Some of the authors appearing at the Sydney Writer’s Festival…

It’s that time of year again, when the programs and author schedules for the annual Sydney Writer’s Festival are announced. Held between the first and the sixth of May, mostly at Carriageworks but with some events at a variety of other places around Sydney, there will be many events to choose from, and many authors to meet and hear speak.

Below is a sampling of the authors published by Hachette who will be attending this year, which has a diverse and intriguing calendar of events that I am sure will sell out quickly! So here are some of the authors appearing, and when and where they will be appearing.

American author, Jennifer Egan, author of Emerald City and Other Stories, The Invisible Circus,The Keep,Look at Me, Black Box,A Visit From the Goon Squad, and Manhattan Beach. Jennifer will be appearing at the following events, all in Bay 17 at Carriageworks.

Thursday, the 3rd of May, at 3pm – On the Record: Historical Fiction

Saturday the 5th of May at 6pm – Jennifer Egan: Manhattan Beach

Sunday the 6th of May at 6pm: Closing Address: Jennifer Egan.

Also from America, Zack McDermott, author of Gorilla and the Bird, will be appearing on the following dates at the following locations:

Thursday, the 3rd of May at 7pm, Carriageworks, Bay 20: The Full Catastrophe

Friday, the 4th of May, at 11.30am, Carriageworks, Track 8: Zack McDermott: Gorilla and the Bird

Alexis Okeowo, author of A Moonless, Starless Sky, also from America, will be appearing at four different events over the course of the week, all at Carriageworks, where the majority of the events are held.

Tuesday, the 1st of May at 6.30pm, Carriageworks Bay 17: Opening Address: André Aciman, Min Jin Lee and Alexis Okeowo

Friday the 4th of May, 3pm, Carriageworks, Bay 17: Conflicting Narratives

Saturday, the 5th of May, 1.30pm, Carriageworks Bay 17: Resisting Unjust Authority

Sunday, the 6th of May, 1.30pm, Carriageworks Bay 20: Alexis Okeowo, A Moonless, Starless Sky

 

Michael Mohammed Ahmad, an Arab-Australian writer, editor, teacher and community art s worker will also be appearing. His book, The Lebs, is about breaking down stereotypes and showing people that a small minority don’t determine the majority of a culture. Michael will be appearing at the following events at the Seymour Centre, and the Riverside Theatres.

Monday, the 30th of April, at 9.30am, Seymour Centre, Workshop Room 1: Michael Mohammed Ahmad: Good Writing versus Bad Writing.

Wednesday, the 2nd of May, 11.15am Seymour Centre York Theatre: Student Session: The Next Wave.

Friday, the 4th of May, Seymour Centre, Sound Lounge, 4.30PM: New Australian Voices.

Saturday, the 5th of May, Riverside Theatres, Lennox Theatre, 10am: From the Sidelines AND at 5pm in the Everest Theatre of the Seymour Centre, Return of the Big Black Thing.

Walkley Award winning journalist, Michael Brissenden will also be appearing at the festival, at will have one event at the Seymour Centre.

Thursday the 3rd of May, at 1.30pm, Seymour Centre, York Theatre: Straight from the Headlines,

The third Australian author published by Hachette to appear is Indigenous author, Claire G Coleman, author of Terra Nullius, a speculative fiction looking at the concept of invasion and settlement, using aliens taking over the world as a metaphor and symbol. It was an interesting and eye-opening book to read, my review is here. Claire will be appearing at three events across each precinct of the festival.

terra nullius

Thursday, the 3rd of May, at 11.30am, Seymour Centre, York Theatre: Home Truths: Telling Australian Stories.

Friday the 4th of May, at 11.30am at Carriageworks Blacksmith’s Workshop: Claire G Coleman: On Fiction, Villains and the Nature of Evil

Saturday the 5th of May, 1.30pm, Riverside Theatres: Architects of New Worlds.

fairvale

Another Australian author appearing at the festival is Sophie Green, author of The Inaugural Meeting of the Fairvale Ladies Book Club, reviewed on this blog as well and it, and the previous book, Terra Nullius, were included in my Australian Women Writer’s Challenge last year. Sophie will be appearing at one event this year.

Thursday, the 3rd of May, at 10am at the Seymour Centre, Reginald Theatre: Family Ties.

Royce Kurmelovs is another author appearing, and he has written the following books: Death of Holden, Rogue Nation, and Boom and Bust (2018). He will be appearing at an event about the rise of Australian populism.

Saturday the 6th of May, at 11.30 at the Seymour Centre, York Theatre: The Rise of Australian Populism.

Peter Polites, author of Down the Hume will also be in attendance at the following events and is another new Australian author whose book has come out recently.

Peter will be appearing at two events this year:

Saturday, the 5th of May at 5pm in the Everest Theatre of the Seymour Centre, Return of the Big Black Thing, with Michael Mohammed Ahmad.

Sunday, the 6th of May, at 10am at the Seymour Centre, Sound Lounge: Pajtim Statovci: My Cat Yugoslavia

Award winning journalist, Hugh Riminton, a news presenter and foreign correspondent, will be at the festival chatting about his book, Minefields. Hugh will be appearing at three events across the week of the festival.

Thursday, the 3rd of May at 11.30am, Seymour Centre, Reginald Theatre: Becoming the Story.

Thursday, the 3rd of May at 7pm, Hurstville Library: Hugh Riminton: Minefields/

Saturday, the 5th of May, 11.30am, Carriageworks, Bay 17: Peter Greste: The First Casualty.

Michael Robotham will also be appearing, and has written the following books: The Suspect,The Drowning Man, The Night Ferry Shatter,Bombproof,Bleed For Me,The Wreckage,Say You’re Sorry, Watching You,Life or Death,Close Your Eyes,The Secret She Keeps, and The Other Wife (2018).  Michael will be appearing at the following events:

Thursday, the 3rd of May at 1.30pm at Carriageworks, Blacksmith’s Workshop: Michael Robotham: On Plotting the Perfect Crime.

Thursday the 3rd of May, at 6.30pm at Blacktown City Max Webber Library: Michael Robotham: The Secrets She Keeps.

Saturday, the 5th of May, at 10.30am, Seymour Centre, Reginald Theatre: Michael Robotham: The Secrets She Keeps.

Wednesday, the 2nd of May, 7pm, The Concourse Concert Hall: Jane Harper: Force of Nature.

Saturday, the 5th of May, at 1.30pm, Carriageworks Bay 20: Gabriel Talent: My Absolute Darling.

Sha’an d’Anthes, a new Australian author based in Sydney who has had a career as an artist and illustrator and has travelled all over the world. She will be speaking at two events on the final day of the festival. Her picture book, Zoom, was published by Hachette Australia.

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Sunday the 6th of May at 2.15pm. Carriageworks, Track 8: Illustrator Battle Grounds.

Libby Hathorn, well known Australian author of books for children and young adults will also be appearing. Some of her books are: Thunderwith, The Blue Dress, Georgiana, Dear Venny, Dear Saffron, Volcano Boy, The Painter, Feral Kid, Chrysalis, Love Me Tender, Eventual Poppy Day, A Soldier, A Dog and A Boy, and Butterfly, We’re Expecting You!

eventual poppy day

Libby will be appearing at the following events:

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Sunday the 6th of May, at 11.15am, Carriageworks, Track 12: Outside: A Feast of the Senses.

Binny Talib will also be appearing, at the same event as Libby Hathorn and Sha’an d’Anthes on the Sunday morning of the festival. Binny has two books published by Hachette Australia, Origami Heart and Hark It’s Me, Ruby Lee!

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Another Australian author to appear will be Shaun Tan. who has worked in theatre and films as concept artists and designers. His works include Lost Thing, Memorial, The Red Tree, The Rabbits, The Viewer, Rules of Summer, The Arrival (an acclaimed wordless novel), and Cicada, published in 2018. Shaun will be appearing at one event on the Saturday.

Saturday, the 5th of May, at 3pm, Riverside Theatres, Parramatta: Bringing Imaginary Worlds to Life.

Hachette’s final author to be appearing is Debra Tindall, author of The Scared Book. she began her career as a social worker before becoming an author. The Scared Book is a CBCA notable book for children. She will be appearing at the same event as Libby Hathorn, Binny Talib and Sha’an d’Anthes.

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Check out the Sydney Writer’s Festival website for more events and authors.

Booktopia

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NSW Premier’s Literary Awards Shortlist for 2018

One of the Australia’s literary awards has just announced the shortlist for 2018 – The NSW Premier’s Literary Awards, with the winner to be announced in April. Each category and the shortlisted novels for this prize are listed below for 2018, and information about each prize category can be found here in a previous post:

The Christina Stead Prize for Fiction:

Common People by Tony Birch, published by UQP

Seabirds Crying in the Harbour Dark by Catherine Cole, published by UWA

Pulse Points by Jennifer Down, published by Text Publishing

The Book of Dirt by Bram Presser, published by Text Publishing

The Restorer by Michael Sala, published by Text Publishing

Taboo by Kim Scott

Douglas Stewart Prize for Non-Fiction:

Victoria: The Woman Who Made the Modern World by Julia Baird, published by HarperCollins Publishers “A passion for exploring new countries” Matthew Flinders & George Bass by Josephine Bastian, published by Australian Scholarly Publishing

The Enigmatic Mr Deakin by Judith Brett, published by Text Publishing

Passchendaele: Requiem for Doomed Youth by Paul Ham, published by Penguin Random House Australia

The Green Bell: a memoir of love, madness and poetry by Paula Keogh, published by Affirm Press

The Boy Behind the Curtain by Tim Winton, published by Penguin Random House Australia

Kenneth Slessor Prize for Poetry:

Archipelago by Adam Aitken, published by Vagabond Press

Euclid’s dog: 100 algorithmic poems by Jordie Albiston, published by Gloria SMH Press

Bone Ink by Rico Craig, published by Guillotine Press

Argosy by Bella Li, published by Vagabond Press

Captive and Temporal by Nguyễn Tiên Hoàng, published by Vagabond Press

These Wild Houses by Omar Sakr, published by Cordite Books

Patricia Wrightson Prize for Children’s Literature

The Patchwork Bike by Maxine Beneba Clarke and illustrated by Van T Rudd, published by Hachette Australia

The Elephant by Peter Carnavas published by UQP

Blossom by Tamsin Janu, published by Omnibus Books for Scholastic Australia

Figgy Takes the City by Tamsin Janu, published by Omnibus Books for Scholastic Australia

How To Bee by Bren MacDibble, published by Allen & Unwin

The Sorry Tale of Fox and Bear by Margrete Lamond and illustrated by Heather Vallance, published by Dirt Lane Press

Ethel Turner Prize for Young People’s Literature

In the Dark Spaces by Cally Black, published by Hardie Grant Egmont

the blue cat

The Blue Cat by Ursula Dubosarsky, published by Allen & Unwin

The Ones That Disappeared by Zana Fraillon, published by Hachette Australia

A Shadow’s Breath by Nicole Hayes, published by Penguin Random House Australia

The Build-Up Season by Megan Jacobson, published by Penguin Random House Australia

Ballad for a Mad Girl by Vikki Wakefield, published by Text Publishing

Nick Enright Prize for Playwriting

The Sound of Waiting by Mary Anne Butler, published by Brown’s Mart Arts Ltd

Rice by Michele Lee, Presented by Queensland Theatre and Griffin Theatre Company, published by Playlab

Black is the New White by Nakkiah Lui, published by Sydney Theatre Company

Mark Colvin’s Kidney by Tommy Murphy, published by Currency Press and Belvoir

Little Emperors by Lachlan Philpott, published by Malthouse Theatre

The Real and Imagined History of the Elephant Man by Tom Wright, published by Malthouse Theatre

Betty Rowland Prize for Scriptwriting

Deep Water: The Real Story written by Amanda Blue and Jacob Hickey – Blackfella Films

Top of the Lake: China Girl, Series 2 Episode 4 ‘Birthday’ by Jane Campion and Gerard Lee – See-Saw Films

Sweet Country by Steven McGregor and David Tranter – Bunya Productions

Seven Types of Ambiguity, Episode 2 ‘Alex’ by Jacquelin Perske – Matchbox Pictures

Please Like Me, Series 4 Episode 5 ‘Burrito Bowl’ by Josh Thomas, Thomas Ward and Liz Doran – Guesswork TV

Multicultural Award NSW

No More Boats by Felicity Castagna, published by Giramondo Publishing

The Permanent Resident by Roanna Gonsalves, published by UWA Publishing

Dark Convicts by Judy Johnson, published by UWA Publishing

The Family Law, Series 2 Episode 4 by Benjamin Law and Kirsty Fisher – Matchbox Pictures

Down the Hume by Peter Polites, published by Hachette Australia

Quicksilver by Nicholas Rothwell, published by Text Publishing

Indigenous Writer’s Prize

Finding Eliza: Power and Colonial Storytelling by Larissa Behrendt, published by UQP

Common People by Tony Birch, published by UQP

Barbed Wire and Cherry Blossoms by Anita Heiss, published by Simon & Schuster Australia

The Drover’s Wife by Leah Purcell published and produced by Currency Press and Belvoir in association with Oombarra Productions)

Taboo by Kim Scott, published by Pan Macmillam Australia

UTS Glenda Adams Award for New Writing

2018 Shortlist The winner will be announced at the awards ceremony on 30 April 2018. There is no shortlist for this category.

About the award

  • The UTS Glenda Adams Award ($5,000) is for a published book of fiction written by an author who has not previously published a book-length work of narrative fiction or narrative non-fiction.

  • The Award seeks to recognise outstanding new literary talent. The winning author may produce an excellent piece of writing in a traditional fictional form or may challenge and expand the boundaries of the genre.

  • The winner of the UTS Glenda Adams Award is chosen from entries submitted for the Christina Stead Prize (no additional entry fee is required for this award).

  • Entrants who meet the UTS Glenda Adams Award criteria should indicate on the nomination form if they wish to be considered for the Award.

  • There may not be a shortlist in this category.

NSW Premier’s Translation Prize – Next awarded 2019

Multicultural NSW Early Career Translator Prize – Next awarded 2019

 

 

Booktopia

The World Goes On by László Krasznahorakai (translated from the Hungarian by John Bakti, Ottilie Mulzet and Georges Szirtes

world goes on.jpgTitle: The World Goes On

Author: László Krasznahorakai (translated from the Hungarian by John Bakti, Ottilie Mulzet and Georges Szirtes

Genre: Fiction

Publisher: Allen and Unwin/Tuskar Books/Profile Books

Published: 18th December, 2017

Format: Hardcover

Pages: 312

Price: $29.99

Synopsis: A new work of fiction from the winner of the 2015 Man Booker International Prize.

A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveller, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child labourer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils.

In The World Goes On, a narrator first speaks directly, then tells twenty-one unforgettable stories, and then bids farewell (‘for here I would leave this earth and these stars, because I would take nothing with me’). As Laszlo Krasznahorkai himself explains: ‘Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…’

The World Goes On is another masterpiece by the winner of the 2015 Man Booker International Prize. ‘The excitement of his writing,’ Adam Thirlwell proclaimed in the New York Review of Books, ‘is that he has come up with his own original forms – there is nothing else like it in contemporary literature.’

~*~

In a series of short stories, an unnamed narrator, a Hungarian interpreter, and other travellers, take a journey across various nations and exploring a dark and what feels like a metaphysical side to humanity whilst taking the physical journey. Each of the twenty short stories is told in first person, with no inkling as to who is telling the story or indeed if any narrator is different: it all feels like the same narrator, dipping in and out of lives, times and places to tell stories of oblivion and hopelessness, where the title, once each story has come to its inevitable conclusion, lives up to its reputation – that once the narrator, or multiple narrators have completed their story, the world does indeed move on to the next story.

As each story is different, yet feels like it has the same narrator, it can be confusing at first, but once you’ve read the beginning, it starts to come together, albeit in many lengthy sentences, some of which appear to go on for pages at a time, and give a feeling of breathlessness, and claustrophobia – perhaps this is what the author was going for, the helpless feeling of not knowing where to stop to take a breath between punctuation marks, and the sense of what is happening in your life and the world rushing so fast at you, that your thoughts come out so quickly, there’s no time to pause, or take breath sometimes. This was how I felt reading this, which is why it has taken so long to finish it and review it – there were times the lengthy sentences, though they worked and made sense, could bring on a sense of dizziness and breathlessness – though the concept and ideas have been well executed.

It is also rather philosophical, with hints towards historical events, people and places, but at the same time, feeling sort of out of place, or as though what was happening could be happening anywhere.

Whilst this has not been my favourite read, I can appreciate what the author has done, and hope that there will be people who will enjoy this book.

Booktopia

Australian Book Industry Awards Longlist 2018

The ABIA Longlist has also been announced today for 2018, and celebrates the diversity and quality of Australian writing, publishing and bookselling. The ABIA Academy – a group of booksellers, agents, media and industry representatives – voted for the longlist, and the 2018 campaign was long and exhaustive, resulting in this year’s academy having 250 members.

A shortlist will be announced of the nineteenth of April, and the winners announced at the ABIA Awards on the 3rd of May, at the International Convention Centre in Sydney. The ABIA awards have been sponsored by: The Australian Women’s Weekly, JC Decaux, Media Super, Audible, Opus, Booktopia, Curtis Brown, Ingram, Nielsen Bookscan, Leading Edge Books, Simpsons Solicitors, John Fisher Printing, and industry partners, ABA, ALIA, APA, ASA, BorrowBox, The Copyright Agency, Books + Publishing and the Children’s Book Council.

The award has twelve categories, and below are the long-lists for each category:

BioAbia2018

Biography Book of the Year

  • A Writing Life: Helen Garner and Her Work, Bernadette Brennan (Text Publishing, Text Publishing)
  • Danger Music, Eddie Ayres (Allen & Unwin, Allen & Unwin)
  • The Enigmatic Mr Deakin, Judith Brett (Text Publishing, Text Publishing)
  • Tracker, Alexis Wright (Giramondo Publishing, Giramondo Publishing Company)
  • Unbreakable, Jelena Dokic and Jess Halloran (Ebury Australia, Penguin Random House Australia)
  • Unmasked, Turia Pitt (Ebury Australia, Penguin Random House Australia)
  • Wednesdays with Bob, Derek Rielly and Bob Hawke (Macmillan Australia, Pan Macmillan Australia,)
  • Working Class Man, Jimmy Barnes (HarperCollins Publishers, HarperCollins Publishers)

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General Fiction Book of the Year

  • Force of Nature, Jane Harper (Macmillan Australia, Pan Macmillan Australia)
  • On the Java Ridge, Jock Serong (Text Publishing, Text Publishing)
  • The Dark Lake, Sarah Bailey (Allen & Unwin, Allen & Unwin)
  • The Girl from Munich, Tania Blanchard (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Inaugural Meeting Of The Fairvale Ladies Book Club, Sophie Green (Hachette, Hachette Australia)
  • The Secrets She Keeps, Michael Robotham (Hachette, Hachette Australia)
  • The Tea Gardens, Fiona McIntosh (Michael Joseph Australia, Penguin Random House Australia)
  • The Trip of A Lifetime, Monica McInerney (Michael Joseph Australia, Penguin Random House Australia)

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General Non-fiction Book of the Year

  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness, Kate Cole-Adams (Text Publishing, Text Publishing)
  • Being 14,Madonna King (Hachette, Hachette Australia)
  • Depends What You Mean By Extremist, John Safran (Hamish Hamilton Australia, Penguin Random House Australia)
  • First, We Make The Beast Beautiful, Sarah Wilson (Macmillan Australia, Pan Macmillan Australia)
  • Not Just Lucky, Jamila Rizvi (Viking Australia, Penguin Random House Australia)
  • Saga Land, Richard Fidler and Kári Gíslason (ABC Books, HarperCollins Publishers)
  • Taming Toxic People, David Gillespie (Macmillan Australia, Pan Macmillan Australia)
  • The Harbour: A City’s Heart, A Country’s Soul, Scott Bevan (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster, Sarah Krasnostein (Text Publishing, Text Publishing)

ABIA2018_Illustrated

Illustrated Book of the Year

  • Basics to Brilliance Kids, Donna Hay (Fourth Estate, HarperCollins Publishers)
  • Cornersmith: Salads and Pickles, Alex Elliott-Howery and Sabine Spindler (Murdoch Books, Murdoch Books)
  • Hummus and Co, Michael Rantissi and Kristy Frawley (Murdoch Books, Murdoch Books)
  • Maggie’s Recipe for Life, Maggie Beer and Professor Ralph Martins (A Julie Gibbs Book for Simon & Schuster Australia, Simon & Schuster Australia)
  • Native: Art and Design with Australian Plants, Kate Herd and Jela Ivankovic-Waters (Thames & Hudson Australia, Thames & Hudson Australia)
  • Ostro, Julia Busuttil Nishimura (Plum, Pan Macmillan Australia)
  • Paris: Through a Fashion Eye, Megan Hess (Hardie Grant Books, Hardie Grant Publishing)
  • The Vegetable, Caroline Griffiths and Vicki Valsamis (Smith Street Books, Smith Street Books)

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International Book of the Year

  • Eleanor Oliphant is Completely Fine, Gail Honeyman (HarperCollins Publishers, HarperCollins Publishers)
  • Good Night Stories for Rebel Girls, Elena Favilli and Francesa Cavallo (Particular Books -UK Juvenile, Penguin Random House Australia)
  • Here We Are: Notes For Living On Planet Earth, Oliver Jeffers (HarperCollins Publishers, HarperCollins Publishers)
  • Home Fire, Kamila Shamsie (Bloomsbury Circus, Bloomsbury Publishing)
  • La Belle Sauvage: The Book of Dust Volume One, Philip Pullman (David Fickling Books, Penguin Random House Australia)
  • Lincoln in the Bardo, George Saunders (Bloomsbury Publishing, Bloomsbury Publishing)
  • Mythos, Stephen Fry (Michael Joseph – UK, Penguin Random House Australia)
  • The Sun and her Flowers, Rupi Kaur (Simon & Schuster UK, Simon & Schuster UK)

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Literary Fiction Book of the Year

  • A Long Way Home, Peter Carey (Hamish Hamilton Australia, Penguin Random House Australia)
  • Australia Day, Melanie Cheng (Text Publishing, Text Publishing)
  • First Person, Richard Flanagan (Knopf Australia, Penguin Random House Australia)
  • See What I Have Done, Sarah Schmidt (Hachette, Hachette Australia)
  • Taboo, Kim Scott (Picador Australia, Pan Macmillan Australia)
  • The Choke, Sofie Laguna (Allen & Unwin, Allen & Unwin)
  • The Life to Come, Michelle de Kretser (Allen & Unwin, Allen & Unwin)
  • Wimmera, Mark Brandi (Hachette, Hachette Australia)

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Small Publishers’ Adult Book of the Year

  • Atlantic Black, A. S. Patric (Transit Lounge, Transit Lounge)
  • Call of the Reed Warbler – A New Agriculture – A New Earth, Charles Massy (The University of Queensland Press, The University of Queensland Press)
  • Cardinal, Louise Milligan (Melbourne University Press, Melbourne University Publishing)
  • Journeys into the Wild: The Photography of Peter Dombrovskis, Introduction & Commentary by Bob Brown (NLA Publishing, National Library of Australia)
  • The Australian Bird Guide, Peter Menkhorst, Danny Rogers, Rohan Clarke, Jeff Davies, Peter Marsack and Kim Franklin (CSIRO Publishing, CSIRO Publishing)
  • The Restorer, Michael Sala (Text Publishing, Text Publishing)
  • Museum of Words, Georgia Blain (Scribe Publications, Scribe Publications)
  • Mirror Sydney, Vanessa Berry (Giramondo Publishing, Giramondo Publishing Company)

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Small Publishers’ Children’s Book of the Year

  • At the Beach I See, Kamsani Bin Salleh (Magabala Books, Magabala Books)
  • At the Zoo I See, Joshua Button and Robyn Wells (Magabala Books, Magabala Books)
  • Big Fella Rain, Beryl Webber and illustrated by Fern Martins (Magabala Books, Magabala Books)
  • Hello, Melbourne!, Megan McKean (Thames & Hudson Australia, Thames & Hudson Australia)
  • It’s OK to Feel the Way You Do, Josh Langley (Big Sky Publishing, Big Sky Publishing)
  • The Elephant, Peter Carnavas (The University of Queensland Press, The University of Queensland Press)
  • Slow Down, World, Tai Snaith (Thames & Hudson Australia, Thames & Hudson Australia)
  • Under the Love Umbrella, Davina Bell and Allison Colpoys (Scribble Kids’ Books, Scribe Publications)

THE-MATT-RICHELL-AWARD-FOR-NEW-WRITER-OF-THE-YEAR-Simpsons-WIDE-Square

The Matt Richell Award for New Writer of the Year

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Book of the Year for Older Children (ages 13+)

  • Beautiful Mess, Claire Christian (Text Publishing, Text Publishing)
  • Begin, End, Begin: A #LoveOzYA Anthology, Amie Kaufman, Melissa Keil, Will Kostakis, Ellie Marney, Jaclyn Moriarty, Michael Pryor, Alice Pung, Gabrielle Tozer, Lili Wilkinson and Danielle Binks (HarperCollins Publishers, HarperCollins Publishers)
  • Frogkisser!,Garth Nix (Allen & Unwin, Allen & Unwin)
  • My Life as a Hashtag, Gabrielle Williams (Allen & Unwin, Allen & Unwin)
  • Take Three Girls, Simmone Howell, Cath Crowley and Fiona Wood (Pan Australia, Pan Macmillan Australia)
  • Tales From a Tall Forest, Shaun Micallef and illustrated by Jonathan Bentley (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Silent Invasion, James Bradley (Pan Australia, Pan Macmillan Australia)
  • Untidy Towns, Kate O’Donnell (The University of Queensland Press, The University of Queensland Press)

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Book of the Year for Younger Children (ages 7-12)

  • Frankie Fish and the Sonic Suitcase, Peter Helliar and illustrated by Lesley Vamos (Hardie Grant Egmont, Hardie Grant Egmont)
  • Funny Kid for President, Matt Stanton (ABC Books, HarperCollins Publishers)
  • Maybe, Morris Gleitzman (Viking – AU YR, Penguin Random House Australia)
  • Nevermoor, Jessica Townsend (Lothian Children’s Books, Hachette Australia)
  • Polly and Buster: The Wayward Witch and the Feelings Monster, Sally Rippin (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Bad Guys Episode 6, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • The Extremely Inconvenient Adventures of Bronte Mettlestone, Jaclyn Moriarty (Allen & Unwin, Allen & Unwin)
  • The Girl, the Dog and the Writer in Rome, Katrina Nannestad (ABC Books, HarperCollins Publishers)
  • The 91-Storey Treehouse, Andy Griffiths and Terry Denton (Pan Australia, Pan Macmillan Australia)

PICTURE-BOOK-longlist-Square

Children’s Picture Book of the Year (ages 0-6)

  • Do Not Lick This Book, Idan Ben-Barak and illustrated by Julian Frost (Allen & Unwin, Allen & Unwin)
  • Florette, Anna Walker (Viking – AU YR, Penguin Random House Australia)
  • I Just Ate My Friend, Heidi McKinnon (Allen & Unwin, Allen & Unwin)
  • I’m Australian Too, Mem Fox and illustrated by Ronojoy Ghosh (Scholastic Press, Scholastic Australia)
  • Mopoke, Philip Bunting (Scholastic Press, Scholastic Australia)
  • Pig the Star, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • No One Likes a Fart, Zoë Foster Blake (Viking – AU YR, Penguin Random House Australia)
  • The Bum Book, Kate Mayes and illustrated by Andrew Joyner (ABC Books, HarperCollins Publishers)
  • The Very Noisy Baby, Alison Lester (Affirm Press, Affirm Press)

Some books have been nominated for several other prxizes, and I would not be surprised if Nevermoor takes out Book of the Year for Younger Children. There are a few on these lists I have read, and several more I am planning on reading. I look forward to future announcements for this prize.

Booktopia

Stella Prize Shortlist

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The announcement of the 2018 shortlist for the annual Stella Prize happened today, on International Women’s Day. From a long-list of twelve, six have made the shortlist, and it is a diverse, eclectic and powerful selection of the voices of Australian women. The importance of this, at a time when women’s voices are demanding to be heard in all spheres is important: the diversity in these books should be interesting, and I have at least two on my to read list, and one on my read list. Of the others, I am yet to decide if I will add them to my growing to be read lists and piles, as they look just as interesting as the ones I have chosen to read.

This year’s shortlisted books and authors are diverse and relevant and show the breadth of writing by Australian women. The themes in the books are about family, politics, identity and what has been, and what might come. The diversity of these stories is what gives them their power.

Shortlist:

The Enlightenment of the Greengage Tree by Shokoofeh Azar

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This book is an extraordinarily powerful and evocative literary novel set in Iran in the period immediately after the Islamic Revolution in 1979. Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. Azar is the consummate storyteller, using the panoply of Persian mythical and mystical entities to bring life, humour, hope, resignation, and profound insights to the characters and their world.

Terra Nullis by Clare G. Coleman

terra nulliusJacky was running. There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.

The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.

This is not Australia as we know it. This is not the Australia of our history. This TERRA NULLIUS is something new, but all too familiar.

This is an incredible debut from a striking new Australian Aboriginal voice.

The Life to Come by Michelle de Krester

 

Michelle-de-Kretser_The-Life-to-Come-669x1024.jpgSet in Sydney, Paris and Sri Lanka, The Life to Come is a mesmerising novel about the stories we tell and don’t tell ourselves as individuals, as societies and as nations. It feels at once firmly classic and exhilaratingly contemporary.

Pippa is a writer who longs for success. Celeste tries to convince herself that her feelings for her married lover are reciprocated. Ash makes strategic use of his childhood in Sri Lanka but blots out the memory of a tragedy from that time. Driven by riveting stories and unforgettable characters, here is a dazzling meditation on intimacy, loneliness and our flawed perception of other people.

Profoundly moving as well as wickedly funny, The Life to Come reveals how the shadows cast by both the past and the future can transform, distort and undo the present. This extraordinary novel by Miles Franklin-winning author Michelle de Kretser will strike to your soul.

 

 

An Uncertain Grace by Krissy Kneen

 

Krissy-Kneen_An-Uncertain-Grace_High-Res-669x1024.jpgSome time in the near future, university lecturer Caspar receives a gift from a former student called Liv: a memory stick containing a virtual narrative. Hooked up to a virtual reality bodysuit, he becomes immersed in the experience of their past sexual relationship. But this time it is her experience. What was for him an erotic interlude, resonant with the thrill of seduction, was very different for her—and when he has lived it, he will understand how.

Later…

A convicted paedophile recruited to Liv’s experiment in collective consciousness discovers a way to escape from his own desolation.

A synthetic boy, designed by Liv’s team to ‘love’ men who desire adolescents, begins to question the terms of his existence.

L, in transition to a state beyond gender, befriends Liv, in transition to a state beyond age.

Liv herself has finally transcended the corporeal—but there is still the problem of love.

An Uncertain Grace is a novel in five parts by one of Australia’s most inventive and provocative writers. Moving, thoughtful, sometimes playful, it is about who we are—our best and worst selves, our innermost selves—and who we might become.

 

The Fish Girl by Mirandi Riwoe

Mirandi-Riwoe_The-Fish-Girl.jpgSparked by the description of a ‘Malay trollope’ in W. Somerset Maugham’s story, ‘The Four Dutchmen’, The Fish Girl tells of an Indonesian girl whose life is changed irrevocably when she moves from a small fishing village to work in the house of a Dutch merchant. There she finds both hardship and tenderness as her traditional past and colonial present collide.

Told with an exquisitely restrained voice and coloured with lush description, this moving book will stay with you long after the last page.

 

Tracker by Alexis Wright

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Alexis Wright returns to non-fiction in her new book, a collective memoir of the charismatic Aboriginal leader, political thinker and entrepreneur Tracker Tilmouth, who died in Darwin in 2015 at the age of 62.

Taken from his family as a child and brought up in a mission on Croker Island, Tracker Tilmouth worked tirelessly for Aboriginal self-determination, creating opportunities for land use and economic development in his many roles, including Director of the Central Land Council of the Northern Territory.

Tracker was a visionary, a strategist and a projector of ideas, renowned for his irreverent humour and his determination to tell things the way he saw them. Having known him for many years, Alexis Wright interviewed Tracker, along with family, friends, colleagues, and the politicians he influenced, weaving his and their stories together in a manner reminiscent of the work of Nobel Prize–winning author Svetlana Alexievich. The book is as much a testament to the powerful role played by storytelling in contemporary Aboriginal life as it is to the legacy of an extraordinary man.

I look forward to hearing which of these books wins in April. Reading about them, I think the judges have a very tough decision to make.

 

Booktopia

2018 NSW PREMIER’S LITERARY AWARDS

The NSW Government has a long tradition of celebrating and connecting the public with art and literature. The NSW Premier’s Literary Awards are an opportunity to highlight the importance of literacy and literature, whilst enjoying and learning from the work of our writers in NSW and Australia. Like other literary awards, this award in highlighting the spectacular Australian Literature Australian writers produce, highlights and honours the achievements of Australia’s writers, and their artistic contributions to society, but also to highlight our literary achievements to the world. The State Library administers the awards.AWW-2018-badge-rose

The NSW Premier’s Literary Awards have more categories than the Victorian awards. These categories are:

Christina Stead Prize for Fiction

2017 Winner: The Museum of Modern Love by Heather Rose

2017 Shortlist: Vancouver #3 in the series Wisdom Tree by Nick Earls

Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers by Ryan O’Neill

Where the Light Falls by Gretchen Shirm

After the Carnage by Tara June Winch

The Natural Way of Things by Charlotte Wood.

UTS Glenda Adams Award for New Writing

2017 Winner: Letter to Pessoa by Michelle Cahil

2017 Shortlist:

The Memory Artist by Katherine Brabon

Dodge Rose by Jack Cox

Our Magic Hour by Jennifer Down

Portable Curiosities by Julie Koh

The Bonobo’s Dream by Rose Mulready

Douglas Stewart Prize for Non-Fiction

2017 Winner: Our Man Elsewhere: In Search of Alan Moorehead by Thornton McCamish

2017 Shortlist: Everywhere I Look by Helen Garner

Talking to My Country by Stan Grant

The Art of Time Travel: Historians and Their Craft by Tom Griffiths

Avalanche by Julia Leigh

Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire by Shane White

Kenneth Slessor Prize for Poetry

2017 Winner: Ghostspeaking by Peter Boyle

2017 Shortlist: Burnt Umber by Paul Hetherington

Breaking the Days by Jill Jones

Fragments by Antigone Kefala

Firebreaks: Poems by John Kinsella

Comfort Food by Ellen van Neerven

Ethel Turner Prize for Young People’s Literature

2017 Winner: One Thousand Hills by James Roy and Noël Zihabamwe

2017 Shortlist: Elegy by Jane Abbott

The Ghost by the Billabong by Jackie French 

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The Sidekicks by Will Kostakis

The Boundless Sublime by Lili Wilkinson

One Would Think the Deep by Claire Zorn

Patricia Wrightson Prize for Children’s Literature

2017 Winner: Iris and the Tiger by Leanne Hall

2017 Shortlist: Magrit by Lee Battersby and Amy Daoud

Something Wonderful by Raewyn Caisley and Karen Blair

Desert Lake Pamela Freeman and Liz Anelli

Figgy and the President by Tamsin Janu

Welcome to Country by Aunty Joy Murphy and Lisa Kennedy

Nick Enright Prize For Playwriting

 

2017 Winner: The Drover’s Wife by Leah Purcell

2017 Shortlist:  The Hanging by Angela Betzein

You, Me and the Space Between by Finegan Kruckemeyer

Ladies Day by Alana Valentine

Betty Roland Prize for Scriptwriting

2017 Winner: The Code – Series 2, Episode 4 by Shelley Birse

2017 Shortlist: Down Under by Abe Forsythe

Sucker by Lawrence Leung and Ben Chessel

The Kettering Incident episode 1 by Victoria Madden

Afghanistan: Inside Australia’s War by Victoria Midwinter Pitt

Cleverman Episode 5 “Terra Nullius” by Michael Miller

Multicultural NSW Award

 2017 Winner: The Hate Race by Maxine Beneba Clarke

2017 Shortlist: Offshore: Behind the Wire on Manus and Nauru by Madeline Gleeson

Not Quite Australian: How Temporary Migration is Changing the Nation by Peter Mares

Of Ashes and Rivers that Run to the Sea by Marie Munkara

Promising Azra Helen Thurloe – on my To Be Read pile.

The Fighter: A True Story by Arnold Zable

NSW Premier’s Translation Prize

 2017 Winner: Royall Tyler

2017 Shortlist: J.M.Q Davies

Penny Hueston

Jennifer Lindsay

Multicultural NSW Early Career Translation Prize

 2017 Winner: Jan Owen

2017 Shortlist: Christopher Williams

Indigenous Writer’s Prize – Biennial Prize Next Awarded in 2018

Last awarded in 2016.

2016 Winners: Dark Emu by Bruce Pascoe and Heat and Light by Ellen van Neerven

2016 Shortlist: Ghost River by Tony Birch

Inside My Mother by Ali Cobby Eckermann

Dirty Words by Natalie Harkin

Not Just Black and White by Lesley Williams and Tammy Williams

Other Awards:

NSW Prize for Literature

2017 Winner: The Drover’s Wife by Leah Purcell

People’s Choice Award

 2017 Winner: Vancouver #3 in the series Wisdom Tree by Nick Earls

 Special Award

 The Special Award was last awarded to Rosie Scott AM in 2016.

Across these twelve categories and the three additional ones, there is a diverse range of authors and stories, that tell of personal experiences, imagined worlds and that draw on history and the world the authors have lived that led them to write these books. Each prize I have looked at so far has shown a different degree of diversity, with this one having a broader range, if only because it has more categories than the others I have looked at. Last year’s winners and nominees are in good company with past winners Peter Carey, David Malouf AO, Elizabeth Jolley, Thomas Keneally AO and Helen Garner.

Each prize has a different amount of money, and further details can be found in the provided links. In 2018, the total prize money, including sponsored awards is up to $305 000, and to be nominated for any of these awards, the writer and illustrator must be living Australian citizens or hold permanent resident status.

Taken from the website:

The NSW Premier’s Literary Awards are presented by the NSW Government and administered by the State Library in association with Create NSW. We are pleased to acknowledge the support of Multicultural NSW and the University of Technology Sydney (UTS).

The 2018 winners will be announced on 30 April 2018.The short-list will be announced in March.

Purchase any of the above books here:

Booktopia

Victorian Premier’s Literary Awards 2018 Winners

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Each year, the State Premiers of Australia nominate several books across several categories for literary awards, and each of the awards are announced at different times, and have different categories.  The Victorian awards were inaugurated in 1985 to honour Australian writing and are administered by the Wheeler Centre on behalf of the Premier of Victoria.

The Victorian awards are split into five categories: fiction, non-fiction, drama, poetry and writing for young adults, with one winner in each. Each winner wins $25,000 and they go on to contest the Victorian Prize for Literature. The Premier’s Award also incorporates the Unpublished Manuscript Award, won by Christian White for Decay Theory in 2017, and a biennial Award for Indigenous Writing. Both of these awards go onto contest the Victorian Literary Prize with the other five categories.

People can participate in the awards by voting for their favourite work on the shortlist, and the winner of the People’s Choice Award, which is named alongside the general categories wins $2,000.

In 2018, none of the winners were male or identified as male. Of the five winners, four were women, and one was non-binary – Alison Evans, whose novel, Ida, won The People’s Choice Award. This year’s winners were announced on the first of February.

The winners

  • The Victorian Prize for Literature, and the Prize for Non-FictionThe Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • The Prize for Fiction: Australia Day by Melanie Cheng (Text Publishing)
  • The Prize for DramaRiceby Michele Lee (Playlab)
  • The Prize for PoetryArgosy by Bella Li (Vagabond Press)
  • The Prize for Writing for Young AdultsLiving on Hope Street by Demet Divaroren (Allen & Unwin)
  • People’s Choice AwardIda by Alison Evans (Echo)

Of these, I have Australia Day by Melanie Cheng on my To Be Read list, and am deciding which of the others to explore.

The above winners were chosen and voted for from the following shortlist:

The shortlist

Fiction 

  • A New England Affair by Steven Carroll (HarperCollins)
  • Australia Day by Melanie Cheng (Text Publishing)
  • The Life to Come by Michelle de Kretser (Allen & Unwin)
  • The Choke by Sofie Laguna (Allen & Unwin)
  • The Restorer by Michael Sala (Text Publishing)
  • Taboo by Kim Scott (Picador Australia)

Non-fiction

  • The Museum of Words: A Memoir of Language, Writing and Mortality by Georgia Blain (Scribe Publications)
  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness by Kate Cole-Adams (Text Publishing)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • For a Girl: A True Story of Secrets, Motherhood and Hope by Mary-Rose MacColl (Allen & Unwin)
  • No Way But This: In Search of Paul Robeson by Jeff Sparrow (Scribe Publications)
  • Tracker by Alexis Wright (Giramondo)

Drama

  • Rice by Michele Lee (Playlab)
  • Black is the New White by Nakkiah Lui (Sydney Theatre Company)
  • The Rasputin Affair by Kate Mulvany (The Ensemble Theatre)

Poetry

  • Argosy by Bella Li (Vagabond Press)
  • The Metronome by Jennifer Maiden (Giramondo)
  • redactor by Eddie Paterson (Whitmore Press)

Writing for Young Adults

  • Living on Hope Street by Demet Divaroren (Allen & Unwin)
  • Ida by Alison Evans (Echo)
  • Because of You by Pip Harry (UQP)

Highly commended

Fiction

  • No More Boats by Felicity Castagna (Giramondo)
  • Terra Nullius by Claire Coleman (Hachette)
  • Atlantic Black by A.S. Patrić (Transit Lounge)
  • Plane Tree Drive by Lynette Washington (MidnightSun)

Non-fiction 

  • They Cannot Take the Sky: Stories from Detention edited by Michael Green, André Dao, Angelica Neville, Dana Affleck and Sienna Merope (Allen & Unwin)

Poetry

  • I Love Poetry by Michael Farrell (Giramondo)
  • Reading for a Quiet Morning by Petra White (GloriaSMH Press)

Young Adult

  • In the Dark Spaces by Cally Black (Hardie Grant Egmont)

Reading up on as many of these entries as possible shows that this award strived for diversity too, and in naming four women and one non-binary author as winners, shows the importance of having these voices heard in society, but also the exemplary work these authors have achieved to have been nominated for these awards. Some of the authors on the shortlist were also nominated for the Stella Prize, and are on the 2018 Longlist, and information about this can be found on my post about the 2018 Stella Prize here.

Booktopia