Evie’s Ghost by Helen Peters

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Title: Evie’s Ghost

Author: Helen Peters

Genre: Children’s Historical Fiction

Publisher: Nosy Crow/Allen and Unwin

Published: 28th June 2017

Format: Paperback

Pages: 304

Price: $14.99

Synopsis: Classic children’s fiction from the author of The Secret Hen House Theatre.

Evie couldn’t be angrier with her mother. She’s only gone and got married again and has flown off on honeymoon, sending Evie to stay with a godmother she’s never even met in an old, creaky house in the middle of nowhere. It is all monumentally unfair. But on the first night in her godmother’s spare room, Evie notices a strange message scratched into the windowpane, and everything she thought she knew gets turned upside down. After a ghastly night’s sleep Evie wakes up in 1814, dressed as a housemaid, and certain she’s gone back in time for a reason. A terrible injustice needs to be fixed. But there’s a housekeeper barking orders, a bad-tempered master to avoid, and the chamber pots won’t empty themselves. It’s going to take all Evie’s cunning to fix things in the past so that nothing will break apart in the future…

~*~

Evie’s Ghost is the kind of novel that whilst for kids, is perfect for anyone who enjoys a mystery or historical fiction, and is a delightful time slip novel set in the early nineteenth century. Thirteen year old Evie has been sent to the country to stay with her godmother, Anna, whilst her mother and her stepfather go on a holiday without her. Annoyed at her mother, and with a dislike of her new stepfather, Evie reluctantly arrives at the house, and is devastated to learn of a lack of technology – and feels cut off from her friends and the world until an encounter with a ghost at her window draws her two hundred years into the past, to a grand house – where she must serve as a house maid to the Fanes who had once owned the property her godmother and others now live in, divided into apartments, and the interior grandeur lost. Waking up in 1814, Evie soon discovers a mystery to untangle, and someone to help – the daughter of the owner, Sophia Fane, in love with a gardener but who is being forced to wed someone double her age. With only a few days to work things out, Evie must find a way to help Sophia and get back to her time before she is missed.

Evie’s Ghost manages to tell an intriguing story, and uses the right amount of suspense and mystery, revealing things as they need to be revealed throughout the story, allowing the reader to immerse themselves in the characters and time period. The initial shock of being yanked from the twenty-first century into the nineteenth century and Evie’s response to the food and clothes, and the people, as well as their reaction to her, and the way she speaks, laughing off her suggestion of cleaning machines as dreams that will never eventuate all work together to bring the modern and old worlds together, and for Evie to adapt, though she sometimes slips up with modern dialogue, it works for her character, illustrating the stark differences between her time and theirs.

Telling it in first person gave the story a great impact – seeing both worlds through Evie’s eyes ensured that the strength of the contrasting worlds and attitudes towards class and gender, and Evie’s shock at how people treated each other – gave the story more power, I think, and allows the reader to feel as though they are experiencing these attitudes with Evie. Showing this contrast through her eyes ensures that the varying aspects of the time periods are experienced by her and therefore, by the reader through a personal account. I felt immersed in the world in this way, but have also read third person novels where it has been done exceptionally well, and I think that comes down to the writer as well as the point of view character, and Helen Peters has done a really food job with Evie and her story here, culminating in a conclusion that had hints dropped here and there but that I still questioned at times, making sure I had all the clues right before my aha moment.

This novel worked because of these contrasts, and because of the compelling story that allows the reader to immerse themselves in the world of 1814 and Evie’s desire to help Sophia and get back to her time. The publisher’s website says it is aimed at readers aged between nine and twelve, and it is a good book for this age group, but I enjoyed it, as I enjoy time slip novels, historical fiction and mysteries, and Evie’s Ghost managed to combine all three to create a story that I read rather quickly, eager to see how it was resolved. I would recommend it to any reader who enjoys history, mysteries, and female heroines who resolve things for themselves.

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Letters to the Lost by Brigid Kemmerer

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Title: Letters to the Lost

Author: Brigid Kemmerer

Genre: YA

Publisher: Bloomsbury

Published: 6th April 2017

Format: Paperback

Pages: 400

Price: $16.99

Synopsis: Juliet Young always writes letters to her mother, a world-traveling photojournalist. Even after her mother’s death, she leaves letters at her grave. It’s the only way Juliet can cope.

Declan Murphy isn’t the sort of guy you want to cross. In the midst of his court-ordered community service at the local cemetery, he’s trying to escape the demons of his past.

When Declan reads a haunting letter left beside a grave, he can’t resist writing back. Soon, he’s opening up to a perfect stranger, and their connection is immediate. But neither Declan nor Juliet knows that they’re not actually strangers. When life at school interferes with their secret life of letters, sparks will fly as Juliet and Declan discover truths that might tear them apart.

~*~

When Declan Murphy finds a letter on a grave during community service in the graveyard, he is compelled by an invisible force to read it, and respond to the person who wrote the letter.

When Juliet Young finds Delcan’s response to the letter she placed on her mother’s grave, she s incensed that someone has dared to read the words and respond to them as if they know her, as though they had the right to intrude. To Juliet, her privacy has been violated.

And yet, Juliet and Declan find a connection through this anonymous communication. They tell each other things they’ve never told anyone else, and reveal their true selves and feelings throughout the letters and later anonymous emails and messages that they move to. As they grow fond of each other through this method of communication, real life begins to throw them together: at school, at Homecoming, one the dark road with a broken down car, and they begin to form a friendship separate from the letters, not knowing that they are corresponding anonymously online when they face off in person.

Soon, they are thrown together more and more as real life and the letters start to blur together, and a fateful discussion threatens to throw them apart, and secrets are uncovered that Juliet is fearful to share with anyone – except those who helped her find the courage to look at her mother’s cameras, and find out what really happened the day she died.

Letters to the Lost is more than a love story. It is a story of loss, and how everyone deals with it differently, and a story of how the most unlikely friendships can develop in unusual places and come from a similar place and understanding, and slowly, develops into something more. Declan and Juliet have people they can talk to, teachers, friends, but not parents, and those who do try are not always able to understand them the way they understand each other.

I enjoyed Declan and Juliet’s story. It was heartbreaking in many ways, and illustrated the frustrations people feel that come with grief and change, and the shock of truths that lead to what happened, and the burdens that children shouldn’t have to shoulder. They are two people from different walks of life who find a way to understand the world, and the letters and emails interspersed with the prose and the dual perspective – where Declan’s chapters are indicated by him reading Juliet’s letters, and vice versa for Juliet – works well and establishes the characters for the reader, giving them both sides to the story, not just one.

Another interesting read from Bloomsbury for the Young Adult audience.

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Royce Rolls by Margaret Stohl

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Title: Royce Rolls
Author: Margaret Stohl
Genre: YA
Publisher: Bloomsbury Australia
Published: 1st May 2017
Format: Paperback
Pages: 400
Price: $15.99
Synopsis: Sixteen-year-old Bentley Royce is the wild-child of a super-glam reality TV dynasty. She has it all – designer clothes, a fancy school and an actual Bentley to drive around in. Her ambitious mom Mercedes has dragged the family from trailer park to Hollywood stardom. But Bentley wants out – she wants to go to college, escape her own storyline, be NORMAL – but Royces don’t do normal (or college).

Rolling with the Royces is running out of ways to keep viewers hooked and suddenly the show is threatened with cancellation. Bentley faces an impossible choice. Without the show, she could live the college dream – but her family will crumble (and is $20million in debt). Bentley Royce has a mission. She must use her brains to save the show; if she saves the show, she can save her family – and she’ll do whatever it takes …

Royce Rolls is a laugh-out-loud funny romp with a twist of mystery – a behind-the-scenes comedy with a brilliant voice, a hilarious and subversive antidote to the Kardashians and TOWIE (which will still work for fans of both!).

~*~

In Royce Rolls, the main character, Bentley Royce, is tired of playing the role of wild child in the reality television show, Rolling with the Royces. She’s tired of having her every waking minute filmed, and tired of being told how to act, and what to wear and humiliated by her sister, Porsche and her mother, Mercedes. After six seasons of the humiliation, Bentley’s only hope for a normal life and college – something that goes against everything Mercedes has instilled in her children and everything the show runners have encouraged for the Bentley character – is for the show to be cancelled. But when the threat of cancellation, her family will be faced with a large debt they’d have no chance of paying off. And so, Bentley must make a choice between family and a life that she has yearned for over many years.

Starting with an incident that shocks the reader, and inevitably, the characters, the novel switches back to the events that led to the tragedy. Each chapter ends or begins with relevant articles that would probably be found on a celebrity gossip site that blow things out of proportion with sensationalist headlines and stories, these do little to reflect the reality Bentley and her family manage to live when the cameras aren’t rolling during hiatus, or those rare hours when they’re studying their characters and Mercedes is probing them to be a person that they aren’t.

Bentley’s only solace is a local library, where she meets fellow library patron, Venice, and for the first time, experiences a real friendship, outside of a scripted “reality” that has been coerced to bring in ratings. She manages to get away at a certain time of day for this time out, and realises through these meetings that there is more than life on the show, and she wants more. Venice is the only person she can be the real Bentley with, not the scripted wild child “Bad Bentley” that everyone expects on the show.

Royce Rolls takes the reality television format and makes a mockery of it, revealing that what viewers see in the shows that populate television screens claiming to be reality television, television of real life, is really scripted and carefully produced and created using real people – acting as characters who are projected as the true selves of those on the screen, as opposed to fictional characters played by actors in television shows that often have much more interesting story lines.

As a rather anti-reality television fan, or at least, a viewer of shows like Masterchef who looks at the way things are edited for story telling purposes, this was an amusing read, and I was pleasantly surprised that I liked it. It shed light on the fallacy of reality television and indicates the power of reality comes from who a person really is, not what the world sees. It establishes the flaws of celebrity as well, and shows that that world is not as perfect as it may seem.

An interesting read for the YA audience, fans of reality television and those who don’t enjoy it. It is an antidote to the saturation of this genre and it uses humour and satire to show what this world is really like in an accessible and fun way.

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Blog Tour: Girl In Between by Anna Daniels

Title: Girl In Betweenimage004

Author: Anna Daniels

Genre: Fiction

Publisher: Allen and Unwin

Published: 26th April 2017

Format: Paperback

Pages: 314

Price: $29.99

Synopsis: Life can be tricky when you’re a girl in between relationships, careers and cities… and sometimes you have to face some uncomfortable truths. The sparkling debut from comic TV and radio presenter, Anna Daniels.

Lucy Crighton has just moved in with some gregarious housemates called Brian and Denise… who are her parents. She’s also the proud mother of Glenda, her beloved 10-year-old… kelpie. And she has absolutely no interest in the dashing son of her parents’ new next-door neighbour… well, maybe just a little.

When you’re the girl in between relationships, careers and cities, you sometimes have to face some uncomfortable truths… like your Mum’s obsession with Cher, your father’s unsolicited advice, and the fact there’s probably more cash on the floor of your parents’ car than in your own bank account.

Thank goodness Lucy’s crazy but wonderful best friend, Rosie, is around to cushion reality, with wild nights at the local Whipcrack hotel, escapades in Japanese mud baths, and double dating under the Christmas lights in London.

But will Lucy work out what she really wants to do in life and who she wants to share it with?

Anna Daniels is a natural-born comedian. She originally set out to write a screenplay that was part Muriel’s Wedding, part The Castle. Instead, she wrote Girl In Between, which was shortlisted for the 2016 Vogel’s Award. She says ‘I’ve always loved comedy which not only makes you laugh but also pulls at your heartstrings. I think a lot of people may be able to relate to Lucy’s story!’

Girl in Between is a warm, upbeat and often hilarious story about life at the crossroads. Featuring an endearing and irrepressible cast of characters, it will have you chuckling from start to finish.

~*~

aww2017-badgeSet in Rockhampton, and London, Girl in Between is a story about the cross roads of life that Lucy Crighton, in her early thirties, is faced with. At her age, stuck between jobs, and living at home while she works towards her dream of becoming published, and recovering from a relationship that ended recently, and that she would rather forget, Lucy is in a rut. On one side, she has her parents nagging about the real world and real jobs, and at times, their slightly embarrassing jokes. On the other, her best friend Rosie, working part time, chummy with her parents, and pushing Lucy into the arms of the son of a new neighbour, and conspiring with her mother, Denise. Combine that with the re-emergence of her ex, and Lucy has become the Girl n Between: in between relationships, in between careers, in between life.

Lucy Crighton lives with her parents – Brian and Denise, a ten-year-old kelpie called Glenda, and her mother’s obsession with Cher, and a variety of hobbies that come in and out of the house all the time. Her best friend, Rosie, makes herself at home. And the people who drift in and out of their lives in Rockhampton are just as quirky and interesting, and they all ensure a story full of fun and laughs, where big mouths get people into trouble and reveal things that shouldn’t be revealed. Through a series of mistakes that anyone can make, each character is shown to be not so perfect – a refreshing change in a novel with a hint of romance, as having characters in a romance who aren’t flawed and who are perfect and where finding their path isn’t complicated can be boring. Lucy’s journey to where she finally ends up certainly isn’t boring.

There is romance in this novel, however, I quite liked that it took a while to develop and that Lucy didn’t jump into it head first, rather she floundered, and travelled and tried different things. The London chapters were perhaps my favourite, as I felt like I was there, and working with Lucy in Scribe. As an aspiring author and book lover, and someone in their thirties, I could identify with Lucy, and hopefully others will too. She’s not perfect – she has her flaws, and like characters such as Bridget Jones and Nina Proudman, she makes mistakes, and at times, seems to fumble her way around life – but we all do. That is what makes characters like Lucy so relatable.

In a story about life and the choices we make, and the people in our lives, Girl in Between is fun and contemporary, with a creatively driven character who is unwilling to settle for things but at the same time, is faced with choices that must be made, and a character who has her ups and downs. In a story where these are embraced and not swept away under the carpet, Girl in Between by Anna Daniels gives readers after something a little more in their romance novels, where romance occurs but isn’t necessarily the goal a book to enjoy. It is a story about cross roads and discovering yourself, and how things work out – and where you end up in life. The eventual romance bubbled and simmered as the story went along, which made if more enjoyable for me, as I got to experience Lucy as she found her way in life without worrying about falling in love: it was something that just happened.

Girl in Between is a delightful and funny story about finding yourself at a point in your life were not everything is working out, and finding a way to make it work.

 

Girl in Between by Anna Daniels is published by Allen & Unwin, RRP $29.99, available now.

Find Anna here on social media:

• Twitter: @annadtweets
• Insta: @annamdanielsAnna Daniels
• Website: http://www.annamdaniels.com

 

Beyond the Wild River by Sarah Maine

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Title: Beyond the Wild River

Author: Sarah Maine

Genre: Fiction, Historical Fiction

Publisher: Hachette Australia

Published: 26/4/17

Format: Paperback

Pages: 400

Price: $32.99

Synopsis: A spellbinding and beautiful novel from a major new voice in fiction, perfect for fans of Kate Morton, Santa Montefiore and Rachel Hore.

From the author of THE HOUSE BETWEEN TIDES, comes an atmospheric and stunningly evocative historical novel. Perfect for fans of Eowyn Ivey’s TO THE BRIGHT EDGE OF THE WORLD, Stef Penney’s UNDER A POLE STAR, and Sarah Perry’s THE ESSEX SERPENT.

‘Maine skilfully balances a Daphne du Maurier atmosphere with a mystery… compelling’ Kirkus Reviews Scotland, 1893. Nineteen-year-old Evelyn Ballantyre, the daughter of a wealthy landowner, has rarely strayed from her family’s estate in the Scottish Borders. She was once close to her philanthropist father, but his silence over what really happened on the day a poacher was shot on estate land has come between them.

An invitation to accompany her father to Canada is a chance for Evelyn to escape her limited existence. But once there, on the wild and turbulent Nipigon river, she is shocked to discover that their guide is James Douglas, Ballantyre’s former stable hand, and once her friend. He disappeared the night of the murder, charged with the shooting.

Evelyn never believed that James was guilty – and her father’s role in the killing has always been mysterious. What does he have to hide? In the wild landscape of a new world, far from the constraints of polite society, the secrets and lies surrounding that night are finally stripped away, with dramatic consequences.

~*~

Evelyn Ballantyre has rarely left her family estate in the Scottish Borders, but a mystery from five years ago has put a strain on their relationship. In 1888 , there was a murder on the estate, and Evelyn knows the wrong man was accused, and so does her father, but he refuses to reveal the truth. They encounter the wrongly accused young man, James, on their trek in Canada as they travel across the country, taking in the wilderness and encountering the Native Americans living there at the time, faced with emerging memories of the murder, and the cover up that has led them to where they are. Through these scenes, a mystery emerges, and Evelyn is determined to prove to her father that James isn’t the killer and force him to tell the truth and reveal what he knows.

The wilderness of nineteenth century Canada is as much a character in the novel as the Ballantyres, James and their travelling companions. Evelyn and those she is travelling with are as intrigued by the mystery of the murder back in Scotland, yet they seem more fascinated by the Canadian wilderness, and the unknown culture they are faced with – though attitudes of the time and the approach they took in showing their fascination affect the actions and words of the characters. Yet Sarah Maine has managed to show these attitudes sensitively and with care, illustrating the different attitudes, but not resorting to using derogatory terms of the time, but still maintaining the fascination of the Other and the unknown prevalent at a time when contact between cultures wasn’t as instantaneous as it is today.

The character and setting of the Canadian adds another layer: it is the mystery of a new land, a physical place, contrasted against the mystery of the murder – leading to Evelyn wondering if the murderer is actually with them, given that James didn’t do it. In making the setting a character, Sarah Maine has used it to show the flaws in the other characters, as well as showing this through their interactions with each other, eventually bringing the truth out into the open.

I enjoyed the pacing – it was slow at times, but only when it needed to be, and wasn’t too quick. It fitted the genre and plot nicely, and ensured a delightful read with an unexpected ending that I wasn’t sure would happen, but was a pleasant surprise when it happened.

An enjoyable novel for fans of literary fiction, historical fiction, mystery and Kate Morton.

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Under The Same Sky by Mogjan Shamsalipoor and Milad Jafari with James Knight

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Title: Under the Same Sky
Author: Mojgan Shamsalipoor and Milad Jafari with James Knight
Genre: Non-fiction, biography
Publisher: Hachette Australia
Published: 26th April 2017
Format: Paperback
Pages: 331
Price: $32.99
Synopsis: The powerful and incredibly moving story of Mojgan Shamsalipoor and Milad Jafari – two young Iranian asylum seekers who are showing that the power of love can conquer all obstacles.
After fleeing their homeland, Australian refugee policies threaten to tear this young couple apart. An unforgettable story of love, hope and a quest for freedom.
At seventeen, all Mojgan Shamsalipoor wanted was to be safe from physical and sexual abuse, go to school, and to eventually marry for love. In Iran, she was denied all of this.
Milad Jafari was a shy teenage boy who found his voice as a musician. But the rap music he loved was illegal in his country. All Milad’s father, a key maker, builder and shopkeeper, wanted was for his family to live free from the fear of arrest, imprisonment or execution. To do that they all had to flee Iran.
Mojgan and Milad met in Australia. But in the months between their separate sea voyages, the Australian government changed the way asylum seekers were treated. Though Milad is recognised as a refugee and will soon become a proud Australian citizen, Mojgan has been told she cannot stay here even though the threat of imprisonment and further abuse, or worse, means she can’t return to Iran.
UNDER THE SAME SKY, is a powerful insight into the human face of asylum seekers and the way history has shaped the lives of these two young people. It also shows the compassion alive in our suburbs. For Mojgan and Milad, their love keeps their hopes alive.

~*~

Under the Same Sky is the story of Mojgan and Milad’s lives in Iran, and their escape as asylum seekers to Australia. In Iran, both led very different lives under a regime that restricted what women could do, and promoted one religion over all others, persecuting anyone who didn’t fall into line with what the government dictated to them. Eventually, both their families saw the need to flee: Milad’s together, and Mojgan with one of her older brothers, Hossein. With the government as it was, each had to pretend they were only headed to Indonesia for holidays, and that they would return to Iran. Doing it this way, they were able to leave, yet still had to find a way to Australia, where they hoped to find safety. In each chapter, Mojgan and Milad tell their story as their journeys progress, and in some ways, they had similar journeys, but in other ways, their experiences as asylum seekers and refugees differed.

After traumatic events that led to Mojgan and Hossein fleeing Iran for Australia – with the uncertainty of their fate and the fate of the family members they had had to leave behind, and months spent in detention, the two met at a Baha’i camp, and became good friends, and eventually, started dating. However, the government had decided on Mojgan and Hossein’s fate – they had not been granted visas and after months of living in community detention, and a relationship, and marriage between Mojgan and Milad, the brother and sister were sent back to detention, where they were again in limbo, awaiting decisions.

Throughout these turbulent times, Milad, his family and the friends and teachers Mojgan had met at Yeronga at school began fighting for her to be freed, and returned to a safe home with people who cared about her. This fight is included in the story, in some of the chapters told by James Knight, who gives a lot of background to the instability of Iran and the changing attitudes towards asylum seekers and refugees and their treatment. Mojgan’s experiences in detention affected her deeply –even though she wasn’t always harshly treated, the instances she was, and the guards who were rough with her stood out in her mind. Even the guards who tried to help her , who were nice, couldn’t fully erase these experiences.

At the time of the publication of the book and the writing of this review, a final decision is yet to be made and Mojgan and Hossein, though now living with Milad and his family, are still in limbo.

Mojgan and Milad’s story sheds light on an issue that is fraught with complexities and often simplified in the media – which does not always allow for in depth discussion. Mogjan, Milad and James all acknowledge throughout the complexities, especially in the constantly changing attitudes at the political level and in public opinion about refugees, illustrated by interviews with teachers who knew Mogjan and Milad, and quotes from papers about refugees and asylum seekers and references to speeches by the former Minister for Immigration, Scott Morrison. What these do is to establish the political backdrop of Australia, and in a way, contrast it against what Milad and Mojgan ran from – the stark contrast of a dictatorship like Iran, whose government demanded to know the whereabouts of Mogjan long after she left, and the freedom of Australia that they sought but that they were unsure they would ever gain. James Knight’s statements are supportive of those who helped Mogjan and Milad, and less supportive of the government of the time. Some come across as political because issues of asylum seekers and refugees can never be divorced from politics, but I feel like he fell short of outright condemnation and name-calling.

It was an interesting book to read, because it presented a side to the issue not often seen, and one that maybe, should be given more attention. Cases such as Mogjan and Milad’s, where they’ve fled danger and persecution, and simply want a safer life, are the ones we should be hearing about as well as any negative stories that come out. Reading it, I felt moved and shocked by what Mogjan had gone through in Iran and detention. It is only their experiences of fleeing and people smugglers, and becoming asylum seekers. It touches on the issue of how difficult it can be to leave a place like Iran for good. I recommend it for anyone interested in human rights and those wanting to know about the experience from the perspective of someone who has been there.

Stars Across the Ocean by Kimberley Freeman

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Title: Stars Across the Ocean

Author: Kimberley Freeman

Genre: Fiction, Historical Fiction

Publisher: Hachette Australia

Published: 26th April 2017

Format: Paperback

Pages: 450

Price: $29.99

Synopsis: The powerful new novel from Kimberley Freeman.

A rich and satisfying story of two women with indomitable spirits and the high costs they have to pay for being strong-minded, from the author of the bestselling LIGHTHOUSE BAY and EMBER ISLAND.

1874: Only days before she is to leave the foundling home where she grew up, Agnes Resolute discovers that, as a baby, she had been abandoned with a small token of her mother: a unicorn button.

Agnes always believed her mother had been too poor to keep her, but after working as a laundress in the home she recognises the button as belonging to Genevieve Breckby, the beautiful and headstrong daughter of a local noble family. Agnes had seen Genevieve once, in the local village, and had never forgotten her.

Despite having no money, Agnes will risk everything in a quest that will take her from the bleak moors of northern England to the harsh streets of London, then on to Paris and Ceylon. As Agnes follows her mother’s trail, she makes choices that could cost her dearly. Finally, in Australia, she tracks Genevieve down. But is Genevieve capable of being the mother Agnes hopes she will be?

~*~

aww2017-badgeStars Across the Ocean opens in the present, in first person. Victoria, or Tori as she prefers, has travelled from Australia to England to assist her ailing mother, who following an accident at work, is recovering in a rehabilitation centre. Tori is sent by her mother to her office to recover some work she has, and in the process, Tori finds a letter from about 1855: To My Child, Whom I Could Not Keep. And so begins Tori’s adventure into the past, via this letter, which abruptly ends and transitions from the first person perspective of Tori in the present and the letter, to 1874, third person, and Agnes.

Agnes Resolute is a foundling child of Perdita Hall in Hatby, Yorkshire. She has lived there for nineteen years, since her abandonment as a baby, with only a unicorn button the only clue to her past. Putting together her memories of a young woman named Genevieve from Breckby Hall, and a connection to the button, Agnes sets off on a journey to London, where she becomes the companion to Marianna Breckby, Genevieve’s sister and someone whom Agnes hopes, can help her find Genevieve.

Her time in London is cut short as she travels to Paris, where Genevieve’s son, Marianna’s nephew, Julius, finds her and listens to her story, and decides to help her find out about her family, telling her a few secrets of his own that make her question their relationship and what they might mean to each other. From Paris, Agnes travels alone to Ceylon to find Genevieve, and instead, finds a former lover, whose stories about Genevieve lead Agnes to Melbourne, Australia and the theatres. It is here that Agnes hopes to find Genevieve and have her questions answered,

Throughout the novel, it flicks back to the present as Tori struggles to put the letter together, with several sections missing, and whilst she is trying to solve the mystery of the letter, she is also struggling with her own demons back home in Australia, the lack of contact with her husband, and her ailing mother, who seems to need constant care.

It is a story about a young woman finding her place in the world, and reuniting with a mother who wanted her despite her family, and finding an unexpected love in the process. The romance was done exceptionally well, because the characters were given a chance to be their own people first and foremost; Agnes was allowed to be her own woman for a time, and find answers to questions she had had for years. It was a small part of the novel, but at the same time, a nice addition to a story that became about knowing who you are and not accepting what other people expected of you. There are two endings to this – the ending to Agnes’ story and the ending to Tori’s story. One was satisfying in many ways, and the other was a little abrupt, though realistic in relation to the plot. However, this second ending still left me wanting to know more, and wanting to know what else Tori and her mother would find out.

A delightful historical fiction story set in Victorian London, with a heroine who in some ways, fits into the gender expectations of the time but is still her own person and refuses to be tied down – the kind of character who can spread her wings when she wants to, and come home when she needs to. It is a lovely tale, and I hope to read it again soon.

A great read for lovers of historical fiction, and anyone who has read and enjoyed authors such as Kate Forsyth.

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