libby Hathorn – AWW2018

A memoir: Skin in the Game: The Pleasure and Pain of Telling True Stories by Sonya Voumard

A book more than 500 pages: Miss Lily’s Lovely Ladies by Jackie French – AWW2018

A Foreign translated novel: Babylon Berlin by Volker Kutschner (translated by Niall Seller)

And Row Two down.

Row #2 – BINGO

 

A book written more than ten years ago: Thunderwith by Libby Hathorn – AWW2018

A book by an author you’ve never read before: The Secrets at Ocean’s Edge by Kali Napier – AWW2018

A book written by an Australian man: The Opal Dragonfly by Julian Leatherdale

A book with a one-word title:Thunderwith by Libby Hathorn – AWW2018, Munmun by Jesse Andrews

A book based on a true story: Mr Dickens and His Carol by Samantha Silva

The first square that I filled for this week is a book with a one-word title, and there happened to be two books that filled this square, with one of them filling the other completed square. First, Munmun by American author, Jesse Andrews, a new release book where, in a satirical world based on America, your height is related to your wealth, and where littlepoors struggle to climb up the wealth ladder whilst being blamed for their standing in the society – a reflection on how society treats the vulnerable today. I reviewed it several weeks ago on the blog, and wasn’t overwhelmed by it, though the premise was interesting and there were times that the execution worked well, though I still found some aspects could have been reworked to have a similar effect.

AWW-2018-badge-rose

Second is an old favourite, Thunderwith, which fits two squares this week. I first encountered this book in 1998 and still have the same copy that has been sitting on my shelf for twenty years. I’ve been trying to fill each square with at least one book, but this square had so many options, I felt that at least two would work. I also entered Thunderwith into the published more than ten years ago square – it was published twenty-eight years ago in 1990. Lara’s story has layers of emotion that many can relate to, and is set in the Australian bush, in an area a few hours north of me, so reading the familiar names of places I have visited is always enjoyable. I’ve reviewed it here.

So that’s my sixth book bingo of the year, and I’m off to see how Mrs B and Theresa Smith are doing with theirs!

Booktopia

Thunderwith by Libby Hathorn

thunderwith 2Title: Thunderwith

Author: Libby Hathorn

Genre: Fiction

Publisher: Hachette Australia/Lothian Children’s Books

Published: First published in 1990, current edition published 2015.

Format: Paperback

Pages: 217

Price: $16.99

Synopsis: A modern Australian classic from bestselling author Libby Hathorn, now with a new, contemporary jacket in celebration of its twenty-fifth anniversary.

Lara feels completely alone after her mother’s death. She moves to the bush to live with her father, but his new family make her feel like an intruder, and a bully makes school just as unwelcoming. With the appearance of the mysterious dog Thunderwith, Lara begins to feel a connection to this harsh place. Will it ever feel like home – and will her stepmother and half-siblings ever feel like family?

THUNDERWITH has won numerous awards, including the Children’s Book Council Honour Book Award (1990), the American Library Association Best Book for Young Adults (1991) and was also adapted into the classic TV movie THE ECHO OF THUNDER, starring Judy Davis, who was nominated for an Emmy for her portrayal of Gladwyn.

THUNDERWITH was directly inspired by Libby’s family holidays in the Wallingat rainforest: ‘One night there was a huge storm and when I looked out of the window, this big black dog ran across the clearing, a very proud and wonderful-looking animal. Afterwards, when I climbed back into the bunk where I had been sleeping, there seemed to be this chanting thing going on between the thunder and the rain on the roof, “Thunderwith, Thunderwith.” By morning, I had a story.’

~*~

thunderwith 1Following the death of her mother, Cheryl, Lara moves to the Wallingat with her father, and his new family – Gladwyn, and four children: Pearl, Garnet, Opal and Jasper. She feels completely alone: Gladwyn and eldest daughter Pearl seem to hate her, her father, Larry is so often away, and school presents more problems in the face of school bully, Gowd Gadrey. When exploring the bushland behind the property one day during a storm, a dog appears. As he appears, Lara chants “With thunder you’ll come, and with thunder you’ll go,” – and names the dog Thunderwith. As she battles bullying at school and indifference from her new family, Lara finds solace in Thunderwith as she searches for her mother’s spirit, feeling as though she has been abandoned. Her only refuge is the library, and the Aboriginal story teller, Neil, who seems to understand Lara and the way she feels and becomes a great source of comfort to her. When tragedy strikes, Lara is faced with a tough decision, and the sense that this tragedy could tear the family apart or bring them closer together.

AWW-2018-badge-roseThe first time I encountered Thunderwith, was in my year six class, where we read it as a group. There was something magical about it, and twenty years later, after having read it multiple times, it is still there. I loved it in class so much, I wanted my own copy – I wanted to read it on my own as well, and have done so many times over the years, that my book is creased, with yellowed pages, but still intact, and still ready to be read again. It was the first Young Adult book I ever read – though I didn’t know that was the category it fitted into at the time. I fell in love with Thunderwith, the book and the dog – an amazing dog, and filled with amazing, diverse and complex characters whose secrets are slowly revealed.

It is a story of love – the love for family, mostly. Lara’s love for her mother drives her, and the love she received as a child is so easily shared with her new siblings. Lara’s courage and love shines through, as she adjusts to her new home, new life and new school across several months, and a single school term. It is one I have loved and enjoyed for a long time, and that will always be a favourite.

Booktopia

Some of the authors appearing at the Sydney Writer’s Festival…

It’s that time of year again, when the programs and author schedules for the annual Sydney Writer’s Festival are announced. Held between the first and the sixth of May, mostly at Carriageworks but with some events at a variety of other places around Sydney, there will be many events to choose from, and many authors to meet and hear speak.

Below is a sampling of the authors published by Hachette who will be attending this year, which has a diverse and intriguing calendar of events that I am sure will sell out quickly! So here are some of the authors appearing, and when and where they will be appearing.

American author, Jennifer Egan, author of Emerald City and Other Stories, The Invisible Circus,The Keep,Look at Me, Black Box,A Visit From the Goon Squad, and Manhattan Beach. Jennifer will be appearing at the following events, all in Bay 17 at Carriageworks.

Thursday, the 3rd of May, at 3pm – On the Record: Historical Fiction

Saturday the 5th of May at 6pm – Jennifer Egan: Manhattan Beach

Sunday the 6th of May at 6pm: Closing Address: Jennifer Egan.

Also from America, Zack McDermott, author of Gorilla and the Bird, will be appearing on the following dates at the following locations:

Thursday, the 3rd of May at 7pm, Carriageworks, Bay 20: The Full Catastrophe

Friday, the 4th of May, at 11.30am, Carriageworks, Track 8: Zack McDermott: Gorilla and the Bird

Alexis Okeowo, author of A Moonless, Starless Sky, also from America, will be appearing at four different events over the course of the week, all at Carriageworks, where the majority of the events are held.

Tuesday, the 1st of May at 6.30pm, Carriageworks Bay 17: Opening Address: André Aciman, Min Jin Lee and Alexis Okeowo

Friday the 4th of May, 3pm, Carriageworks, Bay 17: Conflicting Narratives

Saturday, the 5th of May, 1.30pm, Carriageworks Bay 17: Resisting Unjust Authority

Sunday, the 6th of May, 1.30pm, Carriageworks Bay 20: Alexis Okeowo, A Moonless, Starless Sky

 

Michael Mohammed Ahmad, an Arab-Australian writer, editor, teacher and community art s worker will also be appearing. His book, The Lebs, is about breaking down stereotypes and showing people that a small minority don’t determine the majority of a culture. Michael will be appearing at the following events at the Seymour Centre, and the Riverside Theatres.

Monday, the 30th of April, at 9.30am, Seymour Centre, Workshop Room 1: Michael Mohammed Ahmad: Good Writing versus Bad Writing.

Wednesday, the 2nd of May, 11.15am Seymour Centre York Theatre: Student Session: The Next Wave.

Friday, the 4th of May, Seymour Centre, Sound Lounge, 4.30PM: New Australian Voices.

Saturday, the 5th of May, Riverside Theatres, Lennox Theatre, 10am: From the Sidelines AND at 5pm in the Everest Theatre of the Seymour Centre, Return of the Big Black Thing.

Walkley Award winning journalist, Michael Brissenden will also be appearing at the festival, at will have one event at the Seymour Centre.

Thursday the 3rd of May, at 1.30pm, Seymour Centre, York Theatre: Straight from the Headlines,

The third Australian author published by Hachette to appear is Indigenous author, Claire G Coleman, author of Terra Nullius, a speculative fiction looking at the concept of invasion and settlement, using aliens taking over the world as a metaphor and symbol. It was an interesting and eye-opening book to read, my review is here. Claire will be appearing at three events across each precinct of the festival.

terra nullius

Thursday, the 3rd of May, at 11.30am, Seymour Centre, York Theatre: Home Truths: Telling Australian Stories.

Friday the 4th of May, at 11.30am at Carriageworks Blacksmith’s Workshop: Claire G Coleman: On Fiction, Villains and the Nature of Evil

Saturday the 5th of May, 1.30pm, Riverside Theatres: Architects of New Worlds.

fairvale

Another Australian author appearing at the festival is Sophie Green, author of The Inaugural Meeting of the Fairvale Ladies Book Club, reviewed on this blog as well and it, and the previous book, Terra Nullius, were included in my Australian Women Writer’s Challenge last year. Sophie will be appearing at one event this year.

Thursday, the 3rd of May, at 10am at the Seymour Centre, Reginald Theatre: Family Ties.

Royce Kurmelovs is another author appearing, and he has written the following books: Death of Holden, Rogue Nation, and Boom and Bust (2018). He will be appearing at an event about the rise of Australian populism.

Saturday the 6th of May, at 11.30 at the Seymour Centre, York Theatre: The Rise of Australian Populism.

Peter Polites, author of Down the Hume will also be in attendance at the following events and is another new Australian author whose book has come out recently.

Peter will be appearing at two events this year:

Saturday, the 5th of May at 5pm in the Everest Theatre of the Seymour Centre, Return of the Big Black Thing, with Michael Mohammed Ahmad.

Sunday, the 6th of May, at 10am at the Seymour Centre, Sound Lounge: Pajtim Statovci: My Cat Yugoslavia

Award winning journalist, Hugh Riminton, a news presenter and foreign correspondent, will be at the festival chatting about his book, Minefields. Hugh will be appearing at three events across the week of the festival.

Thursday, the 3rd of May at 11.30am, Seymour Centre, Reginald Theatre: Becoming the Story.

Thursday, the 3rd of May at 7pm, Hurstville Library: Hugh Riminton: Minefields/

Saturday, the 5th of May, 11.30am, Carriageworks, Bay 17: Peter Greste: The First Casualty.

Michael Robotham will also be appearing, and has written the following books: The Suspect,The Drowning Man, The Night Ferry Shatter,Bombproof,Bleed For Me,The Wreckage,Say You’re Sorry, Watching You,Life or Death,Close Your Eyes,The Secret She Keeps, and The Other Wife (2018).  Michael will be appearing at the following events:

Thursday, the 3rd of May at 1.30pm at Carriageworks, Blacksmith’s Workshop: Michael Robotham: On Plotting the Perfect Crime.

Thursday the 3rd of May, at 6.30pm at Blacktown City Max Webber Library: Michael Robotham: The Secrets She Keeps.

Saturday, the 5th of May, at 10.30am, Seymour Centre, Reginald Theatre: Michael Robotham: The Secrets She Keeps.

Wednesday, the 2nd of May, 7pm, The Concourse Concert Hall: Jane Harper: Force of Nature.

Saturday, the 5th of May, at 1.30pm, Carriageworks Bay 20: Gabriel Talent: My Absolute Darling.

Sha’an d’Anthes, a new Australian author based in Sydney who has had a career as an artist and illustrator and has travelled all over the world. She will be speaking at two events on the final day of the festival. Her picture book, Zoom, was published by Hachette Australia.

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Sunday the 6th of May at 2.15pm. Carriageworks, Track 8: Illustrator Battle Grounds.

Libby Hathorn, well known Australian author of books for children and young adults will also be appearing. Some of her books are: Thunderwith, The Blue Dress, Georgiana, Dear Venny, Dear Saffron, Volcano Boy, The Painter, Feral Kid, Chrysalis, Love Me Tender, Eventual Poppy Day, A Soldier, A Dog and A Boy, and Butterfly, We’re Expecting You!

eventual poppy day

Libby will be appearing at the following events:

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Sunday the 6th of May, at 11.15am, Carriageworks, Track 12: Outside: A Feast of the Senses.

Binny Talib will also be appearing, at the same event as Libby Hathorn and Sha’an d’Anthes on the Sunday morning of the festival. Binny has two books published by Hachette Australia, Origami Heart and Hark It’s Me, Ruby Lee!

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Another Australian author to appear will be Shaun Tan. who has worked in theatre and films as concept artists and designers. His works include Lost Thing, Memorial, The Red Tree, The Rabbits, The Viewer, Rules of Summer, The Arrival (an acclaimed wordless novel), and Cicada, published in 2018. Shaun will be appearing at one event on the Saturday.

Saturday, the 5th of May, at 3pm, Riverside Theatres, Parramatta: Bringing Imaginary Worlds to Life.

Hachette’s final author to be appearing is Debra Tindall, author of The Scared Book. she began her career as a social worker before becoming an author. The Scared Book is a CBCA notable book for children. She will be appearing at the same event as Libby Hathorn, Binny Talib and Sha’an d’Anthes.

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Check out the Sydney Writer’s Festival website for more events and authors.

Booktopia

Book Bingo Three: A book by someone over 60, a book by an author you’ve never read before.

 AWW-2018-badge-rose

In my third book bingo posts of the year, I have two books to report on – a book by an author I have never read before, and a book by someone over sixty. Both of these books have already been reviewed on my blog, so I have linked back to the longer reviews in this post.

oceans edgeSquare seven, a book by an author I have never read before has been filled by The Secret’s at Ocean’s Edge by Kali Napier, and it is Kali’s debut novel, and draws on family history and the geography of Western Australia to craft a story that is filled with ups and downs, and characters who are flawed and complex. It is a story about family, and sacrifice, and the lengths that some people will go to so they can protect family, and hide secrets that threaten those they care about. Set in the Great Depression, it shows a side to Australian history and life often not heard about in history books and draws on issues of Aboriginality and how the government defined this during the 1930s, injecting some of the hidden history not taught in schools into the novel. I enjoyed this debut, and hope Kali writes more.

My next square checked off is a book published by someone over 60. Eventual Poppy Day eventual poppy dayby Libby Hathorn (b 1943) fits into this square. Eventual Poppy ay is another story inspired by family history, in this case, a family link to the battlefields of World War One and what would become known as Remembrance Day and Anzac Day, where poppies would become the symbol of a generation lost to the ravages of war. It flicks between the story of Maurice in the war, and his great-great nephew in the twenty-first century, trying to find his place in the world. It is a moving story that gives a sense of what the war was like, the suffocating trenches and the feelings of helplessness during the stalemates.

Both of these were historical fiction as well, as I feel many of my books this year will be. Keep an eye out for my next post in two weeks time with more updates.

book bingo 2018.jpg

Booktopia

2018 NSW PREMIER’S LITERARY AWARDS

The NSW Government has a long tradition of celebrating and connecting the public with art and literature. The NSW Premier’s Literary Awards are an opportunity to highlight the importance of literacy and literature, whilst enjoying and learning from the work of our writers in NSW and Australia. Like other literary awards, this award in highlighting the spectacular Australian Literature Australian writers produce, highlights and honours the achievements of Australia’s writers, and their artistic contributions to society, but also to highlight our literary achievements to the world. The State Library administers the awards.AWW-2018-badge-rose

The NSW Premier’s Literary Awards have more categories than the Victorian awards. These categories are:

Christina Stead Prize for Fiction

2017 Winner: The Museum of Modern Love by Heather Rose

2017 Shortlist: Vancouver #3 in the series Wisdom Tree by Nick Earls

Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers by Ryan O’Neill

Where the Light Falls by Gretchen Shirm

After the Carnage by Tara June Winch

The Natural Way of Things by Charlotte Wood.

UTS Glenda Adams Award for New Writing

2017 Winner: Letter to Pessoa by Michelle Cahil

2017 Shortlist:

The Memory Artist by Katherine Brabon

Dodge Rose by Jack Cox

Our Magic Hour by Jennifer Down

Portable Curiosities by Julie Koh

The Bonobo’s Dream by Rose Mulready

Douglas Stewart Prize for Non-Fiction

2017 Winner: Our Man Elsewhere: In Search of Alan Moorehead by Thornton McCamish

2017 Shortlist: Everywhere I Look by Helen Garner

Talking to My Country by Stan Grant

The Art of Time Travel: Historians and Their Craft by Tom Griffiths

Avalanche by Julia Leigh

Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire by Shane White

Kenneth Slessor Prize for Poetry

2017 Winner: Ghostspeaking by Peter Boyle

2017 Shortlist: Burnt Umber by Paul Hetherington

Breaking the Days by Jill Jones

Fragments by Antigone Kefala

Firebreaks: Poems by John Kinsella

Comfort Food by Ellen van Neerven

Ethel Turner Prize for Young People’s Literature

2017 Winner: One Thousand Hills by James Roy and Noël Zihabamwe

2017 Shortlist: Elegy by Jane Abbott

The Ghost by the Billabong by Jackie French 

the-ghost-by-the-billabong

The Sidekicks by Will Kostakis

The Boundless Sublime by Lili Wilkinson

One Would Think the Deep by Claire Zorn

Patricia Wrightson Prize for Children’s Literature

2017 Winner: Iris and the Tiger by Leanne Hall

2017 Shortlist: Magrit by Lee Battersby and Amy Daoud

Something Wonderful by Raewyn Caisley and Karen Blair

Desert Lake Pamela Freeman and Liz Anelli

Figgy and the President by Tamsin Janu

Welcome to Country by Aunty Joy Murphy and Lisa Kennedy

Nick Enright Prize For Playwriting

 

2017 Winner: The Drover’s Wife by Leah Purcell

2017 Shortlist:  The Hanging by Angela Betzein

You, Me and the Space Between by Finegan Kruckemeyer

Ladies Day by Alana Valentine

Betty Roland Prize for Scriptwriting

2017 Winner: The Code – Series 2, Episode 4 by Shelley Birse

2017 Shortlist: Down Under by Abe Forsythe

Sucker by Lawrence Leung and Ben Chessel

The Kettering Incident episode 1 by Victoria Madden

Afghanistan: Inside Australia’s War by Victoria Midwinter Pitt

Cleverman Episode 5 “Terra Nullius” by Michael Miller

Multicultural NSW Award

 2017 Winner: The Hate Race by Maxine Beneba Clarke

2017 Shortlist: Offshore: Behind the Wire on Manus and Nauru by Madeline Gleeson

Not Quite Australian: How Temporary Migration is Changing the Nation by Peter Mares

Of Ashes and Rivers that Run to the Sea by Marie Munkara

Promising Azra Helen Thurloe – on my To Be Read pile.

The Fighter: A True Story by Arnold Zable

NSW Premier’s Translation Prize

 2017 Winner: Royall Tyler

2017 Shortlist: J.M.Q Davies

Penny Hueston

Jennifer Lindsay

Multicultural NSW Early Career Translation Prize

 2017 Winner: Jan Owen

2017 Shortlist: Christopher Williams

Indigenous Writer’s Prize – Biennial Prize Next Awarded in 2018

Last awarded in 2016.

2016 Winners: Dark Emu by Bruce Pascoe and Heat and Light by Ellen van Neerven

2016 Shortlist: Ghost River by Tony Birch

Inside My Mother by Ali Cobby Eckermann

Dirty Words by Natalie Harkin

Not Just Black and White by Lesley Williams and Tammy Williams

Other Awards:

NSW Prize for Literature

2017 Winner: The Drover’s Wife by Leah Purcell

People’s Choice Award

 2017 Winner: Vancouver #3 in the series Wisdom Tree by Nick Earls

 Special Award

 The Special Award was last awarded to Rosie Scott AM in 2016.

Across these twelve categories and the three additional ones, there is a diverse range of authors and stories, that tell of personal experiences, imagined worlds and that draw on history and the world the authors have lived that led them to write these books. Each prize I have looked at so far has shown a different degree of diversity, with this one having a broader range, if only because it has more categories than the others I have looked at. Last year’s winners and nominees are in good company with past winners Peter Carey, David Malouf AO, Elizabeth Jolley, Thomas Keneally AO and Helen Garner.

Each prize has a different amount of money, and further details can be found in the provided links. In 2018, the total prize money, including sponsored awards is up to $305 000, and to be nominated for any of these awards, the writer and illustrator must be living Australian citizens or hold permanent resident status.

Taken from the website:

The NSW Premier’s Literary Awards are presented by the NSW Government and administered by the State Library in association with Create NSW. We are pleased to acknowledge the support of Multicultural NSW and the University of Technology Sydney (UTS).

The 2018 winners will be announced on 30 April 2018.The short-list will be announced in March.

Purchase any of the above books here:

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