Synopsis: Rudra is an Indian-Australian boy at a crossroads, poised to step into the world of adulthood and to discover his cultural heritage and how that might truly define him. A wonderful exploration of dual heritage, cultural identity, family and the power of storytelling.
The sea is inside his blood. Cursed, or blessed, on both sides.
When sixteen-year-old Rudra Solace dredges up a long-hidden secret in his father’s trawl net, his life in the sleepy fishing village of Patonga shifts dramatically. It is not long before Rudra is leaving Australia behind, bound for India on a journey of discovery and danger.
A wonderfully compelling tale of belonging and loss, of saltwater and mangroves, of migration and accepting change; a story of decisions that, once made, break through family histories like a cyclone swell.
Rudra Solace is sixteen, and about to start year eleven at school on the Central Coast of New South Wales when two things happen: his didima, his grandmother, arrives for a visit from India, and whilst on his father’s fishing boat, Rudra finds a tiger skull, and this sets forth a series of dreams and events that lead him and his mother on a journey back to India, and the village Nayna grew up in on a quest he never thought he would ever have to go on, let alone think about. What culminates is a family story crossing countries, cultures and continents, where the intersection is Rudra himself, and he is the anchor for all these stories.
I read a lot of Australian literature, and there is always something familiar about it, even if it is set in a place I have never been – perhaps this is because there are many versions of Australia we see in our media, and movies and television, so even if one has never been to a country town, if you’ve watched Blue Heelers orDoctor Doctor, you still understand the feel. Yet there is nothing like reading something set somewhere you have been or live and recognising the places and names. Not many books are set on the Central Coast of New South Wales, so when this one arrived and I saw that it was, I was very interested to see how the region would be used in the story.
Recognising the names and picturing the locations made the experience of reading the first half enjoyable and immersive, but the section set in India was just as immersive and felt just as real to me. It is a story driven by family and culture, by heritage and stories, where beliefs come into conflict with each other as Rudra works through what he knows, what he is taught and what those around him believe – and how to make sense of these things for himself in his own mind. Incorporating migration and how family histories affect us, The Honeyman and the Hunter does a good job of bringing all these themes together.
Author: Delphine Davis and Adele K Thomas (illustrator)
Genre: Children’s Fantasy
Published: 2nd April 2019
Synopsis: Sophia, Willow, Chloe and Olivia have been best friends since they were merbies. Even though they don’t go to school together, whenever they come home to Turtleville for the holidays, they are inseparable.
This holidays, something super exciting is happening – Turtleville’s first Talent Show! Sophia can’t wait. She was born to perform! The besties enter as a group, but will Sophia’s love of the spotlight ruin everything?
Whatever happens, the show must go on!
The start of a new series – for any age group – is always an exciting thing as a book reviewer, and getting to review the very first book is something I love doing, especially when it captures the imagination and proves itself to be magical and exciting, and hopefully, have a very wide appeal to younger readers. This month sees the release of the first title in a new series about four best friends who are mermaids – aimed at younger girls but anyone can read it if they want to.
Mermaid Holidays: The Talent Show is the first in the new series by Delphine Davis and illustrated by Adele K Thomas. It looks as though each mermaid is going to be given a different colour, which is highlighted for that mermaid in the colour of the book, pages and the illustrations. In this case, pink for Sophia Seashell, who takes a starring role in the first book as she convinces her friends to participate with her in the local talent show during their school holidays – but when Sophia decides it will be a mess to showcase all their talents, and not just singing, they might never make it to the show at all. Can Sophia and her companion seahorse, Smedley, find a way to make it work for everyone, so they have a chance at the prize?
This was a fun read that younger readers will enjoy reading with a family member, or by themselves for the first time as they explore friendship, and the ups and downs of having friends, ultimately showing that having fun is more important than winning. And that sometimes, doing things you’re unsure about can be as much fun as doing the things you are familiar with. The most important thing is to have fun with your friends – and this is a good message to send to kids of all ages and genders, to teach them to appreciate people.
Adults can also learn from children’s books like this, and might learn the same lessons, and might have ideas reinforced or be reminded of what being a child is like. Overall though, it was a fun read and one I hope other people enjoy when it comes out.
Synopsis: In 1920, seventeen-year old Maddie Bright is thrilled to take a job as a serving girl on the royal tour of Australia by Edward who was then Prince of Wales. She makes friends with Helen Burns, the prince’s vivacious press secretary, Rupert Waters, his most loyal man, and is in awe of Edward himself, the boy prince.
For Maddie, who longs to be a journalist like Helen, what starts as a desire to help her family after the devastation of war becomes a chance to work on something that matters. When the unthinkable happens, it is swift and life changing.
Decades later, Maddie Bright is living in a ramshackle house in Paddington, Brisbane. She has Ed, her drunken and devoted neighbour, to talk to, the television news to shout at, and door-knocker religions to join. But when London journalist Victoria Byrd gets the sniff of a story that might lead to the true identity of a famously reclusive writer, Maddie’s version of her own story may change.
1920, 1981 and 1997: the strands twist across the seas and over two continents, to build a compelling story of love and fame, motherhood and friendship. Set at key moments in the lives of Edward and Diana, a reader will find a friend and, by the novel’s close, that friend’s true and moving story.
Maddie Bright is seventeen when she is employed as a serving girl on the 1920 Royal Tour of Australia by Prince Edward, who would go on to become Edward VIII for a time in 1936. Soon, her talents are noticed by members of the Prince’s staff – Helen Burns, the press secretary and Rupert Waters, and she ascends to the position of letter writer, where she finds herself in awe of the prince, known as the ‘people’s’ prince – in a similar way that Diana was the ‘people’s’ princess of the 1980s and 1990s. What starts as a way to help her family earn some more money in a post-war Australia as nations around the world start to rebuild after The Great War, abruptly ends when the unthinkable happens.
In 1981, Maddie is watching from afar as Diana Spencer prepares to marry Charles, the Prince of Wales, the grandson of King George VI, Edward VIII’s brother. She now lives alone in Brisbane, with her neighbours for company. But in 1997, shortly after the death of Princess Diana, Maddie meet with a London journalist, Victoria, who was covering Diana’s death, and gets whiff of Maddie’s story and heads off to Australia, where she will discover a secret about her family that will have a rather large impact on her life.
As the novel moves in and out of 1920 , 1981 and 1997 – three key years in the history of the Royal Family, and also in the fictional lives of Maddie and Victoria, and the way the lives of Victoria and Maddie intersect, and the secrets that Maddie has kept for over seventy years – how will this impact on Victoria and her family if she gets to meet Maddie? The lives of Edward and Diana are in some ways similar: both are popular and tragic, and progressive for the times and eras they live in. They are also both charming and appear to understand the wounds of others. We all know what Diana did for those she visited in poorer communities and countries, for AIDS patients. For Edward, it was making contact with members of the Commonwealth who had lost family in the war and apologising for his family’s war. Apologising for dragging them into it – which is perhaps in stark contrast to the inside figure we see – the charming, secretive figure whose contact with women he shouldn’t have is kept hush hush on the tour, even though his staff know.
Despite the stories being quite different, and separated by decades, the story is woven across time, seas and continents, and the impact that Edward, Diana and the tragic events in their lives mirrored each other, and yet in Diana’s case, the outcome was much more tragic. This book cleverly takes three, seemingly unconnected lives, and tugs at the strings of history, family and friendship to create a mystery where all the hints are there – but the question is how and when they will be resolved – and in some ways, if. In this story, Maddie is also an author, and the story of her life is interspersed with excerpts from her novel that hint at what the truth behind the secrets she has kept are.
Moving in and out of 1920, 1981 and 1997 – Maddie’s parts are told in first person, and Victoria’s in third person – which suits the novel, the characters and overall narrative. Everything is carefully revealed in this novel, almost purposefully, so that the reader knows details when they need to know it, and just as the reader finds things out in this way, the characters find things out when they need to. I loved that this was about family and friendship, and the power of breaking away from situations that weren’t right for each character – though we all know of Edward’s abdication in 1936 to marry Wallis Simpson. The tragedy of these figures highlights how hard it must be to be in the spotlight constantly, but also, what the consequences can be for how they represent themselves, and the perceived way they represent the monarchy.
It is an intriguing story that at first, I thought would need a great deal of concentration because it felt so in depth and involved with so many strands and differing perspectives between Maddie and Victoria and told in first and third person. Yet it is a seamless transfer between Maddie’s fiction, between time periods and between first and third, Maddie and Victoria, that the entire book went by in a matter of days. It combines fictional characters and real-life figures well and in a seamless way, and has an authenticity about it that suggests something like this could have happened had someone like Edward had dalliances like the book hints at. It also explores the polarising cult of celebrity, and the hate versus the love of people like Edward and Diana, and also, ways celebrity can harm people’s lives.
It is also powerful because the story is told by two women – Maddie and Victoria, rather than the male figures around them who are in a more peripheral role, though still present, and still having an impact – Victoria and Maddie control the narrative and the direction the story goes in. A very well-written, and tightly plotted story, where the lives of women are mirrored in each other – Maddie, Diana and Victoria yet also starkly different in many ways, giving each figure their own power and vulnerabilities.
Synopsis: The little-known rags to riches love story of a convict girl who arrived in Australia on the First Fleet. Much like another, better-known colonial woman, Elizabeth Macarthur, Esther successfully managed her husband’s property and became a significant figure in the new colony.
Esther only just escaped the hangman in London. Aged 16, she stood trial at the Old Bailey for stealing 24 yards of black silk lace. Her sentence was transportation to the other side of the world.
She embarked on the perilous journey on the First Fleet as a convict, with no idea of what lay ahead. Once on shore, she became the servant and, in time, the lover of the dashing young first lieutenant George Johnston. But life in the fledgling colony could be gruelling, with starvation looming and lashings for convicts who stepped out of line.
Esther was one of the first Jewish women to arrive in the new land. Through her we meet some of the key people who helped shape the nation. Her life is an extraordinary rags-to-riches story. As leader of the Rum Rebellion against Governor Bligh, George Johnston became Lieutenant-Governor of NSW, making Esther First Lady of the colony, a remarkable rise in society for a former convict.
‘North skilfully weaves together one woman’s fascinating saga with an equally fascinating history of the early colonial period of Australia. The resulting true story is sometimes as strange and thrilling as a fairytale.’ – Lee Kofman, author of The Dangerous Bride
Even though I have studied Australian history at various levels of my education, there are still many stories about the start of the invasion and colonisation that are not widely told or known. This is usually because they have not been recorded, the records have been hidden or they simply have not been included in our history books and the stories forgotten or neglected by those who held the power over what could be told.
Many people know about Bligh, MacArthur, Philips, and all the various white explorers who crossed mountain ranges and laid out trails. Some stories are known about free settlers, but even less is known about convicts and the Indigenous people – two areas where I am noticing more stories being told, and I think these stories are going to make the record of Australian history richer.
In this instance, the story I read focuses on the first Jewish woman to be transported to Australia on The First Fleet, Esther Abrahams. Transported for stealing twenty-four yards of black lace, Esther and her daughter, Rosanna, who was born in Newgate Prison, would be sent into service upon arrival for the duration of Esther’s sentence. Once she had arrived in the colony of NSW, and the free settlers and officers had established things, Esther was assigned to serve First Lieutenant George Johnston. She would soon become his lover, his wife, and after her sentence ended and they were married, circumstances would thrust her into the life of First Lady of the colony of New South Wales, and the mother of eight children.
Jessica North has used archives, diaries and letters to build her story, and show how the new arrivals from England and the Indigenous people tried to make connections, or butted heads when it came to misunderstandings of each other’s cultures and legal systems. It also, through the diaries of the white settlers and convicts, early attempts to communicate and in some ways, bring the cultures together, but also, the fear of each other and desires to be separate as much as possible. It felt like in these early days, at least in this story and based on the sources used, efforts may have been made to work together, in some respects. Showing these nuances that were previously hidden from my school and university education shows how hard it was on both sides – but that it was much harder for convicts and Indigenous people, because when it came to the colonial powers, these were two groups that had very little power and were beholden to the colonial laws brought with the English.
It was a book that opened my eyes and mind up to what female convicts did to survive, and how brutal those early days were for all, but especially for some. It is easy to judge actions from afar, to boil things down to simplistic us versus them and ignore that not everything was like that. No doubt fear was something that affected everyone in the new colony and the way they operated and built their lives. I don’t think we will ever know the full story of some things, especially where we only have partial facts, or not many, or things missing from records. But in starting to find books that tell the stories of those who weren’t in power at time for a change, maybe we can build a fuller, and richer historical record of Australia, and get the opportunity to hear more voices, and hopefully stories that show all sides, the good, the bad and the in between. Knowing these stories will hopefully unite all Australians and show the depth of our multicultural society that has been going for much longer than the history books some of us have had access to tell us.
And thus ends March, and my seventh book bingo of the year with Theresa Smith and Amanda Barrett. I’ve just got one book to present this week, and this book fills the square “written by an Australian Woman” – which I intended to write weeks ago, but got caught up in all the other squares, and will hopefully be able to fill some of the tricker ones soon.
So this week, to check off a book by an Australian woman, I’m using Zelda Stitch Term Two: Too Much Witch by Nicki Greenberg. Following on from the first book, Zelda’s mishaps as a witch continue to plague her, but she’s still trying to protect someone on her class, and make sure that more people don’t find out she is a witch. Her snarky cat, Barnaby is back, and causing even more mischief as Zelda tries to navigate her life as a teacher and life as a witch.
A fun book for kids, my full review is here.
Come back next fortnight for Book Bingo Eight, which might just be a double bingo!
Another fortnight, and another book bingo post, my reading challenge done with Theresa Smith and Amanda Barrett, and a few others who have decided to take part with us. I am doing another double bingo this week and might be doing a double bingo next time. For themes of Fantasy, I chose the epic and much-anticipated finale to the Medoran Chronicles, which began in 2015 with Akarnae. My second square will be Themes of Justice, another book
This series by Australian author, Lynette Noni, published by Pantera Press, is the series that got me started in blogging, and concluded this year with the heart-stopping, fast-paced Vardaesia, where the final battles between Alex and Aven come to a head, and where we will finally see the fate of Medora, and by extension, the entire world beyond Medora. Who will win? Aven, or Alex?
With this book, we wrap up the battles and troubles of Medora, and the journey of Alex and her friends. There is a hint at more Medoran books, but what these will be, and when they come and are set, is yet to be seen.
My second book for this week fits the themes of justice square. This one is by the debut author, Kirsty Ferguson, whose book I also had the privilege of copyediting, and then reviewing – an interesting venture, as I had to switch off my editor’s brain whilst reading and go into reader-reviewer mode – it’s not as easy a task as you might think! What Lies Beneath Us is a book filled with twists and turns, following the murder of a young baby, Jason James. Is it a natural death, or is there something more sinister going on in the family or in the neighbourhood? It is a complex narrative with an unsettling ending that has a feeling of finality, yet that there is more to come later on.
And a very strange gift for a most unusual Prime Minister…
Tantalising, poignant, wry, and just a little fantastical, this subversive collection of short fiction – and one singular novella – from bestselling author Debra Adelaide reminds us what twists of fate may be lurking just beneath the surface of the everyday.
In this series of short stories, Debra Adelaide explores the spectrum of humanity and the human condition, from a dream about a murder, and the suburban lives it almost disrupts, to stories about love affairs that start in a bookshop, and suicide pacts, and an interesting story about the last days of Bennelong – a man who was captured and served the governor of New South Wales and travelled back to England, told from the perspective of Governor Phillips’ wife. Finally, the novella-length story Zebra is about an unnamed female Prime Minister in Australia who is gifted a zebra – and how this changes her and her life, and her relationships with those around her in government and her neighbours.
Each story encapsulates a different aspect of the human condition, and how we respond to the world and people around us, and how we handle ourselves. They are subversive, touching on the things we do not speak about, or the things about ourselves that we have to hide from the public, or the public persona versus the private persona and how we reconcile these. Or, the lengths humans go to in order to ensure their quirkier, fantastical aspects of their lives are kept private, and hopefully not released. This is what made me enjoy it – that each story was so different, and each perspective has been told from a unique perspective in first, second or third person. To make this connection, the book is divided into three parts – one, two and three – that represent which stories are told through which perspective. Doing this was brave, and unique – it is something I have never seen before and where some might think it takes away, I think it makes each story, each section and finally, the entire anthology more powerful because it shows the world through so many different perspectives, you always find yourself engrossed wholly in one story, and then pulled wholly into another.
If I had to choose a favourite story, it would have to be the novella, Zebra – about a female PM. What was striking about it, and indeed the rest of the anthology, was the tight, and varying imagery used throughout to convey what the characters were doing. Zebra was my favourite because I enjoyed the way the PM dealt with her neighbour, her staff members and everything in her life – too many to quote, I think. I liked that she was allowed to be human in her own world – we were allowed to see the vulnerabilities of politicians we never see in the media, such as when she was contemplating whether she should call Malcolm on a work pretence, but really, she just wanted to tell him how she felt.
Each character can represent people at different stages of life, or at various times and spaces in our lives – whether it is the culmination of many things, or a single instance where we cross paths with a like-minded person in a bookstore and start an affair. The subtlety in each story is excellent and enjoyable. It allows the reader to imagine some of what happened without completely explaining it, and this is the power of the stories in this anthology – that anyone can see themselves in these characters and situations. The subtlety also allows the reader to imagine how they might handle things, and what happens in the story.
Debra Adelaide has created a series of stories and a novella that are engulfing and subversive, that allow the depths of human nature to be explored and the reality, so to speak, is shown here in an unusual and intriguing way.
Short story collections are often hard to review, because they don’t always necessarily always link through a theme. In Zebra, the only discernible link is the subversiveness of the stories and characters, and the fantastical elements and quirkiness that feels uniquely Australian that connects these stories. I found this to be very effective, and it allows for the stories to be read in isolation, or as whole, seeing the progression of human nature and tearing ourselves away from our normal, everyday lives that might feel suffocating or claustrophobic. Debra Adelaide allows readers to feel like they were in that enclosed space with the characters until that final release of what constrains the characters, the narrators of the stories, and this release is like a weight lifting off the reader’s chest.
I quite enjoyed these stories and their uniqueness that showed another side of human life. Each story is tightly plotted and tells the whole story succinctly in a way that feels like a novel or epic story.