The Green Mill Murder by Kerry Greenwood (Phryne Fisher #5)

Title: The Green Mill Murder

Author: Kerry Greenwood

Genre: Crime

Publisher: Allen and Unwin

Published: February 2005

Format: Paperback

Pages: 276

Price: $22.95

Synopsis: Phryne Fisher’s fifth mystery intrigues with excitement, glamour, murder, dance halls and blackmail.

Dancing divinely through the murder and mayhem of her fifth adventure, the elegant Phryne Fisher remains unflappable.

Gorgeous in her sparkling lobelia-coloured georgette dress, delighted by her dancing skill, pleased with her partner and warmed by the admiring regard of the banjo player, Miss Phryne Fisher had thought of tonight as a promising evening at the hottest dancehall in town, the Green Mill.

But that was before death broke in. In jazz-mad 1920s Melbourne, Phryne finds there are hidden perils in dancing the night away like murder, blackmail and young men who vanish.

Phryne Fisher’s fifth adventure leads to smoke-filled clubs, a dashingly handsome band leader, some fancy flying indeed across the Australian Alps and a most unexpected tryst with a gentle stranger.

Independent, wealthy, spirited and possessed of an uninhibited style that makes every one move out of her way and stand gawking a full five minutes after she walks by Phryne Fisher is a woman who gets what she wants and has the good sense to enjoy every minute of it!’ Davina Bartlett, Geelong Times

~*~

In her fifth adventure, Phryne finds herself dancing her feet away at a dance marathon where the prize on offer, a car, would ensure a wonderful future for the winner. A night of what began as frivolous dancing, ends in murder, and Phryne is drawn into the case yet again, assisting Detective Inspector Jack Robinson as she endeavours to uncover the murderer, and another case, involving a returned serviceman, whose noted absence has caused quite some alarm in the family. Following the trail of the case to help a young couple caught up in the confusion, and taking on more work to track down the serviceman, Phryne’s adventures yet again see her tango with death and danger, all whilst maintaining the elegance and with the same gusto and exuberance that strikes fear into the heart of her maid, Dot. Phryne must use all of her talents to solve this one, and ensure the best outcome for all.

The late 1920s, with the world on the brink of The Great Depression, half a decade away from Hitler rising to power in Germany, and a decade out from what would become The Second World War, Phryne’s world is one of uncertainty for some, a generation scarred and tainted by a war that took thousands of lives, eloquently shows the divide between classes at the time, and drops hints at the political situation of the time – where Communism was feared, and where women like Phryne were a mystery, a shock and an interest to many. In each story, Kerry Greenwood has shown this world as it was – not in an idealised way, but in a way that touches on the discomfort felt during these times in an accessible way to a modern audience. Phryne’s cases often involve everyday people, unlike the Rowland Sinclair series, which is steeped in even more history and politics, as well as murder during the 1930s, but this works for the series, and each story can be read in isolation or consecutively from one through to twenty. It is a delightful series, and the fifth novel is no exception, taking Phryne to greater heights as she flies over the Australian Alps to solve a case.

Here, she spends time with the missing serviceman, and encounters a wombat with a one track mind when it comes to potatoes – a fact that might just come in handy later. Stuck in the wilderness of the Alps, Phryne must band together with Vic, the ex-serviceman to survive and arrive home in one piece to hear about Dot’s outing to a ball with her beau, Constable Hugh Collins.

In true Phryne style, she tackles brothers pushed to the brink by mothers, mothers who are good at putting on a show to manipulate people, and a host of other characters from the grateful and understanding to the harried and snarky, whose attitudes do little to worry and distract Phryne, whose ability to adjust her behaviour and speech patterns from class to class, and city to country, makes her somewhat of a chameleon. Phryne gets better and somewhat naughtier with each book, and she always finds herself in the wrong place at the right time, much to the horror of her maid and most of the police force, apart from Jack, who seems quite taken with her guts and bravery, and willingness to help out. Where the police often cannot got, Phryne does, and she certainly helps them solve the cases in each book, and ensures the best outcome possible.

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She Be Damned by MJ Tjia

She be Damned_Front_Cover.jpgTitle: She Be Damned

Author: M.J. Tjia

Genre: Historical Crime

Publisher: Pantera Press

Published: 1st August 2017

Format: Paperback

Pages: 251

Price: $29.99

Synopsis: London courtesan or professional sleuth?

London, 1863: Women in Waterloo are turning up dead, their sexual organs mutilated and removed. When another girl goes missing, fears grow that the killer may have claimed their latest victim.

The police are at a loss and so it falls to courtesan and professional detective, Heloise Chancey, to investigate.

With the assistance of her trusty Chinese maid, Amah Li Leen, Heloise inches closer to the truth. But when Amah is implicated in the brutal plot, Heloise must reconsider who she can trust, before the killer strikes again.

~*~

The popularity of amateur sleuths, historical crime and cosy crime means that there has been an explosion of these books of late – reviving the days of Agatha Christie and her characters, Poirot and Miss Marple, and joining the ranks of The Honourable Miss Phryne Fisher, Rowland Sinclair and modern amateur sleuths such as Mma Precious Ramotswe and Inspector Ashwin Chopra (Retd) in their quests to rid the world of criminals and crime. The latest, just as unique character to join them is Heloise Chancey, a courtesan in London during the 1860s, who is called upon to discreetly look into cases for some of London’s important people, or into the cases that nobody really worries about. Heloise becomes embroiled in a murder mystery about prostitutes turning up dead, minus their sexual organs in Waterloo when a young girl in the upper classes, Eleanor, goes missing. Her father and Sir Thomas, Heloise’s employer, believe she has met the same fate as the prostitutes, and employ Heloise, and require the utmost discretion, as she can go places that the police cannot, or will not. Together with her maid and companion, Amah Li Leen. Together, they will inch closer to the truth – but when Amah is embroiled in the plot, Heloise must use all of her wits to find the real culprit before they strike again.

BW Mirandi TjiaDebut novels, especially for a series, are crucial to establishing the character and style of the story and the author to the reader. They cement the setting for readers and with any luck, have them wanting more – often the mark of a series that will be successful and gain a loyal following. Heloise Chancey’s debut ensures that she has a place as a character and the author, M.J. Tjia, will have fans who will eagerly await her next book. It didn’t take me long to read this one, and I quite enjoyed it. It had strong characters, revealed their histories slowly, and still left some questions unanswered for future books, and allowed the reader to unfold the story with the protagonist, which is often quite fun in mystery stories, and allows the pacing to move along effectively.

In an engaging plot, M.J. Tjia’s characters become their own entity, each with their own flaws and strengths that make them engaging. Heloise is as stubborn as she is elegant, Amah is as snarky and sarcastic as she is honourable and faithful. Together, they work, and though Amah is at times disdainful of Heloise’s chosen occupation, she nonetheless puts up with her antics, whilst delivering some harsh truths to her mistress and ensuring she has done her best to prevent disasters happening to Heloise during her adventures and investigations.

True to the Victorian period, the male characters overwhelmingly concern themselves aww2017-badgewith Heloise’s delicate feminine sensibilities – sensibilities that Heloise doesn’t have, nor does she subscribe to, leaving the men quite shocked that she doesn’t faint all the time, whilst still maintaining her standing and the characteristics of a Victorian lady. She is, at the same time, appropriate for the time period, whilst standing out and away from the societal expectations of the time, ensuring a strong character with an intriguing story. I hope that Heloise has more stories and more secrets to come, and I await her further adventures eagerly.

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A Dangerous Language by Sulari Gentill (Rowland Sinclair #8)

Flat Cover_Gentill_ADL_2017Title: A Dangerous Language

Author: Sulari Gentill

Genre: Crime Fiction

Publisher: Pantera Press

Published: 1st October 2017

Format: Paperback

Pages: 384

Price: $29.99

Synopsis: Set against the glamorous backdrop of the 1930s in Australia and overseas, A Dangerous Language is the latest in the much loved, award winning Rowland Sinclair Mysteries.

When Rowland Sinclair volunteers his services as a pilot to fly the renowned international peace advocate, Egon Kisch, between Fremantle and Melbourne, he is unaware of how hard Australia’s new Attorney-General will fight to keep the “raging reporter” off Australian soil. In this, it seems, the government is not alone, as clandestine right-wing militias reconstitute into deadly strike forces.

When a Communist agent is murdered on the steps of Parliament House, Rowland Sinclair finds himself drawn into a dangerous world of politics and assassination.

A disgraced minister, an unidentified corpse and an old flame all bring their own special bedlam. Once again Rowland Sinclair stands against the unthinkable, with an artist, a poet and a brazen sculptress by his side.

~*~

A Dangerous Language by Sulari Gentill marks book number thirty eight in my Australian Women Writer’s challenge for 2017, and as usual, has not failed to impress and of course, distress at times. Now in 1934, inching closer to the threat of war, Rowland is in Melbourne, purchasing a new car to replace his beloved Mercedes, that met with destruction in the almost fatal car race of the previous book, Give The Devil His Due. The trip back from Melbourne with Clyde Watson Jones and Milton Isaacs, an artist and poet whose political allegiances, especially on Milt’s account, have put Rowland in his brother’s firing line of anguish, should be uneventful. However, their sojourn through Canberra, where they are to meet Edna, Milt stumbles across the body of a Communist on the steps of Parliament House – an event that beings the tumultuous venture to get Egon Kisch into Australia, and speaking out against the Fascist tendencies that Rowland and his friends witnessed in Germany in Paving the New Road. When Rowland’s brother, Wilfred, comes onto the scene, Rowly must do whatever he can to keep his plans to help Egon away from his conservative brother – who nonetheless knows that the Fascists are dangerous. Even so, the big brother is also keen to pry his mostly apolitical brother away from the influence of those Rowland chooses to keep company with.

aww2017-badgeIn this eighth venture, politics begins to have a larger focus than in the previous seven novels, where it was present, but had less impact on the plot. In this novel, it seems nobody is safe from the clashes between each side – this is what makes the novel gripping, as it ensures that those who hurt Milt and Rowly (poor Rowland was in the wars a bit in this one again) are shrouded in mystery. As always, I enjoy the Rowland Sinclair novels, and this one was two years in the waiting, and rightly so in the end, because it captured the political turbulence and environment of the 1930s in a way that is accessible to those just discovering it, and highlighting some aspects and characters that are perhaps less well-known than others during this time.

Fiction often offers parallels to history or contemporary times, and it is not hard to see BW_Author_Photo_Gentill_2016how the dangerous language that Rowland and his friends opposed in 1934 from Fascists and the conservatives of the time is repeating itself today. The feelings of powerlessness that the ordinary people had against those in politics and with influence that can encourage this dangerous language Rowland dislikes are felt through Milt and Clyde throughout the novel, and in particular Clyde during a boat cruise from Fremantle to Melbourne, where they must ensure Egon gets to Melbourne safely, and in Traveller’s Class, Rowland is able to get Egon as far as possible on his trip. The social class contrast between Rowland and his friends appears even more so in this book, where class and politics have become crucial to the evolution of the plot and characters at the stage of the series. The history of this turbulent period is woven into the plot and is sometimes the motive behind the crime, such as in A Dangerous Language. I also enjoy the inclusion of historical figures and people throughout that had an impact on history – this gives the stories an authenticity to them that is both exciting and informative at the same time.

As always, Rowland takes a few hits from people trying to cover up their crime, or another secret, and his brother Wilfred, battle-weary by now from saving the family name, is still faithful to Rowland, if a bit pompous at times. I do feel for Rowly when Wilfred loses his temper, as so often happens when Rowland stumbles into something he didn’t intend to. As polar opposites, Sulari has created exceptional characters in the Sinclair family, and their friends, including the heartbreak that Rowland’s own mother doesn’t recognise him, but sees him as his long-dead brother, Aubrey, an ongoing theme throughout the series that Rowland takes in his stride, and that Sulari has written exceptionally well. The Rowland Sinclair series is one that gets better with each subsequent mystery, and the uniquely Australian settings are in themselves a character – from Woodlands estate in Sydney, to the family property at Yass, and each place Rowland and his friends visit. They are often the unwilling detectives at first, dedicated to their art and friendship, but also dedicated to speaking out when and where they need to, to ensure that the dangerous language that Egon Kisch is trying to warn against does not infect the way of life that many in Australia enjoy. Once they are involved in the crime, it seems they cannot help themselves, and Rowland, as an honourable person, is always at hand to warn Colin Delaney of new information they stumble across.

An excellent addition to this series, and I look forward to the next one, which will hopefully be out soon!

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The Last Hours by Minette Walters

Title: The Last Hoursthe last hours.jpg

Author: Minette Walters

Genre: Historical Fiction

Publisher: Allen and Unwin

Published: 27th September 2017

Format: Paperback

Pages: 568

Price: $32.99

Synopsis: For most, the Black Death is the end. For a brave few, it heralds a new beginning.

When the Black Death enters England through the port of Melcombe in Dorseteshire in June 1348, no one knows what manner of sickness it is or how it spreads and kills so quickly.

The Church proclaims it a punishment from God but Lady Anne of Develish has different ideas. With her brutal husband absent, she decides on more sensible ways to protect her people than the daily confessions of sin recommended by the Bishop. Anne gathers her serfs within the gates of Develish and refuses entry to outsiders, even to her husband.

She makes an enemy of her daughter by doing so, but her resolve is strengthened by the support of her leading serfs … until food stocks run low and the nerves of all are tested by their ignorance of what is happening in the world outside. The people of Develish are alive. But for how long? And what will they discover when the time comes for them to cross the moat?

Compelling and suspenseful, The Last Hours is a riveting tale of human ingenuity and endurance against the worst pandemic known to history. In Lady Anne of Develish – leader, saviour, heretic – Walters has created her most memorable heroine to date.

From the press release: June 1348: the Black Death enters England through the Port of Melcombe in the county of Dorsetshire. Unprepared for the virulence of the disease, and the speed with which it spreads, the people of the county start to die in their thousands. A culture of terror and superstition quickly sweeps across the land as news of the Black Death travels far and wide.

In the demesne of Develish, Lady Anne takes control of her people’s future – including the lives of two hundred bonded serfs. Strong, compassionate and resourceful, Lady Anne chooses a bastard slave, Thaddeus Thurkell, to act as her steward. Together, they decide to quarantine Develish by bringing serfs inside the walls. With this sudden overturning of the accepted social order, where serfs exist only to serve their lords, conflicts soon arise. Ignorant of what is happening outside, they wrestle with themselves, with God and with the terrible uncertainty of their futures. Lady Anne’s people fear starvation but they fear the pestilence more. Who amongst them has the courage to leave the safety of the demesne? And how safe is anyone in Develish when a dreadful event threatens the uneasy status quo…?

~*~

It’s 1348 and The Black Death, known in the fourteenth century, has arrived in Dorsetshire, England. It has come upon them quietly, with the arrival of Lady Anne’s husband back from a quest to find daughter Eleanor a husband. Aged just fourteen, Eleanor will quickly learn some harsh truths about her life, and the world around her. In an effort to prevent the pestilence from entering the demesne, Develish, Lady Anne instructs the serfs to be brought inside, and will not allow anybody across the moat, or inside – including her husband. Whilst the Church is driving the message home that the pestilence is a punishment from God, Lady Anne protects her people without daily confession. Labelled a heretic for turning away from the Church at this time, and finding new ways to keep the pestilence at bay, Lady Anne is supported wholly by loyal, leading serfs, but makes an enemy out of her daughter. With food stores running low, will Develish continue to be the haven that Lady Anne has tried to create? Or will everyone, including Lady Anne and Eleanor, begin to fray at the edges and turn on each other?

The Black Death and the Middle Ages is not a period of time I have encountered often in literature – it is a period of time that was as significant in history as Culloden, Mary Queen of Scots and the First and Second World Wars – and I seem to have encountered more stories that use these other events and people or aspects of these events and people as a basis for the story. The Last Hours looks to be the first of at least two books, maybe more, as there is a preview for the follow-up out next year, and given the ending, I came away in search of more answers, but still enjoyed the story.

Placing a female hero at the centre of the story in a time when a woman’s position in society was determined by the men around her, and having everyone see her as the authority was executed wonderfully – as there were still reminders from Eleanor and Father Anselm that Lady Anne’s authority would be cut short when another Lord from another demesne arrived and took control of Develish. With the turning tide of the pestilence, Lady Anne’s daughter feels the strain of what is going on and what is to come, and begins to take her anger out on those around her – though little do they know what she is hiding from them, something that she herself is perhaps unaware of at first – and which I felt shaped her character. She was hard to like, whereas her mother was a likeable character, and Minette has done well at showing the breadth of personalities amongst the serfs and the others at Develish.

minetteEach of these characters have flaws and strengths that reflect the fragility of humanity and religion, revealing these flaws for what they are and showing that they do not make someone a whole person. The flaws in religion are revealed through the doctrine of absolving sins to make the pestilence go away, but still seeing those that undertake this act dying within days or weeks of contracting it. And so, Lady Anne posits a different view – that piety or lack thereof, is not the cause, and a faithful serf and six others set out, across the moat and into the unknown to find out what is happening beyond Develish and to bring back supplies. But will they work out the source of the pestilence on their journey?

The Last Hours is a gripping novel of intrigue and explores an historical event that devastated so many during the fourteenth century, and coupled with a terrible event that threatens to rock the status quo of Develish, these two events will certainly bring devastation in more ways than one to the demesne, and shake the foundations to the core. And is Lady Anne a saviour, or a heretic? Either way, she is a memorable heroine, and I hope to see more of her soon. Those who enjoy historical fiction with a hint of subversiveness and mystery will enjoy this book.

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The Bedlam Stacks by Natasha Pulley

bedlam stacks.jpg

Title: The Bedlam Stacks

Author: Natasha Pulley

Genre: Historical Fiction

Publisher: Bloomsbury Circus

Published: 1st August, 2017

Format: Paperback

Pages: 352

Price: $29.99

Synopsis: An astonishing historical novel set in the shadowy, magical forests of South America, which draws on the captivating world of the international bestseller The Watchmaker of Filigree Street

Deep in uncharted Peru, the holy town of Bedlam stands at the edge of a forest. The shrine statues move, and anyone who crosses the border dies. But somewhere inside are cinchona trees, whose bark yields quinine: the only known treatment for malaria.

On the other side of the Pacific, it is 1859 and India is ravaged by the disease. The hunt for a reliable source of quinine is critical and in its desperation, the India Office searches out its last qualified expeditionary. Struggling with a terrible injury from his last mission and the strange occurrences at his family’s ruined estate, Merrick Tremayne finds himself under orders to bring back cinchona cuttings at any cost and dispatched, against his own better judgement, to Bedlam.

There he meets Raphael, a priest around whom the villagers spin unsettlingly familiar stories of impossible disappearances and living stone. Gradually, he realises that Raphael is the key to a legacy left by two generations of Tremayne explorers before him, one which will prove more dangerous and valuable than the India Office could ever have imagined.

~*~

Ex- East India smuggler, Merrick Tremayne is at home in Cornwall, recovering from an injury to his leg that inhibits activity for him when the India Office contacts him about an expedition to Peru to fetch some quinine to help treat malaria outbreaks in India. Tremayne instantly knows it is a bad idea : every able-bodied explorer has been unsuccessful, paying with their life, so he questions how he, a disabled explorer, will cope, survive and succeed. Lumped with orders to go, Tremayne is accompanied by a friend, Clem, and they venture into Bedlam, a holy town in uncharted Peru that holds many secrets of the past, and a sense of magic and history that will slowly unfold throughout the five parts of the novel, and reveal secrets about a Tremayne ancestor that Merrick had been unaware of. Accompanied by a priest, Raphael, whose presence indicates something a little out of the ordinary, lending to a sense of fantastical and magical realism within the novel.

The Bedlam Stacks is steeped in history and colonialist ideas and expectations of “The Other”, typically seen through Tremayne’s companion, Clem, whose ignorance and the sense that he felt his knowledge was superior came through at times, in contrast to Tremayne, who I felt made the efforts to understand and communicate effectively with Raphael and show his appreciation for what Raphael was doing for him. In 1860, when disability and injury might be more likely to inhibit what one is able to do, Tremayne copes, albeit with help when he needs it, and in what felt realistic, he is shown to struggle, but readers also get to see what he is capable of, in all areas of his person. It is a travel story with a difference, where the explorers are faced with the harsh realities of an unknown world that challenges their sense of being and self, and shows them just how human and vulnerable they are. They need rescuing by locals, and at times, they are shown to be imperfect, punctures to their egos that their upbringing might have inflated.

I liked Merrick’s sense of humility, and ability to stand back and let Raphael talk. It was refreshing to see this move towards equal standing of characters of vastly different backgrounds, much of which are extrapolated through flashbacks, cleverly inserted into the text without disrupting the flow of the story, and the vast majority is told in first person, with the exception of one chapter towards the end that gives the reader insight into Raphael and his past. Raphael’s absences of long periods of time are explained as catalepsy – by Merrick, who hears of Raphael’s symptoms and urges him to see a doctor – perhaps a marker of how he sees the world, juxtaposed with Raphael’s acceptance of things being the way they are. In doing so, Pulley has illustrated how two different worlds collide, and through this collision, have attempted to find a way to communicate.

Throughout the novel, odd things happen at different times, marking this as more than just an expedition into history and unexplored, uncharted areas of the world as they would have been in the 1860s. These instances hint at elements of fantasy and magical realism, and this makes it a very intriguing novel, as the layers of each chapter and part are revealed slowly to bring the story to it’s conclusion and the wrapping up of the characters and their lives, but at the same time, leaving some aspects open for interpretation and maybe another novel.

It was a enjoyable novel, and has made me want to read Natasha’s first novel. The Watchmaker of Filigree Street. An enjoyable novel, and highly recommended for fans of historical fiction, mysteries and novels with that little bit of a difference that make them stand out.

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Evie’s Ghost by Helen Peters

evie's ghost.jpg

Title: Evie’s Ghost

Author: Helen Peters

Genre: Children’s Historical Fiction

Publisher: Nosy Crow/Allen and Unwin

Published: 28th June 2017

Format: Paperback

Pages: 304

Price: $14.99

Synopsis: Classic children’s fiction from the author of The Secret Hen House Theatre.

Evie couldn’t be angrier with her mother. She’s only gone and got married again and has flown off on honeymoon, sending Evie to stay with a godmother she’s never even met in an old, creaky house in the middle of nowhere. It is all monumentally unfair. But on the first night in her godmother’s spare room, Evie notices a strange message scratched into the windowpane, and everything she thought she knew gets turned upside down. After a ghastly night’s sleep Evie wakes up in 1814, dressed as a housemaid, and certain she’s gone back in time for a reason. A terrible injustice needs to be fixed. But there’s a housekeeper barking orders, a bad-tempered master to avoid, and the chamber pots won’t empty themselves. It’s going to take all Evie’s cunning to fix things in the past so that nothing will break apart in the future…

~*~

Evie’s Ghost is the kind of novel that whilst for kids, is perfect for anyone who enjoys a mystery or historical fiction, and is a delightful time slip novel set in the early nineteenth century. Thirteen year old Evie has been sent to the country to stay with her godmother, Anna, whilst her mother and her stepfather go on a holiday without her. Annoyed at her mother, and with a dislike of her new stepfather, Evie reluctantly arrives at the house, and is devastated to learn of a lack of technology – and feels cut off from her friends and the world until an encounter with a ghost at her window draws her two hundred years into the past, to a grand house – where she must serve as a house maid to the Fanes who had once owned the property her godmother and others now live in, divided into apartments, and the interior grandeur lost. Waking up in 1814, Evie soon discovers a mystery to untangle, and someone to help – the daughter of the owner, Sophia Fane, in love with a gardener but who is being forced to wed someone double her age. With only a few days to work things out, Evie must find a way to help Sophia and get back to her time before she is missed.

Evie’s Ghost manages to tell an intriguing story, and uses the right amount of suspense and mystery, revealing things as they need to be revealed throughout the story, allowing the reader to immerse themselves in the characters and time period. The initial shock of being yanked from the twenty-first century into the nineteenth century and Evie’s response to the food and clothes, and the people, as well as their reaction to her, and the way she speaks, laughing off her suggestion of cleaning machines as dreams that will never eventuate all work together to bring the modern and old worlds together, and for Evie to adapt, though she sometimes slips up with modern dialogue, it works for her character, illustrating the stark differences between her time and theirs.

Telling it in first person gave the story a great impact – seeing both worlds through Evie’s eyes ensured that the strength of the contrasting worlds and attitudes towards class and gender, and Evie’s shock at how people treated each other – gave the story more power, I think, and allows the reader to feel as though they are experiencing these attitudes with Evie. Showing this contrast through her eyes ensures that the varying aspects of the time periods are experienced by her and therefore, by the reader through a personal account. I felt immersed in the world in this way, but have also read third person novels where it has been done exceptionally well, and I think that comes down to the writer as well as the point of view character, and Helen Peters has done a really food job with Evie and her story here, culminating in a conclusion that had hints dropped here and there but that I still questioned at times, making sure I had all the clues right before my aha moment.

This novel worked because of these contrasts, and because of the compelling story that allows the reader to immerse themselves in the world of 1814 and Evie’s desire to help Sophia and get back to her time. The publisher’s website says it is aimed at readers aged between nine and twelve, and it is a good book for this age group, but I enjoyed it, as I enjoy time slip novels, historical fiction and mysteries, and Evie’s Ghost managed to combine all three to create a story that I read rather quickly, eager to see how it was resolved. I would recommend it to any reader who enjoys history, mysteries, and female heroines who resolve things for themselves.

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The Pearl Thief by Elizabeth Wein

the pearl thief.jpg

Title: The Pearl Thief

Author: Elizabeth Wein

Genre: Children’s/YA Historical Fiction

Publisher: Bloomsbury

Published: 1st July, 2017

Format: Paperback

Pages: 408

Price: $16.99

Synopsis: From the internationally acclaimed bestselling author of Code Name Verity comes a stunning new story of pearls, love and murder – a mystery with all the suspense of an Agatha Christie and the intrigue of Downton Abbey.

Sixteen-year-old Julie Beaufort-Stuart is returning to her family’s ancestral home in Perthshire for one last summer. It is not an idyllic return to childhood. Her grandfather’s death has forced the sale of the house and estate and this will be a summer of goodbyes. Not least to the McEwen family – Highland travellers who have been part of the landscape for as long as anyone can remember – loved by the family, loathed by the authorities. Tensions are already high when a respected London archivist goes missing, presumed murdered. Suspicion quickly falls on the McEwens but Julie knows not one of them would do such a thing and is determined to prove everyone wrong. And then she notices the family’s treasure trove of pearls is missing.

This beautiful and evocative novel is the story of the irrepressible and unforgettable Julie, set in the year before the Second World War and the events of Code Name Verity. It is also a powerful portrayal of a community under pressure and one girl’s determination for justice.

~*~

The Pearl Thief is set in England in 1938, in the year that preceded the incoming storm of World War Two, preceding Hitler’s march across Europe, and it’s characters show no indication that they are aware of the impending threat to their lives. Julie is on her way home from boarding school – a final summer at her family’s ancestral home before it becomes a school On her way hoe, Julie is attacked, and a well known archivist from London goes missing, presumed dead. And it is the McEwen family, a family of Travellers, who become caught up in the mystery after taking care of Julie and getting her to hospital. When Julie notices the family pearls have gone missing, she tries to piece together the night she was attacked, and slowly, a mystery unfolds. Whilst the investigation surges on, even with a lack of evidence, the suspicious eye is cast over the McEwens, despite Julie’s protestations that they could not have done it, questioning the reasoning everyone has. Amidst all this, the treasure trove of Murray pearls has gone missing, and Julie is determined to find it, and together with her brother, Jamie, and the McEwens, she strives to solve the theft – and a murder, with results that are as surprising as the rest of the novel.

For Julie, it is a final childhood summer, where she can relive the good memories and make some new ones, but at the same time, new discoveries about her mother and the McEwens, and her interactions with Ellen and her brother, have Julie questioning what she knows about herself and her feelings, but the world that she has known in comparison to Ellen’s world, and what they learn from each other through their new-found friendship. Like any friends, they had their disagreements on things and it took them a while to see that what something meant to Ellen, meant something different to Julie and vice versa, encapsulating the formation of an unexpected friendship between the two girls.

There are moments when the novel does not dwell on the mystery of the missing pearls and murder of the archivist, but rather, on the formation of the relationships between Julie and the Travellers, and how this begins to affect her and how she sees herself and the world. This character development ensures a solid grounding for the story, and even though the mystery was intriguing, it was nice to see the realistic approach that didn’t involve the obsessive nature and drive to solve the mystery, but rather, a nice balance between getting the characters and plot right to get from beginning to end, and allowing the characters to overcome hurdles and distractions, but ultimately, solving a mystery that had a very unexpected outcome, and an enjoyable journey to get there as a reader.

The Pearl Thief is marketed towards the children’s and Young Adult market, but I still enjoyed it and the setting that seemed to sing from every page – the Scottish landscape, and the speech of the characters cemented the time and place effectively. A great novel for anyone who likes mysteries, adventure and intriguing characters.

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