All year I have been meaning to write progress posts for every month, or every ten books. Until now, I have woefully neglected this activity, and having read 61 books already, am breaking it up into posts of fifteen – and will continue to do this until the end of the year/early 2019, making the collation of posts for my final wrap up of this challenge easier than last year’s attempt. Each list will be varied, with review books and ones I chose to purchase making up my count – they will be diverse in terms of story, genre, fiction or non-fiction, readership, age and as many other aspects of diversity as I have stumbled across on my reading journey – greatly depending on what I have been able to find, have been sent and what I have access to, but also, I choose books based on what I enjoy as well, and in doing so, I feel like I hit as much diversity in my reading as possible without too much trouble.
These lists – to date so far by today, are a little less than half of my total books logged for the year, which on the 11th of August, stands at 115, and counting. I have well surpassed my goal of fifteen for the challenge – a conservative estimate as I often have a list in mind of upcoming releases and books I own, yet also don’t always know what else will come my way. I find it best to underestimate – and then anything extra becomes bonus points.
So below is my first batch of fifteen out of sixty one, with links to each review.
First fifteen
- The Sister’s Song by Louise Allan
- The Tides Between by Elizabeth Jane Corbett –
- Rose Raventhorpe Investigates: Hounds and Hauntings by Janine Beacham
- Four Respectable Ladies Seek Part-Time Husband by Barbara Toner
- The Secrets at Ocean’s Edge by Kali Napier
- The Endsister by Penni Russon
- Graevale by Lynette Noni
- Eventual Poppy Day by Libby Hathorn
- Olmec Obituary by LJM Owen
- The Passengers by Eleanor Limprecht and Interview
- Miss Lily’s Lovely Ladies by Jackie French
- Surf Rider’s Club #2: Bronte’s Big Sister Problem by Mary van Reyk
- Before I Let You Go by Kelly Rimmer
- Skin in the Game: The Pleasure and Pain of Telling True Stories by Sonya Voumard
- Mayan Mendacity by L.J.M. Owen
Coming up next, posts sixteen to thirty of the Australian Women Writer’s challenge and at some stage, a Book Bingo wrap up post for both of my rounds of the challenge with Mrs B’s Book Reviews and Theresa Smith Writes.
In my fourth book bingo, I have three books to include and link back to. At this stage, I have almost completed the fifth column on the square, with the final square needing a foreign translated book – yet to be decided. The others are all a little bit spaced out randomly at this stage, but for the most part, shouldn’t be too hard to fill. Whilst I was aiming to fill all of the squares with Australian women authors, with the exception of the translated novel and a novel by an Australian man, I have decided to fill them with what fits with any book as I read them.
So, for this week, I have three to report on. There is one that I have known will fit since signing up to this challenge, so let’s start there – A book with more than 500 pages. There are a few that fit into this category, but I chose 
At the end of the second, is a book with themes of culture –
Finally, my third square for this week is the fifteenth square, a book with a mystery. For this one, I read 
Title: Miss Lily’s Lovely Ladies
Sophie Higgs lives in Australia at Thuringa, in 1913. Her father runs a corned beef empire, and Australian women have had the vote for eleven years, unlike the women in England, who are still fighting for suffrage. Sophie’s father sends her across the seas to Shillings, where, alongside women from the upper echelons of European society and royalty, Sophie will be taught by the mysterious Miss Lily about society, and how to behave at dinner, how to talk to men and captivate them, how to flatter them, and how to speak about topics that are said to be not right for a woman to know about. But Sophie is a bit of a challenge – the “colonial” who is outspoken and questions everything she is told. Miss Lily takes Sophie under her wing and sets about preparing her for a society life where she can fit in yet still be who she is. As 1914 inches towards war between Germany and England, Sophie must decide who she can trust. Emily, who has always been aloof and focussed? Or Hannelore, a German princess who is friendly but determined that Germany will win any war that breaks out on the continent. As war breaks out, and the Lovely Ladies head home or get married, Sophie is adrift, but determined to make a difference. With the Australians joining the call to duty and heading to Gallipoli, Sophie helps Alison turn her home into a hospital for injured soldiers. As soldiers die, and babies are born, Sophie is drawn further into the war, and across the seas to the battlefields of Ypres and Flanders, where she recounts her tale to a soldier out on the fields, before they head off the battlefields, where the war slowly wraps up, and Sophie finds herself looking to an uncertain future in the inter-war years.
A prize that works to highlight the voices of women writers in Australia is highly commendable. It serves the purpose of allowing women of Australia, regardless of age, ethnicity, race and so forth, to be represented and be heard in reviews, in writing and across all avenues of connection about Australian Women Writers. Reading has always been a passion of mine and I have always enjoyed Australian literature, and in particular, literature written by Australian Women Writers. In the last two years, I have started to pay more attention to Australian Women Writers that I read, out of curiosity to see what kind of authors populate my list more, whilst still realising that there are many other authors that do not necessarily fall into the category of Australian women writers that I will read and enjoy.
