Tag: Bloomsbury

Fantastic Beasts and Where to Find Them by JK Rowling/Newt Scamander

fantastic beasts paperbackTitle: Fantastic Beasts and Where to Find Them

Author: JK Rowling/Newt Scamander

Genre: Fantasy Text Book

Publisher: Bloomsbury Children’s Books

Published: 31st March 2020

Format: Paperback

Pages: 160

Price: $29.99

Synopsis: This glorious paperback edition of Newt Scamander’s Fantastic Beasts and Where to Find Them is considered a classic throughout the wizarding world. It features an extraordinary array of magical creatures, from Acromantula to Yeti via ten different breeds of dragon – all beautifully illustrated in full colour by the brilliantly inventive, Greenaway Medal shortlisted Olivia Lomenech Gill.

Famed Magizoologist Newt Scamander’s years of adventure and exploration have yielded a work of unparalleled importance, admired by scholars, devoured by young witches and wizards, and even made available to Muggles in the early years of this century. With this dazzling illustrated edition, readers can explore the magical fauna of five continents from the comfort of their own armchairs. Fantastic Beasts and Where to Find Them is essential reading at Hogwarts.

Now available in a stunning paperback edition with French flaps, this edition contains all of the mesmerising illustrations from the original edition and features the fully updated 2017 text including a foreword by J.K. Rowling, writing as Newt Scamander.

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Bloomsbury has released the much-loved Hogwarts textbook, Fantastic Beasts and Where to Find Them in a paperback using the expanded, illustrated text from the hardcover edition published in 2017. Usually, only wizards and witches have access to this book, yet now Muggles are able to read about these creatures and learn about them, even if they may not be able to see them or interact with them.

The ratings for the beasts haven’t changed – and the introduction, foreword and introductory notes are written by Newt Scamander are still included, though this time I felt with a few flourishes that make the book interactive and feel as though someone has interacted with the book.

Below are the ratings given to each beast:

X- Boring

XX – Harmless/may be domesticated

XXX – Competent wizards should cope

XXXX – Dangerous/requires specialist knowledge/skilled wizard may handle

XXXXX – Known wizard killer/impossible to train or domesticate

One thing missing is the delightfully fun notes from Ron, Harry and Hermione from the original edition, yet this exquisite one is less a school text and more a guide for wizards at home and abroad.

I’ve written about this one a few times before, and each edition brings something new to the book and I notice something new. In this one, I spent a lot more time taking in the gorgeous colour illustrations of each beast, and the various ways they interact with their environment and wizards. It is a delightful edition, and one I am adding to my collection – I may have multiple editions of some books yet each different edition expands on the world and gives a new scope to the original series and editions. It is something I always look forward too, and with many house and new editions coming out this year, I cannot wait to see how they all come together in the series, and to share my views on how they add to the original magic for readers new and old.

I have enjoyed Harry Potter for almost twenty years – and reading it always reminds me of my best friend and her mum who introduced me to the wizarding world. It is something we will always share, and that is what makes it special to me.

The Lost Future of Pepperharrow by Natasha Pulley

pepperharrowTitle: The Lost Future of Pepperharrow

Author: Natasha Pulley

Genre: Magical Realism, Historical Fiction, Gothic Fiction

Publisher: Bloomsbury Circus

Published: 17th March 2020

Format: Paperback

Pages: 512

Price: $29.99

Synopsis: Step back into the enchanting world of The Watchmaker of Filigree Street. This extraordinary sequel takes readers to Japan, where time, destiny and love collide to electrifying effect

‘A Japan that never was, a future lost, ghosts that are not dead, random numbers, clairvoyant samurai … not even a partial list of ingredients can do justice to this wonderful cake of a book. A lovely blending of steam punk ether science, Japanese historical figures, and a time-defying thriller’ ROBIN HOBB

For Thaniel Steepleton, an unexpected posting to Tokyo can’t come at a better moment. The London fog has made him ill and doctor’s orders are to get out.

His brief is strange: the staff at the British Legation have been seeing ghosts, and his first task is to find out what’s going on. But staying with his closest friend Keita Mori in Yokohama, Thaniel starts to experience ghostly happenings himself. For reasons he won’t say, Mori is frightened. Then he vanishes.

Meanwhile, something strange is happening in a frozen labour camp in northern Japan. Takiko Pepperharrow, an old friend of Mori’s, must investigate.

As ghosts appear across Tokyo and the weather turns bizarrely electrical, Thaniel grows convinced that it all has something to do with Mori’s disappearance – and that Mori might be in far more trouble than any of them first thought.

~*~

In 2015, readers were introduced to Natasha Pulley, Mori and Thaniel Steepleton in The Watchmaker of Filigree Street. Five years later, they’re returning in the Lost Future of Pepperharrow which sees Thaniel and Mori headed to Japan with their daughter, Six, as they seek to improve Thaniel’s health during a new posting for the British Legation in Tokyo to investigate ghosts, and strange goings on at a labour camp that bring them into contact with someone from Mori’s past – Takiko Pepperharrow.

The story moves between the past – up to ten years – particularly when dealing with Takiko, and 1888/1889 – the present in the novel, and how Mori and Thaniel navigate the mysteries and ghosts of Tokyo. In doing so, Thaniel finds himself falling into an unknown world, and when Mori disappears, and nobody knows where he is nor if he is still alive. It is an intricate plot that moves back and forth over a decade in Tokyo and Japan, highlighting issues of religion, the place of foreigners in Japan and the role of ghosts and clockwork as a common thread across both books. Denser than the first book, The Lost Future of Pepperharrow continues the story in surprising and eloquent ways.

Some aspects are most definitely historical – the Japanese Education Minister, Arinori Mori’s assassination and at least one of the prisons, whilst the rest might be based on history but has become a fantastical thing of its own, and borrows from history in order to create the world these characters populate and live in. The story is complex, immense and exceptionally told with rich detail where needed, and is immersive for time and place – making each aspect feel as though you were really there in the book with Thaniel – both when he was with Mori and whilst he was searching for him through Japan.

Each setting evoked a sense of being there – from the foggy streets of London, to the ships that sail across oceans and all the sights, sounds and sensations of Tokyo – both confronting and intriguing as seen through the eyes of Thaniel and his uncertainty as he investigates the ghosts, come together to create a story filled with so many different elements, some seem so small, it can be hard to define them easily, and with hints of magical realism, this is not a straight-forward historical fiction. It is much more layered and multi-faceted than that. It has so many layers that there were times I re-read a section – just to see if I had picked everything up, only to discover that some things had merely been hinted at in a very clever way that made sense towards the end. It maintained the balance of revealing things in the right place, and dropping little hints, and also, maintained the balance of good description and storytelling – neither was overdone. For each of these aspects – all books are going to be different in what they do and why – and when these elements as well as character, plot and setting combine, they create a story like this one that is clever and unique.

I thoroughly enjoyed this book, and hope that fans of Natasha’s first two books will as well.

Cover Reveal for Quidditch Through the Ages

illustrated quidditch

As part of the new editions of the Harry Potter books, there is a new illustrated edition of Quidditch Through the Ages, with illustrations by Emily Gravett. The full press release and cover image from Bloomsbury is below.

I love the colour in this cover – the teal background, the golden lettering and the colourful images of the quaffle, the bludgers, the snitch, and a broomstick, as well as various quidditch players zooming around and team colours and emblems. It brings the book to life and it will be lovely to see what is inside.

BLOOMSBURY REVEALS COVER FOR NEW ILLUSTRATED EDITION OFQUIDDITCH THROUGH THE AGES

‘Oh, you wait, it’s the best game in the world.’ Ron Weasley

Bloomsbury Children’s Books has revealed the cover of the full-colour illustrated edition of J.K. Rowling’s Quidditch Through the Ages illustrated by Emily Gravett. The cover showcases some of the key elements of Harry Potter’s favourite sport – including players, team badges and a hovering Golden Snitch waiting to be caught. Devoured by Harry Potter in his first year, Quidditch Through the Ages is consulted on a daily basis by the young witches and wizards at Hogwarts, and this beautifully illustrated edition is set to become a firm favourite for readers of all ages who dream of grabbing a broomstick and taking to the skies.

Publishing in Australia, New Zealand, the UK and USA on 6th October 2020, Quidditch Through the Ages Illustrated Edition features showstopping artwork from Emily Gravett, twice winner of the Kate Greenaway Medal. Emily’s wildly creative imagination has conjured a cornucopia of sporting memorabilia to surprise and delight. With some items lovingly created in a dazzling range of media and infused with her trademark visual wit, these charming and funny artworks are the perfect pairing for J.K. Rowling’s humorous insights into the magical, airborne sport.

Quidditch Through the Ages invites readers to take a whistle-stop tour through wizarding history, reliving epic matches and great moments along the way. Accessible at any point in the Harry Potter reading journey, it is packed with trivia, tales of on-pitch antics, and Quidditch stars past and present. The sports almanac also contains comprehensive profiles of teams loved by readers of the Harry Potter novels.

Quidditch Through the Ages first appears in Harry Potter and the Philosopher’s Stone. After catching Harry Potter with a copy, it is also the reason that Professor Snape invents the rule that no library books are allowed outside of Hogwarts School. Harry Potter and the Philosopher’s Stone continues to mesmerise readers and, in 2019, was the number three bestselling children’s book in Australia overall and the number two children’s novel.

A percentage of proceeds from the sale of this edition will go to J.K. Rowling’s own international charity Lumos, which helps some of the world’s most vulnerable children and young people to have a better life; and to Comic Relief.

Wizarding World Digital has exclusively revealed examples of artwork from Quidditch Through the Ages Illustrated Edition. See Emily Gravett’s astonishing art at the below link.
https://www.wizardingworld.com/news/bloomsbury-reveal-cover-for-new-illustrated-edition-of-quidditch-through-the-ages

The God Child by Nana Oforiatta Ayim

the god childTitle: The God Child

Author: Nana Oforiatta Ayim

Genre: Literary Fiction

Publisher: Bloomsbury Circus

Published: 4th February 2020

Format: Paperback

Pages: 256

Price: $26.99

Synopsis: Maya grows up in Germany knowing that her parents are different: from one another, and from the rest of the world. Her reserved, studious father is distant; and her beautiful, volatile mother is a whirlwind, with a penchant for lavish shopping sprees and a mesmerising power for spinning stories of the family’s former glory – of what was had, and what was lost.

And then Kojo arrives one Christmas, like an annunciation: Maya’s cousin, and her mother’s godson. Kojo has a way with words – a way of talking about Ghana, and empire, and what happens when a country’s treasures are spirited away by colonialists. For the first time, Maya has someone who can help her understand why exile has made her parents the way they are. But then Maya and Kojo are separated, shuttled off to school in England, where they come face to face with the maddening rituals of Empire.

Returning to Ghana as a young woman, Maya is reunited with her powerful but increasingly troubled cousin. Her homecoming will set off an exorcism of their family and country’s strangest, darkest demons. It is in this destruction’s wake that Maya realises her own purpose: to tell the story of her mother, her cousin, their land and their loss, on her own terms, in her own voice.

~*~

Moving between Ghana, England and Germany across five parts, and told through Maya’s eyes, The God Child is a debut novel from Ghanaian author, Nana Oforiatta Ayim. Maya has grown up in Germany. She knows her parents are different, on many levels. They make her aware of it, in their own ways, and society does. Her mother is a spinner of stories of former glory that those around them do not believe yet Maya lives with these stories and it would seem, doesn’t always actively question them, though she may want to, as I felt she was quite a practical character in some ways, but like her mother in other ways. She is still a child when her cousin, Kojo comes to live with them one Christmas. Soon, the family is split – it seems Maya’s parents separate, though like many things, this is not spelled out so readers have to infer and guess what happened, and Kojo and Maya are sent to school in England.

In England, Maya and Kojo attend school – until a turning point send the family back to Ghana, and years later, Maya returns – and this is the turning point – where everything changes and comes full circle to the opening chapter.

From the first few pages, we know that something big happens in Maya’s family – something that tears them apart and changes Maya forever. From there, she flicks back to her childhood, moving through it in what feels like a chronological way, and the story feels as though it is set in the eighties or nineties at least – based on the presence of cars but the lack of technology we are familiar with are not present, giving it a sense of class as well as race – and perhaps hints at ideas of what matters on a human level that we can recognise in many people – for a variety of reasons. Maya’s journey is interesting as she grapples with her three identities – Ghanaian, German and English – and how she navigates this between the expectations of her mother and her mother’s stories and traditions, as well as those of her Ghanaian family that come through in later parts, and who she is within the context of how she has grown up and what she has been exposed to. It shows that identity is complicated in a myriad of ways, and for some people, caught between two very different cultures and nations, can be fraught or confusing.

Categorising this for my tags and blog was difficult – it didn’t have a feel of any genre – other than what is called Literary Fiction – which is often seen as better than genre fiction, but can also be a lot more conceptual or character driven – so it’s not something I read a lot of. However, this one definitely had a clear plot, even though at times I felt like it jumped a bit or didn’t state things clearly – the inferring between the lines seems to be a characteristic of literary fiction.

What I did find interesting about this book was the way it dealt with diversity and navigating life across three different countries whilst discovering your identity. Maya was an intriguing character to follow, and I wanted to know more – about the gaps that weren’t always filled in but at the same time, I can see why some bits were left out and it will work for those who want to read this and enjoy literary fiction. It had some really good and insightful points, and I hope there are many out there who will enjoy it.

Books and bites bingo A book with lots of hype: Harry Potter and the Goblet of Fire by JK Rowling (Ravenclaw Edition)

books and bites game card

For my fifth square, I am ticking off a book with lots of hype. Harry Potter and the Goblet of Firewas published in 2000, to lots of hype, and by all accounts, some might say it is still hyped, with the recent releases of the illustrated edition at the end of last year, and on the 23rd of January, the house editions. Bloomsbury sent me a Ravenclaw edition to review, and I did read it, and review it on my blog.

ravenclaw goblet of fire

There are lots of books that are hyped, and the Harry Potter series is definitely one of those books. The house editions are released in hardcover and paperback, one in the house colour with black and either silver, black, gold or bronze, and the other with a black cover and the colours trimming the black. For the Goblet of Fire, the hardcover is blue with black and copper designs on it, and the paperback is black with copper and blue trim.

So that is my hyped book – I could have chosen many others for this one, but with all my challenges, I am marking them off as I go and getting the easier ones done as I find books that fit. Some may have to wait until later in the year, but the more I get done earlier, the easier it will be to focus on the harder categories.

Harry Potter and the Goblet of Fire (Ravenclaw Edition) by J.K. Rowling

ravenclaw goblet of fireTitle: Harry Potter and the Goblet of Fire (Ravenclaw Edition)
Author: J.K. Rowling
Genre: Fantasy
Publisher: Bloomsbury
Published: 23rd January 2020
Format: Hardcover, Paperback
Pages: 640
Price: Hardcover: $32.99, Paperback: $21.99
Synopsis: Let the magic of J.K. Rowling’s classic Harry Potter series take you back to Hogwarts School of Witchcraft and Wizardry. This Ravenclaw House Edition of Harry Potter and the Goblet of Fire celebrates the noble character of the Hogwarts house famed for its wit, learning and wisdom. Harry’s fourth year at Hogwarts is packed with more great Ravenclaw moments and characters, including the return of Moaning Myrtle, who – with typical Ravenclaw intelligence – helps Harry solve a crucial clue in the Triwizard Tournament.

Each Ravenclaw House Edition features vibrant sprayed edges and intricate bronze foiling. The Goblet of Fire blazes at the very centre of the front cover, framed by stunning iconography that draws on themes and moments from J.K. Rowling’s much-loved story. In addition to a bespoke introduction and exclusive insights into the magical paintings of Hogwarts, the book also boasts new illustrations by Kate Greenaway winner Levi Pinfold, including a spectacular portrait of master wand-maker, Ollivander. All seven books in the series will be issued in these highly collectable, beautifully crafted House Editions, designed to be treasured and read for years to come.

A must-have for anyone who has ever imagined sitting under the Sorting Hat in the Great Hall at Hogwarts waiting to hear the words, ‘Better be RAVENCLAW!’

When the Quidditch World Cup is disrupted by Voldemort’s rampaging supporters alongside the resurrection of the terrifying Dark Mark, it is obvious to Harry Potter that, far from weakening, Voldemort is getting stronger. Back at Hogwarts for his fourth year, Harry is astonished to be chosen by the Goblet of Fire to represent the school in the Triwizard Tournament. The competition is dangerous, the tasks terrifying, and true courage is no guarantee of survival – especially when the darkest forces are on the rise. It is the summer holidays and soon Harry Potter will be starting his fourth year at Hogwarts School of Witchcraft and Wizardry. Harry is counting the days: there are new spells to be learnt, more Quidditch to be played, and Hogwarts castle to continue exploring. But Harry needs to be careful – there are unexpected dangers lurking.
~*~

The 20th anniversary editions of the Harry Potter books are being released in house colours – red for Gryffindor, yellow for Hufflepuff, blue for Ravenclaw and green for Slytherin, often with additional house information and information about characters in that house who are side characters, such as Garrick Ollivander in the Ravenclaw edition, Rubeus Hagrid in the Gryffindor edition, Cedric Diggory in the Hufflepuff edition and Voldemort in the Slytherin edition. I received a hardcover Ravenclaw edition to review from Bloomsbury, and it’s beautifully put together – the story is there, but it is the additional information that is interesting, as well as revisiting the story.

The additional information also gives insights into Moaning Myrtle and indicates that she was in Ravenclaw when she was alive. Moaning Myrtle has a key part in one area of The Goblet of Fire, and it is always fun to see characters we have met before return, like Dobby. I love reading the books because I think the movies miss out on so much and presume a lot of their viewers – that they’ve read the books, and can they fill in the gaps. Perhaps this is where knowing the books helps fill in those gaps, and why I prefer the books. I remember the time this book came out – it was the year I met my best friend, Laura, and it was Laura and her mother who got me into the books, and for that, I am grateful and that is what makes them special to me – Laura and Liz are in those pages for me.

In the Goblet of Fire, we are at the midway point of the series – where everything changes. Up until now, there have been hints at Voldemort coming back, but not quite, and now, the threats are real, and slowly, across the novel, build up to the darkest ending so far, and starts a new death count of significant characters in the series. It is a turning point for everything and hurtles our once innocent characters into a stage of their lives where they are in more danger than ever before, and nobody knows who will survive what is to come, and who won’t.

A nice addition to a collector’s series of the Harry Potter books.

 

Norse Mythology by Neil Gaiman

norse mythology redTitle: Norse Mythology

Author: Neil Gaiman

Genre: Mythology

Publisher: Bloomsbury Australia

Published: 19th November 2019

Format: Paperback

Pages: 304

Price: $19.99

Synopsis: The great Norse myths, which have inspired so much of modern fiction, are dazzlingly retold by Neil Gaiman. Tales of dwarfs and frost giants, of treasure and magic, and of Asgard, home to the gods: Odin the all-father, highest and oldest of the Aesir; his mighty son Thor, whose hammer Mjollnir makes the mountain giants tremble; Loki, wily and handsome, reliably unreliable in his lusts; and Freya, more beautiful than the sun or the moon, who spurns those who seek to control her.

From the dawn of the world to the twilight of the gods, this is a thrilling, vivid retelling of the Norse mythology from the award-winning, bestselling Neil Gaiman. Bringing to life the epic myths that have inspired Gaiman’s own writing, this glorious special edition for Christmas features a vibrant new red cover.

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The Norse myths have been around on one way or another, like many other myths, legends and fables of various societies and cultures across the world for millennia.

Here, Neil Gaiman has taken the original myths, and retold them in an accessible and concise way, capturing everything important and interesting about them, whilst leaving enough room for the reader to do their own further reading and investigations. From here, there are many more sources that can be consulted about the creation of the Norse world, the giants, as well as Odin, Thor and Loki, and Freya and all the other gods in Asgard and the Norse underworld.

Of course, many people have retold these myths – Marvel has, of course, but sometimes, the source material is much more or even just as interesting, and can give very clever and creative insights into where the characters in the retellings have come from, and the evolutions they have gone through in each retelling, and how it relates back.

However, here, these are the myths as they are, retold in plain, modern English for the modern reader, exploring a myth cycle that has common themes with others such as Greek, Roman and Egyptian – from the formation of the world to the end of the world and everything in between.

I truly enjoyed this book, and hope other lovers of mythology will enjoy it too.