Australian Women Writer’s Challenge Check in Four – forty-five to sixty.

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My fourth check in, and most current one as of the 12th of August, 2018, takes me to sixty books for the year, and in July I managed to read an entire Kate Forsyth series, as well as historical fiction, an #OwnVoices book, female focussed books, and one with  fascinating link to ancient history that I adored, as well as memoir about race, feminism and religion that unpacked how various identities can often be at conflict and how this affects you as a person and how you see the world, but also looked at how various aspects of one’s identity can inform a world view and understandings.

From Cromwell’s England to the desert hospitals of World War One, a haunted house and survivalists, dragons and China, and memoir, along with a good dose of fantasy, this list is as diverse as the others, with a large dollop of Kate Forsyth, whose books are always delightful.

My next post of this nature will begin with the latest Kensy and Max adventure, and from there, who knows what else will come?

Books forty-six to sixty

  1. The Desert Nurse by Pamela Hart
  2. The Gypsy Crown by Kate Forsyth (Chain of Charms #1)
  3. The Silver Horse by Kate Forsyth (Chain of Charms #2)
  4. The Herb of Grace by Kate Forsyth (Chain of Charms #3)
  5. The Cat’s Eye Shell by Kate Forsyth (Chain of Charms #4)
  6. Children of the Dragon: Relic of The Blue Dragon by Rebecca Lim
  7. The Legacy of Beauregarde by Rosa Fedele
  8. The Lightning Bolt by Kate Forsyth (Chain of Charms #5)
  9. The Botanist’s Daughter by Kayte Nunn and Interview
  10. The Butterfly in Amber by Kate Forsyth (Chain of Charms #6)
  11. When the Lights Go Out by Lili Wilkinson
  12. Amazing Australian Women: Twelve Women Who Shaped History by Pamela Freeman and Sophie Beer
  13. The Honourable Thief by Meaghan Wilson Anastasios
  14. No Country Woman by Zoya Patel
  15. The Extremely Inconvenient Adventures of Bronte Mettlestone by Jaclyn Moriarty

From here, there will be many review books to come, some feminist fairy tales, crime, a whole mix – anything could be read and that is what is so enjoyable about the challenge and these posts – getting to see what I have read so far, and where it all fits in.

Australian Women Writer’s Check-in three: thirty-one to forty-five

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My next fifteen takes me to book 45 of the challenge – The Peacock Summer by Hannah Richell. In this set, I read a wide array of fiction – all by authors I had never read before, from contemporary fiction, to historical fiction, literary fiction, and kids’ books that delved into the world of spies, and one of my favourite periods of antiquity, the Minoans and the explosion of Akrotiri on Thera. I read a non-fiction book by Kitty Flanagan, which was more like an extended comedy routine, to mysteries and family legacies.

From World War Two seen through the lens of Jewish refugees in Shanghai, to book illumination in the middle ages, and the melding of various mythologies and histories to create unique characters and voices that stretch out across the decades and centuries to tell stories of war, family, fear and mystery, and the fun of child spies and wildlife adventures.

These next fifteen were recently completed and, the last fifteen will take me to the start of August. Just over half way done for the year, I have read four times what I pledged, and hope to read many more in the months to come, adding to my ever growing list.

Books thirty-one to forty-five

  1. The Jady Lily by Kirsty Manning
  2. The Book of Colours by Robyn Cadwallader
  3. Burning Bridges and Other Hobbies by Kitty Flanagan
  4. Bluebottle by Belinda Castles
  5. The Upside of Over by J.D. Barrett and Interview
  6. P is for Pearl by Eliza Henry Jones
  7. Into the Night by Sarah Bailey
  8. The Yellow House by Emily O’Grady
  9. Ella and Olivia: A Wild Adventure by Yvette Poshoglian
  10. Kensy and Max: Breaking News by Jacqueline Harvey
  11. Swallow’s Dance by Wendy Orr
  12. We See the Stars by Kate van Hooft.
  13. The Far Back Country by Kate Lyons
  14. Beneath the Mother Tree by D.M. Cameron
  15. The Peacock Summer by Hannah Richell

So far I haven’t mentioned favourites on any lists, because there have been so many on the others, but on this one, The Jade Lily, Kensy and Max, Swallow’s Dance and The Peacock Summer are the ones that stood out for me and that I enjoyed the most for various reasons, all stated in my reviews on these books.

Blog Tour Part #2: Interview with Kayte Nunn, author of The Botanist’s Daughter – 12th August 2018

the botanists daughter

Hi Kayte, and welcome to The Book Muse.

First, thank you for taking the time to answer my questions about your latest book, The Botanist’s Daughter, which I reviewed here on the 4th of August for the blog tour. I hope you can answer the following questions in as much depth as you would like to.

  1. What was your initial inspiration for this story, and where were you when it came to you?

About three years ago, I took my young daughter to the Sydney Botanic Gardens for a picnic as it was not long before she was due to start school. It was a sultry late-January day and we were looking for fairies (there is a fairy trail there) and ended up at the Herb Garden. In the middle is a wonderful cast bronze sundial on which is a raised relief of herbs. I put my hand on the warm metal and instantly knew there was a story there – it was like a bolt of lightning. I had a vision of a young, headstrong girl in a similar garden in England and I spent the rest of the afternoon in a daze as I thought more about who she was and what her story might be. I fully believe that stories come and tap you on the shoulder and it is the writer’s job to try and do justice to them.

  1. Gardens, and in particular botanic gardens such as the one in Kew, and the Royal Botanic Gardens in Sydney, as well as Anna’s landscaping business play an important role in the story. Following on from where you got the idea, what is it specifically about gardens that you are the most attracted to? Did this attraction help to formulate your plot and characters?

I’ve always loved gardens, and the mystery and magic of growing things (though sadly I have a rather brown thumb, not a green one!). I also love the names of plants and flowers, that often sound like poetry, and have fond memories of listening to my grandmother tell me the names of all those that bloomed in her garden. The scent of tomato plants and greenhouses takes me straight back there.

  1. On the theme of gardens and plants, do you have any favourite literary gardens or plants? When I think of this, The Secret Garden and the plants in Herbology in Harry Potter immediately spring to mind – are there any characters linked to gardens and botany that you like?

AWW-2018-badge-roseThe Secret Garden is a book I have re-read many times. Dickon is one of my all-time favourite fictional characters – a gentle and wise boy who was so in touch with nature. More recently, I loved Vanessa Diffenbaugh’s The Language of Flowersand Garden Spellsby Sarah Addison Allen, which combine two of my favourite things – gardens and magic.

  1. Are you a plotter or a pantser when it comes to writing?

I’m mainly a plotter – I actually have a whiteboard where I map out the main beats of the story – usually once I am a little way in and know where it might go. That really helps me get the emotional structure of the narrative clear. However, I still leave plenty of room for the detours my subconscious might take me on.

  1. The dual timeline is fascinating, and I found it very effective to tell your story – as it has been for several other historical fiction novels I have read over the years. What made you choose this format to tell Anna and Elizabeth’s stories?

My favourite thing about history is when it becomes tangible in the present – an object from the past that still exists today provides a very clear link to that time.

I also wanted to have two characters that could almost have been better placed in each other’s era – Elizabeth is modern, confident and headstrong, whereas Anna is cautious. calm and quiet. I liked having the ability to contrast and compare events in both of the stories.

  1. What challenges did you face when writing the dual timeline, and what were they? Is there any advice you received or something you found out about writing a dual timeline that could help writers who want to use this format?

Near the beginning, I contacted the novelist Kate Forsyth, as I had read and loved her book, Bitter Greens, which has a dual timeline that works really well. She was generous enough to give me the advice to write each one separately, to keep my head in the world of each story, and that is what I did. When I came to stitch the narrative together, though it was mostly surprisingly seamless, it required great concentration not to give away the mystery of the past in the present narrative until close to the end, and to try and remember what the reader did and didn’t know at any given point.

  1. What sort of research did you do, and how intense was the process? What strategies did you use to ensure the process was smooth and accurate?

I’m not certain I used any particular strategies – I looked for as many reference books, both on Victorian everyday life, and Chile in the 1880s, as I could find, from my local library and the State Library of NSW, and read, made notes of points of interest, before starting to write. I spent several months doing this.

During the writing process, when I found myself wanting to know certain facts and details, I stopped to find them out – for example I found a very helpful online community of ship enthusiasts who helped with the type of vessel Elizabeth would have sailed on and from which port; I found photographs of Valparaiso in the 1880s and so could see what the town looked like, which buildings existed then.

I also found a wonderful diary written by a sea-captain’s wife who lived in Valparaiso in the 1830s. This was fifty years before the time of my story, but her descriptions of the landscape and the plants that grew there was an invaluable primary source. I also visited several exhibitions of botanical art and about 19th-century plant hunters in both Sydney and London during the course of writing, and read many letters written by plant hunters when they were on their expeditions.

  1. I love that the novel is distinctly female driven in both the nineteenth and twenty-first centuries by Elizabeth, Daisy and Anna and her family. These relationships were key to the story – what kind of sacrifices did you make in terms of character for Daisy and Elizabeth for the time you set them in, if any, and why?

One of the books I came across in my research told the stories of a number of extraordinarily adventurous women in previous centuries, and when I visited Kew, I discovered the Marianne North Gallery, which houses the paintings of this Victorian adventuress and botanist. So, I knew that I could faithfully create characters who were equally single-minded and brave, even though this was not generally expected of women in those times.

  1. Daisy’s sacrifice after a significant and heartbreaking event in the novel was crucial to the plot and uncovering the secrets that link Anna to Trebithick. The impact these had on me as a reader was profound – i was shocked and saddened but knew I had to keep reading on to find out what happened. Were these scenes and revelations hard to write, emotionally, and how so?

Yes, I remember writing the scene where Daisy discovers Elizabeth and Tomas with my heart in my mouth!

  1. What more can you tell us about the Devil’s Trumpet, its history and what it does? Does it still exist in the world, or is it a mystery plant to many still?

One of the clues in writing the story was a newspaper article I came across online about a rare, poisonous plant (actually a class B drug and illegal to cultivate in England) that had mysteriously sprung up in an English suburban garden. The owners eventually realised that it must have grown from seed imported from Chile that they had been putting out for the birds. That plant is the Devil’s Trumpet – datura.

  1. In Kew, Ed tells Anna that he believes the plant is extinct, or at least, that they have no samples available. Is there any truth in this, or did you take a bit of creative licence with Ann’s cultivation of the seeds in Sydney?

I invented a sub-species of daturaas the plant that Elizabeth went looking for, but when I researched if it was possible to germinate very old seeds I was delighted to find that scientists have successfully grown seeds up to 32,000 years old.

  1. Who was the most challenging character to write, and in what way did you find this to be so?

Damien Chegwidden – I had to rewrite him several times to make him truly villainous, but also not a one-dimensional baddie. I wanted the reader to understand what motivated him – I kept the adage ‘everyone is the hero of his or her own story’ very much in mind.

  1. Damien Chegwidden is of course, the villain in this novel – against anyone who is trying to beat him in finding the Devil’s Trumpet – were there people and situations like this in real life, do you think, of botanists competing to see who could find plants first?

According to accounts I read, early plant hunters were sometimes cooperative and collaborative, although several (particularly orchid hunters in the late nineteenth century) were unscrupulous – or worked for unscrupulous men – and would strip an area of the desired plant, urinate on a competitor’s haul to kill them, or even pull a gun on a rival!

  1. Finally, the ending left things quite open to the imagination – does this mean there is potential for a follow-up, or are you leaving this to the imagination of your readers?

I love stories that leave a question for the reader’s imagination to decide on, and help the story and characters live on in their mind. I hope, in some small way, I managed to achieve this, while still providing a satisfying conclusion.

Any further comments, or anything I may have missed?

The book is ultimately, I hope, about courage: Elizabeth’s is bold and obvious, and Anna’s more subtle, but both have to summon inner strength, albeit in different ways.

Again, thank you Kayte for agreeing to appear on my blog as part of the blog tour for your novel.

Booktopia

Australian Women Writer’s Challenge check in two – books sixteen to thirty.

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Marking off the half way point for my first sixty books as it stands on the 11th of August, is my second post, with the next fifteen books up to thirty. These range from books for kids, to choose your own adventure to historical fiction, and nearly everything in between. This post, there is much more diversity in the authors read – including some short stories, surprise arrivals and a fairy tale retelling. There were a few World War Two based books – this was around the time I read many Holocaust influenced stories from authors from around the world, one of them a true story – The Tattooist of Auschwitz – and after reading this one and going onto other Holocaust stories, it made me wonder -how many people from those stories did Lale tattoo, how many did he see – the faces that were clear as characters and historical figures in the novels would have been just numbers once he had tattooed them.

This next allotment also marks, with book sixteen, the beginning of my quiz writing job, and at times I have reviewed some of the books I have been sent, but not all. Not many are picture books on my list here, but a couple have pictures – be they photos related to the true story a novel is based on, or pictures that accompany and complement the text for younger readers, such as in Grandpa, Me and Poetry.

Sixteen to thirty:

  1. Grandpa, Me and Poetry by Sally Morgan
  2. The Paris Seamstress by Natasha Lester
  3. The Freedom Finders Series: Touch the Sun by Emily Conolan
  4. The Book of Answers: The Ateban Cipher Book 2 by A.L. Tait
  5. Little Gods by Jenny Ackland
  6. I am Sasha by Anita Selzer
  7. Thunderwith by Libby Hathorn
  8. The Tattooist of Auschwitz by Heather Morris
  9. Lovesome by Sally Seltmann
  10. Egyptian Enigma by L.J.M. Owen
  11. The Beast’s Heart by Leife Shallcross
  12. Eleanor’s Secret by Caroline Beecham
  13. Australia Day by Melanie Cheng
  14. The Most Marvellous Spelling Bee Mystery by Deborah Abela
  15. Miles Franklin: A Short Biography by Jill Roe

My next list will be thirty-one to forty-five. The vast array and mix of books I have read this year is interesting and has definitely been fun to read. Once the posts for the first sixty are up, upon the completion of the next fifteen, another post will go up – whether this is monthly or less frequently, these will act as little capsules of books to show what I have been reading in short bursts.

Australian Women Writer’s Challenge Check-in One – books one to fifteen

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All year I have been meaning to write progress posts for every month, or every ten books. Until now, I have woefully neglected this activity, and having read 61 books already, am breaking it up into posts of fifteen – and will continue to do this until the end of the year/early 2019, making the collation of posts for my final wrap up of this challenge easier than last year’s attempt. Each list will be varied, with review books and ones I chose to purchase making up my count – they will be diverse in terms of story, genre, fiction or non-fiction, readership, age and as many other aspects of diversity as I have stumbled across on my reading journey – greatly depending on what I have been able to find, have been sent and what I have access to, but also, I choose books based on what I enjoy as well, and in doing so, I feel like I hit as much diversity in my reading as possible without too much trouble.

These lists – to date so far by today, are a little less than half of my total books logged for the year, which on the 11th of August, stands at 115, and counting. I have well surpassed my goal of fifteen for the challenge – a conservative estimate as I often have a list in mind of upcoming releases and books I own, yet also don’t always know what else will come my way. I find it best to underestimate – and then anything extra becomes bonus points.

So below is my first batch of fifteen out of sixty one, with links to each review.

First fifteen

  1. The Sister’s Song by Louise Allan
  2. The Tides Between by Elizabeth Jane Corbett
  3. Rose Raventhorpe Investigates: Hounds and Hauntings by Janine Beacham
  4. Four Respectable Ladies Seek Part-Time Husband by Barbara Toner
  5. The Secrets at Ocean’s Edge by Kali Napier
  6. The Endsister by Penni Russon
  7. Graevale by Lynette Noni  
  8. Eventual Poppy Day by Libby Hathorn 
  9. Olmec Obituary by LJM Owen
  10. The Passengers by Eleanor Limprecht and Interview
  11. Miss Lily’s Lovely Ladies by Jackie French 
  12. Surf Rider’s Club #2: Bronte’s Big Sister Problem by Mary van Reyk
  13. Before I Let You Go by Kelly Rimmer
  14. Skin in the Game: The Pleasure and Pain of Telling True Stories by Sonya Voumard 
  15. Mayan Mendacity by L.J.M. Owen 

Coming up next, posts sixteen to thirty of the Australian Women Writer’s challenge and at some stage, a Book Bingo wrap up post for both of my rounds of the challenge with Mrs B’s Book Reviews and Theresa Smith Writes.

Blog Tour #1: Review of The Botanist’s Daughter by Kayte Nunn

the botanists daughter.jpgTitle: The Botanist’s Daughter

Author: Kayte Nunn

Genre: Historical Fiction

Publisher: Hachette Australia

Published: 31st July 2018

Format: Paperback

Pages: 388

Price: $29.99

Synopsis: Discovery. Desire. Deception. A wondrously imagined tale of two female botanists, separated by more than a century, in a race to discover a life-saving flower . . .

In Victorian England, headstrong adventuress Elizabeth takes up her late father’s quest for a rare, miraculous plant. She faces a perilous sea voyage, unforeseen dangers and treachery that threatens her entire family.

In present-day Australia, Anna finds a mysterious metal box containing a sketchbook of dazzling watercolours, a photograph inscribed ‘Spring 1886’ and a small bag of seeds. It sets her on a path far from her safe, carefully ordered life, and on a journey that will force her to face her own demons.

In this spellbinding botanical odyssey of discovery, desire and deception, Kayte Nunn has so exquisitely researched nineteenth-century Cornwall and Chile you can almost smell the fragrance of the flowers, the touch of the flora on your fingertips . . .

‘I loved The Botanist’s Daughter. I was transported to the 1880s and Chile, to contemporary Sydney and Kew. A gripping, warm-hearted read’
JOY RHOADES, author of The Woolgrower’s Companion

‘The riveting story of two women, divided by a century in time, but united by their quest to discover a rare and dangerous flower said to have the power to heal as well as kill. Fast-moving and full of surprises, The Botanist’s Daughter brings the exotic world of 19th-century Chile thrillingly to life’ KATE FORSYTH

~*~

This review and upcoming Q and A with the author are part of a blog tour with Hachette during August.

AWW-2018-badge-roseElizabeth Trebithick lives in Victorian England, in an old house, alone after the death of her father and sister’s marriage. Headstrong and determined to make her own way in the world and not be confined to the female universe that society, her sister and brother in law seem bent on setting out for her, Elizabeth sets out on a quest presented to her by her father before his death – to Chile to find a rare plant with miraculous qualities, that might have the answers and cures to many ailments, but getting it from Chile to England will be the challenge. But so will life aboard a ship for many months, and then life in South America: falling in love, making enemies and the consequences that come with hiding secrets and secret missions.

In Australia in 2017, Anna’s discovery of a tightly sealed box containing a diary, sketches and watercolours, as well as a hidden secret that draws Anna into the mystery of the diary of Elizabeth, known at first as ‘E’ – it ruptures her ordered life of work, and routine, and beings to force her to face her own demons, the memories of her past still haunting her as she tries to let go and move on with her life – which is why she has created such a well-ordered schedule, so life doesn’t overwhelm her. When the box she finds triggers a mystery that potentially involves her family, Anna leaves to go to England to trace the story of Elizabeth and the flower she was searching for – the Devil’s Trumpet. Keen to find out more about Elizabeth, and the diary, Anna’s trip takes her to London, Kew and Cornwall – to meet a descendant of Elizabeth’s father whom she hopes will be able to help her solve the mystery of the diary and paintings. With the help of her sister, Vanessa and friends who also work with plants, Anna’s interest is caught: and it is a mystery that had me turning each page diligently and eagerly as she met botanists in England at Kew, and found a kinship with them, and a shared interest in botany that Anna will soon learn hits much closer to home than she, her mother or her sister ever realised.

Elizabeth and Anna are strong, wilful characters whose driven presence gives the book its strength. It is through these characters that the world of botany comes to life, the smells and sounds of both centuries and cities, and the scent of flowers wafts around as you read – even the unfamiliar plants and scents filter through, and come to life in the imagination. The characters in both timelines were so full of life and complexities, both linked by a love of botany, which shines through, as does their determination not to let families, times or other people define what they do and who they are – they are allowed to be themselves and – particularly Elizabeth – work within the confines of what is expected of them whilst maintaining a sense of self and individuality that springs in a lively form from the page.

With a few twists and turns, the mystery of the diary, sketches and forgotten stories and family are solved, and brought together in a riveting ending that has whispers of the past potentially coming through on the very last page.

A well written novel, and one that I thoroughly enjoyed. My Q and A with Kayte will appear on the blog on the 12th of August as part of the blog tour with Hachettte.

Booktopia

Book Bingo Take Two

As per my post two weeks ago when I completed the first round, this is my second go at the bingo card, having completed it early, due to my filling in several squares at once in some posts. This time around. I’ll be trying to only do one book and square a fortnight, so I don’t finish early.

To begin, the text list of my categories is here, clean and empty for me to begin in my next post.

Book bingo take 2

 

Challenge #4: Book Bingo Take 2

(Rows Across)

Row #1 – –

 A book set more than 100 years ago:

A book written more than ten years ago:

A memoir:

A book more than 500 pages:

A Foreign translated novel:  

Row #2 –

A book with a yellow cover:

A book by an author you’ve never read before:

A non-fiction book:

A collection of short stories:

A book with themes of culture:

 Row #3:  –

 A book written by an Australian woman:

A book written by an Australian man:

A prize-winning book:

A book that scares you:

A book with a mystery:

Row #4

 A forgotten classic:

A book with a one-word title:

A book with non-human characters:

A funny book:

A book with a number in the title:

Row #5  

A book that became a movie:

A book based on a true story:

A book everyone is talking about:

A book written by someone under thirty:

A book written by someone over sixty:

Rows Down

Row #1 – –

A book set more than 100 years ago:

A book with a yellow cover:

A book written by an Australian woman:

A forgotten classic:

A book that became a movie:

Row #2

 A book written more than ten years ago:

A book by an author you’ve never read before:

A book written by an Australian man:

A book with a one-word title:

A book based on a true story:

 Row #3: – 

A memoir:

A non-fiction book:

A prize-winning book:

A book with non-human characters:

A book everyone is talking about:

Row #4 

A book more than 500 pages:

A collection of short stories:

A book that scares you:

A funny book:

A book written by someone under thirty:  

Row #5

A Foreign Translated Novel:

A book with themes of culture:

A book with a mystery:

A book with a number in the title:

A book written by someone over sixty:

 

I have not started in this post, as I have not chosen where to start yet, but I have some ideas of the books I want to add this time. I will be aiming to read and include the latest Jackie French book in the Miss Lily series, and some others that I have not had a chance to get around to yet. The first post will either be up today, the second or next bingo week, the sixteenth. I have been enjoying this book bingo and will enjoy having another go at it using as many different books as I can.