Book Bingo Nine – Double Bingo and BINGO – Row Six Across completed.

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Literary and Romance

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It’s the end of April, and another Book Bingo week with Amanda and Theresa. This time, I am ticking off two squares as another double bingo week, but also, I have a complete bingo with the sixth across row, as seen below:

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Row Six:

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

Crime: All the Tears in China by Sulari Gentill – AWW2019

Historical: The Familiars by Stacey Halls

Romance: Northanger Abbey by Jane Austen

Comedy: Best Foot Forward by Adam Hills

Northanger AbbeyRomance was one that I wasn’t sure how I would fill, as it is not a genre I read often or gravitate towards. Rather, I prefer the romance to be subtle and to happen alongside the core story, and where the characters have much more to them than it feels like many romance novels do. So, in my quest to read as much Jane Austen as possible this year, and books inspired by Jane’s works, I chose Northanger Abbey.

Northanger Abbey is the first of Jane Austen’s novels to be completed for publication in 1803, but the last published in 1817. It is a satirical look at the Gothic novels of the time, and the coming of age story of Catherine Morland, wishing for happiness and morality over money and wealth like other young women of her age. She loves to read and seeks others like her as friends. On a sojourn to Bath with family friends, she meets Henry Tilney, and Isabella Allen, and becomes friends with Isabelle, visits with the Tilneys and is eventually forced home after a series of misunderstandings. At the core is Catherine’s growth and understanding of real life, which is vastly different to her novels. At the same time, she has fallen in love with Tilney and they eventually marry on the final page.

Jane Austen Reading Challenge 2019

The romance in this novel is subtle, and develops slowly and cautiously alongside friendship, novel reading and ideas of class and acceptability of marriage. The subtlety of the romance allowed the characters to grow for themselves and not be pushed into a certain way of thinking by other characters. Of course, there are misunderstandings that led to the desire to correct things and set things straight, but at the same time, because it is subtle, it worked well and that’s why I enjoyed it.

ZebraLiterary

 

For this category, I chose a book sent to me by Writing NSW to review for their blog. Zebra and Other Stories by Debra Adelaide. In this book, there are many short stories, from different perspectives and about different things – a more in-depth review is here. But this classifies as literary because it simply has that feel to it, and when I think about it, these stories don’t have a distinct genre – sometimes literary fiction does, but sometimes not. Sometimes, they just slot into general fiction but because the strength of the stories are driven by the characters, rather than the plots, which are written so subtlety, that at times, they do not become clear until the end, which makes them powerful and intriguing.

Moving forward, I have about eight months left to fill the bingo card, and some are going to be harder but that’s part of the challenge, and sometimes, the review books just easily slip into a category, sometimes I have to seek one out.

Until next time!
Booktopia

The Seven or Eight Deaths of Stella Fortuna by Juliet Grames

7 OR 8 DEATHS.jpgTitle: The Seven or Eight Deaths of Stella Fortuna

Author: Juliet Grames

Genre: Fiction

Publisher: Hodder and Stoughton

Published: 23rd April 2019

Format: Paperback

Pages: 438

Price: $32.99

Synopsis: A perfect book club and holiday read that crosses from mountainside Calabrian villages in the early 20th century to Hartford, Connecticut after the immigration boom and will appeal to fans of Elena Ferrante, CAPTAIN CORRELLI’S MANDOLINALL THE LIGHT WE CANNOT SEE and BROOKLYN.

When I tell you Stella Fortuna was a special girl, I hope you aren’t thinking small-town special. Other people would underestimate Stella Fortuna during her long life, and not one of them didn’t end up regretting it.

Hundred-year-old Stella Fortuna sits alone in her house in Wethersfield, Connecticut, crocheting blankets and angrily ignoring her sister, Tina, who lives across the street. Born into abject poverty in an Italian village, Stella Fortuna’s name might mean Lucky Star, but for the last century, her life has been defined by all the times she might have died. Up until now, Stella’s close bond with her sister has been one of the few things to survive her tumultuous life, but something has happened, and nobody can understand what it might be. Does the one life and many (near) deaths of Stella Fortuna have secrets still to be revealed, even to those who believe they are closest to her?

By turns a family saga, a ghost story, and a coming-of cranky-old-age tale, Juliet Grames’s THE SEVEN OR EIGHT DEATHS OF STELLA FORTUNA lays bare the costs of migration and patriarchal values, but also of the love and devotion that can sustain a family through generations, in a sprawling 20th century saga of a young woman with a fire inside her which cannot be put out.

~*~

Books with this kind of title seem to be a kind of trend right now – The Seven Lives of Evelyn Hardcastle, The Seven Husbands of Evelyn Hugo (by different authors), and now The Seven or Eight Deaths of Stella Fortuna by Juliet Grames, which covers one hundred years of a life that begins in a Calabrian village, and finishes the story in Hartford, Connecticut. Stella Fortuna’s many near death experiences are a mystery – how she survives being eviscerated, being crushed by a door, bleeding out and many other near misses including fate intervening to ensure she does not board a ship that goes down at sea with no survivors, to the final almost death as a very old woman. So what causes them? Does her name – Stella Fortuna, which translates to lucky star suggest something more than just pure luck? Is there something keeping her from dying, like a ghost?  Throughout the novel, there is the sense that something is always going to coming, with long lulls that lead into each near death – some very long ones that whilst interesting, perhaps could have been divided up or shortened for ease of reading. However, I can see why each chapter was the length it was as well, so it did work for the story, but page breaks are always nice, so you know when you can set it aside temporarily and come back to find out what is going to happen.

Each event is intricately written – with the reminders of each previous near death forming physically and emotionally for Stella and her family as they see her through her life and deaths, especially her sister Tina, with whom her relationship is constantly changing. At the heart of this rather unique and highly unusual novel is a family saga of immigration, life and death, and secrets that family keeps or questions that do not always have an answer.

I read this in over the course of four hours – so it is engrossing and intriguing, but I’m in two minds about it. On one hand, it is not one I am likely to revisit – despite the intriguing storyline, there were times when I felt like too much was happening to lead up to the death, and perhaps things could have been condensed. I felt like the first births of her children meandered a little, and then the rest were a brief run down to fit them all into the story. For me, whilst a very good chapter, this was one area where I felt some more balance between each child would be useful. However, I can also see that some of them were to play a more significant role towards the end than others, and that is why more time was spent on them.

My other thought it that this is the kind of book that someone might need to read a couple of times to fully appreciate it and understand – to peel back the layers, so to speak. Given there are many books like this out there, I may not have the chance to revisit this one and take everything in for a second time, but I do believe there is an audience out there for this book.

A work of fiction, it is written as though by a relative, a grandchild of Stella, who is never truly identified as Stella recounts her long life and all the strange and intricate events to her as a family history, so it almost reads as a biographical piece throughout. The flow was good – maintained by very little intrusion of the person putting Stella’s story to paper, apart from the beginning and end, where the story is introduced and concluded.

I hope other readers enjoy this book and find something interesting in it.

Eliza Rose by Lucy Worsley

Eliza Rose.jpgTitle: Eliza Rose

Author: Lucy Worsley

Genre: Historical Fiction

Publisher: Bloomsbury

Published: 1st June 2018

Format: Paperback

Pages: 368

Price: $14.99

Synopsis:The captivating debut children’s novel from popular television historian Lucy Worsley is an exciting and charming glimpse behind the scenes of the Tudor court.

I would often wonder about my future husband. A knight? A duke? A stable boy?
Of course the last was just a wicked fancy.

Eliza Rose Camperdowne is young and headstrong, but she knows her duty well. As the only daughter of a noble family, she must one day marry a man who is very grand and very rich.

But Fate has other plans. When Eliza becomes a maid of honour, she’s drawn into the thrilling, treacherous court of Henry the Eighth …

Is her glamorous cousin Katherine Howard a friend or a rival?

And can a girl choose her own destiny in a world ruled by men?

~*~

The Tudor years were fascinating, grim and violent, and the stories that are told don’t always reveal everything that happened behind the scenes of court – but rather, what Henry VIII wanted people to see and how the court projected itself. Eliza Rose Camperdowne – a fictional character who will become caught up in the intrigue and deception of court under two queens – Anne of Cleves and Katherine Howard, whose untimely fate concludes the book. Eliza’s world is changed when a marriage falls apart and she is sent away to train to be a lady in waiting, and then assigned with her cousin, Katherine Howard to become ladies in waiting to Anne of Cleves. Yet over the years of that marriage, the king, Henry, is taken with Katherine and divorces Anne to wed Eliza’s cousin.

What follows is the court and its intrigues seen through the eyes of Eliza, as she watches rules being broken, where for some, this can have harsh punishments, but for others, seems to have very few consequences until it is too late. Woven throughout is Eliza’s desire to break free of tradition as much as she can – and marry for love, not duty, as she has been trained to do her entire life.

In this sense, Lucy shows the headstrong, and feminist ideas of women throughout the ages, even though they may not have had the words to describe it, the feelings were still there for some of them. She effectively contrasts this with the demure women like Anne, and those who cling to tradition, like Katherine, but who use their wiles and some trickery it seems to reach the goals they have been aiming for: to marry King Henry VIII and become his queen. Katherine was wife five of six – the second to be beheaded for adultery, so the charges went. And after her death, fears are that Eliza could be tainted and tarred with the same brush and she must find a way to change her fate.

Filled with powerful women of all kinds and personalities, the male characters for the most part, are not heavily present in this book, but where they are, they definitely have an impact on the story and its outcomes. All the necessary characters perform their roles really well and it is a great historical read for those interested in Tudor history.

The Artist’s Portrait by Julie Keys

Artists Portrait.jpgTitle: The Artist’s Portrait

Author: Julie Keys

Genre: Mystery/Literary/Historical

Publisher: Hachette Australia

Published: 26th March 2019

Format: Paperback

Pages: 290

Price: $32.99

Synopsis: A story about art, murder, and making your place in history.

Whatever it was that drew me to Muriel, it wasn’t her charm.

In 1992, morning sickness drives Jane to pre-dawn walks of her neighbourhood where she meets an unfriendly woman who sprays her with a hose as she passes by. When they do talk: Muriel Kemp eyes my pregnant belly and tells me if I really want to succeed, I’d get rid of the baby. 

Driven to find out more about her curmudgeonly neighbour, Jane Cooper begins to investigate the life of Muriel, who claims to be a famous artist from Sydney’s bohemian 1920s. Contemporary critics argue that legend, rather than ability, has secured her position in history. They also claim that the real Muriel Kemp died in 1936.

Murderer, narcissist, sexual deviant or artistic genius and a woman before her time: Who really is Muriel Kemp?

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The Artist’s Portrait moves between the early nineties and the first three decades of the twentieth century, up until 1936 – when a woman named Muriel Kemp is said to have died. Yet in 1992, Jane, on an early morning walk as she tries to combat morning sickness, encounters the long-presumed Muriel Kemp, whose abrasiveness somehow draws Jane in, and from there, an unlikely companionship forms – where Muriel constantly criticises Jane, as Jane begins to write Muriel’s biography as Muriel would like it to be written – on her own terms, in her words and only including what Muriel herself wishes to be in it.

The novel weaves between 1992-1993 in Jane’s perspective, and the first decades of the twentieth century in Muriel’s perspective – both told in first person. At first, this was a little confusing, but it became clear that the change in voice often coincided with the year or decade that was at the top of the chapter, thus making it easier to follow with both voices in first person.

2019 Badge

The mystery at the heart of this book is the true identity of Muriel Kemp, and whether or not she actually died in 1936. The trick for Jane in 1992-3 is getting those who rely on the official record to believe her. Mixed in with this is a story of the world of art and the ways in which gender could impact the role someone had in that world, and the breaking free of conventions to forge your own way in the world.

Where art critics and historians tell Jane that Muriel Kemp’s legend has secured her notoriety more than her artistic talent and her triptych paintings, and the mystery of the post-1936 paintings are relegated by the official archives as fakes, rumour – anything but the real thing, and even credited to a different Muriel. So, at the heart of the novel is a search for identity and the how a myth is created around a person, and the lengths people will go to deny anything that contradicts what they know.

Not everything I felt was revealed in this novel – some things are definitely left to the imagination, particularly when it comes to Muriel, and others are revealed slowly, likely peeling back the layers of an onion. It is a very layered novel, and one I found intriguing, and think is worth the read for those who like a mystery where not everything feels wholly resolved and bits left to the imagination of the reader.

Booktopia

Blog Tour Part Two: The French Photographer Interview with Natasha Lester

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Cover of The Paris Seamstress.

Hi Natasha, and welcome to my blog, The Book Muse. Thank you for joining me here today.

First of all, congratulations on the new novel, it was exceptional, and had everything a good novel should have to tell a very powerful story.

  1. Jessica reminded me of Estella – both are women of their time, yet still strive to achieve more than people expect of them. What is it that draws you to write characters like Jess and Estella?

If women like Estella and Jess had never existed, then I wouldn’t have the opportunities that I have now, the opportunities that I have had over my lifetime. But there is still much that needs to change. So I write these stories to honour the women who have come before me and who have made many aspects of my life possible, but also to show how far we still have to go in many other respects.

  1. Jess is based on a real-life journalist, Lee Miller. I’ve researched Lee, and she sounds fascinating. How did you stumble across her story, and what was it about her story that inspired Jess?

I came across Lee Miller when I was writing The Paris Seamstress. She was mentioned in an article I was reading, specifically that, after writing about and photographing a war for years, she had turned to writing cooking articles and recipes once the war was over. I wondered how that might have felt and I was compelled to look further into her life. When I realised she began her career on the other side of the lens, as a model, I was fascinated by how the transition from model to war photojournalist had evolved. Then, when I discovered that, at her death, her son never knew of the incredible articles his mother had written during the war, never knew of the exceptional photos she had taken, I knew for sure that there was a story in there waiting to be written.

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Natasha Lester, Image from Hachette Australia
  1. Your characters reflect and explore the spectrum of humanity and human emotion. When writing, did you find doing this enriched the story, and how challenging (or not), did you find it to explore someone like Amelia or Warren Stone?

Warren Stone was very challenging to write. But the more I read about the experience of the women war correspondents, the more I knew that men like Warren had existed. The difficulty was in not making him seem pure evil, in making us understand his motivations and in giving him humanity. There is one scene in the book that uses direct reportage from one of the female correspondents, Iris Carpenter, about a sexual assault that she stumbled upon. When I read her memoir and the words she wrote about that incident, I found it incredibly difficult to imagine how the man involved was anything less than a monster. But I had to imagine, in Warren, who is an accumulation of many men and many incidents, more than his despicable acts; I had to strip them away to find the person beneath and the reasons why he might behave in the way he does in the book.

  1. Fashion plays a large role in this novel. The beauty of fashion and photography bookends the reality of war, and the bland clothes Jess wears during the war. Where did your fascination with fashion start, and do you have a favourite designer you’re drawn to for inspiration in writing these stories?

I’ve always loved clothes. My real interest began when I lived in London for two years and wonderful vintage stores like Steinberg and Tolkien were at my doorstep, and the V&A museum was there to be visited each weekend. One of my absolute favourite designers is Vionnet; she was a true artist. I am also currently obsessed with Christian Dior, as I am writing a book called The Dior Bequest.

  1. How do you think the war affected Jess and her interest in art, photography and fashion before, during and after the war?

I think you could not photograph and write about the things Jess saw without being deeply affected by it, without needing to seek out the other things besides war that humankind can create; beautiful things like art and photography. I think she spent the rest of her life trying to strip away what she saw during war and attempting to replace those pictures, layer by layer, with things that inspired other emotions than sadness and other actions than violence.

  1. Looking at what we saw on the page, how much of your planning for plot, character and backstory never makes it into the final copy?

So much! When I wrote the first draft, I had no idea how the book would end. I had no idea how Victorine would fit into the story, and that she would become such an important player. I had no real idea what D’Arcy would do once she arrived at the chateau in the contemporary storyline. Once I sketched all that out in the first draft, I went a bit overboard, as I always do, in the second draft, adding in lots of the research and deeply fleshing out scenes. So a lot of that has to be cut in the end as it slows the pace too much. The first and second parts of the historical storyline in particular were trimmed quite a lot.

  1. I adored Victorine, and I hope other readers do too. Her story was heartbreaking but revealed the reality of war and war orphans. When researching this, did you find experiences like Victorine’s were common, and what country had most of the stories you found from?

Her experience was so common, especially in France where the exodus of people out of Paris and Northern France in late May and early June 1940 left so many lost and abandoned children who were never reunited with family. The Russians also experienced a huge and devastating number of war orphans, numbering in the millions.

  1. One of my favourite things about this novel was how you developed the relationship between Dan and Jess, starting with respect, which led to friendship and then love. To me, this was something that was extremely important to the story, because we rarely see friendships like this celebrated. When writing, what led you to write this relationship in this way, and did you find it effective to do so for the plot?

This was always going to be a book about a friendship between a man and a woman, a strong and important friendship, that eventually turned to love. But that initial friendship, and their mutual respect, was to be the foundation for all of it, and without that, I don’t think their relationship would have been anywhere near as powerful as it is. I say in the back of the book that Jess and Dan were like gifts from the writing muse and they were; they came to me easily and quickly and their relationship almost developed by itself without me having to do more than type out the rush of words in my head.

  1. Warren Stone consistently tried to jeopardise Jess and embarrass Dan. Was this inspired by any truth, and did anything like this happen to your inspiration, Lee Miller?

As I mentioned earlier, Warren Stone is an amalgamation of men and incidents. One of the books I read for my research was called Never a Shot in Anger;it was the memoirs of one of the Public Relations Officers during WWII who was responsible for dealing with the press. So much of what happens to Jess is recorded as fact in his book and the troubling part of it was that he wrote about those incidents with no understanding of how wrong it all was. To him, it was just the way life was at that time. It’s quite shocking to read. And there was so much more that I left out and didn’t have the space to include. This is the part of the book that worries me the most – that readers won’t believe these things could possibly have happened. But they did!

  1. Each part is told from a different point of view and in various times and years. I enjoy the dual time line set up, because I feel it makes the story richer. Do you find a format like this effective, and what makes you decide on the dual timeline set up?

It makes it richer for me as a storyteller too, although it is so very challenging to pull off. So many character and points of view and story threads to juggle and eventually weave together. I decided on it for this book simply became I enjoyed writing that way for The Paris Seamstress. I like the way that it allows a mystery to unfold and for the reader to become involved in solving the mystery.

  1. Taking into consideration what has been discussed already, are there any sources for fashion, Lee Miller, war orphans and the war in general that you explored that might not have been mentioned yet?

The main sources were the actual articles written by the female correspondents at the time. I read most of Martha Gellhorn’s pieces for Collier’s Weekly, Lee Miller’s pieces for Vogue, Iris Carpenter’s pieces for the Boston Globeand Margaret Bourke-White’s pieces for Life. In their articles, I heard their voices, saw what concerns they had, what they deemed worthy of attention, and how they wove a story together. It was extremely useful, especially when I compared their pieces to the articles written by the men at the time.

  1. One scene that was written effectively was the scene at the concentration camp. It was powerful and drove home the reality of war. Can you tell my readers more about where the inspiration for this scene came from, and why you decided to include it?

That was a hard scene to write. But I knew from the outset that it would be in the book as all of the women talked about the effect that seeing the camps had on them. There were so many important points I wanted to make in that scene: about the fact that so many people thought rumours about the camps were untrue, that the camps could have been liberated earlier if more people had listened and acted, that  civilians in towns with camps on their doorstep ignored the plumes smoke and the smell of death for years. That, of course, we must never allow such a thing to happen again. It’s the hinge moment of the book and, without that scene, so much of what follows would not have been brought to bear.

13. Apart from the scene in the book, what more can you tell us about the occupation of Hitler’s Munich residence, and how being there affected those who raided the home?

It was fascinating to read Lee Miller’s piece about her stay in Hitler’s Munich apartment. I couldn’t believe how much souvenir raiding went on, how many soldiers took his cutlery and linen, and I wondered what it would feel like to be living in the apartment of such a man. Most who stayed there seemed to think it the ultimate sign of victory and took great heart from it; it allowed them to ridicule a man who, two years before, had been so feared that nobody would have ever thought to ridicule him. It made him a defeatable man rather than an immortal monster.

  1. Without giving too much away about the ending, can you tell us why you decided to write a realistic, bittersweet ending, and what this process was like after everything you set up for the characters?

The ending was hard to write but I couldn’t see another way for the story to end that won’t seem too convenient and too unbelievable. War changes everything for the people involved and its bitter aftermath extends for decades; the pain doesn’t end just because the war itself is declared to be over. I wanted to be true to that in the ending of this book.

  1. Any additional comments?

Just that this is my favourite of all my books, the book of my heart, and I hope everyone loves reading it as much as I loved writing it.

Thank you for joining me here today, Natasha, and congratulations again.

Booktopia

Blog Tour Part One – Review: The French Photographer by Natasha Lester

the french photographerTitle: The French Photographer – Blog Tour

Author: Natasha Lester

Genre: Historical Fiction

Publisher: Hachette Australia

Published: 26th March, 2019

Format: Paperback

Pages: 440

Price: $29.99

Synopsis: Inspired by the incredible true story of Lee Miller, Vogue model turned one of the first female war photojournalists, the new novel by the bestselling author of The Paris Seamstress

Manhattan, Paris, 1942: When Jessica May’s successful modelling career is abruptly cut short, she is assigned to the war in Europe as a photojournalist for Vogue. But when she arrives the army men make her life as difficult as possible. Three friendships change that: journalist Martha Gellhorn encourages Jess to bend the rules, paratrooper Dan Hallworth takes her to places to shoot pictures and write stories that matter, and a little girl, Victorine, who has grown up in a field hospital, shows her love. But success comes at a price.

France, 2005: Australian curator D’Arcy Hallworth arrives at a beautiful chateau to manage a famous collection of photographs. What begins as just another job becomes far more disquieting as D’Arcy uncovers the true identity of the mysterious photographer – and realises that she is connected to D’Arcy’s own mother, Victorine.

Crossing a war-torn Europe from Italy to France, The French Photographer is a story of courage, family and forgiveness, by the bestselling author of The Paris Seamstress and A Kiss from Mr Fitzgerald.

~*~

I was approached by Hachette to take part in a blog tour for this book and accompanying this review there will be an interview with the author. Both are appearing on the blog today, the tenth of April, in separate posts.

The French Photographer is an exquisitely written book, and though it is only April, has been one of the best books I have read so far this year. Inspired by the true story of Lee Miller, Natasha Lester has created a story that spans the decades between World War Two and 2004, exploring the lives of Victorine, Dan, D’Arcy, and Jess May – her main character – at various stages of their lives and the war.

2019 BadgeJess May starts out as a model for Vogue in New York, when her career takes a tumble, and she finds herself looking for a way to fix her modelling career. World War Two is ramping up around the world, and magazines like Vogue need photo journalists and war correspondents – to report on the war back home, and to raise morale and support for the troops. After much persuasion and fighting, she is attached to a battalion led by Dan Hallworth, who becomes a good friend and confidant, backing her up when Warren Stone and her ex, Emile, try to make trouble for her. Here, we see how one man can ruin a woman’s reputation and career out of jealousy, and how another will do whatever he can to make life incredibly hard for her, whilst a third will back her all the way, and stand up for her whenever he can. Jess rises above it all, and forges her own path, and is a character who shows that she will let nothing, not even prejudice, stop her from achieving her goals.

Amidst the field hospital and camp where Dan and Jess meet, a young girl named Victorine appears, and works her way into Jess’ heart. As the story goes on, Jess and Dan’s relationship evolves, and they become important to Victorine – they become her family. This is a story that explores love, family and friendship in equal measure across the European theatre of war in Italy and France, and how it affected those who lived through it.

I first came to Natasha Lester’s books with The Paris Seamstress, published in 2018, and was hooked. When I read this one, I was pleased to see a little link back to The Paris Seamstress, bringing a smile to my face as I read. Jess May is a character who is brave and bold. She is modern and enthusiastic, and doesn’t allow anything to stop her, but at the same time, acknowledges the challenges she must face in achieving her goal. While men like Emile and Warren Stone make it difficult for her, people like Dan Hallworth, Martha Gellhorn, and Victorine encourage her in different ways, and support her. They show her a family and love in a world of violence and tragedy. Victorine and Jess, and Dan quickly became my favourite characters, especially Victorine. She is adorable, and seemingly innocent but what she has seen shapes her and her world. At the same time, she is still a child and has a sense of innocence about her that is endearing and also, heartbreaking.

Through Victorine, we see war through the eyes of a child, and through Jess, we see how war affects women in various ways – from camps, to war correspondents and everything in between. And finally, through Dan, war through the eyes of a soldier. Combined, these make for a story that is equally as powerful as Dan and Jess’s relationship.

What I liked about Jess and Dan, is that their relationship starts out with respect and friendship – it doesn’t force their love. I liked how they let that evolve naturally, because it felt very realistic and seeing a friendship between a man and a woman in fiction was beautiful to read. Of course, there are meddling characters like Amelia, and seedy characters like Warren Stone who I hated, but they were so well written as well – and this made them excellent characters.

There were many scenes that sucked the breath from my lungs, but I think the liberation of an unnamed camp that held Jews, women and political prisoners, and how this affected Dan, Jess and those with them, is one of the most powerful, alongside their capture of Hitler’s Berlin residence. It gives the story gravitas, and a distinct darker side that shows just how awful the war was and how far reaching its affects were physically and emotionally.

The complexity and diversity of characters ensured this wasn’t a simple story – there were layers upon layers that had to be peeled back and revealed slowly to discover the secrets and lead us to what eventually happened with Dan and Jess. The ending was bittersweet, yet realistic, and I feel fitted in well with the rest of the story.

Filled with moments of joy, heartache, and horror, The French Photographer has much more to offer than just a love story, and to me, that is the best part: the complex characters, how they deal with war and life, and everything in between. This gives the story its true power and is definitely one I want to revisit.

March Round Up 2019

I read twelve books in March, and like previous months, some reviews are yet to go up, whilst others were just work books or books I did not review. Below is my progress for each challenge:

Overall/Dymocks 52 Challenge

#Dymocks52Challenge

27. The Incredible Hulk by Alex Irvine

  1. Four Dead Queens by Astrid Scholte
  2. The Wolf and the Watchman by Niklas Natt och Dag
  3. The Deep: Selkie Warrior by Finn Black
  4. Zebra and Other Stories by Debra Adelaide
  5. Captain Marvel: Higher, Faster, Further by Kelly Sue DeConnick
  6. Free Rein: The Steeplechase Secret by Jeanette Lane
  7. Esther by Jessica North
  8. Mermaid Holidays: The Talent Show by Delphine Davis and Adele K. Thomas
  9. Cuddles by Ellen Miles
  10. The True Story of Maddie Bright by Mary-Rose MacColl
  11. Northanger Abbey by Jane Austen

Jane Austen Challenge

Jane Austen Reading Challenge 2019

First book read for this challenge – Northanger Abbey

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Book Bingo

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

Romance: Northanger Abbey by Jane Austen

2019 Badge

Australian Women Writers

  1. Four Dead Queens by Astrid Scholte – Reviewed
  2. Zebra and Other Stories by Debra Adelaide – Reviewed
  3. Esther by Jessica North – Reviewed
  4. Mermaid Holidays: The Talent Show by Delphine Davis and Adele K. Thomas – Reviewed
  5. The True Story of Maddie Bright by Mary-Rose MacColl – Reviewed

 

 

March Round-Up

 

Book Author Challenges
The Incredible Hulk Alex Irvine #Dymocks52Challenge, General
Four Dead Queens Astrid Scholte general, #AWW2019, #Dymocks52Challenge, PopSugar, Book Bingo
The Wolf and the Watchman Niklas Natt och Dag general,

#Dymocks52Challenge, PopSugar

 

The Deep: Selkie Warrior Finn Black general,

#Dymocks52Challenge

Zebra and Other Stories Debra Adelaide general,

#Dymocks52Challenge, #AWW2019, Book Bingo

Captain Marvel: Higher, Faster, Further

 

Kelly Sue DeConnick general,

#Dymocks52Challenge,

 Free Rein: The Steeplechase Secret Jeanette Lane general,

#Dymocks52Challenge

Esther Jessica North general, #Dymocks52Challenge, #AWW2019
Mermaid Holidays: The Talent Show Delphine Davis and Adele K. Thomas general, #Dymocks52Challenge, #AWW2019, PopSugar
Cuddles Ellen Miles general, #Dymocks52Challenge.
The True Story of Maddie Bright Mary-Rose MacColl general, #Dymocks52Challenge, #AWW2019, PopSugar
Northanger Abbey Jane Austen General, book bingo, #Dymocks52Challenge