The Bedlam Stacks by Natasha Pulley

bedlam stacks.jpg

Title: The Bedlam Stacks

Author: Natasha Pulley

Genre: Historical Fiction

Publisher: Bloomsbury Circus

Published: 1st August, 2017

Format: Paperback

Pages: 352

Price: $29.99

Synopsis: An astonishing historical novel set in the shadowy, magical forests of South America, which draws on the captivating world of the international bestseller The Watchmaker of Filigree Street

Deep in uncharted Peru, the holy town of Bedlam stands at the edge of a forest. The shrine statues move, and anyone who crosses the border dies. But somewhere inside are cinchona trees, whose bark yields quinine: the only known treatment for malaria.

On the other side of the Pacific, it is 1859 and India is ravaged by the disease. The hunt for a reliable source of quinine is critical and in its desperation, the India Office searches out its last qualified expeditionary. Struggling with a terrible injury from his last mission and the strange occurrences at his family’s ruined estate, Merrick Tremayne finds himself under orders to bring back cinchona cuttings at any cost and dispatched, against his own better judgement, to Bedlam.

There he meets Raphael, a priest around whom the villagers spin unsettlingly familiar stories of impossible disappearances and living stone. Gradually, he realises that Raphael is the key to a legacy left by two generations of Tremayne explorers before him, one which will prove more dangerous and valuable than the India Office could ever have imagined.

~*~

Ex- East India smuggler, Merrick Tremayne is at home in Cornwall, recovering from an injury to his leg that inhibits activity for him when the India Office contacts him about an expedition to Peru to fetch some quinine to help treat malaria outbreaks in India. Tremayne instantly knows it is a bad idea : every able-bodied explorer has been unsuccessful, paying with their life, so he questions how he, a disabled explorer, will cope, survive and succeed. Lumped with orders to go, Tremayne is accompanied by a friend, Clem, and they venture into Bedlam, a holy town in uncharted Peru that holds many secrets of the past, and a sense of magic and history that will slowly unfold throughout the five parts of the novel, and reveal secrets about a Tremayne ancestor that Merrick had been unaware of. Accompanied by a priest, Raphael, whose presence indicates something a little out of the ordinary, lending to a sense of fantastical and magical realism within the novel.

The Bedlam Stacks is steeped in history and colonialist ideas and expectations of “The Other”, typically seen through Tremayne’s companion, Clem, whose ignorance and the sense that he felt his knowledge was superior came through at times, in contrast to Tremayne, who I felt made the efforts to understand and communicate effectively with Raphael and show his appreciation for what Raphael was doing for him. In 1860, when disability and injury might be more likely to inhibit what one is able to do, Tremayne copes, albeit with help when he needs it, and in what felt realistic, he is shown to struggle, but readers also get to see what he is capable of, in all areas of his person. It is a travel story with a difference, where the explorers are faced with the harsh realities of an unknown world that challenges their sense of being and self, and shows them just how human and vulnerable they are. They need rescuing by locals, and at times, they are shown to be imperfect, punctures to their egos that their upbringing might have inflated.

I liked Merrick’s sense of humility, and ability to stand back and let Raphael talk. It was refreshing to see this move towards equal standing of characters of vastly different backgrounds, much of which are extrapolated through flashbacks, cleverly inserted into the text without disrupting the flow of the story, and the vast majority is told in first person, with the exception of one chapter towards the end that gives the reader insight into Raphael and his past. Raphael’s absences of long periods of time are explained as catalepsy – by Merrick, who hears of Raphael’s symptoms and urges him to see a doctor – perhaps a marker of how he sees the world, juxtaposed with Raphael’s acceptance of things being the way they are. In doing so, Pulley has illustrated how two different worlds collide, and through this collision, have attempted to find a way to communicate.

Throughout the novel, odd things happen at different times, marking this as more than just an expedition into history and unexplored, uncharted areas of the world as they would have been in the 1860s. These instances hint at elements of fantasy and magical realism, and this makes it a very intriguing novel, as the layers of each chapter and part are revealed slowly to bring the story to it’s conclusion and the wrapping up of the characters and their lives, but at the same time, leaving some aspects open for interpretation and maybe another novel.

It was a enjoyable novel, and has made me want to read Natasha’s first novel. The Watchmaker of Filigree Street. An enjoyable novel, and highly recommended for fans of historical fiction, mysteries and novels with that little bit of a difference that make them stand out.

Booktopia

Harry Potter and the Philosopher’s Stone 20th Anniversary Edition: Ravenclaw

hplogo

raven-hb-20Title: Harry Potter and the Philosopher’s Stone 20th Anniversary Edition: Ravenclaw

Author: JK Rowling

Genre: Fantasy, Children’s Literature

Publisher: Bloomsbury Australia

Published: June 2017 (20th Anniversary Editions)

Format: Paperback/Hardcover

Pages: 352

Price: Paperback: $16.99, Hardback: $27.99

Synopsis: Celebrate 20 years of Harry Potter magic with four special editions of Harry Potter and the Philosopher’s Stone.

Gryffindor, Slytherin, Hufflepuff, Ravenclaw … Twenty years ago these magical words and many more flowed from a young writer’s pen, an orphan called Harry Potter was freed from the cupboard under the stairs – and a global phenomenon started. Harry Potter and the Philosopher’s Stone has been read and loved by every new generation since. To mark the 20th anniversary of first publication, Bloomsbury is publishing four House Editions of J.K. Rowling’s modern classic. These stunning editions will each feature the individual house crest on the jacket and line illustrations exclusive to that house, by Kate Greenaway Medal winner Levi Pinfold. Exciting new extra content will include fact files and profiles of favourite characters, and each book will have sprayed edges in the house colours. Available for a limited period only, these highly collectable editions will be a must-have for all Harry Potter fans in 2017.

Harry Potter has never even heard of Hogwarts when the letters start dropping on the doormat at number four, Privet Drive. Addressed in green ink on yellowish parchment with a purple seal, they are swiftly confiscated by his grisly aunt and uncle. Then, on Harry’s eleventh birthday, a great beetle-eyed giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. An incredible adventure is about to begin!

~*~

raven-20Most of us know the story, we’ve read the series more times than we can count and seen each movie multiple times, and would probably blitz it in a Harry Potter trivia quiz. We know Hogwarts just as well as our own homes, know Harry, Ron, Hermione and the rest of the Weasley clan, as well as the teachers as Hogwarts like old friends, and we know that in the end, all will be well. Today marks the 20th anniversary of the publication of Harry Potter, and to celebrate this occassion, Bloomsbury have re-released the first book in house colours in hard cover and paperback. The hard cover book has a black slip cover, with the house crest in the respective colour – so blue for Ravenclaw, with blue and bronze strip sprayed edges on the pages. The paperback of Ravenclaw is blue with black imagery and bronze text and blue edges. Each is exquisite, and the other houses are done in the same way with their respective liveries and colours.

Before the story starts, we are treated to additional information about the founder of Ravenclaw, Rowena Ravenclaw, information about the livery – a raven, in the centre, and flanked by an owl and another raven, with a swan and a fox atop the livery on either side of a sharp arrow. This, along with other illustrations, have been completed by Levi Pinfold, and give a delightful insight into what the founder of Ravenclaw looks like, which enhances the additional information about her and the house, which includes information on the house ghost, The Grey Lady, and notable students, such as Luna Lovegood, Moaning Myrtle and Gilderoy Lockhart, perhaps the most inept Defence Against the Dark Arts teacher Hogwarts ever had, as well as head of house, Charms Professor, Filius Flitwick.

Each respective house edition has these same features in relation to Gryffindor, Hufflepuff and Slytherin.

hp20_230In Harry’s world, we are treated to characters that will stay with us, and that will be well loved and treasured. With each character growing over the series, it will be interesting to see how Bloomsbury tops each subsequent 20th anniversary after this one, whether it will be books or events held across the world.

Between these informative sections, is the original story, still the same, still magical, and still welcoming. The characters haven’t changed, ensuring that readers of all ages, new and old, will come to the series finding the same thing, and being able to share the same story in whatever way they come to enjoy it. The additions of Levi Pinfold’s illustrations and the house information enhance the experience, and make for a delightful and colourful collection if you choose to get each house edition for your collection. It is a story that will live on, and the magic doesn’t die as you read and read it again. I discover something new with each read, and I thoroughly enjoy reading my Ravenclaw edition.

bloomsburylogo

Choose your house and enjoy, and if you can, head to Harry Potter 20th Anniversary celebrations near you!

Rotherweird by Andrew Caldecott

rotherweird.jpg

Title: Rotherweird

Author: Andrew Caldecott

Genre: Fiction, Fantasy, Historical Fiction

Publisher: Hachette Australia/Jo Fletcher Books

Published: 16th May 2017

Format: Paperback

Pages: 460

Price: $32.99

Synopsis: Welcome to Rotherweird: a town with no maps, no guidebooks and no history, but many many secrets . . . A stunning combination of JONATHAN STRANGE AND MR NORRELL and GORMENGHAST with a dash of THE LEAGUE OF EXTRAORDINARY GENTLEMEN.

‘Intricate and crisp, witty and solemn: a book with special and dangerous properties,’ Hilary Mantel

‘Baroque, Byzantine and beautiful – not to mention bold’ M.R. Carey

Rotherweird is twisted, arcane murder-mystery with shades of Deborah Harkness, Hope Mirrlees and Ben Aaronovitch, Mervyn Peake and Edward Gorey at their disturbing best.

The town of Rotherweird stands alone – there are no guidebooks, despite the fascinating and diverse architectural styles cramming the narrow streets, the avant garde science and offbeat customs. Cast adrift from the rest of England by Elizabeth I, Rotherweird’s independence is subject to one disturbing condition: nobody, but nobody, studies the town or its history.

For beneath the enchanting surface lurks a secret so dark that it must never be rediscovered, still less reused.

But secrets have a way of leaking out.

Two inquisitive outsiders have arrived: Jonah Oblong, to teach modern history at Rotherweird School (nothing local and nothing before 1800), and the sinister billionaire Sir Veronal Slickstone, who has somehow got permission to renovate the town’s long-derelict Manor House.

Slickstone and Oblong, though driven by conflicting motives, both strive to connect past and present, until they and their allies are drawn into a race against time – and each other. The consequences will be lethal and apocalyptic.

Welcome to Rotherweird!

~*~

Rotherweird is a town in England, that has been self-governing since Elizabethan times, and though they are firmly in the twenty-first century now, modern technology does not exist or work here. Following expulsion from England during the reign of Queen Elizabeth the first, Rotherweird is a town of anachronisms and history, fantasy and tragedy, but also comedy – making the story a sort of historical tragi-comedy. In Rotherweird, outsiders are not always welcome, and treated with suspicion. The arrival of Jonah Oblong, to be the new history teacher for Form IV, and the sinister billionaire, Sir Veronal Slickstone, set a series of events that will end in tragedy in motion, and lead to further books, which I hope will answer any questions Rotherweird didn’t.

History appears to be important in Rotherweird – as long as it’s not local history or any history prior to 1800 – it will be interesting to see how this is explored in the next book, Wyntertide. Rotherweird is split into six months, and before each month in our time begins, a section of Old History is told – this is the history not taught at the school Oblong is employed at, but that he and Slickstone are working to bring back, though each through different means. In Elizabethan times, Queen Elizabeth I seeks to get rid of the talented children of Rotherweird that she sees as a threat, and Rotherweird’s concealment of them leads to the execution of one of it’s citizens, and thus, Queen Elizabeth I cutting it off from the rest of England.

The Old History sections act as world building through plot, and this is very effective, as is the technique of holding things back, and the hints dropped about Slickstone as Oblong delves into local history, which is forbidden, yet with the arrival of Slickstone, who has permission to renovate the derelict Manor House, Old History and Local History begin leaking out, and not only to the two men trying to look into it and reinvigorate it in Rotherweird.

It is an enjoyable book, where history, fantasy, tragedy and comedy collide in new and unusual ways, to create a novel that is full of intrigue and mystery, and characters that aren’t quite what they seem to be, in a world that is modern yet at the same time, not really that modern, filled with characters who will begin to question the way things are as tragedy begins to strike at people they care for, people who previously had no interest in the world outside of the history they knew, such as Orelia Roc, begin to wonder about that history.

Much like a Shakespeare play, the cast of characters is given at the front, divided into the groups that they represent. In the novel, notes between the characters are handwritten – in Modern English but in the script that can be found in historical documents, where an s can look like an f – though I found these to be readable, and it didn’t take me long to get used to this – having read some such documents, I felt this is what helped me to work this out.

Each section is interspersed with wonderful and magical illustrations by Sasha Laika. These illustrations enrich the story and give it further sense of wonder and fantasy. Rotherweird’s Elizabethan feel in a modern style of writing is magically appealing and I gobbled it up in under a week, the short chapters flying by within minutes, with a decent pace, and nicely balanced telling and showing, it is a delightful novel with a sense of mystery that I enjoy in my reading.

A great read, perhaps aimed at teenagers and adults, it will hopefully become a favourite for many,

images

Booktopia

Singing My Sister Down And Other Stories by Margo Lanagan

singing my sister downTitle: Singing My Sister Down and Other Short Stories

Author: Margo Lanagan

Genre: Fiction, Short Stories

Publisher: Allen and Unwin

Published: 26th January. 2017

Format: Paperback

Pages: 208

Price: $19.99

Synopsis: An outstanding collection of thirteen short stories from the internationally acclaimed, multi-award winning author of Sea Hearts and Tender Morsels.

‘We all went down to the tar-pit, with mats to spread our weight.’ So begins ‘Singing My Sister Down’, Margo Lanagan’s internationally acclaimed, award-winning short story.

Singing My Sister Down and Other Stories brings together ten celebrated short stories, along with three new ones, from the extraordinarily talented author of Tender Morsels and Sea Hearts.

A bride accepts her devastating punishment. A piece of the moon is buried. A ferryman falls into the Styx. Wee Willie Winkie brings a waking nightmare. A new father dresses a fallen warrior princess. A sniper picks off clowns one by one. Margo Lanagan’s stories will stay with you, haunting you with their quiet beauty and fine balance.

 

~*~

 

aww2017-badgeSinging My Sister Down And Other Stories by Margo Lanagan brings together a collection of surreal, fantastical and timeless short stories. They are not interconnected, but each reflect on the human condition, and aspects of the fantastical. In the title story, Singing My Sister Down, a bride is forced to accept a devastating punishment while her family watches and assists – it is heartbreaking and yet, has a feeling of fairy tale or the distant past, where punishments were harsh. One story, Ferryman, draws on Greek Mythology and the underworld, with the ferryman of the River Styx falling into the river he crosses every day, ferrying the recently departed to the Underworld to live with Hades and Persephone. Not All Ogre is an unusual retelling of Sleeping Beauty, with a not so happy ending for the sleeping princess. These are just three of the thirteen stories that are included in this anthology, and that evoke a sense of timelessness mixed with a fairy tale or mythical feel. Another story shows a more sinister side to the Wee Willie Winkie nursery rhyme.

 

Each story is written in first person, and set in undetermined times and places, and at times, drawing on myth and fairy tale to create the story. This gives each story an eerie feel, but at the same time, it works really well, allowing the reader to immerse themselves in the stories that Lanagan has written. In some tales, the sinister side of tradition and fairy tales or nursery rhymes emerge –Wee Willie Winkie is shown as a living nightmare, a world where the worst dreams come true and haunt people for a long time. Yet others are more surreal, where I was unsure about the setting and plot and characters – yet at the same time, show a world that is not quite perfect at times, but idealised through the eyes of some of the narrators. The characters are all flawed, but driven by their own natures and desires towards the final outcomes of each story.

 

Within each story, Margo Lanagan has created a world we can recognise – the world of human nature and human flaws, not a physical world. It is lyrical and full of rich language and imagery that makes each read compelling, something that I didn’t want to set aside. It is another book that can be devoured or savoured, and I tried to do both, wanting to know how each story ended, yet not wanting to finish it too quickly.

 

In most anthologies, the stories can be linked by a theme, or even a series of characters or other plot devices. Yet in Singing My Sister Down, each story is its own entity, and yet, this works. I liked the different stories and characters within each tale, alternating between timeless worlds or worlds of magic and wonder, or unknown worlds hinting at a non-human existence. She does all of this in a wonderful way that captures the imagination and brings together ideas of what makes us human – and how an individual might deal with certain circumstances. If I had to pick a favourite, or at least one that sticks with me, it is probably Not All Ogre – I recognised the fairy tale motifs and this was exquisitely done, even though the conclusion and events that led to the conclusion were unexpected. I think this worked well for this tale in particular, leading the reader to believe one thing and then allowing another to happen – this made it intriguing and memorable.

 

A good read for young adult and adult readers. It can be read in a few days, and I hope to revisit it.

 

 Booktopia

Aurealis Awards

aurealis-awards-winner.jpg

 

Established in 1995 by Chimaera Publications, the publishers of Aurealis magazine, to recognise the achievements of Australian writers of fantasy, science fiction and horror. These awards are intended to complement the Ditmar Awards of the Annual Australian National Science Fiction Convention and the Australian Children’s Book Council Awards, as well as the various other state and national literary awards such as the Stella Prize, as none of these awards distinguishes the different categories of speculative fiction that fantasy, horror and science fiction fit into.

 

Out of these winners, I have read the Best Children’s Fiction recipient, When the Lyrebird Calls by Kim Kane, and the winner of the Convenor’s Award for Excellence, The Rebirth of Rapunzel by Kate Forsyth.

 

Congratulations to the winners.

 

 

The 2016 Winners are listed below:

 

Congratulations to the winners of the 2016 Aurealis Awards!

BEST CHILDREN’S FICTION

When the Lyrebird Calls, Kim Kane (Allen & Unwin)lyrebird

 

BEST GRAPHIC NOVEL / ILLUSTRATED WORK

Negative Space, Ryan K Lindsay (Dark Horse Comics)

 

BEST YOUNG ADULT SHORT STORY

“Pretty Jennie Greenteeth”, Leife Shallcross (Strange Little Girls, Belladonna Publishing)

 

BEST HORROR SHORT STORY

“Flame Trees”, TR Napper (Asimov’s Science Fiction, April/May 2016)

 

BEST HORROR NOVELLA

“Burnt Sugar”, Kirstyn McDermott (Dreaming in the Dark, PS Australia)

 

BEST FANTASY SHORT STORY

“Where the Pelican Builds Her Nest”, Thoraiya Dyer (In Your Face, FableCroft Publishing)

 

BEST FANTASY NOVELLA

“Forfeit”, Andrea K Höst (The Towers, the Moon, self-published)

 

BEST SCIENCE FICTION SHORT STORY

“Of Sight, of Mind, of Heart”, Samantha Murray (Clarkesworld #122)

 

BEST SCIENCE FICTION NOVELLA

“Salto Mortal”, Nick T Chan (Lightspeed #73)

 

BEST COLLECTION

A Feast of Sorrows, Angela Slatter (Prime Books)

 

BEST ANTHOLOGY

Year’s Best YA Speculative Fiction 2015, Julia Rios and Alisa Krasnostein (eds.) (Twelfth Planet Press)

 

BEST YOUNG ADULT NOVEL

Lady Helen and the Dark Days Pact, Alison Goodman (HarperCollins Publishers)

 

BEST HORROR NOVEL

The Grief Hole, Kaaron Warren (IFWG Publishing Australia)

 

BEST FANTASY NOVEL

Nevernight, Jay Kristoff (Harper Voyager)

 

BEST SCIENCE FICTION NOVEL

Gemina: Illuminae Files 2, Amie Kaufman & Jay Kristoff (Allen & Unwin)

 

THE CONVENORS’ AWARD FOR EXCELLENCE

The Rebirth of Rapunzel: A Mythic Biography of the Maiden in the Tower, Kate Forsyth (FableCroft Publishing)

 

Congratulations to the 2016 winners, announced on .the 14th of April, 2017.

Fantastic Beasts and Where to Find Them by JK Rowling (Newt Scamdander)

fantastic beasts text.jpegTitle: Fantastic Beasts and Where to Find Them

Author: JK Rowling writing as Newt Scamander

Genre: Fantasy, Fiction

Publisher: Bloomsbury

Published: 14th March, 2017

Format: Hardcover

Pages: 144

Price: $24.99

Synopsis: A brand new edition of this essential companion to the Harry Potter stories, with a new foreword from JK Rowling and an irresistible new jacket by Jonny Duddle and line illustrations by Tomislav Tomic and six new beasts.

An approved textbook at Hogwarts School of Witchcraft and Wizardry since publication, Newt Scamander’s masterpiece has entertained wizarding families through the generations. Fantastic Beasts and Where to Find Them is an indispensible introduction to the magical beasts of the Wizarding World. In this comprehensively updated edition, eagle-eyed readers will spot a number of new beasts and an intriguing new author’s note. Scamander’s years of travel and research have created a tome of unparalleled importance. Some of the beasts will be familiar to readers of the Harry Potter books – the Hippogriff, the Basilisk, the Hungarian Horntail…Others will surprise even the most ardent Magizoologist. Dip in to discover the curious habits of magical beasts across five continents.

‘No wizarding household is complete without a copy’ – Albus Dumbledore.

~*~

hp20_230The Hogwarts textbook that inspired the movie of the same name, Fantastic Beasts and Where to Find Them has been res-issued, with the addition of six beasts that Newt discovered during the course of the movie. Writing as Newt Scamander, JK Rowling brings the magical creatures of the wizarding world to life. From the treasure seeking Niffler to the water horses and kelpies, to the breeds of dragon that populate the world, and the American Creatures that Newt was forbidden from revealing after his 1926 visit to New York, including the Thunderbird, Horned Serpent and Wampus Cat, Fantastic Beasts and Where to Find Them brings to life a new facet of the world of Harry Potter.

Each creature is included because they have been classified as beasts and not beings, even ones who can speak such as centaurs, who opted for this classification. And then each is given a Ministry of Magic classification form one X to XXXXX:

X- Boring

XX – Harmless/may be domesticated

XXX – Competent wizards should cope

XXXX – Dangerous/requires specialist knowledge/skilled wizard may handle

XXXXX – Known wizard killer/impossible to train or domesticate

In this new edition, we are sans the delightfully amusing annotations about Acromantulas from Ron and Harry, and the addition of “anything Hagrid likes” to the dangerous classification. It is nonetheless a delightful addition to the Harry Potter and Hogwarts libraries of fans of the series, and Tomislav Tomic’s illustrations add to the beauty of the book and for several creatures, gives the reader a chance to get an idea of what the larger and sometimes more dangerous creatures look like.

Each animal has a short description based on Newt’s observations, and the American creatures reference MACUSA – the Magical Congress of the United States of America and hint at the secrecy of these creatures and only publishing them now being related to the stringent fears of magic that the film, Fantastic Beasts and Where to Find Them shows.

As a fan of Harry Potter, I enjoyed reading this and seeing the new additions to the new publication were enjoyable. They gave more depth and interest to an already established world, and was nice to see that Newt is still going within the Harry Potter universe, and staying true to his character as presented in the 2016 film based on the text book.

bloomsburylogo

Buy Harry Potter Books Here:

Carnivalesque by Neil Jordan

carnivalesque.jpg

Title: Carnivalesque

Author: Neil Jordan

Genre: Magical Realism, Fiction, Fantasy

Publisher: Bloomsbury

Published: 1st April 2017

Format: Paperback

Pages: 288

Price: $24.99

Synopsis: It looked like any other carnival, but of course it wasn’t…

 

It had its own little backstreets, its alleyways of hanging bulbs and ghost trains and Punch and Judy stands …

And at the end of one he saw the Hall of Mirrors. There were looping strings of carnival lights leading towards it, and a large sign in mirrored glass reading ‘Burleigh’s Amazing Hall of Mirrors’ and the sign reflected the lights in all sorts of magically distorted ways.

To Andy and his parents, it looks like any other carnival: creaking ghost train, rusty rollercoaster and circus performers. But of course it isn’t.

Drawn to the hall of mirrors, Andy enters and is hypnotised by the many selves staring back at him. Sometime later, one of those selves walks out rejoins his parents – leaving Andy trapped inside the glass, snatched from the tensions of his suburban home and transported to a world where the laws of gravity are meaningless and time performs acrobatic tricks.

And now an identical stranger inhabits Andy’s life, unsettling his mother with a curious blankness, as mysterious events start unfolding in their Irish coastal town…

~*~

Andy’s story begins quite innocuously, with a detour to a carnival that catches his eye on the way to a shopping centre with his parents. They enter, and soon, Andy’s world is turned upside down in the Hall or Mirrors, where he is left behind at the carnival, and someone who looks like him, but is not quite him, leaves with his parents. Andy, now Dany in the carnie world, must come to terms with the life of travelling around and setting up the carnival, discovering it’s secrets with Mona and the others, adjusting to a new life, whilst the Andy impersonator resides with his parents, calls them mother and father, and casts shadows into the family that worry his mother, Eileen, and do not bode well for their futures.

The story is told in alternating chapters, through the eyes of Eileen and Andy/Dany, and sometimes with a couple dedicated to one character. As Dany adjusts to his new life, the new Andy and his unusual ways of speaking, and acting worry Eileen. The dual storyline shows the complexity of the story, and allows the reader to follow the intriguing mystery of how the real Andy’s (Dany) disappearance affects his family, and hints that tragedy may soon befall them.

As Dany journeys with the carnival, he becomes a part of it, though he still remembers his home and longs to return, the carnival offers him a different life, one that he could never have imagined.

Written by Oscar-winning film director (The Crying Game, The Company of Wolves) and novelist, Carnivalesque is his latest creation, and I quite enjoyed it. It has a feel of intrigue and mystery about it, with questions that won’t necessarily be answered, nor some things resolved properly. It fits in nicely with Neil Gaiman’s works in the magical realism and fantasy worlds. A great read for fans of Jordan’s previous work, Gaiman fans or anyone who enjoys fantasy and magical realism.

Booktopia