2020 ABIAs

Every year, the Australian Book Industry Awards are presented to various books published the year before. In the past week, the long list has gone up, and I have taken the following list from the Readings blog. Some of these I have read, and some I am hoping to read. I will not be able to get to them all, but it is nice to see a bit more diversity in titles this year, allowing more books to get some well-deserved attention on this list.

Of the books on this list, some I reviewed – and most I enjoyed, and some didn’t catch my interest, or I ran out of time last year to get to them. A panel of judges has decided on this longlist, and will from here, decide on a shortlist, which will be released on the 9th of April, with the winners in each category announced on the 29th of April. A couple of books are nominated in more than one category, which often happens, yet being able to see that there’s much more diversity in the titles chosen gives a better view of Australian literature, rather than what is just the “it” book of the year. This isn’t always a bad thing, but often there are other books in the category that are just as deserving and when they have more of a chance to win, that makes it more exciting.

The titles in each category are…
General fiction book of the year

 

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• Bruny by Heather Rose
• Call Me Evie by J.P. Pomare
• Cilka’s Journey by Heather Morris
• Good Girl, Bad Girl by Michael Robotham
• Peace by Garry Disher
• Silver by Chris Hammer
• The Scholar by Dervla McTiernan
• The Wife and the Widow by Christian White
Literary fiction book of the year

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• Damascus by Christos Tsiolkas
• Exploded View by Carrie Tiffany
• Room for a Stranger by Melanie Cheng
• The Drover’s Wife by Leah Purcell
• The Weekend by Charlotte Wood
• The Yield by Tara June Winch
There Was Still Love by Favel Parrett
• Wolfe Island by Lucy Treloar
General nonfiction book of the year

Wide-General-Non-fiction-Book-of-the-Year• Accidental Feminists by Jane Caro
• Against All Odds by Craig Challen & Richard Harris with Ellis Henican
• Banking Bad by Adele Ferguson
• Fake by Stephanie Wood
Kitty Flanagan’s 488 Rules for Life by Kitty Flanagan
• See What You Made Me Do by Jess Hill
• The Yellow Notebook by Helen Garner
• Troll Hunting by Ginger Gorman
Biography book of the year

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• Australia Day by Stan Grant
• Jack Charles: Born-again Blakfella by Jack Charles
• Gulpilil by Derek Rielly
• Penny Wong: Passion and Principle by Margaret Simons
• Tell Me Why by Archie Roach
• The Prettiest Horse In The Glue Factory by Corey White
• When All is Said & Done by Neale Daniher with Warwick Green
• Your Own Kind of Girl by Clare Bowditch

Book of the year for older children (ages 13+)

Wide-Book-of-the-Year-for-Older-Children-(ages-13+)
• Detention by Tristan Bancks
• How It Feels to Float by Helena Fox
• It Sounded Better in My Head by Nina Kenwood
• Kindred edited by Michael Earp
• The Surprising Power of a Good Dumpling by Wai Chim
• This Is How We Change the Ending by Vikki Wakefield
• Welcome to Country: Youth Edition by Marcia Langton
• Welcome To Your Period by Yumi Stynes & Dr Melissa Kang
Book of the year for younger children (ages 7-13)

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• Explore Your World: Weird, Wild, Amazing! by Tim Flannery
• Funny Bones edited by Kate Temple, Jol Temple & Oliver Phommavanh
• How to Make a Movie in 12 Days by Fiona Hardy
• Real Pigeons Nest Hard by Andrew McDonald & Ben Wood
• The 117-Storey Treehouse by Andy Griffiths & Terry Denton
• The Illustrated Encyclopaedia of Ugly Animals Sami Bayly
• Under the Stars by Lisa Harvey-Smith & Mel Matthews
• Young Dark Emu by Bruce Pascoe
Children’s picture book of the year (ages 0-6)

Wide-Children_s-Picture-Book-of-the-Year-(ages-0-6)
• All of the Factors of Why I Love Tractors by Davina Bell & Jenny Løvlie
• Bluey: The Beach
• Kindness Makes Us Strong by Sophie Beer
• Lottie and Walter by Anna Walker
• Mr Chicken All Over Australia by Leigh Hobbs
• The Painted Ponies by Alison Lester
• The Tiny Star by Mem Fox & Freya Blackwood
• Tilly by Jane Godwin & Anna Walker
• Wilam by Andrew Kelly, Aunty Joy Murphy & Lisa Kennedy
Illustrated book of the year

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• Australia Modern: Architecture, Landscape & Design 1925–1975 by Hannah Lewi & Philip Goad
• Ben Quilty by Ben Quilty
• Finding the Heart of the Nation by Thomas Mayor
• Macquarie Atlas of Indigenous Australia: Second Edition Bill Arthur by Frances Morphy (eds.)
• Olive Cotton by Helen Ennis
• Step into Paradise by Jenny Kee & Linda Jackson
• The Lost Boys: The untold stories of the under-age soldiers who fought in the First World War by Paul Byrnes
• The Whole Fish Cookbook by Josh Niland
• Three Birds Renovations by Erin Cayless, Bonnie Hindmarsh & Lana Taylor
International book of the year

Wide-International-Book-International-Book-of-the-Year
• Catch and Kill by Ronan Farrow
• Fleishman is in Trouble by Taffy Brodesser-Akner
• Girl, Woman, Other by Bernadine Evaristo
• Lanny by Max Porter
• The Dutch House by Ann Patchett
• The Testaments by Margaret Atwood
• Three Women by Lisa Taddeo
• Where the Crawdads Sing by Delia Owens
Small publishers’ adult book of the year

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• Cosmic Chronicles by Fred Watson
• Feeding the Birds at Your Table: A guide for Australia by Darryl Jones
• Invented Lives by Andrea Goldsmith
• Kindred by Kirli Saunders
• Paris Savages by Katherine Johnson
• Sand Talk by Tyson Yunkaporta
• Split by Lee Kofman
• The White Girl by Tony Birch
Small publishers’ children’s book of the year

wide-Small-Publishers_-Children_s-Book-of-the-Year
• Baby Business by Jasmine Seymour
• Cooee Mittigar by Jasmine Seymour & Leanne Mulgo Watson
• Little Bird’s Day by Sally Morgan & Johnny Warrkatja Malibirr
• Love Your Body by Jessica Sanders & Carol Rossetti
• Lunch at 10 Pomegranate Street by Felicita Sala
• Sick Bay by Nova Weetman
• Summer Time by Hilary Bell & Antonia Pesenti
• You Can Change the World: The Kids’ Guide to a Better Planet by Lucy Bell
The Matt Richell award for new writer of the year

Wide-The-Matt-Richell-Award-for-New-Writer-of-the-Year
• Being Black ‘n Chicken, and Chips by Matt Okine
• Call Me Evie by J.P. Pomare
• It Sounded Better in My Head by Nina Kenwood
• Sand Talk by Tyson Yunkaporta
• The Prettiest Horse In The Glue Factory by Corey White
• The Whole Fish Cookbook by Josh Niland
• Troll Hunting by Ginger Gorman
• Your Own Kind of Girl by Clare Bowditch

Good luck to all the nominees – looks like an interesting list this year!

Blog Tour: The House of Second Chances by Esther Campion

house of second chances.jpgTitle: Blog Tour: The House of Second Chances

Author: Esther Campion

Genre: Fiction

Publisher: Hachette Australia

Published: 12th February 2019

Format: Paperback

Pages: 392

Price: $29.99

Synopsis:  Can a house heal heartache? From coastal Australia to the rugged beauty of Ireland, an enchanting novel of starting over, in the tradition of Maeve Binchy and Monica McInerney

Their grandmother’s stone cottage was always a welcome retreat in the childhood summers of Ellen and Aidan O’SheaAfter a trip home from Australia, Ellen is keen to bring the neglected property back to its former glory and enlists the help of her dear friend and one of Ireland’s top interior designers, Colette Barry.

Aidan is already begrudging the work on the house he has avoided for nearly twenty years. The last thing the builder needs is an interior designer who seems to do nothing but complicate his life. With their own personal heartaches to overcome, will Aidan and Colette find the courage to give the house and themselves a second chance?

 

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The House of Second Chances is the sequel to Leaving Ocean Road – which I didn’t realise at first, even though I have read the first one. It did all fall into place after the first few chapters, when familiar characters and settings appeared on the page, and links back to the first book were made. This story flicks back and forth between Ireland, and coastal South Australia with the characters, as they are reunited with each other, and as Aidan and Ellen work to restore the cottage with the help of Ellen’s friend, Collette Barry.

Intertwined are the lives of various family and friends in Australia and Ireland, such as Louise, Ellen and Gerry’s daughter, and the young daughter of a friend of Aidan’s. When something tragic happens, forces on both continents will work together to solve a mystery.

2019 Badge

There are a few families at the centre of this novel. Ellen and Aidan O’Shea, Ellen and Gerry, and Ellen and Louise. Fern and her husband, who work for Aidan, and their family, Jane, the mother of a young girl and Aidan’s friend and many others whose lives all intertwine in the small towns in Ireland and Australia, which makes this a story more about families than romance for me, though there are romances that do happen, the majority of couples in this book are already together in relationships or marriages at the start of the novel. For me, I think this straddles the in between area of a romance-only based novel and one that allows other characters and relationships to be explored on the page. Relationships between parents and children, between siblings, between friends and between married couples, but that also touches on the darker sides of life -loss and death, and why people are who they are, revealed in flashbacks and chats throughout the novel. It is these stories floating around the central story about the house, Aidan, and Collette, that enhance the story and offer something for all readers and allows each individual reader to find a character that they can connect with.

Whilst not one I will read again, I still enjoyed it for what it was, and know that there will be an audience for this book and these characters. I did enjoy the Irish and Australian landscapes and the vibrant characters who were complex and vibrant, and always had more sides to them than it might first appear. As a sequel, it is well-written and brings us back to familiar – and new – characters, and the lives they have been leading since the first book.

A nice, light-hearted novel for those who enjoy these kinds of stories.

Booktopia

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AUTHOR LINKS

 

Facebook: https://www.facebook.com/esthercampionauthor/

Twitter: https://twitter.com/TammyRobinson76

Goodreads:https://www.goodreads.com/author/show/16748682.Esther_Campion?from_search=true

Instagram:https://www.instagram.com/esther_campion_/

 

Purchase Links from the publisher:

AU

https://www.booktopia.com.au/the-house-of-second-chances-esther-campion/prod9780733636172.html

 

Kobo

https://www.kobo.com/ww/en/ebook/the-house-of-second-chances

 

Apple Books

https://itunes.apple.com/au/book/the-house-of-second-chances/id1421691218?mt=11

Google Play: https://play.google.com/store/books/details/Esther_Campion_The_House_of_Second_Chances?id=BjhnDwAAQBAJ

A Good Yarn: Australian Stories, Australian Voices

bookscreate

Imagine you have written and published a book, and you are starting to make a living from the royalties from this book, a goal you have been working towards for years. Now, imagine you’ve been told that not only will books published overseas take priority over Australian content, but that in fifteen years, you and all other Australian authors will lose not only their copyright, but right to royalties because the government deems fifteen years enough to make a living from your hard work, and that fair use, that is, someone’s right to use your words, your work in any way that they see fit – is more important than you and your family being able to live.

This is the reality that will face any Australian author if the government decides to repeal Parallel Import Restrictions, (PIRs) as recommended by the Productivity Commission. It would mean greater risk to Australian publishers, and greater risk at taking on Australian voices and authors – there would be no incentive for Australian authors to be promoted because the claims are, imported, foreign stories would make books cheaper and more accessible; when in fact, books in Australia are cheaper already.

Books Create is a driving force in trying to prevent this from happening, and have presented some facts about the book industry in Australia:

  • With 7,000 new titles published annually, this creates $2 billion in revenue;
  • When a publisher invests directly in an Australian author for non-educational purposes, this results in $120 million per annum, including promotion;
  • 1,000 businesses engage in the publishing industry, employing over 4,000 people. These jobs could be at risk if PIRs are introduced, and this should be a concern to those who say we need to create more jobs;
  • Book sellers and printers, and other book-related jobs employ a further 20,000 people;
  • Australia has the 14th largest publishing industry in the world – just because we do not make the top ten should not mean our stories don’t get published;
  • 300,000 Australians visit 100 literary festivals per year – this suggests that the desire for Australian authors and stories is high;
  • Australia has the largest English-language independent bookseller market – again, more jobs that could potentially be lost;
  • Average author income is $13,000 a year – not enough to live on;
  • Unlike other industries, the publishing industry does not use government subsidies, nor is it protected by government tariffs; and
  • EBooks only take up 20% of the market.

The arguments for these measures are purely economic, and based on the benefit of the many – being able to use an author’s work in any way someone desires, rather than someone being able to support themselves and not having to rely on other people or giving up on their dream and taking a job they don’t enjoy, or even taking their chances with an overseas publisher who may strip away the very essence of an Australian voice. It does not take into account the cultural implications either – where Australians – any Australians – white, Indigenous, immigrant or refugee – have their voices silenced in favour of foreign voices. I do not like the idea of not being able to read my favourite Pantera Press authors, or not being able to see if I can find an Indigenous story to read, or even just reading any book by any Australian author, even if it is set in a fantasy world or another time and place. It is still an Australian voice that deserves to be heard.

The fair use issue could be resolved by allowing educational institutions to use books for educational purposes. Fair use should not mean a free for all, where anyone can use and plagiarise an author’s work in any way they see fit. Fair use should mean that people can use the work for educational purposes but that the author must also have a say in any alterations or adaptations, especially if done during their life time. To take advantage of the hard work someone else has put into something and say “Sorry, I get to use your work any way I see fit to make money off and you can’t do anything about it,” is wrong. As an aspiring author, I have spent many years working on my writing. My fear with an open, free-for-all attitude to fair use and undermining copyright is not people studying the texts or wishing to be inspired by them or approaching me to make a film; it is the people who would try and profit off my hard work, or the hard work of any author via plagiarism and the original creator being unable to do anything to defend their work and livelihood.

On the issue of reducing copyright from seventy years after an author’s death to fifteen to twenty five years after publication, would you be happy to go up to someone who has built a house, is taking care of it, raising a family, and say to them: “You have had this house for fifteen years, your time is up. Another family needs this house, you need to move out?” No, because we recognise a house is a necessity. Similarly, the income an author receives from their books and backlists are necessary for them to live their lives without worrying if they can afford to eat that week.

There are many more issues that are involved with this and can be found at the Books Create website, or by doing a Google search of the issues and seeing what comes up from the Australian Society of Authors, or the Australian Publishing Association, or even the following blog posts by Alison Green, CEO of Pantera Press. We need to protect Australian stories and voices, and this cannot be done if we let the government silence us in the name of economics and fair use.

Below are some websites and links that expand on these ideas and help to explain them:

 

http://twibbon.com/embed/books-create-australia

Books Create Australia: http://bookscreateaustralia.com.au #bookscreate

Australian Society of Authors: https://www.asauthors.org

Alison Green: https://www.panterapress.com.au/news-and-events/6071/ and https://www.panterapress.com.au/news-and-events/6081/