NSW Premier’s Literary Awards Shortlist for 2018

One of the Australia’s literary awards has just announced the shortlist for 2018 – The NSW Premier’s Literary Awards, with the winner to be announced in April. Each category and the shortlisted novels for this prize are listed below for 2018, and information about each prize category can be found here in a previous post:

The Christina Stead Prize for Fiction:

Common People by Tony Birch, published by UQP

Seabirds Crying in the Harbour Dark by Catherine Cole, published by UWA

Pulse Points by Jennifer Down, published by Text Publishing

The Book of Dirt by Bram Presser, published by Text Publishing

The Restorer by Michael Sala, published by Text Publishing

Taboo by Kim Scott

Douglas Stewart Prize for Non-Fiction:

Victoria: The Woman Who Made the Modern World by Julia Baird, published by HarperCollins Publishers “A passion for exploring new countries” Matthew Flinders & George Bass by Josephine Bastian, published by Australian Scholarly Publishing

The Enigmatic Mr Deakin by Judith Brett, published by Text Publishing

Passchendaele: Requiem for Doomed Youth by Paul Ham, published by Penguin Random House Australia

The Green Bell: a memoir of love, madness and poetry by Paula Keogh, published by Affirm Press

The Boy Behind the Curtain by Tim Winton, published by Penguin Random House Australia

Kenneth Slessor Prize for Poetry:

Archipelago by Adam Aitken, published by Vagabond Press

Euclid’s dog: 100 algorithmic poems by Jordie Albiston, published by Gloria SMH Press

Bone Ink by Rico Craig, published by Guillotine Press

Argosy by Bella Li, published by Vagabond Press

Captive and Temporal by Nguyễn Tiên Hoàng, published by Vagabond Press

These Wild Houses by Omar Sakr, published by Cordite Books

Patricia Wrightson Prize for Children’s Literature

The Patchwork Bike by Maxine Beneba Clarke and illustrated by Van T Rudd, published by Hachette Australia

The Elephant by Peter Carnavas published by UQP

Blossom by Tamsin Janu, published by Omnibus Books for Scholastic Australia

Figgy Takes the City by Tamsin Janu, published by Omnibus Books for Scholastic Australia

How To Bee by Bren MacDibble, published by Allen & Unwin

The Sorry Tale of Fox and Bear by Margrete Lamond and illustrated by Heather Vallance, published by Dirt Lane Press

Ethel Turner Prize for Young People’s Literature

In the Dark Spaces by Cally Black, published by Hardie Grant Egmont

the blue cat

The Blue Cat by Ursula Dubosarsky, published by Allen & Unwin

The Ones That Disappeared by Zana Fraillon, published by Hachette Australia

A Shadow’s Breath by Nicole Hayes, published by Penguin Random House Australia

The Build-Up Season by Megan Jacobson, published by Penguin Random House Australia

Ballad for a Mad Girl by Vikki Wakefield, published by Text Publishing

Nick Enright Prize for Playwriting

The Sound of Waiting by Mary Anne Butler, published by Brown’s Mart Arts Ltd

Rice by Michele Lee, Presented by Queensland Theatre and Griffin Theatre Company, published by Playlab

Black is the New White by Nakkiah Lui, published by Sydney Theatre Company

Mark Colvin’s Kidney by Tommy Murphy, published by Currency Press and Belvoir

Little Emperors by Lachlan Philpott, published by Malthouse Theatre

The Real and Imagined History of the Elephant Man by Tom Wright, published by Malthouse Theatre

Betty Rowland Prize for Scriptwriting

Deep Water: The Real Story written by Amanda Blue and Jacob Hickey – Blackfella Films

Top of the Lake: China Girl, Series 2 Episode 4 ‘Birthday’ by Jane Campion and Gerard Lee – See-Saw Films

Sweet Country by Steven McGregor and David Tranter – Bunya Productions

Seven Types of Ambiguity, Episode 2 ‘Alex’ by Jacquelin Perske – Matchbox Pictures

Please Like Me, Series 4 Episode 5 ‘Burrito Bowl’ by Josh Thomas, Thomas Ward and Liz Doran – Guesswork TV

Multicultural Award NSW

No More Boats by Felicity Castagna, published by Giramondo Publishing

The Permanent Resident by Roanna Gonsalves, published by UWA Publishing

Dark Convicts by Judy Johnson, published by UWA Publishing

The Family Law, Series 2 Episode 4 by Benjamin Law and Kirsty Fisher – Matchbox Pictures

Down the Hume by Peter Polites, published by Hachette Australia

Quicksilver by Nicholas Rothwell, published by Text Publishing

Indigenous Writer’s Prize

Finding Eliza: Power and Colonial Storytelling by Larissa Behrendt, published by UQP

Common People by Tony Birch, published by UQP

Barbed Wire and Cherry Blossoms by Anita Heiss, published by Simon & Schuster Australia

The Drover’s Wife by Leah Purcell published and produced by Currency Press and Belvoir in association with Oombarra Productions)

Taboo by Kim Scott, published by Pan Macmillam Australia

UTS Glenda Adams Award for New Writing

2018 Shortlist The winner will be announced at the awards ceremony on 30 April 2018. There is no shortlist for this category.

About the award

  • The UTS Glenda Adams Award ($5,000) is for a published book of fiction written by an author who has not previously published a book-length work of narrative fiction or narrative non-fiction.

  • The Award seeks to recognise outstanding new literary talent. The winning author may produce an excellent piece of writing in a traditional fictional form or may challenge and expand the boundaries of the genre.

  • The winner of the UTS Glenda Adams Award is chosen from entries submitted for the Christina Stead Prize (no additional entry fee is required for this award).

  • Entrants who meet the UTS Glenda Adams Award criteria should indicate on the nomination form if they wish to be considered for the Award.

  • There may not be a shortlist in this category.

NSW Premier’s Translation Prize – Next awarded 2019

Multicultural NSW Early Career Translator Prize – Next awarded 2019





The World Goes On by László Krasznahorakai (translated from the Hungarian by John Bakti, Ottilie Mulzet and Georges Szirtes

world goes on.jpgTitle: The World Goes On

Author: László Krasznahorakai (translated from the Hungarian by John Bakti, Ottilie Mulzet and Georges Szirtes

Genre: Fiction

Publisher: Allen and Unwin/Tuskar Books/Profile Books

Published: 18th December, 2017

Format: Hardcover

Pages: 312

Price: $29.99

Synopsis: A new work of fiction from the winner of the 2015 Man Booker International Prize.

A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveller, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child labourer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils.

In The World Goes On, a narrator first speaks directly, then tells twenty-one unforgettable stories, and then bids farewell (‘for here I would leave this earth and these stars, because I would take nothing with me’). As Laszlo Krasznahorkai himself explains: ‘Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…’

The World Goes On is another masterpiece by the winner of the 2015 Man Booker International Prize. ‘The excitement of his writing,’ Adam Thirlwell proclaimed in the New York Review of Books, ‘is that he has come up with his own original forms – there is nothing else like it in contemporary literature.’


In a series of short stories, an unnamed narrator, a Hungarian interpreter, and other travellers, take a journey across various nations and exploring a dark and what feels like a metaphysical side to humanity whilst taking the physical journey. Each of the twenty short stories is told in first person, with no inkling as to who is telling the story or indeed if any narrator is different: it all feels like the same narrator, dipping in and out of lives, times and places to tell stories of oblivion and hopelessness, where the title, once each story has come to its inevitable conclusion, lives up to its reputation – that once the narrator, or multiple narrators have completed their story, the world does indeed move on to the next story.

As each story is different, yet feels like it has the same narrator, it can be confusing at first, but once you’ve read the beginning, it starts to come together, albeit in many lengthy sentences, some of which appear to go on for pages at a time, and give a feeling of breathlessness, and claustrophobia – perhaps this is what the author was going for, the helpless feeling of not knowing where to stop to take a breath between punctuation marks, and the sense of what is happening in your life and the world rushing so fast at you, that your thoughts come out so quickly, there’s no time to pause, or take breath sometimes. This was how I felt reading this, which is why it has taken so long to finish it and review it – there were times the lengthy sentences, though they worked and made sense, could bring on a sense of dizziness and breathlessness – though the concept and ideas have been well executed.

It is also rather philosophical, with hints towards historical events, people and places, but at the same time, feeling sort of out of place, or as though what was happening could be happening anywhere.

Whilst this has not been my favourite read, I can appreciate what the author has done, and hope that there will be people who will enjoy this book.


Book Bingo Five – A foreign translated novel, a novel with a yellow cover, a novel by an Australian man, a funny book, a memoir and a non-fiction book.

book bingo 2018.jpgIn my fifth Book Bingo post for the year, I can report that I have a BINGO! The final row going down, row five, is complete, with three out of the five squares being filled with Australian Women Writers. The text version of the row is below:


Row #5 (Down) – BINGO

 A Foreign Translated Novel: Babylon Berlin by Volker Kutschner (translated by Niall Seller

A book with themes of culture: The Sealwoman’s Gift by Sally Magnusson

A book with a mystery: Olmec Obituary by LJM Owen – AWW2018

A book with a number in the title: Four Respectable Ladies Seek Part-Time Husband by Barbara Toner – AWW2018

A book written by someone over sixty: Eventual Poppy Day by Libby Hathorn – AWW2018

babylon berlinOf these, the latest addition is a foreign translated novel – Babylon Berlin by Volker Kutschner, translated by Niall Seller and sent to me by Allen and Unwin to review. It is the first in a crime series by a German author, set during the dying years of the Weimar Republic in the inter-war period, when the world is inching towards the Great Depression. It centres around Detective Gereon Rath, and the crimes he solves, and the things that he overlooks, the various underworld activities that are accepted in dark corners, but not always out in the open. I did like the idea behind this, and the historical backdrop, however, as stated in my review, I felt some things dragged on a bit, making these sections a tad slow but the fast-paced sections were what really drove the novel and gave it the oomph that it needed.

tin manI have five other squares to include – I am aiming to fill them with whatever works, and some will be Australian Women Writers, others won’t, it simply depends on where the books fit. First, is a novel with a yellow cover – Tin Man by Sarah Winman. It is the story of two gay men, whose first encounter has them ripped apart but then drawn back together as friends, with Annie, the wife of Ellis, one of the main characters. It is a touching story of the various ways we express our love, and to whom we choose to express that love. With a touch of realism about it, it touches on fears as well as love.

Skin-in-the-Game_cover-for-publicity-600x913My memoir square has been filled by Skin in the Game: The Pleasure and Pain of Telling True Stories by Sonia Voumard. In a series of essays, Sonia tells her story about being a journalist, and the daughter of a World War Two refugee – her mother, with humour and frankness, and an honesty that shines a light on some of the challenges faced by journalists behind the scenes of stories, interviews and publications, and how they try to overcome these under increasing pressure of a 24 hour news cycle, where the demand for facts and results at all times seems to be a struggle to keep up with. It is insightful and gives a new appreciation for what journalists do and at times go through for me.

grandpa me poetryThe book taking up the square of a funny novel has not been published yet, so the longer review will be linked here when it goes live. Grandpa, Me and Poetry by Sally Morgan, and published by Scholastic. It is the story of Melly, who loves poetry and her Grandpa. When given the chance to explore her two loves, she jumps at it, and through a series of amusing scenes with funny rhymes, she finds a way to write a wonderful poem for Family Day.

the opal dragonflyThe novel by Australian Man square was filled by new release, The Opal Dragonfly by Julian Leatherdale, about Isobel Macleod, youngest of seven and her father’s favourite, and the opal dragonfly brooch left to her by her mother that sees hard times befall the family through a series of tragedies over the years that they can never recover from. It is about family loyalty, betrayal and finding oneself in the harshest of circumstances, and finding a new life for yourself

spinning topsSpinning Tops and Gum Drops: A Portrait of Colonial Childhood fills the non-fiction square. Using images and statements, and other stories from the time, Edwin Barnard has created a window into a world where the realities of childhood were vastly different to those for today’s children. It tells of a time when threats from illness and bushrangers were ever present, where children had to work as well as go to school, and in some cases, instead of going to school. It is interesting and gives a window into colonial life beyond text on a page.  

Look out for my next Book Bingo in a few weeks time!


Dymocks Children’s Charities:  Book Bonus 2018




One of Australia’s most well-known booksellers, Dymocks, runs a series of children’s charities to help improve and promote literacy to children, and encourage them to read. Dymocks Children’s Charities also aim to help children find a love of reading that they can carry through their lives.


One of the initiatives and campaigns that Dymocks Children’s Charities are running this iyear is Book Bonus. Book Bonus 2018 is an online read-a-thon that is linked to the NSW Premier’s Reading Challenge. What Book Bonus does is provide students with a safe and secure opportunity to gain support from family and friends from the books they read for the NSW Premier’s Reading Challenge.


Through this campaign, Dymocks Children’s Charities aims to deliver thousands of new books to school libraries and classrooms in NSW. During Book Bonus, students and school raise money for the campaign, and the money raised will be matched by Dymocks Children’s Charities. For every $1 raised, Dymocks Children’s Charities will match it with a 25% bonus – $1.25 per dollar earned towards new books for schools.


They will also award an additional 25% of the amount raised to schools in need to select the right books for their students.


Students and schools can fundraise up until the 7th of September, but funds raised after the completion of the NSW Premier’s Reading Challenge, which closes on the 31st of August, will not be counted.


Best of luck to all participating!






Mayan Mendacity by LJM Owen

Mayan-Mendacity_low-res.jpgTitle: Mayan Mendacity

Author: L.J.M Owen

Genre: Crime/Historical Crime

Publisher: Echo Publishing

Published: November 2016

Format: Paperback

Pages: 357

Price: $19.99

Synopsis: Dr Elizabeth Pimms has a new puzzle.

What is the story behind the tiny skeletons discovered on a Guatemalan island? And how do they relate to an ancient Mayan queen?

The bones, along with other remains, are a gift for Elizabeth. But soon the giver reveals his true nature. An enraged colleague then questions Elizabeth’s family history. Elizabeth seeks DNA evidence to put all skeletons to rest.

A pregnant enemy, a crystal skull, a New York foodie, and an intruder in Elizabeth’s phrenic library variously aid or interrupt Elizabeth’s attempts to solve mysteries both ancient and personal.

With archaeological intrigue, forensic insight and cosy comfort, Mayan Mendacity takes readers back into the world of Dr Pimms, Intermillennial Sleuth. Really cold cases.


AWW-2018-badge-roseAs Elizabeth’s new life as librarian and volunteer archaeological detective continues, a new mystery begins to unfold at the university as she bumps into Luke, and the girl he’s agreed to marry after having an affair with her. His gift to Elizabeth upon his return, is the betrayal and the delivery of remains from a Mayan site, that need sorting, cataloguing and investigating. Corralled into doing this, and writing a report on it, Elizabeth must find a way to spend time with her family, especially brother Matty, and attend the counselling sessions with her siblings, Matty and Sam, their sister. The family dynamic is complicated by work colleague Mai, who has been hostile without explanation to Elizabeth since Olmec Obituary, and the two are equally stubborn, refusing to talk, despite Nathan’s attempts, and Elizabeth’s resolve to remain calm throughout as she grapples with interference with the Mayan remains, and family expectations that she feels guilty about missing, though her loving grandparents are supportive.

The pregnancy that has trapped her ex, Luke, into a relationship with Kaitlyn, is yet another obstacle to overcome, and Kaitlyn’s determination to make Elizabeth look bad in her Mayan reports threaten to thwart all the hard work Elizabeth and Matty have done for the reconstruction. Between the challenges presented by Kaitlyn and Mai, will Elizabeth solve the case of Lady Six Sky?

Interspersed throughout the novel, the ancient case of Lady Six Sky and the remains is told in between chapters, slowly revealing what happened to the reader as Elizabeth investigates what happened based on the bones and archaeological remains.

The second in the Dr Elizabeth Pimms series, Mayan Mendacity, continues some of the questions left unanswered at the end of book one, and brings together the threads of relationships that started there. Elizabeth’s analytical, logical mind is constantly at work again, as she tries to put together pieces of various puzzles without muddling them up – and it is enjoyable to read about her doing this, and working in a field she loves, whilst being surrounded by the books and archaeology she so loves. As it is the second in the series, it moves along with a good pace and has a decent gap between the final events of the first book and the events of this one, ensuring the flow of characters works effectively and that will hopefully flow nicely into the subsequent books, the third of which, Egyptian Enigma has just been released and will be reviewed on this blog soon.

I think of all the characters, Matty, Taid, Elizabeth and Nai Nai are my favourites. Matty, for his resilience in the face of a disability that has affected him for most of his life, and his quest to overcome the obstacles thrown into his face to become a chef. Elizabeth, for her love of books, cats and history, and desire to uncover the truth behind the bones. Taid and Nai Nai are awesome grandparents, and all round fabulous characters. The diversity of the characters adds to what I enjoyed about this book, and the various ways in which they interact. I did feel poor Elizabeth was pressured by her sister Sam into things at times, and Sam often demanded, but I’m hoping her character grows over the course of the series.

Another great read from LJM Owen.


The Opal Dragonfly by Julian Leatherdale

the opal dragonfly.jpgTitle: The Opal Dragonfly

Author: Julian Leatherdale

Genre: Historical Fiction

Publisher: Allen and Unwin

Published: 21st Febraury 2018

Format: Paperback

Pages: 592

Price: $29.99

Synopsis: A daughter sacrifices her reputation, two men bid for the love of a woman, freedom is found in the heart of a dust storm, a father’s legacy reveals past crimes.

Inspired by the glamour and beauty of Elizabeth Bay House and the other grand villas of Woolloomooloo Hill in the 1850s, The Opal Dragonfly tells the story of Isobel Macleod, a young woman born into wealth and privilege and yet destined to be cast out of both.

Miss Isobel Clara Macleod, youngest of the seven children of Major Sir Angus Hutton Macleod, Surveyor-General of the colony of New South Wales, had the singular misfortune to know that at seven o’clock that morning her father was going to die.

September, 1851. Sydney, city of secrets and gossip. Seventeen-year-old Isobel Macleod is determined to save her father because she loves him. But when she dares to trespass in a forbidden male world, she will be plunged into social disgrace. A wave of ill fortune threatens to swallow up her family and their stately home, Rosemount Hall, ‘the finest house in the colony’ on the foreshores of Sydney Harbour.

Is Isobel to blame for her family’s fate or does the cause lie further in the past? When Isobel was four, Major Macleod returned from an expedition with two ‘souvenirs’: an Aboriginal girl who became her friend and two opals fashioned into a dragonfly brooch for her mother.

When Isobel inherits this ‘unlucky’ heirloom, she wonders if the terrible dreams it summons are a curse or a gift. Now Isobel’s hopes for her future depend on a charming bohemian who encourages her hidden passion to become an artist. Will she now be permanently exiled from her family home? Or will she be transformed into a new self, like a magnificent dragonfly emerging into the sunlight?

A daughter sacrifices her reputation, two men bid for the love of a woman, freedom is found in the heart of a dust storm, a father’s legacy reveals past crimes.

Inspired by Elizabeth Bay House and the other grand villas of Sydney’s Woolloomooloo Hill, The Opal Dragonfly tells the bittersweet story of an ambitious family’s fall from grace and a brave young woman’s struggle to find her true self.


Isobel Macleod is the youngest of seven, and the favourite of her father, much to the chagrin of sisters, Anna and Grace, though she is adored by her oldest sister, Alice, and brothers, William, Joseph and Richard, who do their best to smooth things over with her, Grace and Anna – until a series of events and disasters befalls the family over a matter of months and years. Major Angus Hutton Macleod, their father, is the Surveyor-General of the Colony of NSW during the decades prior to Federation, and is often off exploring the country, and taking notes and sketches for the Colony. When home, he encourages Isobel’s artistic talents, allowing her into his office to sketch his finds. When she is four, he returns from one such expedition with ‘souvenirs’ – a brooch of opals, made into a dragonfly for Isobel’s mother, Winnie, and a young Aboriginal girl, Ballandella – a playmate for Isobel and who would become her friend.

In these happy early years, it feels to the reader as if nothing will go wrong, but the opal dragonfly’s presence is presented as a dark omen, a harbinger of doom and bad luck for the family – which presents a mystery throughout for Isobel, as she struggles to come to terms with the tragedies, her fall from grace and the hatred of her sisters, Grace and Anna, in the absence of her mother, and sister Alice. These are complex and diverse characters, whose actions, reactions and motivations are what keeps the story and the family dynamics interesting, especially when it comes to the opal dragonfly, coveted by Grace, but left to Isobel by their mother.

But the opals bring several rounds of bad luck: an exiled brother, death in the family, and disgrace for Isobel as she bravely prevents her father from participating in a duel, and unwittingly setting forth her own fall from grace, and tragedies that befall each of her siblings, and that threaten to engulf the family and destroy them. Exiled to her aunt’s home, Isobel finds solace in creating fancy work and art for charity, until a charming, bohemian artist comes into her life as her art teacher, and eventually her lover and husband, and becomes the man that Isobel must hope will save her and her family from the curse.

With many hidden secrets in the field diaries left to her by her father, Isobel must endure harsh times as she comes to terms with the destruction of her family, but a chance to rebuild her own life, and find her true self, without the trappings of society and those who have turned their backs on her. Through it all, Isobel shows great bravery in her quest to find out what happened to Ballandella, and the secrets that drove her family to destruction. It is these secrets that Isobel has been entrusted with that form the darker side to the novel, and the tragedies that Isobel endures before coming out the other side scathed, and alone, but alive and able to recreate a new life for herself.

Julian Leatherdale’s inspiration came from the old historic houses in Sydney, and the colonial history of New South Wales, and the way different groups interacted, and explores how individuals treated people based on their experiences – no singular mindset is the given for all the characters in the book. Isobel, who has lived a life of privilege, shares her young life with Ballandella and then strives to be charitable, whilst her suitor, Charles Probius, looks to help people down on their luck, regardless of who they are, based on his past experiences.

Throughout the novel, each character seems to present a facade, a mask, of who they want those in their lives to see, rather than the person they really are, and so, the burying of the truth is a theme that runs through the novel, culminating in Isobel carrying so many secrets, the burden almost crushes her.

The history is woven throughout, with Rosemount based on Elizabeth House, and Isobel’s father based on a real Surveyor-General from the 1830S and 1840S, as well as other figures, who played a role in the early colony and whose lives inspired the characters in The Opal Dragonfly. It is at times touching, and other times harrowing and despairing, it encapsulates the desires to uncover secrets, and the flaws and fragility of human life and society, against a backdrop of colonialism and the assumptions of class, race and gender that came with that society, to create a world where the colliding forces of what is expected, what is desired, and what is right ensure a complex novel where relationships and people are not always what they seem. The reality of people taking advantage of others is clear throughout this novel, and it is a reality that will never fade,  nor will the complexity of relationships that Leatherdale explores with depth, shock and great emotion, so that there are some things that are unexpected, but work exquisitely to tell Isobel’s story.


Australian Book Industry Awards Longlist 2018

The ABIA Longlist has also been announced today for 2018, and celebrates the diversity and quality of Australian writing, publishing and bookselling. The ABIA Academy – a group of booksellers, agents, media and industry representatives – voted for the longlist, and the 2018 campaign was long and exhaustive, resulting in this year’s academy having 250 members.

A shortlist will be announced of the nineteenth of April, and the winners announced at the ABIA Awards on the 3rd of May, at the International Convention Centre in Sydney. The ABIA awards have been sponsored by: The Australian Women’s Weekly, JC Decaux, Media Super, Audible, Opus, Booktopia, Curtis Brown, Ingram, Nielsen Bookscan, Leading Edge Books, Simpsons Solicitors, John Fisher Printing, and industry partners, ABA, ALIA, APA, ASA, BorrowBox, The Copyright Agency, Books + Publishing and the Children’s Book Council.

The award has twelve categories, and below are the long-lists for each category:


Biography Book of the Year

  • A Writing Life: Helen Garner and Her Work, Bernadette Brennan (Text Publishing, Text Publishing)
  • Danger Music, Eddie Ayres (Allen & Unwin, Allen & Unwin)
  • The Enigmatic Mr Deakin, Judith Brett (Text Publishing, Text Publishing)
  • Tracker, Alexis Wright (Giramondo Publishing, Giramondo Publishing Company)
  • Unbreakable, Jelena Dokic and Jess Halloran (Ebury Australia, Penguin Random House Australia)
  • Unmasked, Turia Pitt (Ebury Australia, Penguin Random House Australia)
  • Wednesdays with Bob, Derek Rielly and Bob Hawke (Macmillan Australia, Pan Macmillan Australia,)
  • Working Class Man, Jimmy Barnes (HarperCollins Publishers, HarperCollins Publishers)


General Fiction Book of the Year

  • Force of Nature, Jane Harper (Macmillan Australia, Pan Macmillan Australia)
  • On the Java Ridge, Jock Serong (Text Publishing, Text Publishing)
  • The Dark Lake, Sarah Bailey (Allen & Unwin, Allen & Unwin)
  • The Girl from Munich, Tania Blanchard (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Inaugural Meeting Of The Fairvale Ladies Book Club, Sophie Green (Hachette, Hachette Australia)
  • The Secrets She Keeps, Michael Robotham (Hachette, Hachette Australia)
  • The Tea Gardens, Fiona McIntosh (Michael Joseph Australia, Penguin Random House Australia)
  • The Trip of A Lifetime, Monica McInerney (Michael Joseph Australia, Penguin Random House Australia)


General Non-fiction Book of the Year

  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness, Kate Cole-Adams (Text Publishing, Text Publishing)
  • Being 14,Madonna King (Hachette, Hachette Australia)
  • Depends What You Mean By Extremist, John Safran (Hamish Hamilton Australia, Penguin Random House Australia)
  • First, We Make The Beast Beautiful, Sarah Wilson (Macmillan Australia, Pan Macmillan Australia)
  • Not Just Lucky, Jamila Rizvi (Viking Australia, Penguin Random House Australia)
  • Saga Land, Richard Fidler and Kári Gíslason (ABC Books, HarperCollins Publishers)
  • Taming Toxic People, David Gillespie (Macmillan Australia, Pan Macmillan Australia)
  • The Harbour: A City’s Heart, A Country’s Soul, Scott Bevan (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster, Sarah Krasnostein (Text Publishing, Text Publishing)


Illustrated Book of the Year

  • Basics to Brilliance Kids, Donna Hay (Fourth Estate, HarperCollins Publishers)
  • Cornersmith: Salads and Pickles, Alex Elliott-Howery and Sabine Spindler (Murdoch Books, Murdoch Books)
  • Hummus and Co, Michael Rantissi and Kristy Frawley (Murdoch Books, Murdoch Books)
  • Maggie’s Recipe for Life, Maggie Beer and Professor Ralph Martins (A Julie Gibbs Book for Simon & Schuster Australia, Simon & Schuster Australia)
  • Native: Art and Design with Australian Plants, Kate Herd and Jela Ivankovic-Waters (Thames & Hudson Australia, Thames & Hudson Australia)
  • Ostro, Julia Busuttil Nishimura (Plum, Pan Macmillan Australia)
  • Paris: Through a Fashion Eye, Megan Hess (Hardie Grant Books, Hardie Grant Publishing)
  • The Vegetable, Caroline Griffiths and Vicki Valsamis (Smith Street Books, Smith Street Books)


International Book of the Year

  • Eleanor Oliphant is Completely Fine, Gail Honeyman (HarperCollins Publishers, HarperCollins Publishers)
  • Good Night Stories for Rebel Girls, Elena Favilli and Francesa Cavallo (Particular Books -UK Juvenile, Penguin Random House Australia)
  • Here We Are: Notes For Living On Planet Earth, Oliver Jeffers (HarperCollins Publishers, HarperCollins Publishers)
  • Home Fire, Kamila Shamsie (Bloomsbury Circus, Bloomsbury Publishing)
  • La Belle Sauvage: The Book of Dust Volume One, Philip Pullman (David Fickling Books, Penguin Random House Australia)
  • Lincoln in the Bardo, George Saunders (Bloomsbury Publishing, Bloomsbury Publishing)
  • Mythos, Stephen Fry (Michael Joseph – UK, Penguin Random House Australia)
  • The Sun and her Flowers, Rupi Kaur (Simon & Schuster UK, Simon & Schuster UK)


Literary Fiction Book of the Year

  • A Long Way Home, Peter Carey (Hamish Hamilton Australia, Penguin Random House Australia)
  • Australia Day, Melanie Cheng (Text Publishing, Text Publishing)
  • First Person, Richard Flanagan (Knopf Australia, Penguin Random House Australia)
  • See What I Have Done, Sarah Schmidt (Hachette, Hachette Australia)
  • Taboo, Kim Scott (Picador Australia, Pan Macmillan Australia)
  • The Choke, Sofie Laguna (Allen & Unwin, Allen & Unwin)
  • The Life to Come, Michelle de Kretser (Allen & Unwin, Allen & Unwin)
  • Wimmera, Mark Brandi (Hachette, Hachette Australia)


Small Publishers’ Adult Book of the Year

  • Atlantic Black, A. S. Patric (Transit Lounge, Transit Lounge)
  • Call of the Reed Warbler – A New Agriculture – A New Earth, Charles Massy (The University of Queensland Press, The University of Queensland Press)
  • Cardinal, Louise Milligan (Melbourne University Press, Melbourne University Publishing)
  • Journeys into the Wild: The Photography of Peter Dombrovskis, Introduction & Commentary by Bob Brown (NLA Publishing, National Library of Australia)
  • The Australian Bird Guide, Peter Menkhorst, Danny Rogers, Rohan Clarke, Jeff Davies, Peter Marsack and Kim Franklin (CSIRO Publishing, CSIRO Publishing)
  • The Restorer, Michael Sala (Text Publishing, Text Publishing)
  • Museum of Words, Georgia Blain (Scribe Publications, Scribe Publications)
  • Mirror Sydney, Vanessa Berry (Giramondo Publishing, Giramondo Publishing Company)


Small Publishers’ Children’s Book of the Year

  • At the Beach I See, Kamsani Bin Salleh (Magabala Books, Magabala Books)
  • At the Zoo I See, Joshua Button and Robyn Wells (Magabala Books, Magabala Books)
  • Big Fella Rain, Beryl Webber and illustrated by Fern Martins (Magabala Books, Magabala Books)
  • Hello, Melbourne!, Megan McKean (Thames & Hudson Australia, Thames & Hudson Australia)
  • It’s OK to Feel the Way You Do, Josh Langley (Big Sky Publishing, Big Sky Publishing)
  • The Elephant, Peter Carnavas (The University of Queensland Press, The University of Queensland Press)
  • Slow Down, World, Tai Snaith (Thames & Hudson Australia, Thames & Hudson Australia)
  • Under the Love Umbrella, Davina Bell and Allison Colpoys (Scribble Kids’ Books, Scribe Publications)


The Matt Richell Award for New Writer of the Year


Book of the Year for Older Children (ages 13+)

  • Beautiful Mess, Claire Christian (Text Publishing, Text Publishing)
  • Begin, End, Begin: A #LoveOzYA Anthology, Amie Kaufman, Melissa Keil, Will Kostakis, Ellie Marney, Jaclyn Moriarty, Michael Pryor, Alice Pung, Gabrielle Tozer, Lili Wilkinson and Danielle Binks (HarperCollins Publishers, HarperCollins Publishers)
  • Frogkisser!,Garth Nix (Allen & Unwin, Allen & Unwin)
  • My Life as a Hashtag, Gabrielle Williams (Allen & Unwin, Allen & Unwin)
  • Take Three Girls, Simmone Howell, Cath Crowley and Fiona Wood (Pan Australia, Pan Macmillan Australia)
  • Tales From a Tall Forest, Shaun Micallef and illustrated by Jonathan Bentley (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Silent Invasion, James Bradley (Pan Australia, Pan Macmillan Australia)
  • Untidy Towns, Kate O’Donnell (The University of Queensland Press, The University of Queensland Press)


Book of the Year for Younger Children (ages 7-12)

  • Frankie Fish and the Sonic Suitcase, Peter Helliar and illustrated by Lesley Vamos (Hardie Grant Egmont, Hardie Grant Egmont)
  • Funny Kid for President, Matt Stanton (ABC Books, HarperCollins Publishers)
  • Maybe, Morris Gleitzman (Viking – AU YR, Penguin Random House Australia)
  • Nevermoor, Jessica Townsend (Lothian Children’s Books, Hachette Australia)
  • Polly and Buster: The Wayward Witch and the Feelings Monster, Sally Rippin (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Bad Guys Episode 6, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • The Extremely Inconvenient Adventures of Bronte Mettlestone, Jaclyn Moriarty (Allen & Unwin, Allen & Unwin)
  • The Girl, the Dog and the Writer in Rome, Katrina Nannestad (ABC Books, HarperCollins Publishers)
  • The 91-Storey Treehouse, Andy Griffiths and Terry Denton (Pan Australia, Pan Macmillan Australia)


Children’s Picture Book of the Year (ages 0-6)

  • Do Not Lick This Book, Idan Ben-Barak and illustrated by Julian Frost (Allen & Unwin, Allen & Unwin)
  • Florette, Anna Walker (Viking – AU YR, Penguin Random House Australia)
  • I Just Ate My Friend, Heidi McKinnon (Allen & Unwin, Allen & Unwin)
  • I’m Australian Too, Mem Fox and illustrated by Ronojoy Ghosh (Scholastic Press, Scholastic Australia)
  • Mopoke, Philip Bunting (Scholastic Press, Scholastic Australia)
  • Pig the Star, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • No One Likes a Fart, Zoë Foster Blake (Viking – AU YR, Penguin Random House Australia)
  • The Bum Book, Kate Mayes and illustrated by Andrew Joyner (ABC Books, HarperCollins Publishers)
  • The Very Noisy Baby, Alison Lester (Affirm Press, Affirm Press)

Some books have been nominated for several other prxizes, and I would not be surprised if Nevermoor takes out Book of the Year for Younger Children. There are a few on these lists I have read, and several more I am planning on reading. I look forward to future announcements for this prize.