Synopsis: A wardrobe of Dior gowns, a secret kept for sixty-five years, and the three women bound forever by war… from the New York Times bestselling author of THE FRENCH PHOTOGRAPHER.
England, 1939 Talented pilot Skye Penrose joins the British war effort where she encounters her estranged sister, Liberty, and childhood soulmate Nicholas Crawford, now engaged to enigmatic Frenchwoman Margaux Jourdan.
Paris, 1947 Designer Christian Dior unveils his extravagant first collection to a world weary of war and grief. He names his debut fragrance, Miss Dior, in tribute to his sister, Catherine, who worked for the French Resistance.
Present day Australian fashion conservator Kat Jourdan discovers a secret wardrobe filled with priceless Dior gowns in her grandmother’s vacant cottage. As she delves into the mystery, Kat begins to doubt everything she thought she knew about her beloved grandmother.
An unspeakable betrayal will entwine all of their fates.
THE PARIS SECRET is an unforgettable story about the lengths people go to protect one another, and a love that, despite everything, lasts a lifetime.
Skye Penrose dreams of flying and following in the footsteps of her mother and Amy Johnson – yet when war breaks out, and all civilian flying is grounded, Skye finds another way to help the war effort with the ATA – transporting planes between bases for repairs and when they need to be turned into scrap metal. During her tenure doing this, she is reunited with her childhood friend from Cornwall, Nicholas Crawford, and the sister she hasn’t seen since she was eighteen – Liberty. Skye then meets Margaux Jourdan, and from here, it weaves in and out of World War Two as Skye and her fellow pilots fight for their right to fly, fight discrimination and eventually, find that they have to hide their own secrets as the novel progresses and the war heads further and further into darker days and eventually, towards the end.
In between the stories of Margaux, Skye and Nicholas and those they work with, is the 2012 story of Kat Jourdan, Margaux’s granddaughter, who uncovers a trove of Dior dresses in her grandmother’s Cornwall home, and a link to the well-known designer. It is here that she starts unravelling Margaux’s past when Elliott Beaufort starts asking questions about a Margaux Jourdan, an ATA pilot and SOE agent who helped the French Resistance and survived imprisonment and escaped. As Kat delves further into the mysteries with Elliott, and finds out about Skye, Margaux, Nicholas, and Liberty, she begins to question what she knows.
The novel weaves in and out of the years leading up to World War Two, World War Two, the years just after the war and 2012, telling the reader and Kat the story as it moves along – as though Kat is reading the diaries of those from that time. Each part and perspective is richly brought to life through all the senses and a range of emotions as the war lurches on, and Skye faces loss over and over again, in many ways, tearing her apart from what she knows.
Cleverly, Natasha Lester ensures that the reader does not get lost in the changing characters – each part is clearly marked as to whose story it is, and each part is told in third person, making the transitions seamless and at times, they feel like they are sitting side by side – as something in the past happens, it feels like it might relate to the future.
Fashion plays a big role in this book – the Dior dresses are key to Kat finding out who her grandmother really is, and what happened to Margaux, Skye and Liberty – and why Elliott is determined that Kat’s Margaux is the one he is looking for.
Natasha Lester does something amazing with her books – she puts female history front and centre – and makes this the focus of her book, and leads us gently, and delicately into the romance at the end – much like Kate Forsyth and Jackie French in their historical novels where women are front and centre. The story is about what the women did, and how they coped in the face of sexism and discrimination, and assumptions about what they could do. This is what draws me to these books – seeing the women like Skye as active participants in history and learning about topics and perspectives that I had never known about even with all my reading. These are perspectives that are not always shared widely and books like this give an introduction to this history and for me, a deeper and further interest in trying to find out more. The happy ending was great too – and left me with a huge smile on my face.
Natasha also drops her clues very carefully and cleverly, and I enjoyed trying to work out who was who with what I was given – a very nicely written mystery!
I hope all of Natasha’s fans enjoy this book when it comes out, as it covers so many things – war, friendship, family, and love of all kinds, and illustrates the complexities of history in an accessible manner.
Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.
Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.
One of my first interviews for this venture that I have called Isolation Publicity is an interview with Danielle Binks – literary agent, fellow book reviewer and author. Her debut novel, The Year the Maps Changed is due for release with Hachette on the 28th of April 2020, and I had hoped to participate in the blog tour run by AusYABloggers. As I wasn’t able to, I decided to interview Danielle about her new book, and plan to read it as soon as I can.
Hi Danielle, and welcome to The Book Muse!
1. How did you get started working in the arts and publishing industry, and what was your first job?
A: I was really lucky once I finished up doing RMIT’s Professional Writing and Editing course (and after a year of still-working in my uni job at the local post-office) an internship program came up with the Australian Publishers Association, for a paid internship at one of (I think?) five placements around Australia. There were two going in Victoria, and I nabbed one. That was my foot in the door – and luckily, after my six-month internship that indie publisher decided to keep me on! I was a publicist and editor for a few indie-publishers over about 3-years, before getting tapped on the shoulder one day by Jacinta di Mase … she’d read my freelance writing for Kill Your Darlings digital and liked what I had to say about Aussie YA in particular, and offered me a job working as a literary agent with her. I joined her in 2016 and have never looked back – even as being a literary agent never even crossed my mind until she offered me that opportunity, I now can’t think what else I’d rather be doing!
2. As a literary agent, what is it about a book that makes you go wow, this has to be published?
A: Chills. I can’t quite describe it – but there are just some books you read and, no matter how raw and unpolished the writing or ideas may be, there’s something in their delivery that just makes the hair on the back of your neck stand on end. It’s that X-factor that’s so hard to describe. But it’s the exact same feeling you have as a reader, when you begin a book and just *know* you’re reading the exact perfect story for this point in time, and you’re reading something that’ll be a new favourite. That’s what I look for as an agent too – to first fall in love with a story as a reader.
3. As I follow you on Twitter, I feel I should know this, but what is your favourite young adult or middle grade series?
A: Oh, gosh – ask me this same question next week and it’ll totally change. I’ve got to say, a series I keep returning to in YA is Melina Marchetta’s set in the Saving Francesca universe – that continued with The Piper’s Son and concluded last year with The Place on Dalhousie. I don’t even care that that’s a series starting in YA and gradually progressing to adult-fiction – I just love those characters, and reading them is like going home and catching up with old friends. I also have a deep and abiding love for Melina’s fantasy The Lumatere Chronicles trilogy, big love and respect for The Tribe series by Ambelin Kwaymullina, and The Grisha by Leigh Bardugo. In middle-grade, it’s gotta bet the American series Gaither Sisters by Rita Williams-Garcia (P.S. Be Eleven is pretty much a masterpiece). I also love the Binny UK-series from Hilary McKay.
4. I am yet to read The Year the Maps Changed and hope to do so soon. What inspired you to write this novel for the middle grade readership?
A: I hope you like it when you do! … I started thinking of this idea way back in 2016, when I decided to delve into this big Australian event that happened in 1999 called ‘Operation Safe Haven’ when our then-Government began the biggest-ever humanitarian exercise, of offering temporary-asylum to Albanian-Kosovar refugees of the Kosovo War and NATO Bombings.
For a long time I wrestled with whether or not to make the book YA or MG – I thought, I was known to be a big fan and supporter of young-adult literature, and back in 2016 (even though I consumed a lot of American middle-grade lit) the readership wasn’t as clearly-defined in Australia then. But what tipped me into deciding to go all-in on MG was the fact that in 1999, I was eleven going on twelve. So I decided my protagonist would be too; and once I made that decision it was so easy to remember what that age and year was like, and my protagonist – Fred – seemed to spring fully-formed in my mind.
Between 2016 and now, MG also really took off in Australia; Jessica Townsend, Nova Weetman, Jeremy Lachlan, Bren MacDibble, and Zana Fraillon (to name a very few!) all wrote these gorgeous and ground-breaking books that really carved out that space in Australia, so by the time Maps was ready it was very clear who the book would be for.
5. It feels like we’re in a Golden Age of Australian Middle Grade fiction at the moment from a reader and reviewer’s perspective. What do you think, as an agent, author and also, if you’d like, a reader as well?
A: I’m so glad you think that, because I literally just wrote an article for Books+Publishing about this very topic! And it’s an article following-up something I wrote in 2016 for them, called ‘Unstuck in the Middle’ which was kind of looking at how robust and plentiful the MG readership was in America (especially after a book like R.J. Palacio’s Wonder became a mega-bestseller) but how in Australia, everyone was still grappling with what it was and who it was for.
Now, MG has always existed in Australia (books by Leanne Hall and Barry Jonsberg, Morris Gleitzman and Ursula Dubosarsky spring to mind) but those books would often win awards, or get labelled as ‘junior fiction/kids books’ or ‘young adult’ – and there didn’t seem to be an acknowledgment of the spectrum that also exists for those trickier middle-years of (roughly) 8-12. But Nevermoor by Jessica Townsend and The Bone Sparrow by Zana Fraillon really went a long way to defining modern MG in Australia (and at opposite ends of the genre-spectrum too) and carving out that space for the tricky in-between age-group. So many Aussie editors were aware of what was happening in America and the clearly-defined readership according to them, and the success of those books in Australia signalled them to just … go bananas and embrace! And they have. It was also things like ‘The Readings Children’s Book Prize’ acknowledging MG, and also The Text and Ampersand Prizes, putting a spotlight on the readership with their unpublished manuscript award-winners.
So it was a lot of ingredients that have gone into creating this ‘Golden Age’ of MG in Australia, for sure. And like most things … timing is everything.
6. Do you have a favourite middle grade author or series, past or present – or even both?
A: Gosh, look – I am a fan of contemporary fiction across all readerships so it’s the likes of Rebecca Stead, Jacqueline Woodson, Gary D. Schmidt, Nova Weetman and Emily Gale for me. All current-MG authors who I just adore and admire and I’m always on tenterhooks waiting for new books from them.
7. When you’re not reading middle grade, what do you enjoy reading, and what has been a favourite read recently?
A: Anyone who follows me anywhere, I hope, knows that I’m a HUGE romance-reader and fan. Everything from historical to paranormal; I just finished Kylie Scott’s latest romance The Rich Boy and loved it (it is adult though, not suitable for younger readers!) As an agent I’ve been lucky enough to get a sneaky-peek at Jenna Guillaume’s next book (the new stand-alone, follow-up to her debut What I Like About Me) it’s called You Were Made For Me and it’s so funny and romantic and brilliant. Think: Weird Science meets Jenny Han.
My go-to (adult!) romance authors are; Sarah Mayberry, Courtney Milan, Helen Hoang, Mhairi McFarlane, Lisa Kleypas, Sarah MacLean, and I’m hanging out for the TV series adaptation Bridgerton (based on Julia Quinn’s books!). I also have the sequel to The Royal We – The Heir Affair by Heather Cocks and Jessica Morgan – geared up on my Kindle, thanks to NetGalley!
8. What is your favourite festival, or do you have a favourite, and why or why not?
A: I went to Clunes Booktown for the first time last year, and that quickly became a new fave that I have to get to again! I’m also a big fan of The YA Room’s YA Day – just for the ingenious way they’ve found to bring the YA-lit community together in Melbourne, in a really lovely event that I hope continues to grow and thrive.
9. Do you have a favourite bookseller – which one, and why are they your favourite?
A: I have so many! Readings, Better Read Than Dead, Mary Martin, The Little Bookroom, Rabble Books, The Younger Sun, Avenue Bookstore, Antipodes … but my local independent in Mornington is Farrells and I love them so much (and they’ve been such a staple of my childhood, and now adulthood) that they even have a cameo-appearance in The Year the Maps Changed.
10. The important stuff: Cats, dogs, or both for a writing and reading companion?
A: Both! Always both! I have a very cat-like dog called Murray, so I feel he’s the best of all worlds.
11. Do you have a Hogwarts house, and which one would you be in if you attended the school?
A: Slytherin, baby. Cunning! … actually; whenever I take a quiz I literally end up like Harry and get a fair amount of Gryffindor and Slytherin in equal amounts. I guess it depends what mood I’m in.
12. Favourite Beatles song, and why?
A: I LOVE THIS QUESTION! I actually think it’s Blackbird for me. I just think it’s the most beautiful tune and poetic lullaby. And then it’s kind of a two-way tie for Hey Jude and Let It Be.
13. What is your favourite Jane Austen novel, and why?
A: Sense and Sensibility. Colonel Brandon. That’s it. That’s … everything.
15. What inspired you to start working in the arts industry, and what did you study at university?
A: Let’s see – when I first finished high school I knew I wanted a job *writing* because that’s what I loved. So I had it suggested to me, that I should become a journalist. So I trotted off and did that at Monash within a Communications degree but I hated it – and was always being told to stick to WHO, WHAT, WHEN, WHERE & WHY and not to give any purple prose. In my last year of study, we had to choose an internship within a publishing medium and I decided to do this crazy thing of seeing if I could try and work with kid’s books – which I did; scoring an internship at Black Dog Books (now, Walker Books) in Melbourne. It was eye-opening for me; this realisation that there are so many different areas of work in books publishing, and that I could maybe work within that industry too! So I went off and studies Professional Writing and Editing at RMIT, while also getting my own book-review blog Alpha Reader – http://alphareader.blogspot.com/ – off the ground as I delved further and further into books realms. That was it. Letting myself dream of working with books, reading more, and making that my hobby too.
16. The arts industry is important to Australia, especially now. Do you think people will come to appreciate the arts more after this crisis while they consume books, music and television shows that we need the arts around to produce?
A: Look; everything that people are reaching for is ART. Be that a television show, movie, video-game, comic-book, audiobook, or interacting with the number of museums and art-galleries who have found creative ways for people at home to do virtual-tours. So much of what is alleviating personal pain and boredom, that is continuing to connect people, is … ART. And as the saying goes – the world without ‘art’ is just ‘eh’. I think we’re all feeling that right now, and I hope that as people reach for those mediums and art forms – I do hope that realise that they are reaching for creativity, and then connect that to the people who made it happen. Benjamin Law says this all so much better than I can, in his Guardian Article – and I really do pray that the Government acknowledges that too. That film and TV alone is a $3-billion-dollar industry in Australia, and at times of crisis we’ve all reached for art in some capacity – and art is hurting right now, and needs our help.
I think it all comes back to … if you asked Australians right now, what they want to happen after all this – I’m betting most would say they’d like everything to go back to normal. Well, normal in Australia is the Arts. It’s having the option of ducking into an act during the International Comedy Festival. It’s planning a weekend-getaway in Clunes for Booktown Festival. Hearing of a great exhibit at NGV you can take an international visitor to. A band starting up at the pub. That’s normality, because art is … life. If we want it to be here when this is all over, we have to protect it now – in little and big ways. That means Government crisis packages, and it means individuals requesting digital titles of new books at their libraries, and (if they can!) ordering books from their local independent bookstores.
17. Do you have any book, television, podcast or movie recommendations to get us through these trying times over the next few months?
A: I want to recommend that you all reach for what works for you, in the moment. Don’t feel guilty that you binged Fleabag (or Drag Race!) for the fourth time instead of reading The Complete Works of William Shakespeare or something. It’s all art, as I said – and it all helps us cope. That being said, I can tell you what’s working for me and if there’s any crossover with what works for you then – Hey! – maybe we do a Houseparty get-together and discuss it?
TV: Killing Eve, The Commons, Stateless, The Heights, Bluey, North & South
MOVIES: 10 Things I Hate About You, To All the Boys I’ve Loved Before, A League of Their Own, The Mummy movies, Jane Austen-anything
PODCASTS: Keep It, The Readings Podcast, The First Time Podcast, Booktopia Podcast, The Eleventh, How to Fail with Elizabeth Day.
BOOKS: Heartstopper by Alice Oseman, Wild Fearless Chests by Mandy Beaumont, Peta Lyre’s Rating Normal by Anna Whateley and Please Don’t Hug Me by Kay Kerr.
MUSIC: The Beatles. Lizzo. Lorde. Goldfrapp. Crazy Ex-Girlfriend soundtrack. Hamilton: The Musical.
Any comments about something I may have missed?
Thank you Danielle, and congratulations on your book. I hope it finds its readers.
Title: Christmas in Paris (Miss Lily #3.5)
Author: Jackie French
Genre: Historical Fiction
Published: 18th November 2019
Synopsis: Paris, Christmas Eve, 1933
For once it was an accident. Violette did not mean to kill St Nicholas. But there he was, with blood on the cobblestones, and a family waiting for the Christmas Eve miracle that would never come. And her own family expecting her to eat Christmas goose tomorrow at Shillings Hall in England.
Violette Jones had led a life of melodrama since being born in the middle of a war to an espionage agent. But even she had never had to face a bloodied St Nicholas, and somehow conjure three miracles for Christmas.
Another story for the many fans of the Miss Lily series.
Each year, a few months after the main Miss Lily book comes out, Jackie French releases a short story – a Christmas story about the characters that takes place in between the main books. Christmas in Paris takes place in 1933 in between book three – The Lily in the Snow, which ends in 1929 as the Great Depression begins and book four – Lilies, Lies and Love – which is out in the next few months and will pick up the story in 1936, around the time Edward VIII abdicates to marry Wallis Simpson. In Christmas in Paris, Violette, the orphan from book three, is the focal character, and when she stumbles across a dead Santa Claus, and a worried American, she must call on her family – Sophie, Miss Lily and her parents – to help her solve the mystery.
Violette’s story is mostly told in the latest Miss Lily novel yet hinted at here. She has certainly changed a lot since we last met her, and she is growing nicely as a character and will I feel become one who will be important in the later books and will help Sophie. However, Sophie is in the background of this story as Violette manages to pull together three miracles to bring Christmas to those who are not having a good time. Violette still has that spark she had when we first met her, yet she seems to have put it to good use for those who are now her family, and for what is to come in the next book. Whilst it might not set up for the main novels, each of these books will still add to the series for avid Miss Lily fans, and they are amongst some of the only eBooks I read – alongside any for work, as I find shorter works easier to read on screen than longer works. And let’s face it – it’s Jackie French and her books are always ones I will read, or even listen to if I had the chance. Thank you for these books Jackie, the Christmas ones and all your books. I’ve been a reader of them for over twenty years, since year seven when I first read Somewhere Around the Corner – and I still have my original copy.
The mystery of the dead Santa Claus, replacing him and pulling off an event that will appeal to Americans and Parisians drives this short story, and is perfect to fill the wait in between each main Miss Lily novel, though a couple of them go back in time, much like some of the Miss Lily books go back and forth as needed. Each can be read alone, yet they work better as a series. In my mind they work best when read like this – though the eBook short stories are optional and not crucial to understanding the rest of the series:
I’ve read all that are out and have loved them all. I am keen for the next one. When reading historical fiction like this, I often find myself caught between knowing what is to come and hoping none of the characters are hurt, yet at the same time, hoping that what is dreaded does not come to pass, though it inevitably does. These books give women a voice in these histories, allowing them to speak about what they did and to highlight that much more went on during the wars and interwar period than the history books tell us. Jackie French has brought history to life, and in this book, has given people a moment of hope in a dark time in history – even if only for a day at Christmas.
Every year, the Australian Book Industry Awards are presented to various books published the year before. In the past week, the long list has gone up, and I have taken the following list from the Readings blog. Some of these I have read, and some I am hoping to read. I will not be able to get to them all, but it is nice to see a bit more diversity in titles this year, allowing more books to get some well-deserved attention on this list.
Of the books on this list, some I reviewed – and most I enjoyed, and some didn’t catch my interest, or I ran out of time last year to get to them. A panel of judges has decided on this longlist, and will from here, decide on a shortlist, which will be released on the 9th of April, with the winners in each category announced on the 29th of April. A couple of books are nominated in more than one category, which often happens, yet being able to see that there’s much more diversity in the titles chosen gives a better view of Australian literature, rather than what is just the “it” book of the year. This isn’t always a bad thing, but often there are other books in the category that are just as deserving and when they have more of a chance to win, that makes it more exciting.
The titles in each category are… General fiction book of the year
• Bruny by Heather Rose
• Call Me Evie by J.P. Pomare
• Cilka’s Journey by Heather Morris
• Good Girl, Bad Girl by Michael Robotham
• Peace by Garry Disher
• Silver by Chris Hammer
• The Scholar by Dervla McTiernan
• The Wife and the Widow by Christian White Literary fiction book of the year
• Damascus by Christos Tsiolkas
• Exploded View by Carrie Tiffany
• Room for a Stranger by Melanie Cheng
• The Drover’s Wife by Leah Purcell
• The Weekend by Charlotte Wood
• The Yield by Tara June Winch
• There Was Still Love by Favel Parrett
• Wolfe Island by Lucy Treloar General nonfiction book of the year
• Accidental Feminists by Jane Caro
• Against All Odds by Craig Challen & Richard Harris with Ellis Henican
• Banking Bad by Adele Ferguson
• Fake by Stephanie Wood
• Kitty Flanagan’s 488 Rules for Life by Kitty Flanagan
• See What You Made Me Do by Jess Hill
• The Yellow Notebook by Helen Garner
• Troll Hunting by Ginger Gorman Biography book of the year
• Australia Day by Stan Grant
• Jack Charles: Born-again Blakfella by Jack Charles
• Gulpilil by Derek Rielly
• Penny Wong: Passion and Principle by Margaret Simons
• Tell Me Why by Archie Roach
• The Prettiest Horse In The Glue Factory by Corey White
• When All is Said & Done by Neale Daniher with Warwick Green
• Your Own Kind of Girl by Clare Bowditch
Book of the year for older children (ages 13+)
• Detention by Tristan Bancks
• How It Feels to Float by Helena Fox
• It Sounded Better in My Head by Nina Kenwood
• Kindred edited by Michael Earp
• The Surprising Power of a Good Dumpling by Wai Chim
• This Is How We Change the Ending by Vikki Wakefield
• Welcome to Country: Youth Edition by Marcia Langton
• Welcome To Your Period by Yumi Stynes & Dr Melissa Kang Book of the year for younger children (ages 7-13)
• Explore Your World: Weird, Wild, Amazing! by Tim Flannery
• Funny Bones edited by Kate Temple, Jol Temple & Oliver Phommavanh
• How to Make a Movie in 12 Days by Fiona Hardy
• Real Pigeons Nest Hard by Andrew McDonald & Ben Wood
• The 117-Storey Treehouse by Andy Griffiths & Terry Denton
• The Illustrated Encyclopaedia of Ugly Animals Sami Bayly
• Under the Stars by Lisa Harvey-Smith & Mel Matthews
• Young Dark Emu by Bruce Pascoe Children’s picture book of the year (ages 0-6)
• All of the Factors of Why I Love Tractors by Davina Bell & Jenny Løvlie
• Bluey: The Beach
• Kindness Makes Us Strong by Sophie Beer
• Lottie and Walter by Anna Walker
• Mr Chicken All Over Australia by Leigh Hobbs
• The Painted Ponies by Alison Lester
• The Tiny Star by Mem Fox & Freya Blackwood
• Tilly by Jane Godwin & Anna Walker
• Wilam by Andrew Kelly, Aunty Joy Murphy & Lisa Kennedy Illustrated book of the year
• Australia Modern: Architecture, Landscape & Design 1925–1975 by Hannah Lewi & Philip Goad
• Ben Quilty by Ben Quilty
• Finding the Heart of the Nation by Thomas Mayor
• Macquarie Atlas of Indigenous Australia: Second Edition Bill Arthur by Frances Morphy (eds.)
• Olive Cotton by Helen Ennis
• Step into Paradise by Jenny Kee & Linda Jackson
• The Lost Boys: The untold stories of the under-age soldiers who fought in the First World War by Paul Byrnes
• The Whole Fish Cookbook by Josh Niland
• Three Birds Renovations by Erin Cayless, Bonnie Hindmarsh & Lana Taylor International book of the year
• Catch and Kill by Ronan Farrow
• Fleishman is in Trouble by Taffy Brodesser-Akner
• Girl, Woman, Other by Bernadine Evaristo
• Lanny by Max Porter
• The Dutch House by Ann Patchett
• The Testaments by Margaret Atwood
• Three Women by Lisa Taddeo
• Where the Crawdads Sing by Delia Owens Small publishers’ adult book of the year
• Cosmic Chronicles by Fred Watson
• Feeding the Birds at Your Table: A guide for Australia by Darryl Jones
• Invented Lives by Andrea Goldsmith
• Kindred by Kirli Saunders
• Paris Savages by Katherine Johnson
• Sand Talk by Tyson Yunkaporta
• Split by Lee Kofman
• The White Girl by Tony Birch Small publishers’ children’s book of the year
• Baby Business by Jasmine Seymour
• Cooee Mittigar by Jasmine Seymour & Leanne Mulgo Watson
• Little Bird’s Day by Sally Morgan & Johnny Warrkatja Malibirr
• Love Your Body by Jessica Sanders & Carol Rossetti
• Lunch at 10 Pomegranate Street by Felicita Sala
• Sick Bay by Nova Weetman
• Summer Time by Hilary Bell & Antonia Pesenti
• You Can Change the World: The Kids’ Guide to a Better Planet by Lucy Bell The Matt Richell award for new writer of the year
• Being Black ‘n Chicken, and Chips by Matt Okine
• Call Me Evie by J.P. Pomare
• It Sounded Better in My Head by Nina Kenwood
• Sand Talk by Tyson Yunkaporta
• The Prettiest Horse In The Glue Factory by Corey White
• The Whole Fish Cookbook by Josh Niland
• Troll Hunting by Ginger Gorman
• Your Own Kind of Girl by Clare Bowditch
Good luck to all the nominees – looks like an interesting list this year!
Synopsis: Murder and blackmail, family drama and love, all set within the shady underbelly of 1930s Kings Cross and its glamorous fringe.
‘Crime’s not a woman’s business, Joanie. It’s not some bloody game.’
In the murky world of Kings Cross in 1932, aspiring crime writer Joan Linderman and her friend and flatmate Bernice Becker live the wild bohemian life, a carnival of parties and fancy-dress artists’ balls.
One Saturday night, Joan is thrown headfirst into a real crime when she finds Ellie, her neighbour, murdered. To prove her worth as a crime writer and bring Ellie’s killer to justice, Joan secretly investigates the case in the footsteps of Sergeant Lillian Armfield.
But as Joan digs deeper, her list of suspects grows from the luxury apartment blocks of Sydney’s rich to the brothels and nightclubs of the Cross’s underclass.
Death in the Ladies’ Goddess Club is a riveting noir crime thriller with more surprises than even novelist Joan bargained for: blackmail, kidnapping, drug-peddling, a pagan sex cult, undercover cops, and a shocking confession.
From the shadows of bohemian and underworld Kings Cross, who will emerge to tell the real story?
In 1932, bohemian life collides with the Great Depression, and Joan, an aspiring writer, and her friend, Bernice are at the heart of it in a boarding house in King’s Cross. Amidst all the balls and parties, there is a dark underbelly of crime linked to underworld razor gangs, and Tilly Devine and Kate Leigh. Whilst all this is bubbling along, Joan’s neighbour, Ellie is murdered, and one of Sydney’s only female police officers, Special Sergeant Lillian Armfield, is called in to help with the investigation. As the case moves along, Joan’s determination to solve the case herself leads her into danger, and into the path of Hugh, a man who associates with the Communists and has his own secrets. As Joan continues to investigate despite being warned away by the police and other threats, she will uncover several shocks and secrets that she never thought possible.
It seems that mysteries set in the 1930s have been a common appearance on my blog these past couple of weeks, and a staple of these mysteries now and over the years has been the opening of the Sydney Harbour Bridge – which each book has dealt with uniquely and from different perspectives, and it’s interesting to imagine that even though the fictional characters inhabit different series, that just maybe in the fictional world, they were all present at the opening usurped by de Groot, but were unaware of each other’s presence. Whilst this is just a small scene in this novel, not only is it a significant turning point in the plot, but it also positions the novel in a specific time and place, and allows the reader to gain some historical insight and context beyond the Great Depression and the razor gangs, all of which intersect to create a political and social backdrop to the murder that is being investigated.
It is a complex mystery, where each strand is slowly revealed and at times, might seem unrelated but when they come together, bring to life a remarkable and thrilling mystery. There are things hinted at that are cleverly revealed at the end, but at the same time, that when it is revealed, feels like everything was pointing to it much earlier, but had legitimate explanations. In doing so, Leatherdale has created spectacularly misleading characters who not only does Joan find believable in what we are told, but the reader does as well.
It is a very well-thought out mystery, and I felt delivered the right information at the right time. Historical information and bits of context are continuously peppered throughout, yet it is also not overdone. In fact, I do not think anything is overdone, as there is nothing unnecessarily described or used, and I loved the way Joan’s story was peppered throughout and the way the real case she was caught up in started to appear within the novel she was writing. The combination of the mystery and Joan’s aspirations were integrated well, as was the uncertainty of stability in employment and housing during the 1930s.
Overall, I enjoyed this book, and think readers of historical fiction and mystery will enjoy it. Including real life historical figures creates an authenticity that allows a great immersion in the world of the book and sparks an interest in this history beyond what is often taught at school.
In February this year I read seventeen books – several for pleasure, some for quiz writing purposes and the rest for review purposes – most coming out in March or in the next few months.
My current total stats for my reading challenges are:
The Modern Mrs Darcy 9/12
Book Bingo – 9/12
The Nerd Daily Challenge 35/52
Dymocks Reading Challenge 11/25
STFU Reading Society 4/12
Books and Bites Bingo 10/25
General Goal – 31/165
For the Book Bingo Challenges, I am aiming for one book per square, and have several posts scheduled for each one – the monthly book bingo challenge is scheduled until at least September, with three categories to go. Some challenges have multiple books in a category, which is why they might have higher numbers, and some I am still trying to find or track down the right books for some categories. As always, I have linked the reviews here to make compiling my end of year posts a bit easier.
Every year, the Children’s Book Council of Australia chooses to award children’s books in the category a variety of honours and awards, including the Notable Books, Honour Books, and Book of the Year. Celebrating children’s books in Australia since 1946, the CBCA is a good award that gives attention to books for younger readers that might not always get the coverage that adult books do or highlight authors who may not be as well known. There are several past CBCA books I have read – I’d have to dig through all my books and reviews to find them all, but no doubt they have all won or been honoured because they are wonderful books and the Notables this year seem to have a diverse range of plots and authors for readers to explore. This post outlines the award, the categories and the Notable books that the judges will be choosing from this year. Having read some of them, I know it will be a tough call with so many good books out there.
Below are the key dates in the award announcements for 2020:
Notables – announced the last Tuesday in February at 7pm AEDT
Short List – announced the last Tuesday in March at 12 noon AEDT
Winners and Honours – announced the third Friday in August at 12 noon AEST
The advocacy role played by the CBCA promotes the literary experience for children and assures the scope and vitality of Australian children’s books. The annual CBCA Book of the Year Awards affirm the quality of some of Australia’s most creative people and provide a boost to their capacity to devote time to their craft.
Established with the first awards in 1946, the annual CBCA Book of the Year Awards aim to:
• promote quality literature for young Australians;
• support and encourage a wide range of Australian writers and illustrators of children’s books and;
• celebrate contributions to Australian children’s literature.
Here are the award categories:
There are six categories in the CBCA Book of the Year Awards.
• CBCA Book of the Year: Older Readers
• CBCA Book of the Year: Younger Readers
• CBCA Book of the Year: Early Childhood
• CBCA Picture Book of the Year
• Eve Pownall Award
• CBCA Award for New Illustrator (previously the Crichton Award for New Illustrators administered by the CBCA Victorian Branch)
Angel Mage by Garth Nix
Pirate Boy of Sydney Town by Jackie French
The Girl, the Dog and the Writer in Lucerne by Katrina Nannestad
The Secrets of Magnolia Moon by Edwina Wyatt, Illustrated by Katherine Quinn
Sick Bay by Nova Weetman
I’m sure there are others on the list that will interest me, but I shall have to do some investigations into the books to make my final decision. Some I already have and will be working my way through them. Bren MacDibble’s book is also on the Readings Children’s books short prize, and I am hoping to read each book on there and review it, and write about the prize in another post.