Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.
Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.
Jacqueline Harvey is the best-selling author of three wonderful series of books for children and readers of all ages – Clementine-Rose, Alice-Miranda and Kensy and Max. Jacqueline also has a background in teaching and works with several reading charities and is an Australia Reads ambassador for 2020, which has had its major events moved to November. Much like other authors, Jacqueline has had events and launches cancelled – and below, she discusses Clemmie, Alice-Miranda and the wonderful spy twins, Kensy and Max, as well as the reading and writing industry and how her educational career has complemented her writing career.
Hi Jacqueline and welcome to The Book Muse
- I first came to your books through Kensy and Max two years ago – but you got started in the writing industry elsewhere – what was the very first thing that you had published?
I’ve been writing for quite a while now. The first book I had published was Code Name Mr Right with Lothian Books in Melbourne. There were three books in that series and I also had a picture book called The Sound of the Sea. They were all published between 2003 and 2005 then nothing for five years until the first Alice-Miranda book was released in 2010.
- Where did the idea for Clemmie (Clementine -Rose) come from, and how many books do you have planned for that series?
I wanted to write a shorter book than Alice-Miranda and loved the idea of a little girl who lives in a rather ramshackle country house hotel. The first line came to me quite out of the blue and was the start of the Clemmie back story (she was a foundling delivered to her adoptive mother in the back of the local baker’s van). Her full story is revealed throughout the series. She also had to have an interesting pet and Lavender the teacup pig was perfect. I’ve written 15 books in the series with the final book, Clementine Rose and the Best News Yet published in November 2019 (I think the title is a tad ironic given it’s the last book so it’s not the best news in some ways but it is for Clemmie).
- Similarly, where did the idea for Alice-Miranda come from – and after she heads to the outback later this year – where will she head next?
I originally thought Alice-Miranda would be a picture book – how wrong I was about that! In the beginning she was based on three little girls I used to teach but over time she grew to have the best characteristics of many children I’ve worked with over the years (boys and girls). Having worked in schools for a long time it just seemed natural that I would write a school story. I love the outback adventure – there are some really funny new characters and lots of challenges for Alice-Miranda and her friends. At this point I’m not sure where I’ll take her next but the second animated film is currently in production so I’m excited to see that towards the end of the year. It’s called Alice-Miranda: A Royal Christmas Ball and follows on from last year’s film, Alice-Miranda Friends Forever, which is now airing on STAN and Nine Now. You can also download it from iTunes.
- Onto my absolute favourite of your series – Kensy and Max – where did this idea come from, and how many other places do you think you’ll take the twins?
Kensy and Max grew out of my curiosity about all things spies. I also wanted to create a series to make the reader think – hence the chapter headings are written in code and the whole name of the spy organisation, Pharos is linked to the ancient lighthouse of Alexandria (also the name of Granny Cordelia’s country estate). A beacon is a light in a lighthouse and also the name of the newspaper which provides the ‘front’ for the spies. We had been doing a lot of travelling in the UK and on several occasions visited a pub called The Morpeth Arms which is right on The Thames opposite the Mi6 building. Upstairs the pub had a restaurant called The Spying Room and when you sat at the tables with a view, there were binoculars available and a sign that said, ‘Can you spy on the spies?’ I had a conversation with the publican about whether he’d seen anything interesting over there and he told me (and he could have been pulling my leg but that didn’t matter) that he’d worked in the pub for 16 years and in that time he’d seen the lights go on and off, computer screens flicker and occasionally someone on the balcony but that he’d never seen a person in the building. True or not it got me thinking – what if Mi6 was more like a publicity company and the real spies were somewhere close by that you’d never think to find them. Hence Kensy and Max was born. We have also visited some interesting places like Scotland’s Secret Bunker – a war time hideout just south of St Andrew’s and another hotel north of London which had been used for spy activities during the war.
I’m currently signed to write 8 books in the series though hopefully if children love them I’ll be able to write more. Kensy and Max have been on adventures in London, Rome, Sydney, Paris, New York and I’m in the middle of writing Kensy and Max: Full Speed which begins in London but will head to the Swiss Alps. I have plenty of ideas for more stories and had actually been planning a trip to Russia later this year – that’s currently off the agenda for me but definitely not for them!
- What 2020 releases, launches and author events have been impacted by the COVID-19 pandemic?
I had a huge tour planned for March and April but we only managed to get three days of bookshop and school visits and our Sydney High Tea Celebration for 10 years of Alice-Miranda before everything went pear shaped. My Melbourne and Perth tours were cancelled and I’ve had lots of festivals cancelled too including one in Tasmania in September and touring in New Zealand in June. So far pretty much all of my school events have been postponed or are in state of flux although I do have some online bookings that are set to go ahead. I’m still writing and none of my release dates have been impacted as yet.
- When it comes to Kensy and Max, what sort of research have you had to do into spies, ciphers and codes, and all the locations they visit across the world?
Kensy and Max requires a considerable amount of research from all angles. Just this week I’ve been taking virtual tours of the Palace of Westminster and the British Houses of Parliament and I also wrote to the London Fire Brigade to ask them some specific questions on their uniforms. It was lovely to receive a very comprehensive reply on Friday morning. I have to research all the codes and ciphers and my husband loves that sort of thing (and is something of a maths genius) so his help has been invaluable. Location wise, I’ve been to all of the places they’ve been so far but some, not for a while, so Google Maps, Google Earth and Google Street View are always on my other screen when I’m in a city that I need extra reminders of. For example in Italy I took myself on loads of walking tours of Rome on Street View and it jogged my memory for the small details like the fabulous door knockers and the cobbled streets.
- Is there a favourite place in the world you haven’t taken any of your characters in any series yet, but that you would love to send them to?
Well I’m not sure if it’s going to be a favourite place as I haven’t been there yet but I am desperate to send them to Russia and I am very keen to go there. I could also set a full story in New Zealand as we spend a lot of time in Queenstown.
- Does Ballypuss help with your writing, or hinder it?
He’s a great help most of the time because he’s the world’s best sleeper. Although when he’s out roaming in the garden he often demands that I let him back inside (he sits on the wall outside my office and meows to tell me he’s ready to come home). Lately that has turned into a game of ‘follow me around the garden’ and he has this bizarre habit of needing someone to watch him while he eats.
- Did your teaching career help you when it came to writing?
Absolutely as I spent a lot of time testing early material on a captive audience. I have always loved visiting schools and talking to children and teachers. It also helps when it comes to classroom management and being able to speak to groups of all sizes. My raised left eyebrow has an excellent effect on a rowdy audience 😊.
- You are one of Australia’s most popular authors – what kind of reception do you get from readers – and do you find that some of your books might be read more by a certain readership than another?
I am so grateful to my readers. I get lots of beautiful messages from children and adults about my books. I think it’s tricky when you write books with girls as the central characters to convince some boys that they too, can read the stories – they seem to cop a bit of pressure at times not to. Both Alice-Miranda and Clementine Rose have plenty of boys in the stories and I am a strong proponent of the idea that there are no books for girls or books for boys – just books. Kensy and Max has definitely opened the market to a lot more boys (though thankfully I get plenty of parents telling me their boys love Alice-Miranda and Clementine Rose too).
- Your books are not aimed at boys or girls specifically – how have you managed to capture readers across the board with all your series?
I have a lot of loyal boy readers who have loved Alice-Miranda and Clementine Rose but I still struggle with adults who will sometimes steer boys away from those stories. I’ve heard horrible comments at times – one story that was heartbreaking when a boy whose school I had visited that week saw me signing books outside a shop and he ran up and was very enthusiastically telling his dad, ‘That’s her – the lady who came to our school. I really want that book.’ He pointed at Alice-Miranda to the Rescue – which has a green cover and a picture of Alice-Miranda holding a puppy. It’s not especially feminine or overly ‘girly’. The father growled at the boy, ‘Maaaate, you don’t want that book – it’s got a girl on the cover.’ I was mortified and asked the fellow if he’d heard what had just come out of his mouth. He muttered some choice words and quickly ushered his son away. The little boy was upset and I was too. I find it hard to believe that in 2020 attitudes are still quite archaic at times. Only last year I visited a school where the librarian told me I was talking to the Year 3 and 4 girls. I asked what the boys were doing because unless it was flying on a rocket to the moon I didn’t imagine it was anything more exciting than listening to my talk. She told me that the ‘powers that be’ had decided ‘you only write books for girls.’ I was aghast and said (politely) that if the powers that be didn’t let the boys come I was not planning to stay. Suffice to say the boys arrived and that afternoon I had an email from a mum whose son had begged to go into town and get some of my books. She said that he never read but he couldn’t stop talking about all the stories I had told them. She was so grateful and I was really pleased that I made a fuss and the boys were allowed to come to the talk.
- You’ve worked in the arts and teaching – like a few other participants – how do you think these two roles complement each other?
Quite a few authors and illustrators have backgrounds in education – and I think the two occupations are very complementary. I spent year’s trialling stories on my captive audiences and I also read so many books to the children – it was wonderful training to see what worked well. I’ve had quite a diverse school career from classroom teacher to deputy head to director of development and find that many of the skills I needed back then have stood me in good stead now – presenting, organising events, communicating with children and adults, writing – both creatively and non-fiction.
- As a writer with an education background, how do you think both industries will be affected by the pandemic?
Education has been turned on its head. Teaching remotely has created a huge additional workload for teachers, many of whom are just getting to grips with the technology they are required to use. One of my sisters is a high school teacher and she has been overwhelmed with extra work as well as trying to monitor her own four children who are studying from home. I guess the one good thing is that most teachers have secure incomes (casuals aside) and that’s an area where the arts have been hugely impacted. For me personally almost all of my festival gigs have been cancelled for the year and while schools are beginning to book authors for online events, it’s very different to being there in person and interacting with the students. Obviously the rates of pay are much lower too. Royalties for book sales are paid twice a year so it’s difficult to know how they will be impacted in the long term. Some of my author friends have been tutoring to help make up the shortfall in income while others have been creating online content – though there is some concern about ongoing intellectual property issues particularly ensuring that once we do come out of lockdown schools will once again book authors and illustrators to do ‘in person’ gigs.
- You’re also an ambassador for Dymocks Children’s Charities – what sort of programs does the charity support, and what work do you do for them?
Dymocks Children’s Charities have wonderful programs including Book Bank and Library Regeneration, and have recently run a fantastic fundraiser for bushfire affected schools. They have introduced ‘Books for Homes’ to ensure that disadvantaged children who have been isolated by the pandemic are still getting books to read. I’ve recorded some short videos for their new You Tube channel which we hope will be viewed and used by schools and in homes. Under normal circumstances I would do a couple of Library Regen or Book Bank presentations a year and I also promote their campaigns via social media and an awareness page in all of my books. The past couple of years, Ambassadors Sally Rippin and Adrian Beck have edited a fabulous book called Total Quack Up and Total Quack Up Again and I’ve contributed to both of those as well.
- Has any of this work been affected by the pandemic or can you do it remotely?
Unfortunately a lot of the charity’s work has been impacted by Covid 19. The first thing to go was the annual Great Debate which is a huge charity fundraising event – and their largest source of income. Initially it was postponed until later in the year but with things so up in the air they have decided to move it to 2021. Obviously they have had to adapt so the Books for Homes program was born and the You Tube channel was developed to help spread awareness.
- Favourite writing snack?
A cup of white tea and a handful of raw cashews.
- Do you have a favourite place to write?
Anywhere with a view – especially of water or mountains.
- What would you like to see in terms of support for the arts, and how can people support the arts and authors in these difficult times?
I wrote an article for Reading Time – http://readingtime.com.au/supporting-childrens-authors-during-the-corona-crisis/ about ways people can support authors and illustrators during this time. Certainly buying books (if you can afford to) but also giving recommendations – there are some wonderful sites like Your Kids’ Next Read on Facebook where parents can comment and support authors. It has been good to see some additional grants offered by organisations like the Copyright Agency and the City of Sydney, though I know not everyone is able to access these.
- Do you have a favourite local bookseller you’ll be trying to support during the pandemic?
So far I have ordered books online from Dymocks and when I get through that reading pile I will definitely be supporting my local shops including Novella at Wahroonga and Book Review St Ives. My second last public event before we went into lockdown was at Book Review and I can’t wait to get back out and do more events once it’s safe to do so.
- Finally, what are you working on at the moment?
I’m writing the sixth book in the Kensy and Max series. It’s called Kensy and Max: Full Speed and will be out in October. I’ve just finished writing a short book, Kensy and Max: Spy Games for the Australia Reads Campaign which will be out in November and I’m also working on some other exciting secret projects.
Anything further?
I think that just about covers everything – well except I’d love to give a big shoutout to all of the school and municipal librarians across Australia who have been working hard to keep kids supplied with books and resources. They’ve had to adapt in record time and I know they’re doing a brilliant job. So a huge thanks from me!
Thank you Jacqueline!
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Title: Kensy and Max: Freefall
The Kensy and Max series gets more and exciting as it goes on, and each book should be read in order – some characters pop in and out of the series, the books refer back to previous events, but don’t give a full recap of what has come before, and there are new things to learn all the time that need to be connected to the previous stories. The codes and ciphers are always fun too – in this one, Jacqueline uses the A1Z26 code – where each letter of the alphabet is represented with the numbers one to twenty-six in that order.
Title: Alice-Miranda in the Outback
Title: Alice-Miranda at School (10th anniversary edition)
