Isolation Publicity with Sonya Bates

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

My next interview is with Sonya Bates, author of The Inheritance of Secrets, one of the shortlisted authors of the inaugural Banjo Prize with HarperCollins Australia – in 2018. I reviewed it here on the 20th of April, it’s review date. Sonya, like many authors who have appeared, has had events, launches and appearances cancelled due to COVID-19. She agreed to participate in my Isolation Publicity series – there are more to come, and I am waiting for some answers to pop back, so be on the lookout over the next few weeks.

Inheritance of Secrets

Hi Sonya, and welcome to The Book Muse,

  1. Where did the idea for your novel, Inheritance of Secrets, come from?

The idea for Inheritance of Secrets came from a character – the character of Karl from the historical thread of the novel. Karl is a fictional character who was inspired by my dad, who grew up in Germany in the same era, when Hitler was in power. Like Karl, he was drafted at the age of eighteen and sent to war. My dad was such a quiet, peace-loving person and I couldn’t imagine him being involved in such a terrible part of history. It made me want to write something that involved an ordinary person caught up in terrible times.

  1. What was it like growing up being aware of what your father went through?

It wasn’t something I thought about a lot. It’s not something he talked about. He was just my dad. But every once in a while, something would trigger thoughts about it. Like around Remembrance Day when the teacher would ask if anyone’s father or grandfather had fought in either of the World Wars. I never said anything, because he’d fought on the side of the enemy (we were living in Canada).  I needn’t have been embarrassed about that. He was an ordinary man fighting for his country like so many thousands of men on both sides of the conflict were doing.

  1. Do you think novels like yours with basis on real events and experiences, and presented in a fictional way, can help people understand the grey areas of history and people?

That’s an interesting question. I know, from a reader’s perspective, I love historical fiction because it makes history personal. It puts the reader in a character’s head as they deal with the issues of the time, and gives history a sense of reality. It humanises it. It may also give readers a glimpse of the times of their ancestors, and allow them to connect with their own history. How factual it is depends on the author’s research and their understanding of the time, so in that sense it is, as is all history, one person’s perspective on the time period. But it can put a new slant on history, allow the reader to look at it from a new perspective and consider it in a different way. Novelists have been doing that for quite some time – think Jane Eyre, The Color Purple or The Book Thief. The stories of individual people behind the big events of history. And it’s becoming more prevalent in recent times, especially the telling of stories from the female perspective, which has traditionally been largely ignored in history. Hannah Kent’s novels are a great example, as is Molly Murn’s Heart of the Grass Tree. Inheritance of Secrets isn’t purely a historical novel, and the historical thread is deliberately linked to the contemporary story and designed to provide clues to the mystery. But early readers have said how interesting they’ve found it, and I love that they’ve connected with it.

  1. Roughly how long did it take you to write this novel?

From the first spark of an idea to publication? Probably ten years! But I wasn’t working on it all that time. The idea mulled around in my head for years before I started working on it. I was writing children’s fiction at the time as well as working in Speech Pathology. I dabbled around doing a bit of research and writing a couple of scenes. Ideas were building in my head, but I couldn’t seem to get them down. Finally I concluded that if I really wanted to tackle this, then I needed some dedicated time to write it. I took some time off and did just that. It took me about ten months to write the first draft. Then another couple of years editing before I thought it was close to ready for submission. I signed the contract with HarperCollins late in 2018.

  1. What sort of research beyond your father’s experiences did you undertake whilst working on Inheritance of Secrets?

 

Most of the research was done either online or in libraries and museums. I did talk to my dad some on the phone and when I visited him in Canada, but it wasn’t something he ever wanted to talk about, and so I didn’t pry about his own experiences. He shared a portion of his private memoirs with me while I was researching, and we spoke more in general terms, about the character Karl and what he might or might not have experienced. I relied more on reading memoirs and personal accounts, letters and diaries I found at the State Library or online. As well as scholarly texts on the time periods and the war years both in Germany and Australia. In 2018 I went to Germany and visited many of the museums dealing with the time before, during and after WWII, and also went to Halle (Saale) where Karl and Grete grew up, to walk the streets they would have walked and see the river park where they said their good-byes.

  1. What inspired you to enter the Banjo prize, and do you think it’s a good step for first time authors to take?

The Banjo Prize came at the perfect time for me. I’d done a number of edits on the manuscript, had feedback from beta readers, and felt I was almost ready to send it out to look for a publisher. I’d actually sent it off to a couple of agents, and while they weren’t prepared to offer me representation, they gave me detailed feedback that was immensely helpful. It was about that time that HarperCollins announced the launch of the Banjo Prize. I still wasn’t sure that the manuscript was ready, but basically thought, ‘You’ve gotta be in it to win it.’ So I did one last edit and sent it off with fingers crossed.

I think competitions like the Banjo Prize are a brilliant way for first time authors to get noticed. You can guarantee your manuscript will be read within a timely period for one, and if it does catch the attention of the publishers, even if you don’t win, being shortlisted for a competition looks great on your resume. And you never know, shortlisted manuscripts may be picked up, like mine was.

  1. After your manuscript was acquired, what did you have to do to get your work ready for publication?

The editing process can be a daunting one, especially the structural edit, but I knew that it would be the final step to making the book the best that it could be. For me, it involved fleshing out some of the characters, delving more into their relationships and expanding on the historical thread so that the character of Grete was more real to the reader. I think, coming from writing children’s fiction, my writing is quite spare. I’ve learned to say as much as I need to in as few words as possible, which is something I appreciate as a reader as well. I don’t like things spelled out too clearly. But going this step further with Inheritance of Secrets has made the book so much better. The editors at HarperCollins were brilliant. They didn’t tell me what to do, just pointed things out, asked questions and made suggestions, and then let me consider what was the best thing to do for the book. I think the changes will help the reader to form a stronger connection with the characters.

  1. A debut novel is an exciting event – what events did you have planned for the launch of your novel prior to the current crisis?

The release of Inheritance of Secrets was still a couple of months away when COVID-19 reared its ugly head and things started shutting down. So while my publicist had all sorts of events in mind, not many had been booked. The official book launch at Dymocks Adelaide was cancelled, as well as a collaborative author event that some writer friends and I had booked at a local library. I was able to get around to meet booksellers in Adelaide and Brisbane in January, which was really nice. Everyone was very welcoming and enthusiastic about the book.

  1. When did you decide you wanted to write books and explore stories?

I’ve always liked to write. I wrote stories as a child, although I never showed them to anyone. And after university, I wrote stories to use in therapy when I was working in Speech Pathology. It was when my girls were small and I was taking time off from work that I started to consider writing with the intent of being published. I saw an ad in the newspaper for a correspondence course in writing for children. I needed something for myself, and it seemed like the perfect opportunity. It was great fun, and rekindled my desire to write more. Soon after, I had my first chapter book accepted for publication, so that was very encouraging and the start of an ongoing pursuit of writing and being published.

  1. What was the book that made you fall in love with reading? Any particular reason that book stands out for you?

I don’t remember one particular book. I’ve loved reading since I was a kid. The whole family loved to read. Some favourites were Anne of Green Gables and the Little House on the Prairie series, so even then I loved historical fiction.

  1. War seems to be a common theme in lots of historical fiction at the moment – what is it about war that you think lends itself so well to telling a multitude of stories for a modern audience?

Another great question! I think times of extreme circumstances bring out the best and the worst in people, and can be a catalyst for strong human emotion. And war is definitely one of those extreme situations – especially a world war. People were fighting to survive, and when your family and your life is at stake, you may do things you wouldn’t do under ordinary circumstances. Both good and bad. It’s not something many of us growing up in the modern western world have experienced. Historical novels about war and desperate times put the reader into the head of the character and allow them to experience second-hand what they hope they never will see in real life. War stories may also give readers a different perspective on a period of history. They can put a face to the ‘enemy’, and provide a glimpse of them as a person, possibly provide some insight into their mind and motivation. Every story needs conflict and an antagonist, but no antagonist is completely evil, and revealing those layers of humanity is what makes a story compelling.

  1. What are you currently reading, and do you have a favourite author?

I’m currently reading The Dictionary of Lost Words by Pip Williams and also Silver by Chris Hammer. I don’t often read two at once, but it demonstrates my love for the two genres of historical fiction and crime. I also read contemporary fiction and recently finished Saving Missy by Beth Morrey. I have many favourite authors. Hannah Kent and Jane Harper are probably the two that come to mind as stand-outs.

  1. You’ve previously written for children – what have you written, and which one do you think you enjoyed writing the most?

I’ve written ten books for children and young adults, chapter books and high-interest low-reading-level books for reluctant readers. Most of them have been published by Orca Book Publishers in Canada. To be honest, the children’s novel I enjoyed writing most hasn’t yet found a publisher. It’s a science fiction adventure for middle-grade readers and was just so much fun to write – creating a whole new world and writing from an entirely different perspective. And great fun consulting with my brother on the technical aspects of it too.

  1. Has your career as a speech pathologist helped you understand story and language differently in any way?

I’ve worked in speech pathology for most of my life, so it’s hard to say how it’s influenced my understanding of story and language. Certainly my study of linguistics and speech pathology gave me a good grasp of grammar and the nuances of dialect and colloquial speech. And an understanding of basic story structure. But that’s something that all writers develop at one point or another. I think what working in this field has given me is an appreciation of the difficulties some people have with language and reading and the need to make story accessible to everyone, whether it’s through hi/lo books, audiobooks, graphic novels or even music.

  1. What do you think you’ll be working on for future stories, and will these be for adults or children?

I’m currently working on another adult crime novel. As with Inheritance of Secrets, it explores family dynamics, relationships and trust issues. That seems to be a recurrent theme in a lot of my writing, both for children and adults. Beyond that, I don’t have anything planned. I’ll work with the ideas that present themselves, whether for children or adults.

Anything that you think I have missed?

No, this has been very comprehensive and given me some interesting food for thought.

Thank you Sonya, and best of luck with your novel.  Thank you!

After I’ve Gone by Linda Green

after i'VE GONE.jpgTitle: After I’ve Gone
Author: Linda Green
Genre: Thriller/Crime
Publisher: Quercus/Hachette
Published: 25th July 2017
Format: Paperback
Pages: 440
Price: $29.99
Synopsis: You have 18 months left to live . . . On a wet Monday in January, Jess Mount checks Facebook and discovers her timeline appears to have skipped forward 18 months, to a day when shocked family and friends are posting heart-breaking tributes to her following her death in an accident. Jess is left scared and confused: is she the target of a cruel online prank or is this a terrifying glimpse of her true fate?
Amongst the posts are photos of a gorgeous son she has not yet conceived. But when new posts suggest her death was deliberate, Jess realises that if she changes the future to save her own life, the baby boy she has fallen in love with may never exist.

~*~

After abrasively brushing off someone who gropes her on public transport, Jess Mount has a chance encounter with someone who seems too good to be true: too good-looking, too polite – he seems too perfect, and at the time, Jess is in no mood to be hit on whilst she heads to work with her best friend Sadie as a cinema hostess. After encountering this man – Lee – she begins seeing strange posts and messages on her Facebook, eighteen months into the future, hinting at her death, and a child she hasn’t even imagined having yet. Only she can see these posts though, and the people around her begin to question her state of mind as the novel goes on, delving into past events that have had an effect on her since she was fifteen. As she enters a relationship with Lee, she ignores warning signs and threats, until the messages begin to make sense, and she makes moves to change her fate, including how she refers to her unborn child.

Using first person narrative, and told through the eyes of Jess and Lee’s mother, Angela, the novel moves through the months that lead up to the birth of the child the future posts hint at, the courtship, a wedding and Lee’s changing attitudes towards her. The world is shown through the eyes of Jess and Angela, both not wanting to see the bad side to Lee, both trying to cover up what is really happening, but with one looking for an ending that will not be what her Facebook feed determines it will be.

It is a thriller that has a twisted romance within it, and it was a rather strange storyline – for example, the if, why and how the future and messages appear are not dealt with, and perhaps this works best. Perhaps what has been hinted at from Jess’s past is what has her seeing them. However, as we are not given an answer, the reader is left to speculate and fill in any gaps in the alternating chapters themselves.

Whilst not my usual genre to read, I gave this a decent try, and read it with an open mind. At first, I felt it was slow but the last half or so I read quickly to find out what happened. I did find it a strange, creepy and perhaps interesting premise given how much people live their lives on social media these days, and it did work for the novel. I may pass this on, as I don’t think it is my cup of tea. I am confident that Linda’s fan base and readers of this genre will enjoy it though, and I hope that they do.

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Soon by Lois Murphy

Soon_cover-for-publicity-600x913.jpgTitle: Soon

Author: Lois Murphy

Genre: Literary Thriller

Publisher: Transit Lounge

Published: 1st October 2017

Format: Paperback

Pages: 288

Price: $29.95

Synopsis: An almost deserted town in the middle of nowhere, Nebulah’s days of mining and farming prosperity – if they ever truly existed – are long gone. These days even the name on the road sign into town has been removed. Yet for Pete, an ex-policeman, Milly, Li and a small band of others, it’s the only place they have ever felt at home.

One winter solstice the birds disappear. A strange, residual and mysterious mist arrives. It is a real and potent force, yet also emblematic of the complacency and unease that afflicts so many of our small towns, and the country that Murphy knows so well.

Partly inspired by the true story of Wittenoom, the ill-fated West Australian asbestos town, Soon is the story of the death of a haunted town, and the plight of the people who either won’t or simply can’t abandon all they have ever had. With finely wrought characters and brilliant storytelling, it is a taut and original novel, where the people we come to know and those who are drawn to the town’s intrigue must ultimately fight for survival.
‘A dark and powerful novel that takes the reader on a journey through a disturbingly new and hostile world. Lois’s characters carry their old ways into this new order with grave consequences if they don’t heed the signs. Her haunting and persuasive tale which nods at the tropes of genre fiction while subverting and elevating them heralds a compelling new talent.’

Hamish Maxwell-Stewart, Kate Gordon and Chris Gallagher, Judges, Tasmanian University Prize, Tasmanian Premier’s Awards

‘A  powerful literary thriller where the dark, yet poetically beautiful detailing of events will draw you into a nightmarish world that will have you questioning your understanding of love and loss, and the very nature of your reality. Atmospheric, intense and thought provoking.’

Dominique Wilson, author of  That Devil’s Madness and The Yellow Papers

~*~

aww2017-badgeSoon is an unusual book – a paranormal mystery that envelopes a mysterious, fictional mining town in Western Australia called Nebulah, where Pete, Milly and Li are amongst the last remaining residents of the town after the winter solstice when the birds disappear, and the mist descends upon the town, picking people off slowly, one by one. Pete, an ex-policeman, Milly, Li, a Cambodian who fled the Khmer Rouge, and the other remaining residents, feel it is the only place they belong, and are forced to stand by, watching the mist suck the life out of people and the town, unable to explain it, and unable to get help from the police in a neighbouring town, who believe it to be a hoax, a prank or Pete covering up something they believe he – or another – has done. There is a sense of stubbornness about these people who won’t leave a town that has had the life sucked out of it and run from a mist that won’t stop until the town’s last resident has had their life sucked away. It is a strange story, where I felt a bit lost until half way through, where things started to make a bit of sense, and from there, the plot unfolded to reveal the fates of those left, and the lives that the town and mist mercilessly stole from innocent people.

The world that Lois Murphy has created is also hostile and dark world that perhaps uses the paranormal elements that kill Nebulah to explore dying towns around Australia that collapse after people or industries leave, having sucked the place dry of resources, or industries closing down. The press release cites Wittenoom, an ill-fated asbestos town as the inspiration for Nebulah, a town where the residents who have lived there for years, face grave consequences for straining against whatever new order or forces the mist heralds. The devastating consequences of the choices made by some characters are not sugar coated, but dealt with in a raw and very visual fashion.

It was an unusual story, though it had a sense of mystery, it was not quite the kind of mystery I was expecting. However, it was still intriguing enough for me to complete the novel. It may not be one I will read again, but I am sure there is an audience out there for it. As thrillers go, the air of difference about this one is perhaps what will make it stand out in bookstores for prospective readers.

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The Night Visitor by Lucy Atkins

the night visitor

Title: The Night Visitor

Author: Lucy Atkins

Genre: Fiction, Crime and Mystery

Publisher: Hachette Australia

Published: 30th May 2017

Format: Paperback

Pages: 360

Price: $32.99

Synopsis: How far would you go to save your reputation? The stunning new noir thriller from the author of the bestselling THE MISSING ONE and THE OTHER CHILD. Perfect for fans of I LET YOU GO and THE ICE TWINS.

Professor Olivia Sweetman has worked hard to achieve the life she loves, with a high-flying career as a TV presenter and historian, three children and a talented husband. But as she stands before a crowd at the launch of her new bestseller she can barely pretend to smile. Her life has spiralled into deceit and if the truth comes out, she will lose everything.

Only one person knows what Olivia has done. Vivian Tester is the socially awkward sixty-year-old housekeeper of a Sussex manor who found the Victorian diary on which Olivia’s book is based. She has now become Olivia’s unofficial research assistant. And Vivian has secrets of her own.

As events move between London, Sussex and the idyllic South of France, the relationship between these two women grows more entangled and complex. Then a bizarre act of violence changes everything.

THE NIGHT VISITOR is a compelling exploration of ambition, morality and deception that asks the question: how far would you go to save your reputation?

~*~

The Night Visitor opens with a book launch, with Olivia Sweetman introducing the book she has just written to the world. As she speaks to the swelling crowd, she spies her research assistant within, the woman who has been on her mind on and off for months, researching the book and in other areas, Vivian Tester. Vivian has turned up to the book launch, whether out of spite or curiosity it isn’t certain, but she has been privy to the recent spiralling deceit that has taken hold of Olivia’s life.

Moving between third person perspective for Olivia, and first person for Vivian, the seeds of deceit are planted and slowly, the worlds that Olivia has worked so hard to keep separate begin to collide, forcing secrets to come out and people to fall apart. Between London, Sussex and France, each event leads up to a conclusion that leaves itself open for interpretation, without a fair or complete wrapping up to each of the fraying threads of the story. However, this did work for the story, as Vivian and Olivia were both trying to keep secrets and both trying to keep the threads of their lives from inevitably unravelling.

Both women were flawed – they weren’t perfect, although I got the impression that Vivian thought she was perfect and the way she acted towards Olivia, the way the story played out when the truth about the stalker was revealed and the hints to Vivian’s past were slowly released, and in the end, allowed some understanding of her motives and the goal she had to discredit someone she thought had wronged her. Though it did feel as though Vivian was the type of person who simply could not let something go, even when faced with apologies and evidence that she needed to back off.

The surprises at the end answered a few questions that came up early in the book, and I found the first few chapters a little slow, but they built up nicely to the France section and the events that occurred there that further unravelled the perfect threads of Olivia’s life and questioned everything she knew. In the end, it was an intriguing book, one for readers of psychological thrillers, and an interesting yet somewhat strange ending, as it was the sort of scene I would expect to open a crime novel, but perhaps that is what makes it such a strange yet incredulous and readable novel – that the reader doesn’t know what will happen or what is driving Vivian and Olivia, what connections they have, if any, beyond the research assistant task Vivian has taken on. In creating less than perfect characters, Lucy Atkins has created a work that shows the flaws of human nature and desire and asks the question of just how far some people will go to maintain their reputation.

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A Game of Ghosts by John Connolly

game of ghosts .jpg

Title: A Game of Ghosts

Author: John Connolly

Genre: Crime, Thriller

Publisher: Hachette Australia

Published: 11th April 2017

Format: Paperback

Pages: 455

Price: $32.99

Synopsis: It is deep winter. The darkness is unending.

It is deep winter. The darkness is unending.

The private detective named Jaycob Eklund has vanished, and Charlie Parker is dispatched to track him down. Parker’s employer, Edgar Ross, an agent of the Federal Bureau of Investigation, has his own reasons for wanting Eklund found.

Eklund is no ordinary investigator. He is obsessively tracking a series of homicides and disappearances, each linked to reports of hauntings. Now Parker will be drawn into Eklund’s world, a realm in which the monstrous Mother rules a crumbling criminal empire, in which men strike bargains with angels, and in which the innocent and guilty alike are pawns in a game of ghosts . . .

~*~

The latest in the Charlie Parker series, A Game of Ghosts is full of chills and mystery. In the aftermath of a previous storyline, Charlie is grappling with the prospect he may not see daughter Sam, after a case put his family in danger. Also hinting at previous novels, Charlie’s dead wife and daughter are mentioned, the impetus that began the series, and the character. In this offering, my first outing with Charlie, a private investigator – Jaycob Eklund has gone missing – an investigator unlike any other, one who has of late, been looking into homicides and disappearances that are linked to reports of hauntings, where a paranormal, ghostly presence is constantly felt. The mystery lies in who the people behind these events are, and why.

Slowly, the novel brings to light the Brethren, the group that Eklund had been looking into, and their history, going back generations and linking them together as family, in some ways that are quite unusual and the close-knit community resembles a cult, though this word is not often used to describe them. Charlie must look into this group, find them and bring them to justice, whilst protecting his daughter and maintaining a relationship with her, and ensure that she is not harmed or hurt in any way. It is as much a story about the family dynamic as it is about the crime.

John Connolly’s narrative explores various aspects of the human psychology, from the protective instincts of a parent, to what drives someone to join a cult and kill, and beyond. With a cast of characters that appear sometimes for brief moments, Connolly’s story is chilling and compelling, something that demands to be read to the conclusion. In varying the length of the chapters, Connolly ensures a great pace, so that I was able to read up to fifteen chapters in one sitting, but not have the story drag along nor speed along – the slow chapters interrogated the psychology of the various players in the story – the victims, the killers, the investigators and those around them who weren’t involved in the case, and the fast chapters showed action and a little bit of the psychology, hinting at things to come for some characters. These fast and slow, short and long chapters work for this genre really well – the crime thriller genre, to keep the reader interested, and keep the intrigue up.

The pacing picks up in the last few chapters as events and those involved come to a head, and it feels like it is all over quickly, however, this ending works well for the novel, and doesn’t drag on for ages. It is action packed as well.

All in all, a decent crime thriller for fans of the genre and series. An enjoyable read, and one that can be devoured quickly or savoured.

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Tattletale by Sarah J Naughton

tattletale.jpg

Title: Tattletale

Author: Sarah J Naughton

Genre: Ficiton/Thriller

Publisher: Hachette Australia

Published: 28th March 2017

Format: Paperback

Pages: 330

Price: $29.99

Synopsis: One day changes Jody’s life forever.

She has shut herself down, haunted by her memories and unable to trust anyone. But then she meets Abe, the perfect stranger next door and suddenly life seems full of possibility and hope.

One day changes Mags’s life forever.

After years of estrangement from her family, Mags receives a shocking phone call. Her brother Abe is in hospital and no-one knows what happened to him. She meets his fiancé Jody, and gradually pieces together the ruins of the life she left behind. But the pieces don’t quite seem to fit…

~*~

After a mysterious beginning, the reader is introduced to Mags and Jody, the sister and the fiancé of the victim, Abe. Beginning where they meet at the hospital following Abe’s fall, Mags meets Jody as the fiancé she never knew about, and a myriad of stories and reasons for her brother’s injuries that are explained away as an accident. Frustrated, Mags starts digging deeper into the lives of the other residents of the charity home her brother has been living in to uncover what really happened. As the story unfolds, secrets of each character are revealed, and one character’s past is cleverly revealed through third person flash backs amidst the first person narrative that do not directly identify whose story is being told. The big question hanging over this novel: Was Abe pushed and murdered, did he fall or did he commit suicide? And who will find out and reveal all?

Both Mags and Jody come from troubled, broken backgrounds – and show how each has dealt with them – where one is completely broken and child-like, the other is assertive and overly confident, even a bit pushy. It was an interesting way to illustrate the outcomes of abuse, and how people are treated based on biases and perceptions of them, and in a subliminal way, how wealth and money can influence outcomes and ensure the victim feels at fault – unless the truth comes out.

It was the kind of novel where as a reader, I was constantly at odds with whom to like and believe – which is the purpose of a psychological thriller. In a way, all the characters were playing games and hiding secrets, and most, such as Jody, appeared to have a reason to, and past horrors that impacted their current story line.

Following a path of twists and turns to the conclusion, the story shows just how flawed the act of manipulation of people and the law can be, and that people can move past a trauma, and show that they are more than who people assume they are based on a few stories of hearsay to protect the reputation of those who have the power.

It leaves much open to interpretation as well – and you may find your thinking about whom the victim is and who the suspect is will be questioned at some stages. Why would some characters be hiding the truth? As these facts are revealed, the path towards those who did not commit the crime but are merely witnesses becomes clearer, though the suspect is left as a shadowy figure for quite a while. It is cleverly done, as is the finale of the novel, and the ending that feels hopeful for both Jody and Mags.

An intriguing novel, that slowly reveals the true nature of the main characters and how they interact with each other, and what makes them who they are. If you enjoy thrillers, this is an intriguing novel to pick up.

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Stasi Wolf by David Young

Stasi wOLF.jpg

Title: Stasi Wolf (Karin Müller #2)

Author: David Young

Genre: Historical/Crime and Mystery

Publisher: Bonnier Zaffre/Allen and Unwin

Published: 22nd February 2017

Format: Paperback

Pages: 416

Price: $29.99

Synopsis: How do you solve a murder when you can’t ask any questions?

East Germany, 1975. Karin Müller, sidelined from the murder squad in Berlin, jumps at the chance to be sent south to Halle-Neustadt, where a pair of infant twins have gone missing.

But Müller soon finds her problems have followed her. Halle-Neustadt is a new town – the pride of the communist state – and she and her team are forbidden by the Stasi from publicising the disappearances, lest they tarnish the town’s flawless image.

Meanwhile, in the eerily nameless streets and tower blocks, a child snatcher lurks, and the clock is ticking to rescue the twins alive…

~*~

Set during the height of the Cold War and East Germany, under the control of the Stasi and communist influence, Stasi Wolf is the second in the Karin Müller series. Oberleutnant Müller, a member of the People’s Police, is sent to Halle-Neustadt to investigate the disappearance of infant twins. Forbidden by the Stasi to publicise the disappearance so the flawless image of Halle-Neustadt remains intact, Karin and her team run into a series of problems and roadblocks that prevent them from completing the job in a timely manner. As the months pass, the child snatcher hides in plain sight amongst the nameless streets, and a much larger mystery is lurking in the shadows of the missing twins.

The world of Stasi Wolf shows East Germany thirty years after the end of World War Two, under Soviet and Communist control. It is a world that Karin Müller has grown up in, and as a member of the People’s Police, struggles against doing what is right for the nation, what the Stasi demand, and working to resolve cases of missing children, at times having to use subversive methods to get by the watchful eye of the Stasi, especially Malkus, the Stasi officer in charge of Halle-Neustadt, vetting every move Karin and her team make in the search for the missing babies. It is a story full of twists and turns, that shows hints of the past at times, and these hints are slipped in effectively and in a way that keeps the reader guessing.

The development of Karin’s character is excellent too – from the hints at what happen to her during her training, to her family dynamic and the scenes that give the reader a glimpse into her past, and what made her the person she is in the novel, and the way she uses these past experiences to subvert the orders she is given. Her ability to find a way to bypass the orders shows that she is creative and innovative – as much as she can be in a Communist run state.

I thought that the suspense and pace of this book were well written. The scenes that flicked back and forth in first person held much mystery, and added to the thickening plot and case that Karin was investigating. Another nice surprise was the side story of Karin’s relationship with the doctor, Emil. It didn’t take over the rest of the story, and was effective, and tied in nicely with the eventual conclusion of the story. It is a gripping story that ensnared me and captured my attention, wanting to know what happened next, and what kind of person would kidnap twins, and why.

David Young has captured the characters well, and the hints he leaves about some of the characters creating a well-thought out sense of mystery, and his backdrop of the Stasi controlled East Germany ensured a story that had many twists and turns, and complex and flawed characters, in a world where knowing who to trust was hard. It was a great novel, and I hope the series will continue.

Booktopia

The Falls by B Michael Radburn

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I received a copy from the publisher for review

 

Title: The Falls

Author: B. Michael Radburn

Genre: Fiction/Crime Fiction

Publisher: Pantera Press

Published: August, 2016

RRP: $29.99

Format: Paperback

Pages: 364

Synopsis: A week of despair… a century of evil

Damaged but not yet broken, park ranger Taylor Bridges believes his ghosts are in the past – until a raging forest fire in an isolated canyon of The Falls lays bare the remains of a young woman… and a decade-old killing ground.

After the police enlist Taylor in their investigation, the evidence bizarrely points to a deranged preacher who reigned over The Falls a century ago.

But when a crucial witness and a policewoman disappear, it’s clear that a disciple of The Falls’ dark history is on the loose.

 

~*~

 

The Falls by B. Michael Radburn is the second book in the Taylor Bridges series. Still reeling from the death of his daughter Claire five years ago, The Falls follows on from The Crossing, and Taylor’s struggle with the disappearance and death of Claire. When the daughter of an old friend and her partner stumble across a body whilst exploring the Christiana Goldmine in Eldritch Falls, Taylor is called in to assist the police in the national park. Taylor must grapple with his guilt about Claire, and the emotions that this new case brings to the surface. As the case progresses, links to a string of ritualistic murders that span one hundred years. These murders become linked to a family who has lived in the area for generations, a family determined to keep the secrets of the past hidden away from prying eyes, whatever the cost may be.

The daughter of Taylor’s friend, Aroha, becomes involved as a witness and later, is taken. Taylor and the police must find her before it is too late, and before other lives are endangered during the search for truth and its war with keeping secrets and continuing a legacy that has been in place for over one hundred years.

Michael Radburn has created a story using the natural environment and the fear of the unknown, or the fear of what we don’t understand. This gives the characters, both good, bad, and in between, concrete and believable motivations and desires that drive the story towards its relieving conclusion where the reader can finally take a deep breath and relax after the fast paced ride.

This was my first adventure with Taylor Bridges, and I found that I did not need to have read the first book to enjoy this and understand what drove the characters. The mine and the bush of country Victoria was the perfect setting for this mystery, a place where anything could happen. Where shadows dance at the edges of the darkness, and where fear takes over. The novel kept up a good pace and kept me reading as long as possible to find out what happened, and to find out who survived and who didn’t. It is a story where people aren’t always what they seem, and that speaks to the human condition and its various degrees of sanity, desire and wanting to please people, but also, human desire for belief, and legacy. A haunting tale that will keep you up at night, I enjoyed reading this book, and hope that further books are forthcoming and will be just as intriguing as this one.