Book Bingo Eleven – A place in the title

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Welcome to my eleventh book bingo with Theresa and Amanda. This time, I am checking off a book with a place in the title. I had intended to add this in last fortnight, but checking to see how everything would fit in has me aiming to do one square per post for the next fourteen posts to make sure everything is spread evenly.

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The asterixed titles are ones that are going to appear in future posts. It looks like I only have four slots left to fill, so hopefully I can stretch what I have left to the end of the year, as we have planned with this card. However, where a text row has BINGO next to it, I have added in my bingo graphic to reflect this, and will do the same when the relevant post goes up as well.

the french photographer

My square was a book with a place in the title. This one was going to be easy to fill, but hard to choose as there are many books that have a place in the title. I chose Natasha Lester’s latest, The French Photographer. Set during World War Two, it follows the story of Jess May, inspired by Lee Miller as she heads into various war zones and camps across France, and encounters sexism, an orphan and societal expectations that she refuses to bow down to. When she meets Victorine, Jess’s life will change – i many ways. The book flashes between the 1940s and the present day, leading to a storyline that is tragically beautiful and uniting, highlighting the importance of friendship, love and family throughout the ages and generations. I also had the chance to interview Natasha as part of the blog tour, and the interview can be found here.

Row Four:

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019

Book set in the Australian Outback:

Book set on the Australian Coast: The House of Second Chances by Esther Campion – AWW2019

Book set in the Australian Mountains: The Orchardist’s Daughter by Karen Viggers – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

BINGO!

I have read a book for each category in Row One Down – a couple of these posts are yet to go live but this post and the bingo week posts for these books will reflect gaining a bingo.

Rows Down:

Row One:  – Bingo

A book with a red cover: Children of the Dragon: Race for the Red Dragon by Rebecca Lim – #AWW2019*

Book by an author with the same initials as you:

Themes of science fiction: The Lost Magician by Piers Torday*

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019

Written by an Australian man: The Honeyman and the Hunter by Neil Grant*

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

Row three:

Novel that has 500 pages or more:

Fictional biography about a woman from history:

Themes of justice: What Lies Beneath Us by Kirsty Ferguson – AWW2019

Book set on the Australian coast: The House of Second Chances by Esther Campion – AWW2019

Written by an author under the age of 35: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson – #AWW2019*

Historical: The Familiars by Stacey Halls

Well, that’s another fortnight down – come back next week for more book bingo!

Book Bingo Ten – Book Bingo –  Set on the Australian Coast

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Welcome to my tenth book bingo with Theresa and Amanda, where I am ticking off another square no full bingo yet. Some squares are to be used in later posts as the books haven’t been published yet. This time, I am checking off a book set on the Australian coast. I was going to do a double bingo but wasn’t sure if doing so would allow me to stretch these posts to the end of the year, as all my categories are nearly checked off, but the posts just need to be written.

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The asterixed titles are ones that are going to appear in future posts. It looks like I only have four slots left to fill, so hopefully I can stretch what I have left to the end of the year, as we have planned with this card.

house of second chancesFor the Australian Coast, I have chosen The House of Second Chances by Esther Campion, which does head to Ireland in some places, but has a good chunk set on the Australian coast. It is the sequel to one I read last year, and whilst not in my top reads, it is still enjoyable and fits in nicely with this category. It is light hearted and romantic, so it would have also worked with the romance square, but best sits here for me as I wasn’t sure what other books would cross my path that would be set on the Australian coast. It continues the story of Ellen and her family, and all those interconnected with them in Ireland and Australia – though this time, focuses on Ellen’s brother, Aidan and the house he is renovating.

Row Four:

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019*

Book set in the Australian Outback:

Book set on the Australian Coast: The House of Second Chances by Esther Campion – AWW2019

Book set in the Australian Mountains: The Orchardist’s Daughter by Karen Viggers – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

Row three:

Novel that has 500 pages or more:

Fictional biography about a woman from history:

Themes of justice: What Lies Beneath Us by Kirsty Ferguson – AWW2019

Book set on the Australian coast: The House of Second Chances by Esther Campion – AWW2019

Written by an author under the age of 35: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson – #AWW2019*

Historical: The Familiars by Stacey Halls

As you can see, I’ve been reading a very broad range this year and that is being nicely covered across book bingo and all my other challenges. Stay tuned for next fortnight when I feature a book with a place in the title.

April Round Up

In April, I read twenty-three books, and added to most of my challenges. No updates for my Jane Austen Challenge this month, but I am working on it. I have read 60 books towards my overall challenge and the #Dymocks52Challenge, and I’m at 28 books for the Australian Women Writer’s Challenge – 29 if I include my first read for May. I have completed most of my reads for my book bingo challenge and have scheduled all those posts as well. So I have the next eight months to fill the final squares and fill in the card.

 

I have several bingo rows ticked off and have also filled in many of my Pop Sugar categories – some with books I plan to read so I know what I’m reading. Some may prove to be a bit more of a challenge, but that’s half the fun, trying to find something that suits, that I will enjoy and that I have or will receive, saving time as I go through each challenge.

 

So that’s my month of reading for April – hopefully May will be just as productive as I work my way through these challenges, reviewing and reading kids books for work that also contribute to some of these challenge categories.

 

Pop Sugar Challenge

  1. A book becoming a movie in 2019: Little Women by Louisa May Alcott
  2. A book that makes you nostalgic: The Lost Magician by Piers Torday
  3. A book written by a musician (fiction or nonfiction): Best Foot Forward by Adam Hills
  4. A book you think should be turned into a movie: Four Dead Queens by Astrid Scholte
  5. A book with at least one million ratings on Goodreads:
  6. A book with a plant in the title or on the cover: Bella Donna: Coven Road by Ruth Symes, Eliza Rose by Lucy Worsley
  7. A reread of a favourite book: Beauty in Thorns by Kate Forsyth
  8. A book about a hobby: The Bad Mother’s Book Club by Keris Stanton
  9. A book you meant to read in 2018: Eliza Rose by Lucy Worsley
  10. A book with POP, SUGAR, or CHALLENGE in the title:
  11. A book with an item of clothing or accessory on the cover: 99 Percent Mine by Sally Thorne, The Things We Cannot Say by Kelly Rimmer
  12. A book inspired by myth/legend/folklore:
  13. A book published posthumously:
  14. A book you see someone reading on TV or in a movie:
  15. A retelling of a classic: Enola Holmes: The Case of the Bizarre Bouquets (Enola Holmes #3) by Nancy Springer
  16. A book with a question in the title:
  17. A book set on college or university campus:
  18. A book about someone with a superpower: The Unbeatable Squirrel Girl Volume One: Squirrel Power by Ryan North
  19. A book told from multiple POVs: Four Dead Queens by Astrid Scholte
  20. A book set in space: Captain Marvel: Higher, Faster, Further by Kelly Sue DeConnick
  21. A book by two female authors:
  22. A book with SALTY, SWEET, BITTER, or SPICY in the title: Australia’s Sweetheart by Michael Adams
  23. A book set in Scandinavia: The Wolf and the Watchman by Niklas Natt och Dag
  24. A book that takes place in a single day: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson
  25. A debut novel: What Lies Beneath Us by Kirsty Ferguson
  26. A book that’s published in 2019: Vardaesia by Lynette Noni
  27. A book featuring an extinct or imaginary creature: Dragon Masters: Treasure of the Gold Dragon by Tracey West
  28. A book recommended by a celebrity you admire:
  29. A book with LOVE in the title:
  30. A book featuring an amateur detective: All the Tears in China by Sulari Gentill
  31. A book about a family: The House of Second Chances by Esther Campion
  32. A book by an author from Asia, Africa, or South America: Children of the Dragon: Race for the Red Dragon by Rebecca Lim
  33. A book with a zodiac sign or astrology term in title: The Seven or Eight Deaths of Stella Fortuna by Juliet Grames
  34. A book that includes a wedding: The Things We Cannot Say by Kelly Rimmer, Northanger Abbey by Jane Austen, A Dream of Italy by Nicky Pellegrino
  35. A book by an author whose first and last names start with the same letter:Mermaid Holidays: The Talent Show by Delphine Davis and Adele K. Thomas, The True Story of Maddie Bright by Mary-Rose MacColl
  36. A ghost story:
  37. A book with a two-word title: Saving You by Charlotte Nash
  38. A novel based on a true story: The Familiars by Stacey Halls – The Pendle Witches
  39. A book revolving around a puzzle or game:
  40. Your favourite prompt from a past POPSUGAR Reading challenge:

2016 – A book based on a fairy tale:

2017 – A steampunk book:

Prompt:

Advanced

  1. A “cli-fi” (climate fiction) book: The Dog Runner by Bren MacDibble, Daughter of Bad Times by Rohan Wilson
  2. A “choose-your-own-adventure” book:
  3. An “own voices” book: Children of the Dragon: Race for the Red Dragon by Rebecca Lim
  4. Read a book during the season it is set in: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson (Easter Season)
  5. A LitRPG book:
  6. A book with no chapters / unusual chapter headings / unconventionally numbered chapters:Kensy and Max: Undercover by Jacqueline Harvey (Ciphers used to give the chapter headings)
  7. Two books that share the same title: Deltora Quest: The Forest of Silence by Emily Rodda
  8. Two books that share the same title: Deltora Quest: The Lake of Tears by Emily Rodda
  9. A book that has inspired a common phrase or idiom:
  10. A book set in an abbey, cloister, monastery, vicarage

 

General/#Dymocks52Challenge

#Dymocks52Challenge

  1. Middle School: Born to Rock by James Patterson and Chris Tebbetts
  2. The Honeyman and the Hunter by Neil Grant
  3. A Dream of Italy by Nicky Pellegrino
  4. Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson
  5. Poppy Field by Michael Morpurgo
  6. The Artist’s Portrait by Julie Keys
  7. Alice to Prague by Tanya Heaslip – Reviewed
  8. The Lost Magician by Piers Torday (Published 7th of May)
  9. The Suicide Bride by Tanya Bretherton
  10. The Bad Mother’s Book Club by Keris Stanton
  11. Rabbit and Bear: Attack of the Snack by Julian Gough
  12. Eliza Rose by Lucy Worsley
  13. Deltora Quest: The Forest of Silence by Emily Rodda
  14. The Seven or Eight Deaths of Stella Fortuna by Juliet Grames
  15. Deltora Quest: The Lake of Tears by Emily Rodda
  16. Children of the Dragon: Race for the Red Dragon by Rebecca Lim (Published 6th of May)
  17. Toto the Ninja Cat and the Incredible Cheese Heist by Dermot O’Leary
  18. The Flatshare by Beth O’Leary
  19. Christopher Robin: The Little Book of Pooh-isms: With help from Piglet, Eeyore, Rabbit, Owl, and Tigger, too! by Brittany Rubiano
  20.  Daughter of Bad Times by Rohan Wilson (Published 6th of May)
  21. Deltora Quest: The City of Rats by Emily Rodda
  22. Fabio, the World’s Greatest Flamingo Detective: Mystery on the Ostrich Express by Laura James
  23. Life Before by Carmel Reilly (Published 6th of May)

2019 Badge

Australian Women Writer’s Challenge

  1. All the Tears in China by Sulari Gentill – Reviewed
  2. Seven Little Australians by Ethel Turner – Reviewed
  3. Vardaesia by Lynette Noni – Reviewed
  4. Saving You by Charlotte Nash – Reviewed
  5. Zelda Stitch Term Two: Too Much Witch by Nikki Greenberg – Reviewed
  6. 99 Percent Mine by Sally Thorne – Reviewed
  7. Beauty in Thorns by Kate Forsyth – Reviewed/Revisited post
  8. What Lies Beneath Us by Kirsty Ferguson – Reviewed
  9. The Dog Runner by Bren MacDibble – Reviewed
  10. The House of Second Chances by Esther Campion – Reviewed
  11. The Orchardist’s Daughter by Karen Viggers – Reviewed
  12. The French Photographer by Natasha Lester – Reviewed and Q&A
  13. Kensy and Max: Undercover by Jacqueline Harvey – Reviewed
  14. The Things We Cannot Say by Kelly Rimmer – Reviewed
  15. 52 Mondays by Anna Ciddor – Reviewed
  16. Four Dead Queens by Astrid Scholte – Reviewed
  17. Zebra and Other Stories by Debra Adelaide – Reviewed
  18. Esther by Jessica North – Reviewed
  19. Mermaid Holidays: The Talent Show by Delphine Davis and Adele K. Thomas – Reviewed
  20. The True Story of Maddie Bright by Mary-Rose MacColl – Reviewed
  21. Miss Franklin: How Miles Franklin’s Brilliant Career began by Libby Hathorn – Reviewed
  22. Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson – Reviewed
  23. The Artist’s Portrait by Julie Keys – Reviewed
  24. The Suicide Bride by Tanya Bretherton – Reviewed, Interview
  25. Deltora Quest: The Forest of Silence by Emily Rodda – Reviewed
  26. Children of the Dragon: Race for the Red Dragon by Rebecca Lim – Reviewed
  27. Deltora Quest: The Lake of Tears by Emily Rodda – Reviewed
  28. Deltora Quest: The City of Rats by Emily Rodda – Reviewed
  29. Alice to Prague by Tanya Heaslip – Reviewed

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Book Bingo:

Rows Across:

Row One:

A book with a red cover: Children of the Dragon: Race for the Red Dragon by Rebecca Lim – #AWW2019*

Beloved Classic: Seven Little Australians by Ethel Turner – AWW2018

A novel that has more than 500 pages:

A novella no more than 150 pages: Deltora Quest: The Forest of Silence by Emily Rodda – #AWW2019

Prize winning book:

Row Two:

A book by an author with the same initials as you:

Non-Fiction book about an event: The Suicide Bride by Tanya Bretherton – #AWW2019

Fictional biography about a woman from history:

Memoir about a non-famous person: Australia’s Sweetheart by Michael Adams

Book written by an Australian woman more than 10 years ago: Deltora Quest: The Lake of Tears by Emily Rodda – #AWW2019 (2001)

Row Three:

Themes of Science Fiction: The Lost Magician by Piers Torday*

Themes of Culture:

Themes of Justice: What Lies Beneath Us by Kirsty Ferguson – AWW2019

Themes of Inequality: The Things We Cannot Say by Kelly Rimmer – AWW2019

Themes of Fantasy: Vardaesia by Lynette Noni – AWW2019

 

Row Four:

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019

Book set in the Australian Outback:

Book set on the Australian Coast: The House of Second Chances by Esther Campion – AWW2019

Book set in the Australian Mountains: The Orchardist’s Daughter by Karen Viggers – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

 

BINGO!

Row Five: Bingo

Written by an Australian Man: The Honeyman and the Hunter by Neil Grant

Written by an Australian Woman:Zelda Stitch Term Two: Too Much Witch by Nicki Greenberg – AWW2019

Written by an author under the age of 35: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson – #AWW2019

Written by an author over the age of 65: Miss Franklin: How Miles Franklin’s Brilliant Career began by Libby Hathorn – #AWW2019*

Written by an author you’ve never read: The Dog Runner by Bren MacDibble – #AWW2019

BINGO!

Row Six: Bingo

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

Crime: All the Tears in China by Sulari Gentill – AWW2019

Historical: The Familiars by Stacey Halls

Romance: Northanger Abbey by Jane Austen

Comedy: Best Foot Forward by Adam Hills

Rows Down:

 

Row One:

A book with a red cover: Children of the Dragon: Race for the Red Dragon by Rebecca Lim – #AWW2019*

Book by an author with the same initials as you:

Themes of science fiction: The Lost Magician by Piers Torday*

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019

Written by an Australian man: The Honeyman and the Hunter by Neil Grant

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

 

Row Two:

Beloved Classic: Seven Little Australians by Ethel Turner – AWW2018      

Non-Fiction book about an event: The Suicide Bride by Tanya Bretherton – #AWW2019

Themes of culture:

Book set in the Australian outback:

Written by an Australian woman: Zelda Stitch Term Two: Too Much Witch by Nicki Greenberg – AWW2019

Crime: All the Tears in China by Sulari Gentill – AWW2019

Row three:

Novel that has 500 pages or more:

Fictional biography about a woman from history:

Themes of justice: What Lies Beneath Us by Kirsty Ferguson – AWW2019

Book set on the Australian coast: The House of Second Chances by Esther Campion – AWW2019

Written by an author under the age of 35: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson – #AWW2019

Historical: The Familiars by Stacey Halls

BINGO!

Row Four: – BINGO

Novella no more than 150 pages: Deltora Quest: The Forest of Silence by Emily Rodda – #AWW2019

Memoir about a non-famous person: Australia’s Sweetheart by Michael Adams

Themes of inequality: The Things We Cannot Say by Kelly Rimmer – AWW2019

Book set in the Australian mountains: The Orchardist’s Daughter by Karen Viggers – AWW2019

Written by an author over the age of 65: Miss Franklin: How Miles Franklin’s Brilliant Career began by Libby Hathorn – #AWW2019*

Romance: Northanger Abbey by Jane Austen

Row Five:

Prize winning book:

Book written by an Australian woman more than ten years ago: Deltora Quest: The Lake of Tears by Emily Rodda – #AWW2019 (2001)

Themes of fantasy: Vardaesia by Lynette Noni – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

Written by an author you’ve never read: The Dog Runner by Bren MacDibble – #AWW2019

Comedy: Best Foot Forward by Adam Hills

April Round-Up – 21

 

Title Author Challenge
Middle School: Born to Rock James Patterson and Chris Tebbetts General, #Dymocks52Challenge
The Honeyman and the Hunter Neil Grant General, #Dymocks52Challenge, book bingo
A Dream of Italy Nicky Pellegrino General, #Dymocks52Challenge
 Miss Franklin: How Miles Franklin’s Brilliant Career began Libby Hathorn General, #Dymocks52Challenge, #AWW2019 Book Bingo
Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny Skye Davidson General, #Dymocks52Challenge, #AWW2019, Book Bingo, Pop Sugar
The Artist’s Portrait Julie Keys General, #Dymocks52Challenge, #AWW2019
Poppy Field Michael Morpurgo General, #Dymocks52Challenge
The Lost Magician Piers Torday General, #Dymocks52Challenge,

Book Bingo, Pop Sugar

The Suicide Bride Tanya Bretherton General, #Dymocks52Challenge,

Book Bingo, #AWW2019

The Bad Mother’s Book Club Keris Stanton General, #Dymocks52Challenge,

Pop Sugar

Rabbit and Bear: Attack of the Snack Julian Gough General, #Dymocks52Challenge
Eliza Rose Lucy Worsley General, #Dymocks52Challenge, PopSugar
Deltora Quest: The Forest of Silence Emily Rodda General, #Dymocks52Challenge,

Book Bingo, #AWW2019, Popsugar

Children of the Dragon: Race for the Red Dragon Rebecca Lim General, #Dymocks52Challenge,

Book Bingo, #AWW2019, PopSugar

The Seven or Eight Deaths of Stella Fortuna Juliet Grames General, #Dymocks52Challenge, Popsugar
Deltora Quest: The Lake of Tears Emily Rodda General, #Dymocks52Challenge,

Book Bingo, #AWW2019, Popsugar

Toto the Ninja Cat and the Incredible Cheese Heist Dermot O’Leary General, #Dymocks52Challenge,
The Flatshare Beth O’Leary General, #Dymocks52Challenge,
Christopher Robin: The Little Book of Pooh-isms: With help from Piglet, Eeyore, Rabbit, Owl, and Tigger, too! Brittany Rubiano General, #Dymocks52Challenge,
Daughter of Bad Times Rohan Wilson General, #Dymocks52Challenge, Popsugar
Deltora Quest: The City of Rats Emily Rodda General, #Dymocks52Challenge, #AWW2019
Fabio, the World’s Greatest Flamingo Detective: Mystery on the Ostrich Express Laura James General, #Dymocks52Challenge,

The Suicide Bride: A Mystery of Tragedy and Family Secrets in Edwardian Sydney by Tanya Bretherton

suicide brideTitle: The Suicide Bride: A Mystery of Tragedy and Family Secrets in Edwardian Sydney

Author: Tanya Bretherton

Genre: True Crime/History

Publisher: Hachette

Published: 23rd April 2019

Format: Paperback

Pages: 315

Price: $32.99

Synopsis: From the author of the acclaimed THE SUITCASE BABY – shortlisted for the Ned Kelly and Nib awards – comes the chilling story of a charlatan, a murder-suicide, and a family tree so twisted that it sprouts monsters.

Whenever society produces a depraved criminal, we wonder: is it nature or is it nurture?

When the charlatan Alicks Sly murdered his wife, Ellie, and killed himself with a cut-throat razor in a house in Sydney’s Newtown in early 1904, he set off a chain of events that could answer that question. He also left behind mysteries that might never be solved. Sociologist Dr Tanya Bretherton traces the brutal story of Ellie, one of many suicide brides in turn-of-the-century Sydney; of her husband, Alicks, and his family; and their three orphaned sons, adrift in the world.

From the author of the acclaimed THE SUITCASE BABY – shortlisted for the 2018 Ned Kelly Award, Danger Prize and Waverley Library ‘Nib’ Award – comes another riveting true-crime case from Australia’s dark past. THE SUICIDE BRIDE is a masterful exploration of criminality, insanity, violence and bloody family ties in bleak, post-Victorian Sydney.

~*~

I’ve only read a few true crime books, and the last one I read revolved around the last woman hanged in New South Wales – Louisa Collins in 1889. A mere fifteen years later, a spate of suicide brides would crop up in Sydney – women who were murdered by their husbands, and the husbands would later commit suicide. In the case explored in Tanya Bretherton’s new book, a husband a wife died, but also, four children were left parentless, orphaned and their fates were left to the state, which in the early twentieth century was a lot less caring than it is today, especially towards orphaned children like Mervyn, Bedford, Basil and their sister, Olive, who at the time of her parents deaths, was ill in hospital.

2019 BadgeThe lives of Alicks and Ellie Sly were taken with a razor, at the hand of Alicks – and nothing was left to help the children, apart from any money left over from the sale of all their possessions to pay off any debts, and then money would be given to orphanages for the care of the three boys, whilst Olive was adopted and given a new name, a new identity, and nothing much is heard about her after that happened. Her brothers went sent to Catholic orphanages, and as Tanya recounts, each had a very different experience and reaction while staying there, resulting in very different outcomes in their later lives as a result of the violence they had seen early on in their lives.

Tanya Bretherton looks at the circumstances surrounding the deaths, and the evidence and records that are available, and at the way society at the time dealt with the deaths and aftermath, particularly in regards to the children, and finding guardians, and paying off debts to them, and the sad fact that Alicks and Ellie had nobody come forward to mourn, or help with the children – much of their debts were paid off with the sale of their few possessions, and charity took care of the rest. Throughout the book, the stories of the children are woven throughout as Tanya tries to uncover what really happened – using the historical timeline and gazing at it through a sociological lens and the social implications of this within Edwardian society, and the importance placed on funerary rights and debt over the welfare of young children.

Where did Alicks get the idea to kill his wife, and then himself? This is a question that remains unanswered, as does the why scenario. Without any suicide note, the true motives of Alicks will likely never be known. We can only guess at why he committed the murder-suicide in 1904. Maybe Alicks had debts he couldn’t pay and saw no other way out. Maybe knowing someone, the church, would step in to help. Perhaps he assumed family or neighbours would step up. Or maybe his motives were much more nefarious, and he didn’t care what happened to his sons and daughter. Tanya Bretherton doesn’t appear to have uncovered any criminal links or issues beyond debt they owed. Yet it is the not knowing that suggests it could be more than the idea that only debts were owed, and because there is little, if any, evidence to suggest why this happened.

As we can only speculate, as Tanya has done, perhaps it was a combination of things: debts, societal pressures, and a combination of the age old debate of nature versus nurture: where the brain functionality of a person is determined at birth, or whether the way we are raised has an impact on who we become and what we do. Having studied some sociology, I like to think its a combination, that neither one nor the other can inherently determine the actions one will take. Of course, there is always the element of choice in these scenarios. What i found fascinating about this is that there are no definitive answers – given the policing and forensic processes of the time, a lot less notice would have been taken of compromising the evidence and crime scene. So we may never know the truth, but there were many suicide brides in the months surrounding this case, including one case from the same family, a sibling of Alicks weeks or months later. The Sly family appeared to have many secrets throughout the generations,  and at least two of the brothers thrived quite well, and not much is known of Olive after her adoption. So for their father and relatives, were they predestined to kill, or did something awful happen to each Sly man to make the commit the crimes? This is where the nature versus nurture argument becomes tricky, because the nature of the family based on the murder-suicides would suggest a proclivity towards crime not really seen in the kids – at least, not violently. Nurture however, takes a look at how they were raised, first in the family and then the orphanage where it sounds like they weren’t nurtured in the way one might expect a child to be cared for. Which suggests that how we turn out is a combination of nature, nurture, our experiences and unique character – perhaps the younger children were able to adjust at a faster or easier rate than the oldest boy. What is certain though, is that we will never know all the answers, and the book, and my analysis is just mere speculation based on what we have present.

Eliza Rose by Lucy Worsley

Eliza Rose.jpgTitle: Eliza Rose

Author: Lucy Worsley

Genre: Historical Fiction

Publisher: Bloomsbury

Published: 1st June 2018

Format: Paperback

Pages: 368

Price: $14.99

Synopsis:The captivating debut children’s novel from popular television historian Lucy Worsley is an exciting and charming glimpse behind the scenes of the Tudor court.

I would often wonder about my future husband. A knight? A duke? A stable boy?
Of course the last was just a wicked fancy.

Eliza Rose Camperdowne is young and headstrong, but she knows her duty well. As the only daughter of a noble family, she must one day marry a man who is very grand and very rich.

But Fate has other plans. When Eliza becomes a maid of honour, she’s drawn into the thrilling, treacherous court of Henry the Eighth …

Is her glamorous cousin Katherine Howard a friend or a rival?

And can a girl choose her own destiny in a world ruled by men?

~*~

The Tudor years were fascinating, grim and violent, and the stories that are told don’t always reveal everything that happened behind the scenes of court – but rather, what Henry VIII wanted people to see and how the court projected itself. Eliza Rose Camperdowne – a fictional character who will become caught up in the intrigue and deception of court under two queens – Anne of Cleves and Katherine Howard, whose untimely fate concludes the book. Eliza’s world is changed when a marriage falls apart and she is sent away to train to be a lady in waiting, and then assigned with her cousin, Katherine Howard to become ladies in waiting to Anne of Cleves. Yet over the years of that marriage, the king, Henry, is taken with Katherine and divorces Anne to wed Eliza’s cousin.

What follows is the court and its intrigues seen through the eyes of Eliza, as she watches rules being broken, where for some, this can have harsh punishments, but for others, seems to have very few consequences until it is too late. Woven throughout is Eliza’s desire to break free of tradition as much as she can – and marry for love, not duty, as she has been trained to do her entire life.

In this sense, Lucy shows the headstrong, and feminist ideas of women throughout the ages, even though they may not have had the words to describe it, the feelings were still there for some of them. She effectively contrasts this with the demure women like Anne, and those who cling to tradition, like Katherine, but who use their wiles and some trickery it seems to reach the goals they have been aiming for: to marry King Henry VIII and become his queen. Katherine was wife five of six – the second to be beheaded for adultery, so the charges went. And after her death, fears are that Eliza could be tainted and tarred with the same brush and she must find a way to change her fate.

Filled with powerful women of all kinds and personalities, the male characters for the most part, are not heavily present in this book, but where they are, they definitely have an impact on the story and its outcomes. All the necessary characters perform their roles really well and it is a great historical read for those interested in Tudor history.

Deltora Quest: The Lake of Tears by Emily Rodda

lake of tears.jpgTitle: Deltora Quest: The Lake of Tears

Author: Emily Rodda

Genre: Fantasy

Publisher: Scholastic Australia

Published: 1st April 2001

Format: Paperback

Pages: 120

Price: $14.99

Synopsis: Lief, Barda and their unruly new companion Jasmine are on a perilous quest to find the seven gems stolen from the magic Belt of Deltora.

The golden topaz has already been found. But only when all the gems have been restored to the Belt can their land be freed from the dark power of the evil Shadow Lord. To find the second stone, the three heroes must travel through territory ruled by the monster-sorceress Thaegan.

Their journey is filled with treachery, trickery and danger, and at its end they must face the hideous guardian of the enchanted Lake of Tears.

~*~

Picking up soon after they have found the first stone for the Belt of Deltora, Lief, Barda and Jasmine are on their way to the Lake of Tears to discover the second one, and where they will meet the first of Thaegan’s children, Nij and Doj, who speak a strange, haunting backwards language that gives a false sense of security to the travellers, following a broken sign that is very misleading. This is just one more dangerous step on the adventure to reunite the stones of the Belt of Deltora. This time, Lief and his companions seek the ruby – and from there, the next five to complete the belt and restore unity to Del.

I’m zipping through these books rather quickly and am trying to review each one individually before writing a wrap up post for the whole omnibus series edition I have next to me so I can move onto the second and third sets in the series. Again, this is a fast-moving book, where Lief and Barda must quickly adapt to trusting Jasmine and her ability to help them navigate the land of Del to find the stones.

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Lief, Jasmine and Barda take charge from this book onwards, and we still haven’t met the future ruler of Del, presumably still in hiding with Endon and his wife, where those who tried to kill them sixteen years before cannot find them – I will be keen to see how this is uncovered later on in the series and where the next two Deltora Quest sets take us. The perils that Lief and his companions face are heart-stopping as they work to escape being eaten by Nij and Doj (or Jin and Jod as it turns out, once they realise the two are speaking backwards), and must then face the prospect of the rest of Thaegan’s children in later books.

This is a fun series, and filled with adventure, friendship and wonder. It is one that has been loved for over a decade, and will hopefully continue to be loved and read for many years to come, if my conversations with fellow readers are anything to go by, as well as the constant lack of it being out of the library when I was much younger. So I am experiencing it now for the first time, and the magic is having as big an impact on me as it would have done had I read it as a teenager or young adult. This is what makes a good book, in my opinion. One that can transcend age and time for all readers, and that will engage on many levels and entertain many.

I’m heading into book three, The City of Rats, and hope to have that review up soon.

Blog Tour Part Two: The French Photographer Interview with Natasha Lester

the french photographer
Cover of The Paris Seamstress.

Hi Natasha, and welcome to my blog, The Book Muse. Thank you for joining me here today.

First of all, congratulations on the new novel, it was exceptional, and had everything a good novel should have to tell a very powerful story.

  1. Jessica reminded me of Estella – both are women of their time, yet still strive to achieve more than people expect of them. What is it that draws you to write characters like Jess and Estella?

If women like Estella and Jess had never existed, then I wouldn’t have the opportunities that I have now, the opportunities that I have had over my lifetime. But there is still much that needs to change. So I write these stories to honour the women who have come before me and who have made many aspects of my life possible, but also to show how far we still have to go in many other respects.

  1. Jess is based on a real-life journalist, Lee Miller. I’ve researched Lee, and she sounds fascinating. How did you stumble across her story, and what was it about her story that inspired Jess?

I came across Lee Miller when I was writing The Paris Seamstress. She was mentioned in an article I was reading, specifically that, after writing about and photographing a war for years, she had turned to writing cooking articles and recipes once the war was over. I wondered how that might have felt and I was compelled to look further into her life. When I realised she began her career on the other side of the lens, as a model, I was fascinated by how the transition from model to war photojournalist had evolved. Then, when I discovered that, at her death, her son never knew of the incredible articles his mother had written during the war, never knew of the exceptional photos she had taken, I knew for sure that there was a story in there waiting to be written.

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Natasha Lester, Image from Hachette Australia
  1. Your characters reflect and explore the spectrum of humanity and human emotion. When writing, did you find doing this enriched the story, and how challenging (or not), did you find it to explore someone like Amelia or Warren Stone?

Warren Stone was very challenging to write. But the more I read about the experience of the women war correspondents, the more I knew that men like Warren had existed. The difficulty was in not making him seem pure evil, in making us understand his motivations and in giving him humanity. There is one scene in the book that uses direct reportage from one of the female correspondents, Iris Carpenter, about a sexual assault that she stumbled upon. When I read her memoir and the words she wrote about that incident, I found it incredibly difficult to imagine how the man involved was anything less than a monster. But I had to imagine, in Warren, who is an accumulation of many men and many incidents, more than his despicable acts; I had to strip them away to find the person beneath and the reasons why he might behave in the way he does in the book.

  1. Fashion plays a large role in this novel. The beauty of fashion and photography bookends the reality of war, and the bland clothes Jess wears during the war. Where did your fascination with fashion start, and do you have a favourite designer you’re drawn to for inspiration in writing these stories?

I’ve always loved clothes. My real interest began when I lived in London for two years and wonderful vintage stores like Steinberg and Tolkien were at my doorstep, and the V&A museum was there to be visited each weekend. One of my absolute favourite designers is Vionnet; she was a true artist. I am also currently obsessed with Christian Dior, as I am writing a book called The Dior Bequest.

  1. How do you think the war affected Jess and her interest in art, photography and fashion before, during and after the war?

I think you could not photograph and write about the things Jess saw without being deeply affected by it, without needing to seek out the other things besides war that humankind can create; beautiful things like art and photography. I think she spent the rest of her life trying to strip away what she saw during war and attempting to replace those pictures, layer by layer, with things that inspired other emotions than sadness and other actions than violence.

  1. Looking at what we saw on the page, how much of your planning for plot, character and backstory never makes it into the final copy?

So much! When I wrote the first draft, I had no idea how the book would end. I had no idea how Victorine would fit into the story, and that she would become such an important player. I had no real idea what D’Arcy would do once she arrived at the chateau in the contemporary storyline. Once I sketched all that out in the first draft, I went a bit overboard, as I always do, in the second draft, adding in lots of the research and deeply fleshing out scenes. So a lot of that has to be cut in the end as it slows the pace too much. The first and second parts of the historical storyline in particular were trimmed quite a lot.

  1. I adored Victorine, and I hope other readers do too. Her story was heartbreaking but revealed the reality of war and war orphans. When researching this, did you find experiences like Victorine’s were common, and what country had most of the stories you found from?

Her experience was so common, especially in France where the exodus of people out of Paris and Northern France in late May and early June 1940 left so many lost and abandoned children who were never reunited with family. The Russians also experienced a huge and devastating number of war orphans, numbering in the millions.

  1. One of my favourite things about this novel was how you developed the relationship between Dan and Jess, starting with respect, which led to friendship and then love. To me, this was something that was extremely important to the story, because we rarely see friendships like this celebrated. When writing, what led you to write this relationship in this way, and did you find it effective to do so for the plot?

This was always going to be a book about a friendship between a man and a woman, a strong and important friendship, that eventually turned to love. But that initial friendship, and their mutual respect, was to be the foundation for all of it, and without that, I don’t think their relationship would have been anywhere near as powerful as it is. I say in the back of the book that Jess and Dan were like gifts from the writing muse and they were; they came to me easily and quickly and their relationship almost developed by itself without me having to do more than type out the rush of words in my head.

  1. Warren Stone consistently tried to jeopardise Jess and embarrass Dan. Was this inspired by any truth, and did anything like this happen to your inspiration, Lee Miller?

As I mentioned earlier, Warren Stone is an amalgamation of men and incidents. One of the books I read for my research was called Never a Shot in Anger;it was the memoirs of one of the Public Relations Officers during WWII who was responsible for dealing with the press. So much of what happens to Jess is recorded as fact in his book and the troubling part of it was that he wrote about those incidents with no understanding of how wrong it all was. To him, it was just the way life was at that time. It’s quite shocking to read. And there was so much more that I left out and didn’t have the space to include. This is the part of the book that worries me the most – that readers won’t believe these things could possibly have happened. But they did!

  1. Each part is told from a different point of view and in various times and years. I enjoy the dual time line set up, because I feel it makes the story richer. Do you find a format like this effective, and what makes you decide on the dual timeline set up?

It makes it richer for me as a storyteller too, although it is so very challenging to pull off. So many character and points of view and story threads to juggle and eventually weave together. I decided on it for this book simply became I enjoyed writing that way for The Paris Seamstress. I like the way that it allows a mystery to unfold and for the reader to become involved in solving the mystery.

  1. Taking into consideration what has been discussed already, are there any sources for fashion, Lee Miller, war orphans and the war in general that you explored that might not have been mentioned yet?

The main sources were the actual articles written by the female correspondents at the time. I read most of Martha Gellhorn’s pieces for Collier’s Weekly, Lee Miller’s pieces for Vogue, Iris Carpenter’s pieces for the Boston Globeand Margaret Bourke-White’s pieces for Life. In their articles, I heard their voices, saw what concerns they had, what they deemed worthy of attention, and how they wove a story together. It was extremely useful, especially when I compared their pieces to the articles written by the men at the time.

  1. One scene that was written effectively was the scene at the concentration camp. It was powerful and drove home the reality of war. Can you tell my readers more about where the inspiration for this scene came from, and why you decided to include it?

That was a hard scene to write. But I knew from the outset that it would be in the book as all of the women talked about the effect that seeing the camps had on them. There were so many important points I wanted to make in that scene: about the fact that so many people thought rumours about the camps were untrue, that the camps could have been liberated earlier if more people had listened and acted, that  civilians in towns with camps on their doorstep ignored the plumes smoke and the smell of death for years. That, of course, we must never allow such a thing to happen again. It’s the hinge moment of the book and, without that scene, so much of what follows would not have been brought to bear.

13. Apart from the scene in the book, what more can you tell us about the occupation of Hitler’s Munich residence, and how being there affected those who raided the home?

It was fascinating to read Lee Miller’s piece about her stay in Hitler’s Munich apartment. I couldn’t believe how much souvenir raiding went on, how many soldiers took his cutlery and linen, and I wondered what it would feel like to be living in the apartment of such a man. Most who stayed there seemed to think it the ultimate sign of victory and took great heart from it; it allowed them to ridicule a man who, two years before, had been so feared that nobody would have ever thought to ridicule him. It made him a defeatable man rather than an immortal monster.

  1. Without giving too much away about the ending, can you tell us why you decided to write a realistic, bittersweet ending, and what this process was like after everything you set up for the characters?

The ending was hard to write but I couldn’t see another way for the story to end that won’t seem too convenient and too unbelievable. War changes everything for the people involved and its bitter aftermath extends for decades; the pain doesn’t end just because the war itself is declared to be over. I wanted to be true to that in the ending of this book.

  1. Any additional comments?

Just that this is my favourite of all my books, the book of my heart, and I hope everyone loves reading it as much as I loved writing it.

Thank you for joining me here today, Natasha, and congratulations again.

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