The Jade Lily by Kirsty Manning

the jade lily.jpgTitle: The Jade Lily

Author: Kirsty Manning

Genre: Historical Fiction

Publisher: Allen and Unwin

Published: 24th April 2018

Format: Paperback

Pages: 456

Price: $29.99

Synopsis:The Jade Lily is a sweeping story of friendship, loyalty, love and identity from the popular author of The Midsummer Garden.

Praise for The Midsummer Garden

‘This is a rich, sensual, and evocative novel, fragrant with the smell of crushed herbs and flowers, and haunted by the high cost that women must sometimes pay to find both love and their vocation.’ Kate Forsyth

‘…compelling, passionate and admirable.’ Australian Women’s Weekly

In 2016, fleeing London with a broken heart, Alexandra returns to Australia to be with her grandparents, Romy and Wilhelm, when her grandfather is dying. With only weeks left together, her grandparents begin to reveal the family mysteries they have kept secret for more than half a century.

In 1939, two young girls meet in Shanghai, the ‘Paris of the East’: beautiful local Li and Viennese refugee Romy form a fierce friendship. But the deepening shadows of World War Two fall over the women as Li and Romy slip between the city’s glamorous French Concession and the desperate Shanghai Ghetto. Eventually, they are forced separate ways as Romy doubts Li’s loyalties.

After Wilhelm dies, Alexandra flies to Shanghai, determined to trace her grandparents’ past. As she peels back the layers of their hidden lives, she begins to question everything she knows about her family – and herself.

A gorgeously told tale of female friendship, the price of love, and the power of hardship and courage to shape us all.

~*~

Thirty-five-year-old Alexandra Laird has fled London, and returned home to Melbourne, to farewell her grandfather, who is dying. Together with her grandmother, Romy, Alexandra prepares herself for a life without him, and a new life in Shanghai, where she is being sent as a commodities trader for work. But there is a family secret that has plagued Alexandra and her family for decades, and she wants to piece it together. Her grandmother, and grandmother’s best friend, Nina, grapple with the ghosts of their past – first as Jewish refugees from Vienna, running to the only place – Shanghai – that would take them, and the years of war that tested them and that destroyed their families, and sent their lives spiralling into uncertainty, until they reached safe haven in Australia – but were still not free from the secrets they kept.

In 1938, Romy, and her parents, Mutti and Papa, are forced to flee VIenna in the aftermath of Anschluss and Kristallnacht in November. Setting off on an uncertain journey, they land in Shanghai, where they are first living in the French section of the city, and when the Japanese take over China and bring atrocities that spark memories of Kristallnacht to the forefront of Romy’s mind, into the Shanghai Ghetto. For a few years, Romy lives a fairly good life, with her friend, Li Ho, but the events following Pearl Harbour rip them apart, and have Romy doubting what she knew about her friend, and eventually, what the future holds in Australia, and with her new life with Wilhelm Cohen.

AWW-2018-badge-roseAnother World War Two historical fiction for me – but this time, set in the Asian region, where the Second Sino-Japanese War was happening around the same time as the outbreak of World War Two, and where the ghosts of what happened in Europe follow Romy and her new friends into Shanghai. It is a part of 1930s and 1940s, and World War Two history that I hadn’t heard about – where Jewish refugees could escape to Shanghai where other countries refused to take them. It is a book that deals with the heavy issues of what pushes humanity to the point they have to kill others for being who they are, for being what they cannot control, or for daring to speak out – where atrocities are displayed as a warning to others, and where secrets are an unspoken currency. Secrets, it seems, that span three generations, where they are kept protecting some people, but eventually need to come out – as Romy’s did for Alexandra, with the help of diaries and letters, and a new friend from Hong Kong, Zhang.

Reading about little known history is always interesting – it allows the reader to immerse themselves in a time and place they may not know much about, whilst letting them know what happened in an accessible way, especially when the author has done exceptional research to write the book. Kirsty Manning has done an exceptional job, researching and writing about a war that I had not known had taken place, and events that were shocking to read about. They are the kind of events that one cannot fathom ever happening, but they did, and they shouldn’t have happened, and nor should they happen again. If reading all these books about humanitarian atrocities has taught me, it is that we shouldn’t be letting these things happen still, or ever again.

The dual timeline is an effective device to tell the story, as it allowed for each key character to show what their lives were like at the time – and it helped make sense of the secret, slowly, and uncertainly revealed across the story, where hints of tragedy are woven in and out of each chapter, and where each character has been deeply affected by tragic events in varying ways. It allowed for a feminine strength and voice to be revealed at a time in history where they might not always be heard, and where they might have had cultural or familial restraints and expectations placed upon them.

The power that these stories have is to show what has happened in the past, and to hopefully, send the message to never let it happen again. I enjoyed this story for its strength of female characters, and the love of friendship, and of one’s child that can force someone into a decision and a secret that they might never be able to reveal to anyone, or at least, a secret that is sheltered and kept for so many years that revealing it is a struggle.

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Book Bingo Eight – a book that has been made into a movie, a book that scared you.

book bingo 2018.png

For my two categories this week, I have chosen a book that has been made into a movie, and a book that scared me. The book made into a movie was easy – as there are quite a few to choose from, whereas the book that scared me was trickier – as I’m not a horror reader, I interpreted this differently and decided to use a book that had scared me – but less in a monsters and demons way, and more in a human way, which I will explain lower down.

guernseyFirst, the book I read for the book that has been turned into a movie was The Guernsey Literary and Potato Peel Society, which arrived in one of my many packages of books from publishers this month and was a rather pleasant surprise. I read it quickly, choosing to read it first as it was the shortest and only took a few days – whereas the other books, which might fill the rest of these categories, are taking a little bit longer. Told in letters, it is easy to follow, as the letters give as much detail as possible, and it was interesting to imagine what was happening in between. As I said in the review, I really liked that the main character, Juliet, had her own mind and knew what she wanted, and didn’t drop everything at the demands and say-so of the man courting her. My full review is linked above, and it will be interesting to see how the movie interprets this book.

good doctor of warsawNow we come to the book that scared me, and for this I chose The Good Doctor of Warsaw, because I had a multitude of emotions with this book. It didn’t scare or horrify me in the way one expects a horror movie or novel to – it scared me in the sense that it showed the true evil and depravity that humans are capable of, and what they have done in the past to people  for no other reason than the Nazis didn’t like something about them that didn’t harm anyone – something that has happened multiple times across human history in various places, and that should never happen again, or at all. I chose this because I feel that a book that scares you doesn’t necessarily need to have ghosts, or monsters, or zombies that we associate with the horror genre. Sometimes, it’s more horrifying to read about what humans are capable and willing to do to other humans – where the overwhelming fear comes from knowing what will happen and knowing that this could happen again. It’s chilling as well as scary.

So there’s two more books ticked off – my next post will see the short stories ticked off, and maybe one or two others. I am gearing up to complete a second card, which I will either fill with books only read in the second half of the year, or mix it up and switch around some of the books and categories here where I can. Either way, it’s making my reading challenges interesting and fun for 2018.

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Book Bingo Seven – A Book that everyone is talking about, and a book with non-human characters.

book bingo 2018

Week seven of the 2018 Book Bingo, and I’ve managed to mark off 20 of the 25 squares already! This week there are two squares to include in this post: a book that everyone is talking about, and a book with non-human characters.

monty the sad puppyFirst, my book with non-human characters is Monty the Sad Puppy, where the two key characters are dogs – 5 month old Labrador puppy, Monty, and the eight year old dachshund, Daisy. Sad and lonely, Monty feels cast aside with Daisy’s arrival, and both must adjust to being together. It is a charming story, full of cute dogs and funny moments, as well as moments that had me shaking my head at Monty, because he reminded me of the puppy we had years ago.

And my second book, a book that everyone is talking about – The Tattooist of Auschwitz is a powerful story of what the human spirit can endure, and how love came out of one of the darkest places in recent history. It is a story of triumph and pain, and what people in the camps had to do, and were forced into doing to survive one day at a time, and avoid the death carts, mass graves and gas chambers at all costs. It is moving and haunting, and as I said many times in my review, a book that should be read be all.The-Tattooist_FCR_Final

So there are now twenty squares marked off on my bingo card. I have five left, and I know there might be one or two that might be a little tricky to fill but there are some that shouldn’t be too hard to do, especially if there are lots of choices for me for that category.

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The Tattooist of Auschwitz by Heather Morris

The-Tattooist_FCR_Final.jpgTitle: The Tattooist of Auschwitz

Author: Heather Morris

Genre: Historical Fiction

Publisher: Echo/Bonnier

Published: 1st February 2018

Format: Paperback

Pages: 278

Price: $29.99

Synopsis: The incredible story of the Auschwitz-Birkenau tattooist and the woman he loved. 

Lale Sokolov is well-dressed, a charmer, a ladies’ man. He is also a Jew. On the first transport from Slovakia to Auschwitz in 1942, Lale immediately stands out to his fellow prisoners. In the camp, he is looked up to, looked out for, and put to work in the privileged position of tätowierer – the tattooist – to mark his fellow prisoners, forever. One of them is a young woman, Gita, who steals his heart at first glance.

His life given new purpose, Lale does his best through the struggle and suffering to use his position for good.

This story, full of beauty and hope, is based on years of interviews author Heather Morris conducted with real-life Holocaust survivor and Auschwitz- Birkenau tattooist Ludwig (Lale) Sokolov. It is heart-wrenching, illuminating, and unforgettable.

~*~

AWW-2018-badge-roseIn 1942, Slovakia is slowly falling into the grip of the Nazis as they march across Europe during war time, invading towns and countries, and rounding up Jews, and other groups seen as undesirable in their quest for German victory. Lale Solokov, born Ludwig Eisenberg, volunteers himself at 24 for what they are told is a work detail, to save his family. Lale prepares for a life away from his family, with clothes and books, though none of them know what lies ahead for Lale, or what the future holds in store for any of them as the Nazis continue their rampage. Instead of the promised job, Lale finds himself dumped at Auschwitz-Birkenau, one of the most infamous Nazi concentration camps. Here, he will have everything taken from him, his head shaved, and a number inked into his skin, marking him for life as 32407, stripped of any other identity for three years. In Auschwitz, he is given the job of Tätowierer – and must tattoo numbers onto each new arrival – the ones not immediately sent to the gas chambers. It is here he will meet the woman he falls in love with – Gita – and soon finds himself find ways to get contraband to her and spend time with her, all at risk to his own life as well as hers.

In a moving fictionalised account of Lale’s life, Heather Morris, who spent three years interviewing Lale, has recreated the atmosphere of the camp, a dank, smothering atmosphere where the air is thick with ash and the screams of the dying that Lale and other prisoners are forced to listen to as they work in fields, in administration, as Lale tattoos new prisoners every day. Some events Heather imagined, to fill in the gaps, such as a scene where Lale and Gita were together when the American planes flew over Auschwitz, but most of it is true, based on Lale’s recollections.

It is a dark story, because the Holocaust was one of the darkest times in world history. But it is one of those events, and there are many – that we should never forget, never let happen again. Through the dark, colourless life of Auschwitz, and the torturous conditions Lale and Gita had to live in, their love endured, and they never gave up hope of finding each other when the camp finally closed down and the prisoners were sent on death marches or simply ran away, with the hope of finding people who could help them. The shadows that Lale and Gita fought were real, and this is a story that everyone should read, another Holocaust story that reminds us what complacency and allowing evil to manipulate an entire nation can result in.

The language is simple and accessible, yet it deals with the complexities of life, of love and the Holocaust in a way that shocks the reader but at the same time, gives them hope that Lale and Gita will find a way out of the camp. Through the darkness of war and death, it is their love for each other, and determination to live, that brought this story to life so that people reading it now will never forget what happened.

A moving, dark story that must be read, and learnt from so that something like this stays where it should: in the shadows and smoke of history, never to be repeated but to serve as a reminder of what humans are capable of at their very worst.

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I Am Sasha by Anita Selzer

I am Sasha.jpgTitle: I Am Sasha

Author: Anita Selzer

Genre: Historical Fiction, Creative Non-Fiction

Publisher: Penguin Random House

Published:  2nd April, 2018

Format: Paperback

Pages: 325

Price: $17.99

Synopsis: One boy’s extraordinary experience of wartime survival. One mother’s incredible courage. Based on an astounding true story.  It is German-occupied Poland in 1942, and Jewish lives are at risk. Nazi soldiers order young boys to pull down their trousers to see if they are circumcised. Many are summarily shot or sent to the camps.
A devoted mother takes an ingenious step. To avoid suspicion, she trains her teenage son the be a girl: his clothing, voice, hair, manners and more. Together, mother and son face incredible odds as their story sweeps backwards and forwards across occupied Europe.

~*~

Based on a true story, I am Sasha is the story of the author’s father, who spent his teenage years from 1942-1944, after the Soviet liberation of Poland, hiding as a girl, under false papers that also hid his, and his mother’s Jewish identity from the Nazis as they marched and invaded their way across Europe. Larissa, Sasha’s mother, ensures his safety as they move back and forth between Polish towns, avoiding the ghettos and transports to camp. After seeing what happens to boys from their hiding place in a barn, Larissa concocts a plan to turn Sasha into a girl – Sala – to keep him safe. Their lives are constantly under threat though, and they’re always moving finding new places to live and settle, until they find somewhere they are able to stay until the Soviets liberate Poland, and a place where Sasha’s mother begins work for the Zegota, a Jewish underground resistance that helps Jewish people escape the Nazis.

At the end of the war, their story is followed until their arrival in Australia, and their reconnections with their family, friends and the new friends they make in the displacement and refugee camps as they journey to their new home in Melbourne.

AWW-2018-badge-roseI am Sasha was inspired by a family’s history, a grandmother’s memoir and a father’s short story, given to a daughter and granddaughter to retell for the world. In 1994, Larissa gave Anita the manuscript, written in English – because she wanted to reach as many people as possible with her story, explaining to Anita that she wrote it in English to reach a wide audience – an audience that would include those affected and those not affected, and those all over the world who wanted to know more.

It is a story of sacrifice and the drive to do whatever one can to survive, whilst witnessing the depravity of humanity, and what humans are capable of at their worst, but also, what people will risk to save themselves, and keep others safe – what they will sacrifice or potentially lose just to keep friends safe – as Bella, Larissa’s gentile friend did for Larissa and Sasha throughout the years, before disappearing to Warsaw shortly before the end of the war.

Larissa and Sasha showed great resilience through their years of hiding and Sasha pretending to be a girl – Sala – under false papers, in a regime where you never knew who you could trust and where your landlady, or neighbours could turn you into the Gestapo at any time, on the mere suspicion of being Jewish, or a Communist or anyone who was against the Nazi regime. It is just one of many stories about the Holocaust and the horrors of World War Two around today.

Never forget are the final two words in the author’s note, and the horrors of the Holocaust, of stories like Sasha’s, Anne Frank and many more are a part of history we should never forget, and never let happen again. We should never forget the millions of people the Nazi’s persecuted based on religion, race, politics, sexuality or anyone who simply tried to resist them, and the brutality that these people faced, and the survival stories as well as the tragic ends. None of this should be forgotten. This is why Sasha’s story is an important one, and why it was important for Anita, his daughter, to tell.

Stories like this remind us of why we must resist regimes and abuse, and why we must speak out and stand up for what we believe in, because otherwise, the people who commit these atrocities and who support them win. I found this story to be powerful and moving, and as such, I read it very quickly. Whilst it is aimed at a Young Adult audience, I feel anyone interested will be able to read this and understand it.

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The Paris Seamstress by Natasha Lester

9780733640001Title: The Paris Seamstress

Author: Natasha Lester

Genre: Historical Fiction

Publisher: Hachette Australia

Published: 27th March 2018

Format: Paperback

Pages: 435

Price: $29.99

Synopsis: How much will a young Parisian seamstress sacrifice to make her mark in the male-dominated world of 1940s New York fashion? From the bestselling author of A KISS FROM MR FITZGERALD and HER MOTHER’S SECRET.

How much will a young Parisian seamstress sacrifice to make her mark in the male-dominated world of 1940s New York fashion? From the bestselling author of A KISS FROM MR FITZGERALD and HER MOTHER’S SECRET.

  1. Parisian seamstress Estella Bissetteis forced to flee France as the Germans advance. She is bound for Manhattan with a few francs, one suitcase, her sewing machine and a dream: to have her own atelier.
  1. Australian curator Fabienne Bissettejourneys to the annual Met Gala for an exhibition of her beloved grandmother’s work – one of the world’s leading designers of ready-to-wear clothing. But as Fabienne learns more about her grandmother’s past, she uncovers a story of tragedy, heartbreak and secrets – and the sacrifices made for love.

Crossing generations, society’s boundaries and international turmoil, THE PARIS SEAMSTRESS is the beguiling, transporting story of the special relationship between a grandmother and her granddaughter as they attempt to heal the heartache of the past.

Author+photo+for+Biblio+high+res+NatashaLester006

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Estella Bissette’s quiet life in Paris with her mother working as an atelier and making copies of patterns in 1940 is under threat. A chance encounter with MI0 Agent, Alex Montrose, and what Estella sees as a case of mistaken identity, pulls her into a world of danger and espionage, and as the Germans march further towards France, and her beloved Paris, Estella’s mother ensures her safe passage to America, on American papers – revealing that the stories she had told Estella about her father were not true. Escaping with her sewing machine and one suitcase, Estella is sustained on the trip by a dream to become a fashion designer, and the friends she makes on the journey from Paris to New York. Once in New York, Estella will encounter a variety of people in the fashion industry and who are working as spies and will soon be drawn into a world of fashion and secrets.

In 2015, Estella’s granddaughter, Fabienne, is in New York to see an exhibition of Stela Designs, the ready to wear clothing line that Estella created during the turbulent years of war. Fabienne is close to her grandmother, and in New York, away from work and her mother, she begins to uncover the secrets of her family – secrets surrounded by tragedy, espionage and heartbreak that shaped Estella, and the decisions she made, and why she made them. As Fabienne uncovers these family secrets, she encounters Will, who works in one of the top jobs at Tiffany’s, and his sister. As they work through their lives together, and the struggles they face, their friendship grows, and evolves. In the face of personal tragedy, Fabienne must uncover the answers to her family’s past.

AWW-2018-badge-roseThis was the first Natasha Lester novel I have read, and I really enjoyed it. I loved Estella’s passion, and her desire to create something unique in an unknown world during a time when there was so much uncertainty. Safe in America as Hitler and the Nazis take Paris, Estella finds herself in and out of work as a sketcher, working towards her own goal of creating her own line. Her passion for this, which is ignited further by her friends Sam, and Janie, who are amazingly fun characters as well, and in a time of war and feeling alone, welcome Estella easily into their lives as a friend.

Estella’s world is peopled by figures who existed at the time – Lena Thaw, Alexander Montrose, and others connected to them, and the mystery surrounding these characters and their links to Estella are slowly revealed as the novel moved between the early 1940s and 2015, where Estella’s story revealed itself as Fabienne spoke to her grandmother and went through diaries. Estella’s bravery drives the narrative, and it is her strength that I adored, her ability to find what she loved and make something of it. When she discovers Lena, a woman who looks just like her, something stirs in her, and this is where the mystery of what links them starts to come out, slowly, with many questions along the way from Estella in 1940, and Fabienne in 2015.

It is the slow yet well-paced pacing of the secrets and their unfolding that I enjoyed, alongside the history of World War Two in France and Paris, and the moment America is drawn into the war, and the reactions that Estella experiences from people to whom the war is a mere inconvenience for them getting their fashion from Paris, and the feelings of betrayal Estella felt throughout when she found out the secrets people had kept, and the burden of these secrets that she was able to let go of and help Fabienne discover her family history.

I found this to be a delectable book, where the history of the war, and a family of secrets and mysteries were the forefront against a backdrop of fashion, and a world where grandmother and granddaughter found solace, It crosses three continents: Europe, America and Australia, and encompasses the love of a mother and daughter, the love of friends, family, a sister, and sacrifices made to keep secrets. It is a well-written novel, where the romance is realistic, and not over-powering but still there, existing in a perfect balance with the other elements that kept me more engaged. I liked that Estella and Fabienne found love, but it was their family mystery and secrets that kept me reading late into the night to find out what Estella had been hiding for so many years.

An excellent historical fiction that takes female voices, in a time and place where their lives are dictated by those around them and expectations of society, and where in a male dominated world, Stella Designs made a mark in the fashion world of Natasha’s novel, and where these strong women didn’t allow their lives to be dictated by convention. Instead, they were spies, and mothers, seamstresses and friends, people who sacrificed so much for those they loved, and whose lives were complex and interesting. I always enjoy novels with a heroine who finds a way to fit into the world she lives in yet at the same time, question the conventions and finds a way to make her own mark on the world, and show that women could do what they set their minds to, even in a time of war like Estella.

Much like Kate Forsyth’s historical fiction, this had similar elements of mystery and intrigue that drew me in, and I hope to read more of Natasha’s novels soon.

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NSW Premier’s Literary Awards Shortlist for 2018

One of the Australia’s literary awards has just announced the shortlist for 2018 – The NSW Premier’s Literary Awards, with the winner to be announced in April. Each category and the shortlisted novels for this prize are listed below for 2018, and information about each prize category can be found here in a previous post:

The Christina Stead Prize for Fiction:

Common People by Tony Birch, published by UQP

Seabirds Crying in the Harbour Dark by Catherine Cole, published by UWA

Pulse Points by Jennifer Down, published by Text Publishing

The Book of Dirt by Bram Presser, published by Text Publishing

The Restorer by Michael Sala, published by Text Publishing

Taboo by Kim Scott

Douglas Stewart Prize for Non-Fiction:

Victoria: The Woman Who Made the Modern World by Julia Baird, published by HarperCollins Publishers “A passion for exploring new countries” Matthew Flinders & George Bass by Josephine Bastian, published by Australian Scholarly Publishing

The Enigmatic Mr Deakin by Judith Brett, published by Text Publishing

Passchendaele: Requiem for Doomed Youth by Paul Ham, published by Penguin Random House Australia

The Green Bell: a memoir of love, madness and poetry by Paula Keogh, published by Affirm Press

The Boy Behind the Curtain by Tim Winton, published by Penguin Random House Australia

Kenneth Slessor Prize for Poetry:

Archipelago by Adam Aitken, published by Vagabond Press

Euclid’s dog: 100 algorithmic poems by Jordie Albiston, published by Gloria SMH Press

Bone Ink by Rico Craig, published by Guillotine Press

Argosy by Bella Li, published by Vagabond Press

Captive and Temporal by Nguyễn Tiên Hoàng, published by Vagabond Press

These Wild Houses by Omar Sakr, published by Cordite Books

Patricia Wrightson Prize for Children’s Literature

The Patchwork Bike by Maxine Beneba Clarke and illustrated by Van T Rudd, published by Hachette Australia

The Elephant by Peter Carnavas published by UQP

Blossom by Tamsin Janu, published by Omnibus Books for Scholastic Australia

Figgy Takes the City by Tamsin Janu, published by Omnibus Books for Scholastic Australia

How To Bee by Bren MacDibble, published by Allen & Unwin

The Sorry Tale of Fox and Bear by Margrete Lamond and illustrated by Heather Vallance, published by Dirt Lane Press

Ethel Turner Prize for Young People’s Literature

In the Dark Spaces by Cally Black, published by Hardie Grant Egmont

the blue cat

The Blue Cat by Ursula Dubosarsky, published by Allen & Unwin

The Ones That Disappeared by Zana Fraillon, published by Hachette Australia

A Shadow’s Breath by Nicole Hayes, published by Penguin Random House Australia

The Build-Up Season by Megan Jacobson, published by Penguin Random House Australia

Ballad for a Mad Girl by Vikki Wakefield, published by Text Publishing

Nick Enright Prize for Playwriting

The Sound of Waiting by Mary Anne Butler, published by Brown’s Mart Arts Ltd

Rice by Michele Lee, Presented by Queensland Theatre and Griffin Theatre Company, published by Playlab

Black is the New White by Nakkiah Lui, published by Sydney Theatre Company

Mark Colvin’s Kidney by Tommy Murphy, published by Currency Press and Belvoir

Little Emperors by Lachlan Philpott, published by Malthouse Theatre

The Real and Imagined History of the Elephant Man by Tom Wright, published by Malthouse Theatre

Betty Rowland Prize for Scriptwriting

Deep Water: The Real Story written by Amanda Blue and Jacob Hickey – Blackfella Films

Top of the Lake: China Girl, Series 2 Episode 4 ‘Birthday’ by Jane Campion and Gerard Lee – See-Saw Films

Sweet Country by Steven McGregor and David Tranter – Bunya Productions

Seven Types of Ambiguity, Episode 2 ‘Alex’ by Jacquelin Perske – Matchbox Pictures

Please Like Me, Series 4 Episode 5 ‘Burrito Bowl’ by Josh Thomas, Thomas Ward and Liz Doran – Guesswork TV

Multicultural Award NSW

No More Boats by Felicity Castagna, published by Giramondo Publishing

The Permanent Resident by Roanna Gonsalves, published by UWA Publishing

Dark Convicts by Judy Johnson, published by UWA Publishing

The Family Law, Series 2 Episode 4 by Benjamin Law and Kirsty Fisher – Matchbox Pictures

Down the Hume by Peter Polites, published by Hachette Australia

Quicksilver by Nicholas Rothwell, published by Text Publishing

Indigenous Writer’s Prize

Finding Eliza: Power and Colonial Storytelling by Larissa Behrendt, published by UQP

Common People by Tony Birch, published by UQP

Barbed Wire and Cherry Blossoms by Anita Heiss, published by Simon & Schuster Australia

The Drover’s Wife by Leah Purcell published and produced by Currency Press and Belvoir in association with Oombarra Productions)

Taboo by Kim Scott, published by Pan Macmillam Australia

UTS Glenda Adams Award for New Writing

2018 Shortlist The winner will be announced at the awards ceremony on 30 April 2018. There is no shortlist for this category.

About the award

  • The UTS Glenda Adams Award ($5,000) is for a published book of fiction written by an author who has not previously published a book-length work of narrative fiction or narrative non-fiction.

  • The Award seeks to recognise outstanding new literary talent. The winning author may produce an excellent piece of writing in a traditional fictional form or may challenge and expand the boundaries of the genre.

  • The winner of the UTS Glenda Adams Award is chosen from entries submitted for the Christina Stead Prize (no additional entry fee is required for this award).

  • Entrants who meet the UTS Glenda Adams Award criteria should indicate on the nomination form if they wish to be considered for the Award.

  • There may not be a shortlist in this category.

NSW Premier’s Translation Prize – Next awarded 2019

Multicultural NSW Early Career Translator Prize – Next awarded 2019

 

 

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