The Passengers by Eleanor Limprecht

the passengers.jpgTitle: The Passengers

Author: Eleanor Limprecht

Genre: Literary Fiction

Publisher:  Allen and Unwin

Published: 21st of February 2018

Format: Paperback

Pages: 344

Price: $29.99

Synopsis: A luminous novel about love by an acclaimed rising star of Australian literature.

‘A stunning exploration of hope and desire, fear and control, this story is full of heart and heartbreak’
ASHLEY HAY, author of The Railwayman’s Wife


‘A compelling novel about the bruises inflicted by fate and by ourselves, and the blessings to be found in resilience, determination, and love.’
DEBRA ADELAIDE, author of The Household Guide to Dying

Sarah and Hannah are on a cruise from San Diego, California to Sydney, Australia. Sarah, Hannah’s grandmother, is returning to the country of her birth, a place she hasn’t seen since boarding the USS Mariposa in 1945. Then she, along with countless other war brides, sailed across the Pacific to join the American servicemen they’d married during World War II.

Now Hannah is the same age Sarah was when she made her first journey, and in hearing Sarah tell the story of her life, realises the immensity of what her grandmother gave up.

The Passengers is a luminous novel about love: the journeys we undertake, the sacrifices we make and the heartache we suffer for love It is about how we most long for what we have left behind. And it is about the past – how close it can still feel – even after long passages of time.

‘Two women, two generations, two countries, two journeys. Eleanor Limprecht gracefully navigates the crosscurrents of history and creates vibrant characters from the extraordinary true experiences of Australian war brides. Sarah and Hannah’s urgent search for love and wholeness moved me in both senses: they touched my heart and I still feel I am churning across the Pacific with them. A deeply satisfying novel.’
SUSAN WYNDHAM, former literary editor, The Sydney Morning Herald

~*~

AWW-2018-badge-roseSixty-nine years after leaving her home in Australia, Sarah is heading home with her granddaughter, Hannah, on a cruise, the same way she left at the end of World War Two, to join the man she married, Roy, an American soldier serving in the Pacific theatre of the 1940s war. Up until the age of sixteen, Sarah had lived on a farm, and attended school, but just before World War Two breaks out, Sarah and her parents and brothers move to the city, where they must find work. When her brothers sign up for the war, Sarah watches them leave, and finds herself working as a typist for the Americans when they start to arrive. Caught between falling in love and loyalty to her family, Sarah has a choice to make when Roy proposes to her. They wed, and it is several years before they can be reunited in Roanoke, Virginia, and their reunion is not without its struggles – struggles that are not helped by Roy’s conservative parents. Soon, Sarah finds herself separated and alone. She soon reconnects with Jim, the Navy officer who was kind to her on her journey from Sydney.

Hannah is in her early twenties, and at constant war with anorexia. For her, this trip is a way to have time away from the stresses of her nursing course, and help her grandmother reconnect with the home she hasn’t seen for almost seventy years, having left when she was the same age Hannah is now. Struggling to keep up appearances and hide her reasons for not eating on the cruise, Hannah listens as Sarah tells her the story of how she became a war bride, and when the war hit the shores of Australia in February 1942, when Darwin was bombed by Japan. Both journeys have been on ships, one on the SS Mariposa, a luxury liner that had been repurposed for military personnel, and then again at the end of the war for the war brides and any children they had with them from Sydney to San Francisco, and the other a cruise ship taking them back to Sydney. Both journeys are transitions in the lives of the women, points at which things change for them, and alter their lives dramatically.

The Passengers is part historical fiction, part family drama, with two engaging female leads with vastly different experiences and lives on a journey to connect the present with the past and reconnect with family and homelands. With touches of romance that add to the story but do not overtake it, it is a nicely written book, and well researched, showing that not every war experience and not every war bride experience was the same. Eleanor Limprecht has shown the complexities of human nature and isolation in its various forms through each of the characters and their struggles to show how life can affect people and what can come out of it to make things better and the importance of family.

Read my interview with Eleanor here when it goes live.

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Miss Lily’s Lovely Ladies by Jackie French (Miss Lily #1)

Miss Lily 1Title: Miss Lily’s Lovely Ladies

Author: Jackie French

Genre: Historical Fiction

Publisher: HarperCollins

Published: 27th March 2017

Format: Paperback

Pages: 524

Price: $29.99

Synopsis: A tale of espionage, love and passionate heroism.

Inspired by true events, this is the story of how society’s ‘lovely ladies’ won a war.

Each year at secluded Shillings Hall, in the snow-crisped English countryside, the mysterious Miss Lily draws around her young women selected from Europe’s royal and most influential families. Her girls are taught how to captivate a man – and find a potential husband – at a dinner, in a salon, or at a grouse shoot, and in ways that would surprise outsiders. For in 1914, persuading and charming men is the only true power a woman has.

Sophie Higgs is the daughter of Australia’s king of corned beef and the only ‘colonial’ brought to Shillings Hall. Of all Miss Lily’s lovely ladies, however, she is also the only one who suspects Miss Lily’s true purpose.

As the chaos of war spreads, women across Europe shrug off etiquette. The lovely ladies and their less privileged sisters become the unacknowledged backbone of the war, creating hospitals, canteens and transport systems where bungling officials fail to cope. And when tens of thousands can die in a single day’s battle, Sophie must use the skills Miss Lily taught her to prevent war’s most devastating weapon yet.

But is Miss Lily heroine or traitor? And who, exactly, is she?

~*~

AWW-2018-badge-roseSophie Higgs lives in Australia at Thuringa, in 1913. Her father runs a corned beef empire, and Australian women have had the vote for eleven years, unlike the women in England, who are still fighting for suffrage. Sophie’s father sends her across the seas to Shillings, where, alongside women from the upper echelons of European society and royalty, Sophie will be taught by the mysterious Miss Lily about society, and how to behave at dinner, how to talk to men and captivate them, how to flatter them, and how to speak about topics that are said to be not right for a woman to know about. But Sophie is a bit of a challenge – the “colonial” who is outspoken and questions everything she is told. Miss Lily takes Sophie under her wing and sets about preparing her for a society life where she can fit in yet still be who she is. As 1914 inches towards war between Germany and England, Sophie must decide who she can trust. Emily, who has always been aloof and focussed? Or Hannelore, a German princess who is friendly but determined that Germany will win any war that breaks out on the continent. As war breaks out, and the Lovely Ladies head home or get married, Sophie is adrift, but determined to make a difference. With the Australians joining the call to duty and heading to Gallipoli, Sophie helps Alison turn her home into a hospital for injured soldiers. As soldiers die, and babies are born, Sophie is drawn further into the war, and across the seas to the battlefields of Ypres and Flanders, where she recounts her tale to a soldier out on the fields, before they head off the battlefields, where the war slowly wraps up, and Sophie finds herself looking to an uncertain future in the inter-war years.

In Miss Lily’s Lovely Ladies, Jackie French does not shy away from the horrors of war or the expectations of pre-war Georgian society. The dangers are present, and spoken about, openly and in veiled terms. When Sophie speaks about the threat of war openly. it surprises many, but she finds some men who find relief in not having to curb their chit-chat too much. Like her other novels, Jackie French is telling the stories that have been silence, or relegated to the quieter corners of history, away from the victories of those on the battlefields. whose voices are always heard. The extensive research she has done to uncover these stories is exemplary, and shows just how deep Australian history is, and how much we often miss out on in history lessons.

Sophie’s story ends with a few threads dangling, as a good series does, leaving some mystery for the books to com. The power of friendship felt more important than the romance in this book, though both were present. The romance was woven throughout nicely, so it didn’t overpower what Sophie was trying to do in the war, or her relationship with Alison and the other Lovely Ladies. I had a delightful surprise to meet Midge MacPherson from A Rose for the Anzac Boys again, and I hope she’ll come back in the next book.

The friends that Sophie made throughout the war became important to her, unable to return home because of the threat of enemy attacks, she treasured those she became friends with. As it is a story about war, I felt the deaths and consequences were dealt with realistically and sympathetically, showing the changes in Sophie over the war that altered her perception of herself and the world. I thoroughly enjoyed Sophie’s journey and look forward to it continuing, as I did with Miss Matilda and the Matilda Saga.

An excellent addition to my Jackie French Library, and a great read for fans of the author and historical fiction.

This marks off another square in my book bingo, and will be included in my next post in two weeks time.

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Book Bingo Three: A book by someone over 60, a book by an author you’ve never read before.

 AWW-2018-badge-rose

In my third book bingo posts of the year, I have two books to report on – a book by an author I have never read before, and a book by someone over sixty. Both of these books have already been reviewed on my blog, so I have linked back to the longer reviews in this post.

oceans edgeSquare seven, a book by an author I have never read before has been filled by The Secret’s at Ocean’s Edge by Kali Napier, and it is Kali’s debut novel, and draws on family history and the geography of Western Australia to craft a story that is filled with ups and downs, and characters who are flawed and complex. It is a story about family, and sacrifice, and the lengths that some people will go to so they can protect family, and hide secrets that threaten those they care about. Set in the Great Depression, it shows a side to Australian history and life often not heard about in history books and draws on issues of Aboriginality and how the government defined this during the 1930s, injecting some of the hidden history not taught in schools into the novel. I enjoyed this debut, and hope Kali writes more.

My next square checked off is a book published by someone over 60. Eventual Poppy Day eventual poppy dayby Libby Hathorn (b 1943) fits into this square. Eventual Poppy ay is another story inspired by family history, in this case, a family link to the battlefields of World War One and what would become known as Remembrance Day and Anzac Day, where poppies would become the symbol of a generation lost to the ravages of war. It flicks between the story of Maurice in the war, and his great-great nephew in the twenty-first century, trying to find his place in the world. It is a moving story that gives a sense of what the war was like, the suffocating trenches and the feelings of helplessness during the stalemates.

Both of these were historical fiction as well, as I feel many of my books this year will be. Keep an eye out for my next post in two weeks time with more updates.

book bingo 2018.jpg

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Adelaide Writer’s Week 2018

The third of March, 2018 marks the beginning of the six-day festival of authors and writing in Adelaide, South Australia. Eighty-Four Australian and international authors will attend the event for a variety of talks, across a diverse range of authors, books and genres to discuss literature and how the world impacts the stories we tell. The Adelaide Writer’s Week is part of the Adelaide festival that celebrates art and culture.

This celebration allows the community to engage with authors and the arts, and with each other. The various events will appeal to people of all ages and in all groups.

Hachette Australia has several Australian and international authors attending, and they are as follows, with the works they had published by Hachette last year:

Mark Brandi, author of Wimmera, appearing at the Small Towns event on the 3rd of March, 2018 at 3.45pm – East Stage Pioneer Women’s Memorial Garden. Wimmera was published in 2017, and tells the story of Ben and Fab, and the body that is found twenty years after summer in 1989, and the mystery that unfolds. It is one I am yet to read and hope to do so soon.

terra nulliusClaire G. Coleman author of Terra Nullius, a speculative fiction that looks at the effects of colonisation, and displacement in a suggested future where humankind has been colonised and invaded by aliens. It draws parallels to the effects of real world invasion and colonisation on Indigenous populations, and it was an interesting read, as it started out as what felt like historical fiction, but the reveal half way through was quite a surprise, and admittedly, took some getting used to. It was an interesting read though, and one that will hopefully start conversations or make people think about the issues it draws upon. Claire will be appearing at 2.30pm on the 7th of March, West Stage Pioneer Women’s Memorial Garden.

Thomas Mullen, author of Lightning Men, The Revisionists, and Darktown, will attend three events: American South, on the 3rd of March, East Stage Pioneer Women’s Memorial Garden, at 2.3opm, Making history, East Stage Pioneer Women’s Memorial Garden, at 12pm on the 5th of March and Darktown, at 10.45am on the 6th of March at the East Stage Pioneer Women’s Memorial Garden.

Louise Penny, author of Still Life
, Dead Cold, The Cruellest Month, The Murder Stone
, The Brutal Telling
, Bury Your Dead
, A Trick of the Light
, The Beautiful Mystery, How The Light Gets AWW-2018-badge-roseIn, The Long Way Home, The Nature of the Beast, A Great Reckoning, and Glass Houses ­– the Inspector Gamache series, will be attending two events on the 4th and the 5th of March: Glass Houses at 9.30am on the 4th of March, at East Stage Pioneer Women’s Memorial Garden, and Into the Woods on the 5th of March at 5pm, at the East Stage Pioneer Women’s Memorial Garden.

see what i have doneAnother Australian Author published by Hachette attending will be Sarah Schmidt, author of See What I Have Done, a fictional retelling of Lizzie Borden and her murdered parents, planting seeds of doubt and suggesting that there may have been other suspects, but not coming to any full conclusions, and working with the evidence provided from research. A strange and intriguing read, it gives insight into the people behind the history, as historical fiction aims to do. Sarah will be appearing with Thomas Mullen at Making History on the 5th of March at 12pm, at the East Stage Pioneer Women’s Memorial Garden.

Much-loved Scottish author, Alexander McCall-Smith, whose extensive backlist, including the latest in the No. 1 Ladies Detective Agency Series, The House of Unexpected Sisters, has been published by Hachette, will also be attending. The main event he will be attending will be Love and Tartan, on the 8th of March at 5pm, at the East Stage Pioneer Women’s Memorial Garden. The House of Unexpected Sisters is book eighteen of the No. 1 Ladies Detective Agency.

Sarah Winman, author of Tin Man, A Year of Marvellous Wats and When God Was a Rabbit will also be attending and taking part in two events. She will be attending Friends on the 3rd of March at 9.30 am at the at the East Stage Pioneer Women’s Memorial Garden. and Tin Man on the 5th of March, at 9.30 am at the at the West Stage Pioneer Women’s Memorial Garden.

Links:

http://artsreview.com.au/2018-adelaide-writers-week-program-announced/

https://www.adelaidefestival.com.au/writers_week_blog/

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Australian Children’s Laureate 2018-2019: Morris Gleitzman

In 2008, The Australia Children’s Literature Alliance was formed as an independent and not-for-profit organisation that champions and promotes “the transformational power of reading in the lives of young Australians.” The ACLA is inclusive, representing the spectrum of the field of children’s and young adult literature. The vision and mission of the ACLA is:

ACLA’s vision is to: enrich the lives of young Australians through the power of story. 

ACLA’s mission is to:

  • Promote the value, importance and transformational nature of reading

  • Influence the reading habits of Australian families

  • Raise the profile of books in the lives of children and young adults

  • Champion the cause of young Australians reading.

The organisation’s primary activity is developing and managing the Australian Children’s Laureate Program, established based on the successful implementation of similar programs in the UK, the US, with programs in Finland, Holland, Ireland, Mexico, Sweden and Wales as well.

The Children’s Laureate is an Australian author or illustrator of books for children and/or young adults, and in particular, someone who has made a significant contribution to the canon of Australian Children’s Literature and is appointed on a biennial basis. The inaugural year, 2012-2013 – was shared by two well-loved authors, Alison Lester and Boori Monty Pryor.

In 2014-2015, Jackie French took the mantle. She has authored over 140 books, including The Matilda Saga and the iconic Diary of a Wombat.

 

Leigh Hobbs held the mantle for 2016-2017.

And the Australian Children’s Laureate for 2018-1019 is Morris Gleitzman. The theme for his term is Stories Make Us – Stories Create Our Future. Morris has written celebrated books for the youth market for over thirty years including Two Weeks With the Queen, and the Felix Series, stating with Once.

In a world where our attention is divided by many different means of technology, it is comforting to know that there are those passionate about championing books for children, and showing the power of books to teach, to heal, to help us understand the world around us. Keep an eye on the included links for more information on what Morris gets up to this year.

More information about the role and how it is selected can be found here:

Further links and interviews:

http://readingtime.com.au/cbca-book-year-younger-reader-acceptance-speech-morris-gleitzman-author-soon/

http://www.morrisgleitzman.com

http://www.abc.net.au/news/2018-02-12/morris-gleitzman-on-why-kids-need-books-author/9421494

http://www.smh.com.au/entertainment/books/australias-new-childrens-laureate-morris-gleitzman-hopes-to-inspire-children-in-dark-uncertain-world-20180207-h0vr05.html

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Olmec Obituary by L.J.M. Owen

OLMEC_B_SML.jpegTitle: Olmec Obituary

Author: L.J.M. Owen

Genre: Crime/Mystery

Publisher: Echo

Published: August 2016

Format: Paperback

Pages: 342

Price: $19.99

Synopsis: Archaeologist Dr Elizabeth Pimms thoroughly enjoys digging up old skeletons.

But when she is called home from Egypt after a family loss, she has to sacrifice her passions for the sake of those around her.

Attempting to settle into her new role as a librarian, while also missing her boyfriend, Elizabeth is distracted from her woes by a new mystery: a royal Olmec cemetery, discovered deep in the Mexican jungle, with a 3000-year-old ballplayer who just might be a woman.

She soon discovers there are more skeletons to deal with than those covered in dirt and dust.

Suitable for readers young and old, Olmec Obituary is the first novel in a delightful cosy crime series: Dr Pimms, Intermillennial Sleuth. Really cold cases.

~*~

AWW-2018-badge-roseElizabeth is having the time of her life in Egypt, delving into tombs, uncovering new secrets, and searching for the women of antiquity amongst all the evidence of male rulers. When family tragedy strikes, Elizabeth is summoned home, and must give up her archaeology career for the stability of one in the National Library of Australia (referred to as the Mahony Griffin Library in the book) and support her family. In pain, and curious as to a fellow librarian’s behaviour towards her, Elizabeth finds herself volunteering to help uncover the secrets of a three-thousand-year-old Olmec cemetery. But all is not what it seems, and there are more than just bone-related secrets to uncover. What is the head of the project, Dr. Carl Schmidt up to, and why? Who is he covering for? And why does Mai hate her so much? Back at home, Elizabeth is grappling with younger siblings and grandparents who need her to work to support them, but also need her to help around the house and be there for them. Between work, and her family, Elizabeth hopes she can solve the mystery of the Olmec women, and prove to the university and library what has really been happening – and perhaps even why.

The first in what I am sure will be a wonderful new cosy crime series with cases so cold, nobody is left to speak for the dead but archaeologists and historians, Olmec Obituary brings a new sleuth to life, who deals in cases so cold, finding a witness would require a time machine. However, without one, Elizabeth settles on solving the crimes and mysteries of the past from the future, using her skills as an archaeologist, and with the help of Alice, a PhD candidate, and friends who study ancient languages, will make discoveries that will alter perceptions and cause Elizabeth to look to her family, and uncover more than just the skeletons at work. Olmec Obituary introduces us to a cast of characters who are unique and diverse, to a family with Welsh, Chinese and French heritage, with a female led cast of characters, with female-centric narratives driving the story, both the story of the Olmec burial and Elizabeth’s story, where she comes up against sexism in her voluntary position, and an unexpected altercation with a library employee she has never met – Mai – and who gives no indication as to why she has decided to hate Elizabeth – something I am intrigued by and look forward to finding out. I was just as surprised as Elizabeth at the instant hatred – it added another mystery to the story as I wondered what the hatred was about. It added a layer to the story and characters that contributed to the mystery.

Not only is the story-line compelling and interesting, Olmec Obituary’s diverse cast of characters, and female-led story brings a new voice to Australian literature in the last few years, offering up something meaty and intriguing for new readers who want their women doing new and interesting things, and seeking diversity. Combined, these work, and Elizabeth’s love life is present too, but already established and not at the forefront of the plot, which makes for exciting reading. As stubborn as she is, Elizabeth still has weaknesses and flaws that she tries to keep guarded and hidden, but it is these flaws that make her an intriguing character to read about.

The genre of cosy mystery, where the murder happens off page, without gratuitous violence and sex is becoming a favourite – and in this genre, all my current favourite authors are Australian women writers, with one being a British male – Vaseem Khan, author of the Baby Ganesh Investigation series. My other favourites which are by Australian women are:

LJM Owen, Dr Pimms, Intermillennial Sleuth

Sulari Gentill, The Rowland Sinclair Mysteries – and the series that got me into this genre.

Kerry Greenwood, Phryne Fisher Mysteries

Janine Beacham – Rose Raventhorpe Investigates.

So, in my vast collection, Elizabeth is in good company, and she is an intriguing character, much like Rowly, Rose, Phryne and Inspector Chopra and his baby elephant. Where Rowly has his artist friends, and Phryne has trusty maid Dot, and Rose, the Silvercrest Butlers, and Chopra has a baby elephant, Elizabeth’s companions are her cats, named for Egyptian gods and goddesses, who are there when Elizabeth is working at home, always watching, and always faithful.

This is a great start to what I am sure will be an engaging and educational series. Elizabeth looks to be a character whose secrets will be revealed across the series and watching this happen will be intriguing. I liked the way Olmec Obituary ended with a touch of a mystery to come and be resolved, whilst wrapping up key aspects of the main plot and revealing characters for who they truly are not the facade that they put on for everyone else.

A great read, and I can’t wait to get stuck into book two.

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2018 NSW PREMIER’S LITERARY AWARDS

The NSW Government has a long tradition of celebrating and connecting the public with art and literature. The NSW Premier’s Literary Awards are an opportunity to highlight the importance of literacy and literature, whilst enjoying and learning from the work of our writers in NSW and Australia. Like other literary awards, this award in highlighting the spectacular Australian Literature Australian writers produce, highlights and honours the achievements of Australia’s writers, and their artistic contributions to society, but also to highlight our literary achievements to the world. The State Library administers the awards.AWW-2018-badge-rose

The NSW Premier’s Literary Awards have more categories than the Victorian awards. These categories are:

Christina Stead Prize for Fiction

2017 Winner: The Museum of Modern Love by Heather Rose

2017 Shortlist: Vancouver #3 in the series Wisdom Tree by Nick Earls

Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers by Ryan O’Neill

Where the Light Falls by Gretchen Shirm

After the Carnage by Tara June Winch

The Natural Way of Things by Charlotte Wood.

UTS Glenda Adams Award for New Writing

2017 Winner: Letter to Pessoa by Michelle Cahil

2017 Shortlist:

The Memory Artist by Katherine Brabon

Dodge Rose by Jack Cox

Our Magic Hour by Jennifer Down

Portable Curiosities by Julie Koh

The Bonobo’s Dream by Rose Mulready

Douglas Stewart Prize for Non-Fiction

2017 Winner: Our Man Elsewhere: In Search of Alan Moorehead by Thornton McCamish

2017 Shortlist: Everywhere I Look by Helen Garner

Talking to My Country by Stan Grant

The Art of Time Travel: Historians and Their Craft by Tom Griffiths

Avalanche by Julia Leigh

Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire by Shane White

Kenneth Slessor Prize for Poetry

2017 Winner: Ghostspeaking by Peter Boyle

2017 Shortlist: Burnt Umber by Paul Hetherington

Breaking the Days by Jill Jones

Fragments by Antigone Kefala

Firebreaks: Poems by John Kinsella

Comfort Food by Ellen van Neerven

Ethel Turner Prize for Young People’s Literature

2017 Winner: One Thousand Hills by James Roy and Noël Zihabamwe

2017 Shortlist: Elegy by Jane Abbott

The Ghost by the Billabong by Jackie French 

the-ghost-by-the-billabong

The Sidekicks by Will Kostakis

The Boundless Sublime by Lili Wilkinson

One Would Think the Deep by Claire Zorn

Patricia Wrightson Prize for Children’s Literature

2017 Winner: Iris and the Tiger by Leanne Hall

2017 Shortlist: Magrit by Lee Battersby and Amy Daoud

Something Wonderful by Raewyn Caisley and Karen Blair

Desert Lake Pamela Freeman and Liz Anelli

Figgy and the President by Tamsin Janu

Welcome to Country by Aunty Joy Murphy and Lisa Kennedy

Nick Enright Prize For Playwriting

 

2017 Winner: The Drover’s Wife by Leah Purcell

2017 Shortlist:  The Hanging by Angela Betzein

You, Me and the Space Between by Finegan Kruckemeyer

Ladies Day by Alana Valentine

Betty Roland Prize for Scriptwriting

2017 Winner: The Code – Series 2, Episode 4 by Shelley Birse

2017 Shortlist: Down Under by Abe Forsythe

Sucker by Lawrence Leung and Ben Chessel

The Kettering Incident episode 1 by Victoria Madden

Afghanistan: Inside Australia’s War by Victoria Midwinter Pitt

Cleverman Episode 5 “Terra Nullius” by Michael Miller

Multicultural NSW Award

 2017 Winner: The Hate Race by Maxine Beneba Clarke

2017 Shortlist: Offshore: Behind the Wire on Manus and Nauru by Madeline Gleeson

Not Quite Australian: How Temporary Migration is Changing the Nation by Peter Mares

Of Ashes and Rivers that Run to the Sea by Marie Munkara

Promising Azra Helen Thurloe – on my To Be Read pile.

The Fighter: A True Story by Arnold Zable

NSW Premier’s Translation Prize

 2017 Winner: Royall Tyler

2017 Shortlist: J.M.Q Davies

Penny Hueston

Jennifer Lindsay

Multicultural NSW Early Career Translation Prize

 2017 Winner: Jan Owen

2017 Shortlist: Christopher Williams

Indigenous Writer’s Prize – Biennial Prize Next Awarded in 2018

Last awarded in 2016.

2016 Winners: Dark Emu by Bruce Pascoe and Heat and Light by Ellen van Neerven

2016 Shortlist: Ghost River by Tony Birch

Inside My Mother by Ali Cobby Eckermann

Dirty Words by Natalie Harkin

Not Just Black and White by Lesley Williams and Tammy Williams

Other Awards:

NSW Prize for Literature

2017 Winner: The Drover’s Wife by Leah Purcell

People’s Choice Award

 2017 Winner: Vancouver #3 in the series Wisdom Tree by Nick Earls

 Special Award

 The Special Award was last awarded to Rosie Scott AM in 2016.

Across these twelve categories and the three additional ones, there is a diverse range of authors and stories, that tell of personal experiences, imagined worlds and that draw on history and the world the authors have lived that led them to write these books. Each prize I have looked at so far has shown a different degree of diversity, with this one having a broader range, if only because it has more categories than the others I have looked at. Last year’s winners and nominees are in good company with past winners Peter Carey, David Malouf AO, Elizabeth Jolley, Thomas Keneally AO and Helen Garner.

Each prize has a different amount of money, and further details can be found in the provided links. In 2018, the total prize money, including sponsored awards is up to $305 000, and to be nominated for any of these awards, the writer and illustrator must be living Australian citizens or hold permanent resident status.

Taken from the website:

The NSW Premier’s Literary Awards are presented by the NSW Government and administered by the State Library in association with Create NSW. We are pleased to acknowledge the support of Multicultural NSW and the University of Technology Sydney (UTS).

The 2018 winners will be announced on 30 April 2018.The short-list will be announced in March.

Purchase any of the above books here:

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