Category: literary fiction

The Cat with the Coloured Tail by Gillian Mears, Illustrated by Dinalie Dabarera

the cat with the coloured tail.jpgTitle: The Cat with the Coloured Tail

Author: Gillian Mears, Illustrated by Dinalie Dabarera

Genre: Fantasy

Publisher: Walker Books

Published: 1st September 2015

Format: Hardcover

Pages: 80

Price: $19.99

Synopsis: Mr Hooper and The Cat with the Coloured Tail travel through the countryside in their ice-cream van. They enjoy looking for heart shapes (their favourite game) and making people happy with their delicious moon-creams. But a dark feeling is following the cat. Something is wrong. When the ice-cream van enters the forest, Mr Hooper and the cat realise the heart of the world is in danger. Will they be able to save it? A lyrical fable about love and healing.

  • “Gillian Mears’ distinctive voice is undimmed, and her yearning fable is a sweet and gentle reminder of the two great forces that lie dormant within us – kindness and hope. Her work hasn’t just described life; it’s enhanced it. And we owe her thanks.” Tim Winton
  • Gillian Mears is an acclaimed award-winning author of adult fiction. This is her first book for children and is inspired by personal experience.
  • A tender fable-like tale about love and healing that works on many levels. The story is rich in symbolism and with a subtle yet powerful environmental message but is still able to be enjoyed as a magical story.

~*~

In this charming tale, Mr Hunter travels the countryside with his beloved cat, whose tail changes colour, and who can see hearts in the world. The Cat also knows what kind of moon-cream people need to make them feel better when they are sad. And right now, the whole world is sad. Mr Hunter has stopped seeing hearts, and doesn’t know why – and his beautiful cat, The Cat with the Coloured Tail. is frustrated with him and can feel the sickness seeping into the world. Darkness, and sadness and cruelty – the light seems to be dimming everywhere they go as they approach their holiday. The sick, blackened heart of the world needs to be healed, but can Mr Hooper and his cat do it – and how will they do it?

AWW-2018-badge-rose

Told in a fairy-tale, or fable like manner, Gillian Mears’ heart-warming story can be read by any age group, and touches on the goodness of humanity, and the little things people can do to help those having a bad time, or in need of a bit of fun and a smile. Alongside this, is a message about the world and its destruction, and the healing power of selfless sacrifice to help heal the wounds that have been inflicted upon the world by cruelty.

In this story, it is up to Mr Hooper and The Cat with the Coloured Tail to find out why the heart of the world is sick, and how to fix it, by following the trail of sadness that the cat’s tail can sense. What they find is distressing, yet the find and what follows are so beautifully and magically told, that there is a sense of calm even as the worst begins to happen.

The heart-warming end will bring a smile to your face, and is a perfect read for all readers – to be read to them, or individually, and can be enjoyed by all ages. The Cat with the Coloured Tail is a lovely read, with a message about caring and healing for all.

Booktopia

Bright Young Dead (Mitford Murders #2) by Jessica Fellowes

bright young dead.jpgTitle: Bright Young Dead (Mitford Murders #2)

Author: Jessica Fellowes

Genre: Crime/Mystery/Historical Fiction

Publisher: Hachette Australia

Published: 9th October 2018

Format: Paperback

Pages: 392

Price: $29.99

Synopsis: The second in the bestselling The Mitford Murders series of Golden Age-style crime novels, soon to be a major TV drama from the makers of The Crown.

‘All the blissful escapism of a Sunday-night period drama in a book’
THE POOL ON THE MITFORD MURDERS

As the glamour of the Bright Young Things crashes into the world of the Mitford sisters, their maid Louisa Cannon finds herself at the scene of a gripping murder mystery.

Meet the Bright Young Things, the rabble-rousing hedonists of the 1920s whose treasure hunts were a media obsession. One such game takes place at the 18th birthday party of Pamela Mitford, but ends in tragedy as cruel, charismatic Adrian Curtis is pushed to his death from the church neighbouring the Mitford home.

The police quickly identify the killer as a maid, Dulcie. But Louisa Cannon, chaperone to the Mitford girls and a former criminal herself, believes Dulcie to be innocent, and sets out to clear the girl’s name . . . all while the real killer may only be steps away.

~*~

Picking up three years after the end of Mitford Murders, on the cusp of the second Mitford sibling, Pamela, turning eighteen, Bright Young Dead sees the return of nanny, Louisa Cannon, and the Mitford siblings – the elder two, Pamela and Nancy are at the forefront of the crime solving, along with Louisa Cannon, who acts as their chaperone, and their policeman friend, Guy Sullivan, partnered with a female constable, Mary Moon. Guy and Mary are busy investigating a crime ring known as the Forty Elephants, and later, a murder that takes place at Pamela’s eighteenth birthday party. During a treasure hunt, one of the guests, Adrian Curtis, brother to Charlotte, is found dead, and the maid, Dulcie, who becomes linked to the Forty Elephants, is accused of the crime. But things are not as they seem, as Louisa, Pamela and Nancy will soon discover, there are many more secrets being kept by Dulcie, as well as many more suspects to consider – suspects that Guy’s boss dismissed but that Guy, Mary, Louisa, Pamela and Nancy are keen and willing to look into and bring the real killer to justice.

The second in the series, I was again swept up in the inter-war and pre-Depression setting of England and London, where the Mitford family, especially the older girls, Pamela and Nancy, are starting to discover who they are, and where they fit into society, and the beginnings of the careers and actions that would make them famous, long before the darkening days of the later years of the nineteen thirties and World War Two. The years of the 1920s, at least for the Mitford sisters, were filled with decadence and parties, and a world caught between the dying years of the Victorian and Edwardian eras of Lord and Lady Redesdale (Mr and Mrs Mitford), and the new generation, embracing social change, the suffragette movement, and a freedom that the older generation refused to understand and tried to quash – ideals that Pamela and Nancy did their best to refute and rebel against, especially Nancy. The group in attendance at Pamela’s party are known as the Bright Young Things, who enjoy parties and treasure hunts. Little do they know what this treasure hunt will end with.

We met Nancy, and got to know her in the first book, and here, it is her sister, Pamela at the forefront, but we see more of Nancy’s character and development as an author here too, as well as their growing friendship with Louisa as the two sisters leave the nursery and the world of their younger siblings behind for adult lives, and the continuing investigations into murders that occur within their circles. Where one person sees a cut and dried case, a maid murdering someone in the social class she serves, and a guest of the Mitfords, the other see complexities that need to be uncovered, and links that are unsubstantiated – and the supposed links between the Forty Elephants and the murderer are questioned by Louisa, Nancy, and Pamela, and eventually, Guy and Mary. These characters are what makes the book – each one is unique and individual, and they complement each other, and create a crime fighting team that ensures justice will be done in a world where many take things at face value.

Filled with rich historical detail about underground clubs and how people managed to have frivolous fun amidst a society that at times, wanted things to be done properly and without being too out there or attracting attention, where morals were purported to be quite important and any hint of impropriety had devastating consequences. These rich historical details cement the story and setting, and are nicely contrasted against the modern feel of the main characters as they navigate a changing world.

While Guy and Mary investigate as police officers, and within the law and what their bosses will let them do, Louisa, Nancy and Pamela use their connections with various clubs and other people i the social circles they move around in to gather more information on Dulcie and her connections to the Curtis family, the Forty Elephants and anyone else who might have been involved. As the novel reaches its conclusion, the characters find themselves faced with the prospect that Adrian’s killer is a lot closer to home than they previously thought – or even considered, which ratchets up the tension, and reveals that the world of the Mitfords isn’t as perfect and as elegant as the parents of Nancy and Pamela like to think. The world their daughters are inheriting is going to be dark and dangerous and these few years before the reality of war hits show the freedom that will be lost in the coming years, and the collision of two different worlds within the same family. It is a series that explores the role of family and society, and the implications of stepping outside of these roles amidst murder and theft, and other crimes, and the changing roles of women, and the new-found freedoms young women like Nancy and Pamela, and later, their sisters, Diana, Unity, Decca and Debo would come to enjoy and understand.

This is a series that is just starting, and that has promise – for historical fiction fans, for crime and mystery fans and for anyone else interested in the series. What I like is that the crime is not always straightforward – that like in any good crime show or mystery novel, the first suspect isn’t always the one who has committed the main crime, though they may be linked to it or the victim in another way – nefarious or not. Like any good detectives, official or not, Guy, Mary, Louisa, Pamela and Nancy follow the case and the clues to ensure the murderer is uncovered and that the wrong person doesn’t take the fall for what somebody else did. All in a day’s work for these intrepid investigators. I look forward to the next book, to see which sister or sibling is the next to take a starring role and how far into the thirties and forties the series will take us.

Again, an intriguing read that swept me up in the mystery and the 1920s world. Keep them coming, because this is a series I adore.

Booktopia

Book Bingo Twenty – A Book by an Australian Woman, A book that’s more than 500 pages and a foreign translated novel.

Book bingo take 2

It’s that time of the fortnight, when Book Bingo Saturday with Amanda Barrett of Mrs B’s Book Reviews and Theresa Smith of Theresa Smith Writes has rolled around. As this is my second go around, and after this week and next fortnight, I still have ten squares left, there will be a few posts where two or more squares are included, and where books used from last time will appear in a different square, to ensure complete coverage should I not be able to read something new for any square. As the year rushes towards the final months, I’ve got many books that will potentially fill each of the remaining squares in November and December.

This week sees three books – two by Australian Women, which gives me a bit of a double bingo for that square, and a bingo in a down row – Row Four, as seen below:

Book bingo take 2 .jpg

Row #1 down

 A book set more than 100 years ago: The Gypsy Crown by Kate Forsyth (Chain of Charms #1) – AWW2018

A book with a yellow cover:

A book written by an Australian woman:  Disappearing Act by Jacqueline Harvey (Kensy and Max #2) – AWW2018, The Clockmaker’s Daughter by Kate Morton – AWW2018

A forgotten classic:

A book that became a movie:

Row #4 -BINGO (down)

 

A book more than 500 pages: The Clockmaker’s Daughter by Kate Morton – AWW2018,

A collection of short stories: Fairy Tales for Feisty Girls by Susannah McFarlane – AWW2018

A book that scares you: What the Woods Keep by Katya de Becerra – AWW2018

A funny book: Archibald, the Naughtiest Elf in the World Goes to the Zoo by Skye Davidson, Illustrated by Ágnes Rokiczky -AWW2018

A book written by someone under thirty: The Yellow House by Emily O’Grady – AWW2018

Across:

Row #3:  –

 A book written by an Australian woman: Disappearing Act by Jacqueline Harvey (Kensy and Max #2) – AWW2018, The Clockmaker’s Daughter by Kate Morton – AWW2018

A book written by an Australian man: Captain Cook’s Apprentice by Anthony Hill

A prize-winning book:

A book that scares you: What the Woods Keep by Katya de Becerra – AWW2018*

A book with a mystery: The Mitford Murders by Jessica Fellowes (Mitford Murders #1)

Row #1 – –

 A book set more than 100 years ago: The Gypsy Crown by Kate Forsyth (Chain of Charms #1) – AWW2018

A book written more than ten years ago:

A memoir: No Country Woman by Zoya Patel – AWW2018

A book more than 500 pages: The Clockmaker’s Daughter by Kate Morton – AWW2018

A Foreign translated novel: The Distance Between Me and the Cherry Tree by Paola Peretti

cherry tree

First off. a foreign translated novel – The Distance Between Me and the Cherry Tree by Paola Peretti. The Distance Between Me and the Cherry Tree is the story of nine-year-old Mafalda, who has a genetic condition known as Stargardt disease, affecting her vision that will eventually result in complete blindness, exploring a world of disability not often seen in books, and in a realistic, and touching way, using personal experiences to do so.

It is one of those rare books that allows disabled children and readers to see themselves in it, and to see that there are other disabled people out there, not just them. It makes these readers feel less alone, knowing other people live with disability whether it is the same one, or different ones. It is also about finding connections, and people who will stick by you throughout life, and help, and the reality of life and the ups and downs that affect us all. My longer review is linked here.

the clockmakers daughter

The next two books are by Australian women, and both fit into the square for A book by an Australian woman, and one fits into a book over five hundred pages. The Clockmaker’s Daughter by Kate Morton. Published on the twelfth of September, The Clockmaker’s Daughter weaves in and out of time and space, between decades and centuries, and throughout generations of people all connected in some way to Birchwood Manor. The focus is on the 1860s, and the Magenta Brotherhood – an artistic guild that hints at Pre-Raphaelite influences, and dips into the early decades of the twentieth century, and hints at a character researching and reading about Birchwood Manor, whose story bookends those f the others, and reaches a conclusion that is a little ambiguous but at the same time, delightfully executed in a way that the stands of ambiguity are what makes the overall mystery work – not everything is straightforward or clean-cut, and not every answer will be uncovered, nor will any sense of justice necessarily be dealt out – or does it need to be? Was an honest mistake made, did people just not realise? It is these unanswered questions, that, even though the mystery of Birdie’s fate is solved in a way, nobody will ever know, and in this instance, it worked out really well.

Kensy and Max 2My third book fills the book by an Australian woman square as well – Kensy and Max: Disappearing Act by Jacqueline Harvey. In the second book in the Kensy and Max series, the twins are in training to be spies at Pharos, and the headquarters called Alexandria during their Christmas break with their friends and teachers – who are also spies. After Christmas, they will set off to Rome with other classmates who are none-the-wiser to the spy training going on around them. Whilst in Rome, Kensy and Max receive more coded messages from their parents and are caught up in their first mission to save the Prime Minister’s son – but is one of their classmates somehow linked to the disappearance of the boy, or is it merely her family they need to be suspicious of? And which student does everyone need to look out for and avoid? Together with their new friends, Kensy and Max will solve the case – the first of many and keep hot on the trail of their missing parents. Will Kensy and Max finally be reunited with their parents?

Kensy and Max is a series for all readers – regardless of age and gender. They defy gender roles and are heroes for children today, where there are many books coming out where male and female characters defy stereotypes and take on their own identity rather than the stereotypes perpetuated by earlier works, which of course, drew on the world that inspired them. Kensy is the kind of girl hero I needed growing up, to have alongside Matilda Wormwood and Hermione Granger, the kind of character who isn’t what she seems and who stands up for herself and her beliefs and doesn’t let people define her – especially those who don’t like her. She is heroic yet at the same time, can be vulnerable and needs grounding – but threaten those she cares about, like her brother, and I reckon you’d be sorry! I adore this series and I cannot wait for future books to see where Kensy and Max take us next.

Thus ends my twentieth book bingo post of the year. Post twenty-one will be up in two weeks time.

Booktopia

What the Woods Keep by Katya de Becerra

what the woods keep.jpgTitle: What the Woods Keep

Author: Katya de Becerra

Genre: Young Adult/Speculative Fiction/Mystery

Publisher: Allen and Unwin

Published: 26th September 2018

Format: Paperback

Pages: 384

Price: $16.99

Synopsis:Katya de Becerra’s stunning debut combines mystery, science fiction, and dark fantasy in a twisty story that will keep you mesmerized right up to the final page.

On her eighteenth birthday, Hayden inherits her childhood home – on the condition that she uncover its dark secrets.

Hayden has tried to put the past behind her, and so far it’s worked. She’s getting ready for college, living in a Brooklyn apartment, and hanging out with her best friend and flatmate, Del. But now it’s all catching up with her: her mother’s mysterious disappearance a decade ago, her father’s outlandish theories about a lost supernatural race, and Hayden’s own dark dreams of strange symbols and rituals in the Colorado woods where she grew up.

As soon as Hayden arrives at her hometown, Del in tow, it begins: neighbours whisper secrets about Hayden’s mother; the boy next door is now all grown-up in a very distracting way; and Hayden feels the trees calling to her. And among them, deep in the woods, Hayden will discover something incredible – something that threatens reality itself.

~*~

What the Woods Kept is the haunting and disturbing, yet intriguing and captivating debut of Katya de Becerra. For ten years, Hayden has lived in Brooklyn with her father, following the disappearance of her mother when she was eight in a town called Promise in Colorado near the woods. But for the past decade, Hayden has been able to put the past behind her, focus on getting into college and hanging out with her flatmate, Del. It all starts on Hayden’s eighteenth birthday, when she inherits an old manor in Promise where she spent her early years. Best friend Del in tow, she ventures into the town – and her past, where she is confronted by her nightmares, and the whispered secrets about Hayden’s mother and many secrets kept by those she thought she could trust. Over the course of a few days, Hayden’s life will go from being completely normal to filled with mysterious myths and legends that hint at a supernatural heritage from her mother that Hayden could never have imagined.

AWW-2018-badge-roseIn a dark fantasy, filled with hints of mythology, science fiction, mystery and magical realism, this is a dark and creepy story for young adults and older readers who enjoy unusual stories, and marks my sixty-eighth book of the year for my Australian Women Writers Challenge and my 134th book overall. It is one that whilst slow to begin with, picks up later on, and using first person perspective, interspersed with reports hinting at Hayden’s troubled past and how events in her childhood were explained. The early reports have a creepy feel about them, where the supernatural ekes in, yet there is also a sense of discomfort, as though there might be a perfectly logical explanation as well that Hayden held back from those writing the reports. It is through these reports, and her trip back to Promise, that Hayden discovers there is no logical explanation, that she’s different in many ways.

This is the crux of the novel – Hayden’s journey to uncovering the truth about her mother, and what happened to her, and Hayden’s own identity and what this means – what her father has been hiding from her all these years. To Hayden, these secrets force to her think about leaving – and ignoring everything in Promise, but something is keeping her and Del there – something that cannot be explained. It is haunting in its plot and execution, with short, sharp chapters that heighten the tension and gives an ebb and flow pace to the story, where, as soon as things seem to calm down, the degree of panic and uncertainty rockets sky high, leaving fates of characters uncertain all the way throughout the novel, and the final revelations are a shock to the reader and characters.

What the Woods Keep it is the first horror-like novel is the first I have read in a while. More mystery, fantasy and speculative fiction than horror, there were elements of several genres woven throughout, but with the primary mystery and mythological connections at the forefront of the novel, and driving the plot and Hayden’s story, to a rather uncertain, and very open conclusion that leaves the reader guessing and stays with you in a haunting way.

Booktopia

Enola Holmes: The Case of the Missing Marquess (Enola Holmes #1) by Nancy Springer

Enola Holmes 1.jpgTitle: Enola Holmes: The Case of the Missing Marquess (Enola Holmes #1)

Author: Nancy Springer

Genre: Mystery/Crime, Historical Fiction

Publisher: Allen and Unwin

Published: 26th September 2018

Format: Paperback

Pages:240

Price: $14.99

Synopsis: Enola Holmes might be the much younger sister of Sherlock Holmes, but she manages to outsmart him at every turn, solving thrilling mysteries in her very own way…

When Enola Holmes, sister to the detective Sherlock Holmes, discovers her mother has disappeared, she quickly embarks on a journey to London in search of her. But nothing can prepare her for what awaits. Because when she arrives, she finds herself involved in the kidnapping of a young marquess, fleeing murderous villains, and trying to elude her shrewd older brothers-all while attempting to piece together clues to her mother’s strange disappearance. Amid all the mayhem, will Enola be able to decode the necessary clues and find her mother?

~*~

When Enola Holmes, the much younger sister of legendary detective, Sherlock Holmes, awakens on her fourteenth birthday to find herself quite alone – her mother has up and left, leaving no clues as to her whereabouts, apart from a book of ciphers that Enola must follow to uncover the truth. In the days following her mother’s disappearance, Enola’s much older brothers, Mycroft and Sherlock arrive to make proper arrangements for their sister in London in light of the situation they find her in, where her education befitting a proper lady has been woeful, and the money sent to assist has been spent elsewhere. So, whilst Mycroft prepares his sister for boarding school, and Sherlock returns to his mysterious ways in London, Enola sneaks off and soon finds herself embroiled in disguises, a search for her mother and knowledge of a kidnapped marquess, whom she is determined to track down. At the same time, she must dodge her brothers, so they cannot find her, hide from her murderous villains and help the marquess get home. With all this chaos going on, can Enola maintain her cover and make sure she is undetected?

The Enola Holmes series takes a new look at Sherlock Holmes and his family, and inserts a what if – what if Sherlock and Mycroft had a sister – what would she be like? In this reimagining, she takes more after Sherlock, the detective, than Mycroft, who is the more responsible of the two.   Written in a style akin to the original Holmes stories, but with a feminine twist, the Enola Holmes mysteries looks to be an intriguing series, with books one and two published by Allen and Unwin out today.

Enola is very much like her brother, Sherlock, taking advantage of disguises she picks up along the way and puts together with the clothes Mycroft orders for her to attend boarding school. She is good with ciphers, and manages to elude those pursuing her, and is a master of escapes. Using her skill with ciphers to create new identities for herself, Enola is about to embark on a series of quests and mysteries that will hopefully lead her to her mother, whilst her brother, Sherlock, is hot on her heels – it will be interesting to see whether they eventually team up to defy Mycroft in future books.

What I enjoyed about this book was not only the female lead, but the very different take on the Sherlock Holmes stories and the detective story trope, set in Victorian London with the underlying theme of Jack the Ripper, and other nefarious people weaving in and out of the shadows Enola keeps to, yet fears as she tries to find her mother and solve the mysteries that she stumbles upon along her way.

An excellent start to the series, and my review of book two will be following this one.

Booktopia

Frieda: A Novel of the Real Lady Chatterley by Annabel Abbs

frieda.jpgTitle: Frieda: A Novel of the Real Lady Chatterley

Author: Annabel Abbs

Genre: Historical Fiction

Publisher: Hachette

Published: 11th September 2011

Format: Paperback

Pages: 372

Price: $29.99

Synopsis: The moving story of Frieda von Richthofen, wife of D.H. Lawrence – and the real-life inspiration for Lady Chatterley’s Lover, a novel banned for more than 30 years

Germany, 1907. Frieda, daughter of aristocrat Baron von Richthofen, has rashly married English professor Ernest Weekley. Visiting her family in Munich, a city alive with new ideas of revolution and free love, and goaded by a toxic sibling rivalry with her sisters, Frieda embarks on a passionate affair that is her sensual and intellectual awakening.

England, 1912. Trapped in her marriage to Ernest, Frieda meets the penniless but ambitious young writer D.H. Lawrence, a man whose creative energy answers her own needs. Their scandalous affair and tempestuous relationship unleashes a creative outpouring that will change the course of literature – and society – forever. But for Frieda, this fulfilment comes at a terrible personal cost.

A stunning novel of emotional intensity, Frieda tells the story of an extraordinary woman – and a notorious love affair that became synonymous with ideas of sexual freedom.

‘Annabel Abbs’s poignant Frieda: A Novel of the Real Lady Chatterley captures the Lawrence s’ shifting emotions’ The Australian

‘I loved this novel so very much. Abbs’s writing is glorious’ MELISSA ASHLEY, The Birdman’s Wife

~*~

Frieda Weekley, nee von Richthofen, is married to Ernest Weekley, and is living with him and their three children in 1907, in Nottingham. Born into German aristocracy, Frieda has in their eyes, and she has married well, and has three young children: Monty, Elsa and Barby. Yet Frieda yearns for more, and when she is exposed to ideas of free love and great intellect, she begins a series of affairs, starting with a doctor, Otto Gross, and culminating in an affair that saw her forever separated from her family wit author, D.H. Lawrence an affair that inspired the novel Lady Chatterley’s Lover, banned for more than thirty years after it was published.

Set in pre-World War One London and Germany, between 1907 and 1913, Frieda explores a very different world, where familial and societal expectations based on gender, class and for some people as war grew closer, nationality. Caught between wanting to please herself, please her family and stay with her children, Frieda finds decisions will be made for her, at times without her knowledge, and she is driven to desperate lengths to see her children, enlisting friends to try and maintain a connection to them after she is cut off from them by the Weekley family.

As a work of historical fiction, Frieda uses a woman’s voice – one who fought against oppression in favour of desire – is intriguing and gives a new voice to the world, and one I had not heard of, and a story I had not heard of, despite hearing about the novel that was based on Frieda and Lawrence’s scandalous relationship. It explores the perspectives of Frieda, her husband, Ernest, and their three children – Barby, Monty and Elsa, but particularly the eldest – Monty and the youngest – Barby, as Frieda weaves in and out of their lives and between Nottingham and Metz in Germany, where her family tries to convince her to remain with Ernest and leave Lawrence. These are some of the scenes where she feels the restraint of what her aristocratic family and society expects of her, and the hinted at war to come, where there already feel like there are tensions between some people in England and Germany, even though the war is several years away from beginning.

Filled with a strong female voice, caught between love for a man she truly desires, love for her children and respect for her family, Friedaexplores the changing attitudes towards relationships, and how these changes started to occur during the early decades of the twentieth century, and the consequences that a woman like Frieda faced for having an affair and turning her back on her husband, rather than staying in a socially acceptable position to keep the peace, and maintain the order that society so desperately sought to cling to. But by following her heart, though the initial decision appeared to have been made without Frieda’s knowledge, with Lawrence taking it upon himself to inform Ernest, there was still an element of Frieda not having the freedom to make her own choices, when ironically, this is what she was aiming to do, even though it left her with some regrets about not being able to see her children until they turned twenty-one.

Frieda’s story has a happier ending than Abbs’ previous book – The Joyce Girl – in what would become known as inter-war Europe, where Frieda is reunited with her children, and is able to live her life with D.H. Lawrence and provided him with inspiration for his oft- banned book, Lady Chatterley’s Lover. This was an intriguing story that dealt with various aspects of society, the individual, the arts, love and family, and concluded with a hopeful ending where everything felt as though it had concluded nicely, and showed that Frieda had found the freedom she longed for, even if it had come with a price.

Booktopia

Book Bingo 19: A Memoir and a book by someone under thirty.

Book bingo take 2

To make sure I manage to fit in the rest of the card evenly, this is one of a few posts that will have multiple squares marked off – progress has been a little slower, so some squares might have books from earlier in the year, but in different categories to the first card.

Book bingo take 2 .jpg

no country womanFirst square being marked off this week is a memoir – No Country Woman written by Zoya Patel, an Australian with Fijian-Indian heritage, about her struggle with identity, and reconciling her Fijian-Indian, Muslim heritage with an Australian identity, and looking for ways to embrace both, during a time when she felt like she had to make a decision as she grew up in Australia with modern Australian influences, as well as the traditional influences of her family, and the conflict that this brought with it, where an Australian life and the access she had to everything – vastly more than her parents had had as children – was at odds with her familial heritage. This memoir explores how she came to embrace both identities and her interactions with racism, feminism, and the intersectional feminism that can benefit all, and not just one group.the yellow house

It is eye-opening and informative – Zoya allows herself to reflect on things said to her, things she sees and the idea that everyone’s interactions with society are different based on how much access they are given or have, and there is no one experience of this, each one is different and some people get lucky and have more than others – she goes further in-depth than i have here, and she says it much more eloquently than I have, so go forth and read her book!

The second book I’ve marked off in this post falls under a book by a person under thirty years old. For this, I have chosen another Australian Woman Writer, Emily O’Grady, The Yellow House, examining whether having a serial killer in the family ensures a legacy of violence in later generations. It was intriguing and disturbing – it drew you in and even though there was a sadistic feel to it, as a reader, I felt I had to read on to find out what happened and how it all played out – it was quite different to the usual fare of crime novels I read but very well written.

AWW-2018-badge-rose

So there are my latest two squares, with more to come as I tick them off.