Synopsis: Aussie Kids is an exciting new series for emerging readers 6-8 years.
From a NSW Zoo to a Victorian lighthouse, or an outback sheep farm in WA to a beach in QLD, this junior fiction series celebrates stories about children living in unique places in every state in Australia.
8 characters, 8 stories, 8 authors and illustrators from all 8 states and territories!
Come on an adventure with Aussie Kids and meet Eve from Western Australia.
Hi! I’m Eve.
I live at a roadhouse in the Nullarbor. We don’t get many visitors. But today my cousin Will is coming. We’ll have so much fun!
~*~
The Aussie Kids series is a new and continuing series for this year, where each state and territory will be represented in a story about where they live. In Meet Eve in the Outback, readers take a journey to the Nullarbor in Western Australia, where they will meet Eve and her cousin Will for a day in the vast outback that covers much of our continent. Eve is excited to show Will and Nan around her outback home – to see the kangaroos, and the wildlife that calls the vast expanse home, to introduce them to the people she knows and to share her world with him.
Taking place over a single day, this story shows one of the ways life is different for children, and compares it with cousin Will – who lives where dolphins play in the river.
Along the journey, Eve, Dad and Doug show Will how their farm works, what they do every day and tell him stories about their land and what is around it.
Each of these stories can be read alone, as each is its own contained story and is aimed at early readers aged five to eight years old, with simple, two-colour illustrations, short sentences and simple vocabulary that will make this series the ideal place to start growing confident readers, whilst teaching them language, and help them learn about Australia and diversity so they can go further and explore these themes in more challenging books as the years go on.
With thanks to Pengiun for sending me this and another in the series to review.
Title: Aussie Kids: Meet Katie at the Beach
Author: Rebecca Johnson and Lucia Masciullo
Genre: Fiction
Publisher: Penguin Random House
Published: 31st March 2020
Format: Paperback
Pages: 64
Price: $12.99
Synopsis: Aussie Kids is an exciting new series for emerging readers 6-8 years.
From a NSW Zoo to a Victorian lighthouse, or an outback sheep farm in WA to a beach in QLD, this junior fiction series celebrates stories about children living in unique places in every state in Australia.
8 characters, 8 stories, 8 authors and illustrators from all 8 states and territories!
Come on an adventure with Aussie Kids and meet Katie from Queensland.
Hi! I’m Katie.
I have a wobbly tooth that won’t come out! But it’s not going to spoil my trip to the beach. We’re going to eat mangoes and play beach cricket!
~*~
Katie is about to leave for the beach – but her wobbly tooth keeps bothering her, and Dad wants to pull it out for her, poor Katie is very upset at him for this. So they head to the busy Queensland beach near the flat she lives in with her parents and siblings, where she’ll play in the sand, build sandcastles, play cricket and swim.
While she does this, Katie forgets all about her loose tooth, until she discovers it has fallen out during lunch. The family launch a desperate search for it before they head home – but where has it gone, and will Katie ever find her tooth?
Another great story in the Aussie Kids series, exhibiting the diversity in place and people across our vast nation. Of course, these books only touch on a fraction of this diversity, and there is much else to discover and read in other books and series beyond these books. Yet they are a good introduction, and a good way to encourage reluctant or early readers to take that first step into independent reading.
These books certainly give children exposure to words, vocabulary, and diversity, as well as story construct in a simple and easy way. They can be read alone, or with someone, as a learning tool or for fun, and hopefully both together. A great example of just some of the diversity in this vast country, and a good start in exposing kids to this and allowing them to grow their literacy skills.
Synopsis: This glorious paperback edition of Newt Scamander’s Fantastic Beasts and Where to Find Them is considered a classic throughout the wizarding world. It features an extraordinary array of magical creatures, from Acromantula to Yeti via ten different breeds of dragon – all beautifully illustrated in full colour by the brilliantly inventive, Greenaway Medal shortlisted Olivia Lomenech Gill.
Famed Magizoologist Newt Scamander’s years of adventure and exploration have yielded a work of unparalleled importance, admired by scholars, devoured by young witches and wizards, and even made available to Muggles in the early years of this century. With this dazzling illustrated edition, readers can explore the magical fauna of five continents from the comfort of their own armchairs. Fantastic Beasts and Where to Find Them is essential reading at Hogwarts.
Now available in a stunning paperback edition with French flaps, this edition contains all of the mesmerising illustrations from the original edition and features the fully updated 2017 text including a foreword by J.K. Rowling, writing as Newt Scamander.
~*~
Bloomsbury has released the much-loved Hogwarts textbook, Fantastic Beasts and Where to Find Them in a paperback using the expanded, illustrated text from the hardcover edition published in 2017. Usually, only wizards and witches have access to this book, yet now Muggles are able to read about these creatures and learn about them, even if they may not be able to see them or interact with them.
The ratings for the beasts haven’t changed – and the introduction, foreword and introductory notes are written by Newt Scamander are still included, though this time I felt with a few flourishes that make the book interactive and feel as though someone has interacted with the book.
Below are the ratings given to each beast:
X- Boring
XX – Harmless/may be domesticated
XXX – Competent wizards should cope
XXXX – Dangerous/requires specialist knowledge/skilled wizard may handle
XXXXX – Known wizard killer/impossible to train or domesticate
One thing missing is the delightfully fun notes from Ron, Harry and Hermione from the original edition, yet this exquisite one is less a school text and more a guide for wizards at home and abroad.
I’ve written about this one a few times before, and each edition brings something new to the book and I notice something new. In this one, I spent a lot more time taking in the gorgeous colour illustrations of each beast, and the various ways they interact with their environment and wizards. It is a delightful edition, and one I am adding to my collection – I may have multiple editions of some books yet each different edition expands on the world and gives a new scope to the original series and editions. It is something I always look forward too, and with many house and new editions coming out this year, I cannot wait to see how they all come together in the series, and to share my views on how they add to the original magic for readers new and old.
I have enjoyed Harry Potter for almost twenty years – and reading it always reminds me of my best friend and her mum who introduced me to the wizarding world. It is something we will always share, and that is what makes it special to me.
Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.
Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.
One of my first interviews for this venture that I have called Isolation Publicity is an interview with Danielle Binks – literary agent, fellow book reviewer and author. Her debut novel, The Year the Maps Changed is due for release with Hachette on the 28th of April 2020, and I had hoped to participate in the blog tour run by AusYABloggers. As I wasn’t able to, I decided to interview Danielle about her new book, and plan to read it as soon as I can.
The Year The Maps Changed by Danielle Binks, out 28th April 2020.
Hi Danielle, and welcome to The Book Muse!
1. How did you get started working in the arts and publishing industry, and what was your first job?
A: I was really lucky once I finished up doing RMIT’s Professional Writing and Editing course (and after a year of still-working in my uni job at the local post-office) an internship program came up with the Australian Publishers Association, for a paid internship at one of (I think?) five placements around Australia. There were two going in Victoria, and I nabbed one. That was my foot in the door – and luckily, after my six-month internship that indie publisher decided to keep me on! I was a publicist and editor for a few indie-publishers over about 3-years, before getting tapped on the shoulder one day by Jacinta di Mase … she’d read my freelance writing for Kill Your Darlings digital and liked what I had to say about Aussie YA in particular, and offered me a job working as a literary agent with her. I joined her in 2016 and have never looked back – even as being a literary agent never even crossed my mind until she offered me that opportunity, I now can’t think what else I’d rather be doing!
2. As a literary agent, what is it about a book that makes you go wow, this has to be published?
A: Chills. I can’t quite describe it – but there are just some books you read and, no matter how raw and unpolished the writing or ideas may be, there’s something in their delivery that just makes the hair on the back of your neck stand on end. It’s that X-factor that’s so hard to describe. But it’s the exact same feeling you have as a reader, when you begin a book and just *know* you’re reading the exact perfect story for this point in time, and you’re reading something that’ll be a new favourite. That’s what I look for as an agent too – to first fall in love with a story as a reader.
3. As I follow you on Twitter, I feel I should know this, but what is your favourite young adult or middle grade series?
A: Oh, gosh – ask me this same question next week and it’ll totally change. I’ve got to say, a series I keep returning to in YA is Melina Marchetta’s set in the Saving Francesca universe – that continued with The Piper’s Son and concluded last year with The Place on Dalhousie. I don’t even care that that’s a series starting in YA and gradually progressing to adult-fiction – I just love those characters, and reading them is like going home and catching up with old friends. I also have a deep and abiding love for Melina’s fantasy The Lumatere Chronicles trilogy, big love and respect for The Tribe series by Ambelin Kwaymullina, and The Grisha by Leigh Bardugo. In middle-grade, it’s gotta bet the American series Gaither Sisters by Rita Williams-Garcia (P.S. Be Eleven is pretty much a masterpiece). I also love the Binny UK-series from Hilary McKay.
4. I am yet to read The Year the Maps Changed and hope to do so soon. What inspired you to write this novel for the middle grade readership?
A: I hope you like it when you do! … I started thinking of this idea way back in 2016, when I decided to delve into this big Australian event that happened in 1999 called ‘Operation Safe Haven’ when our then-Government began the biggest-ever humanitarian exercise, of offering temporary-asylum to Albanian-Kosovar refugees of the Kosovo War and NATO Bombings.
For a long time I wrestled with whether or not to make the book YA or MG – I thought, I was known to be a big fan and supporter of young-adult literature, and back in 2016 (even though I consumed a lot of American middle-grade lit) the readership wasn’t as clearly-defined in Australia then. But what tipped me into deciding to go all-in on MG was the fact that in 1999, I was eleven going on twelve. So I decided my protagonist would be too; and once I made that decision it was so easy to remember what that age and year was like, and my protagonist – Fred – seemed to spring fully-formed in my mind.
Between 2016 and now, MG also really took off in Australia; Jessica Townsend, Nova Weetman, Jeremy Lachlan, Bren MacDibble, and Zana Fraillon (to name a very few!) all wrote these gorgeous and ground-breaking books that really carved out that space in Australia, so by the time Maps was ready it was very clear who the book would be for.
5. It feels like we’re in a Golden Age of Australian Middle Grade fiction at the moment from a reader and reviewer’s perspective. What do you think, as an agent, author and also, if you’d like, a reader as well?
A: I’m so glad you think that, because I literally just wrote an article for Books+Publishing about this very topic! And it’s an article following-up something I wrote in 2016 for them, called ‘Unstuck in the Middle’ which was kind of looking at how robust and plentiful the MG readership was in America (especially after a book like R.J. Palacio’s Wonder became a mega-bestseller) but how in Australia, everyone was still grappling with what it was and who it was for.
Now, MG has always existed in Australia (books by Leanne Hall and Barry Jonsberg, Morris Gleitzman and Ursula Dubosarsky spring to mind) but those books would often win awards, or get labelled as ‘junior fiction/kids books’ or ‘young adult’ – and there didn’t seem to be an acknowledgment of the spectrum that also exists for those trickier middle-years of (roughly) 8-12. But Nevermoor by Jessica Townsend and The Bone Sparrow by Zana Fraillon really went a long way to defining modern MG in Australia (and at opposite ends of the genre-spectrum too) and carving out that space for the tricky in-between age-group. So many Aussie editors were aware of what was happening in America and the clearly-defined readership according to them, and the success of those books in Australia signalled them to just … go bananas and embrace! And they have. It was also things like ‘The Readings Children’s Book Prize’ acknowledging MG, and also The Text and Ampersand Prizes, putting a spotlight on the readership with their unpublished manuscript award-winners.
So it was a lot of ingredients that have gone into creating this ‘Golden Age’ of MG in Australia, for sure. And like most things … timing is everything.
6. Do you have a favourite middle grade author or series, past or present – or even both?
A: Gosh, look – I am a fan of contemporary fiction across all readerships so it’s the likes of Rebecca Stead, Jacqueline Woodson, Gary D. Schmidt, Nova Weetman and Emily Gale for me. All current-MG authors who I just adore and admire and I’m always on tenterhooks waiting for new books from them.
7. When you’re not reading middle grade, what do you enjoy reading, and what has been a favourite read recently?
A: Anyone who follows me anywhere, I hope, knows that I’m a HUGE romance-reader and fan. Everything from historical to paranormal; I just finished Kylie Scott’s latest romance The Rich Boy and loved it (it is adult though, not suitable for younger readers!) As an agent I’ve been lucky enough to get a sneaky-peek at Jenna Guillaume’s next book (the new stand-alone, follow-up to her debut What I Like About Me) it’s called You Were Made For Me and it’s so funny and romantic and brilliant. Think: Weird Science meets Jenny Han.
My go-to (adult!) romance authors are; Sarah Mayberry, Courtney Milan, Helen Hoang, Mhairi McFarlane, Lisa Kleypas, Sarah MacLean, and I’m hanging out for the TV series adaptation Bridgerton (based on Julia Quinn’s books!). I also have the sequel to The Royal We – The Heir Affair by Heather Cocks and Jessica Morgan – geared up on my Kindle, thanks to NetGalley!
8. What is your favourite festival, or do you have a favourite, and why or why not?
A: I went to Clunes Booktown for the first time last year, and that quickly became a new fave that I have to get to again! I’m also a big fan of The YA Room’s YA Day – just for the ingenious way they’ve found to bring the YA-lit community together in Melbourne, in a really lovely event that I hope continues to grow and thrive.
9. Do you have a favourite bookseller – which one, and why are they your favourite?
A: I have so many! Readings, Better Read Than Dead, Mary Martin, The Little Bookroom, Rabble Books, The Younger Sun, Avenue Bookstore, Antipodes … but my local independent in Mornington is Farrells and I love them so much (and they’ve been such a staple of my childhood, and now adulthood) that they even have a cameo-appearance in The Year the Maps Changed.
10. The important stuff: Cats, dogs, or both for a writing and reading companion?
A: Both! Always both! I have a very cat-like dog called Murray, so I feel he’s the best of all worlds.
11. Do you have a Hogwarts house, and which one would you be in if you attended the school?
A: Slytherin, baby. Cunning! … actually; whenever I take a quiz I literally end up like Harry and get a fair amount of Gryffindor and Slytherin in equal amounts. I guess it depends what mood I’m in.
12. Favourite Beatles song, and why?
A: I LOVE THIS QUESTION! I actually think it’s Blackbird for me. I just think it’s the most beautiful tune and poetic lullaby. And then it’s kind of a two-way tie for Hey Jude and Let It Be.
13. What is your favourite Jane Austen novel, and why?
A: Sense and Sensibility. Colonel Brandon. That’s it. That’s … everything.
15. What inspired you to start working in the arts industry, and what did you study at university?
A: Let’s see – when I first finished high school I knew I wanted a job *writing* because that’s what I loved. So I had it suggested to me, that I should become a journalist. So I trotted off and did that at Monash within a Communications degree but I hated it – and was always being told to stick to WHO, WHAT, WHEN, WHERE & WHY and not to give any purple prose. In my last year of study, we had to choose an internship within a publishing medium and I decided to do this crazy thing of seeing if I could try and work with kid’s books – which I did; scoring an internship at Black Dog Books (now, Walker Books) in Melbourne. It was eye-opening for me; this realisation that there are so many different areas of work in books publishing, and that I could maybe work within that industry too! So I went off and studies Professional Writing and Editing at RMIT, while also getting my own book-review blog Alpha Reader – http://alphareader.blogspot.com/ – off the ground as I delved further and further into books realms. That was it. Letting myself dream of working with books, reading more, and making that my hobby too.
16. The arts industry is important to Australia, especially now. Do you think people will come to appreciate the arts more after this crisis while they consume books, music and television shows that we need the arts around to produce?
A: Look; everything that people are reaching for is ART. Be that a television show, movie, video-game, comic-book, audiobook, or interacting with the number of museums and art-galleries who have found creative ways for people at home to do virtual-tours. So much of what is alleviating personal pain and boredom, that is continuing to connect people, is … ART. And as the saying goes – the world without ‘art’ is just ‘eh’. I think we’re all feeling that right now, and I hope that as people reach for those mediums and art forms – I do hope that realise that they are reaching for creativity, and then connect that to the people who made it happen. Benjamin Law says this all so much better than I can, in his Guardian Article – and I really do pray that the Government acknowledges that too. That film and TV alone is a $3-billion-dollar industry in Australia, and at times of crisis we’ve all reached for art in some capacity – and art is hurting right now, and needs our help.
I think it all comes back to … if you asked Australians right now, what they want to happen after all this – I’m betting most would say they’d like everything to go back to normal. Well, normal in Australia is the Arts. It’s having the option of ducking into an act during the International Comedy Festival. It’s planning a weekend-getaway in Clunes for Booktown Festival. Hearing of a great exhibit at NGV you can take an international visitor to. A band starting up at the pub. That’s normality, because art is … life. If we want it to be here when this is all over, we have to protect it now – in little and big ways. That means Government crisis packages, and it means individuals requesting digital titles of new books at their libraries, and (if they can!) ordering books from their local independent bookstores.
17. Do you have any book, television, podcast or movie recommendations to get us through these trying times over the next few months?
A: I want to recommend that you all reach for what works for you, in the moment. Don’t feel guilty that you binged Fleabag (or Drag Race!) for the fourth time instead of reading The Complete Works of William Shakespeare or something. It’s all art, as I said – and it all helps us cope. That being said, I can tell you what’s working for me and if there’s any crossover with what works for you then – Hey! – maybe we do a Houseparty get-together and discuss it?
TV: Killing Eve, The Commons, Stateless, The Heights, Bluey, North & South
MOVIES: 10 Things I Hate About You, To All the Boys I’ve Loved Before, A League of Their Own, The Mummy movies, Jane Austen-anything
PODCASTS: Keep It, The Readings Podcast, The First Time Podcast, Booktopia Podcast, The Eleventh, How to Fail with Elizabeth Day.
BOOKS: Heartstopper by Alice Oseman, Wild Fearless Chests by Mandy Beaumont, Peta Lyre’s Rating Normal by Anna Whateley and Please Don’t Hug Me by Kay Kerr.
MUSIC: The Beatles. Lizzo. Lorde. Goldfrapp. Crazy Ex-Girlfriend soundtrack. Hamilton: The Musical.
Any comments about something I may have missed?
Thank you Danielle, and congratulations on your book. I hope it finds its readers.
Synopsis: The first book in the most spellbinding children’s fantasy series of the year, now in paperback, with beautiful black-and-white inside illustrations by Sarah Warburton. Perfect for fans of Cressida Cowell and Nevermoor.
Willow Moss, the youngest and least powerful sister in a family of witches, has a magical ability for finding lost things – like keys, or socks, or spectacles. Useful, but not exactly exciting…
Then the most powerful witch in the world of Starfell turns up at Willow’s door and asks for her help. A whole day – last Tuesday to be precise – has gone missing. Completely. And without it the whole universe could unravel.
Now Willow holds the fate of Starfell in her rather unremarkable hands… Can she save the day – by finding the lost one?
Step into Starfell, a world crackling with warmth, wit and magic, perfect for readers aged 8–12. Book 2 coming in April 2020!
~*~
Willow Moss is supposed to have magic like her sisters, but she’s not as powerful as the rest of her family. However, she does have a magical talent that is probably more precious than any other gift. She can find things.
One day Moreg Vaine, Starfell’s most powerful witch asks for Willow’s help to find Tuesday – an entire day from the preceding week has disappeared and without it, Starfell could meet a very dark fate that nobody wants to experience.
Willow’s journey takes her across the land of Starfell, accompanied by a rather irate kobold named Oswin, who berates her and offers advice throughout the novel. Willow’s journey is not easy though, and she must face many dangers, including the Brothers of Wol who do not like witches or anything that goes against what they believe in – reminiscent of the witch hunts of the sixteenth and seventeenth centuries. It is this conflict that drives the novel, and Willow is a character who will grow and learn across the series. At the same time, she will prove that she can do the things that everyone says she can’t do or shouldn’t do. Yet only Willow can find the missing Tuesday and set the world right and ensure that she still has a family and place to live at the end of her journey.
Girls being front and centre in books is taking off, and these days, they are occupying a myriad of role and personalities to appeal to all readers – they’re not just stereotypes or strong female characters who occupy a specific time and place in their story. Here, we have characters like Willow who are reluctant and unsure of what to do, they’ve been told things that are not true and are forced to confront these memories and through doing this, they grow and learn that they are more than what everyone has been telling them they are.
Middle grade is an age group that is gaining a lot of traction, and this book is aimed at readers aged eight and older – and I think will appeal to readers of all genders. It is a wonderful book, and a really good start to a series that I am very keen to follow as each book is released. This is one of those books I picked up on a whim, because the story looked interesting, and I think it is one that many will enjoy regardless of age, and one that will be fun to read out loud as well.
Title: Friday Barnes: Under Suspicion
Author: R.A. Spratt
Genre: Mystery
Publisher: Penguin Random House
Published: 7th May 2019/1st January 2015
Format: Paperback
Pages: 272
Price: $15.99
Synopsis: Who knew boarding school could be this perilous!
When Friday Barnes cracked the case of Highcrest Academy’s mysterious swamp-yeti, the last thing she expected was to be placed under arrest. Now with the law on her back and Ian Wainscott in her face, Friday is not so sure boarding school was the smartest choice. From a missing or not-so-missing calculator to the appearance of strange holes in the school field, she is up to her pork-pie hat in crimes – and she swears not all of them are hers. There’s also new boy Christopher, who has taken quite a shine to Friday, to contend with.
Can Friday navigate the dangerous grounds of Highcrest Academy and decipher a decades-old mystery without getting caught in an unexpected love triangle?
~*~
Picking up soon after book one with Friday arrested by the police, this book ventures further into the crimes and investigations surrounding Highcrest, and the lengths students and teachers will go to so they can hide secrets and get their way. Friday befriends a vagrant, Malcolm, whose presence in the novel brings a whole new mystery to the table as Friday grapples with Ian Wainscott and new student, Christopher – though is Christopher really who he says he s, and why all of a sudden do the police have such an interest in Highcrest Academy? Friday must look into a missing calculator, strange holes appearing all over campus, and teachers who behave unlike any other teachers, and constantly being sent to the Headmaster’s office. All in all, Friday’s time at Hillcrest is getting very interesting.
I’ve now got up to book six of this series to read out of eight – and will be aiming to work my way through them all as the weeks and months go on. Friday is a great character, and she really shines in this book, proving that she will never change, and nor will her friend, Melly. They are perfect for each other, and this new genre of detective novels for kids just keeps getting better and better.
As Friday evolves as a character, though whilst not giving up the essence of who she is, she is becoming an integral part of the school as she uncovers all sorts of crimes and indiscretions around the school. Each character within the school is unique, and each teacher has their own interesting way of teaching – like Mrs Cannon, the English teacher, who allows time to get away from her while the students read so she can hunt for a new job or do the crossword.
The stories have an excellent blend of complexity and simplicity – whereby Friday’s knowledge is clear, yet she explains it in ways that the reader and her fellow characters can understand, in stark contrast to her parents who are often referred to throughout the book. Friday seems to have all kinds of connections to help her solve the crimes of the school, and what I love most about this is that they seem to go unquestioned, and the teachers are a mix of letting her get away with it, being frustrated with her or not really caring at times, which makes it lots of fun to read.
This is a series that I feel gets better with each book, as new layers are uncovered, and new mysteries are introduced. Each book has a cliffhanger ending, so I would recommend reading these in order so the story flow makes sense. With the next four at the ready to read, I am sorted for now, and look forward to reading them and getting books seven and eight.
For my eleventh square, I chose a book with a door on the cover. This was always going to be a challenge, and the book I chose for a book published over 100 years ago – The Secret Garden – would also have been good for this square. However, I realised I had to use – or wanted to use – a different book for each square as much as possible.
I reviewed this for Hachette on the 3rd of March, and thought it was a great introduction to a new series – with a slow build towards the climatic conclusion that inevitably leads into a second book – with several threads that were worked through the book left seeking more answers beyond what April finds out in the book. As readers, we only know what April knows, and this draws us further into the mystery, and the lives of the orphans and their world, and what is to come. I cannot wait to find out what happens next.
Title: Aussie Kids: Meet Eve in the Outback
Title: Aussie Kids: Meet Katie at the Beach
Title: Fantastic Beasts and Where to Find Them
Title: Willow Moss and the Lost Day (Starfell #1)
Title: Friday Barnes: Under Suspicion
As Friday evolves as a character, though whilst not giving up the essence of who she is, she is becoming an integral part of the school as she uncovers all sorts of crimes and indiscretions around the school. Each character within the school is unique, and each teacher has their own interesting way of teaching – like Mrs Cannon, the English teacher, who allows time to get away from her while the students read so she can hunt for a new job or do the crossword.
