Leaving Ocean Road by Esther Campion

leaving ocean roadTitle: Leaving Ocean Road

Author: Esther Campion

Genre: Fiction

Publisher: Hachette Australia

Published: 25th July 2017

Format: Paperback

Pages: 356

Price: $29.99

Synopsis: From the coast of Australia to Santorini and Ireland, a slice of warm, character-driven fiction in the tradition of Maeve Binchy and Monica McInerney

God damn it, Gerry Clancy, couldn’t you have left well enough alone and stayed in Cork?

Twenty years ago, Ellen O’Shea left her beloved Ireland to make a new life in Australia. Now a popular local in a small coastal town, but struggling to cope with the death of her much-loved Greek husband, Nick, Ellen finds her world turned upside down when an unexpected visitor lands on her doorstep. The arrival of Gerry Clancy, her first love from Ireland, may just be the catalyst that pulls Ellen out of her pit of grief, but it will also trigger a whole new set of complications for her and those she holds dear.

Home is where the heart is – but where exactly is home? Can Ellen and Gerry’s rekindled romance withstand the passage of time, family, young adult children with their own lives, and the shock disclosure of a long-held secret that will put all their closest relationships at risk?

Set in Ireland, Greece and small-town coastal Australia, Leaving Ocean Road is a warm-hearted, poignant story about treasuring our memories while celebrating our new beginnings.

~*~

aww2017-badgeEllen O’Shea’s life has been turned upside down more than once. First, as a young woman in love, first in Ireland and then in Australia, and finding herself pregnant, and abandoned by everyone but the man who would come to be her husband, and other friends she made along the way, and her brother, and her daughter, Louise. Almost twenty years later, now living in Port Lincoln in South Australia, Ellen is cut off from the world following the death of her beloved Greek husband, Nick, and Louise’s departure to university in Adelaide. She feels lost, unable to carry on after losing Nick so suddenly and so awfully. The arrival of a wad of post brings a letter from former lover, Gerry Clancy, whose unannounced arrival on her doorstep throws Ellen into a state of confusion. Faced with a guest, she is pulled out of her funk and slowly begins to remerge into the world and her life. Yet when secrets of the past come out at a dinner party, Ellen’s relationships with Louise and Gerry are left in tatters for the evening, and her life almost turned upside down again, until she is able to work through it and venture to Greece and Ireland and make attempts to patch things up with her husband’s family, her family and Gerry.

Leaving Ocean Road is part romance, but also about family and friendships, and what these mean to us, and the ways these can be taken from us – willingly by one party, or unwillingly, where nobody expects it and the events the follow, that can culminate in tragedy, misunderstandings, and losing out on time spent with family. I found this aspect to be the most powerful in the story, with the romance plots for Ellen and Louise a nice side story for me, although still not my favourite aspect, showing that they could find happiness after the tragic events that had led them to where they were at the start of the novel. I think because the book has love of friends, of family, and romantic love, it can offer something for anyone who reads it, and would be a nice novel for fans of Maeve Binchy or Monica McInerny to read. I do enjoy some romantic subplots; sometimes the less subtle ones are a more powerful too. However, what Esther Campion has done is get a nice balance, where the characters aren’t just there to fall in love, but to discover themselves and reconnect with people they had left behind and thought they may never see again. The Irish setting in the second half of the book held the characters just as naturally as the Australian setting throughout the rest of the book. The characters felt at home in both. The trepidation they felt in Greece soon dissipated as they were welcomed into the family, despite past feelings and assumptions – in the end, the families coming together were what I felt mattered the most in this book.

Nothing was perfect, each character had flaws which is perhaps what made this work more for me than having them all perfect and everything working out perfectly instantly. They had struggles – some were resolved within a few chapters, some took a little longer. The varying impacts of this showed the human side of the characters, and what their various relationships meant to them, and how they went about navigating the murky waters of life.

In the end, though there were things I enjoyed about this book, it was one that I found myself in the middle of the road about – I didn’t hate it and want to put it aside immediately, but I didn’t love it, and will pass it onto someone who will. Like any book and author, Esther Campion will find an audience out there, and even though that doesn’t necessarily include me, I hope she does well in her career.

I would recommend this for fans of Maeve Binchy and Monica McInerny.

Sky by Ondine Sherman

SKY-final-257PX-194x300.pngTitle: Sky

Author: Ondine Sherman

Genre: YA

Publisher: The Author People

Published: 28th June, 2017

Format: Paperback

Pages: 166

Price: $18.99

Synopsis: Sometimes you have to lose everything to find yourself.

After her mother’s death, Sky leaves her city life to move in with her aunt and uncle in a small Australian town. But the city isn’t all that she leaves behind. Trying to fit in with her new friends means doing things she never dreamt she’d do.

Just as she thinks everything is starting to feel normal, Sky stumbles on a case of animal cruelty that forces her to make some tough decisions.

Will Sky risk everything to stand up for what she believes in?

~*~

After the death of her mother, and removal to a small country town from the city, Sky is left with an empty, desolate feeling, a sense of disconnect from everyone and everything, including her aunt and uncle who have taken her in as guardians, and the sensation that she is losing her identity, and who she is, as well as her convictions about animal rights, and being vegan. Terrified of the isolation that comes with being a teenager and the new girl in school, Sky hides what she is passionate about in an attempt to fit in, and get in with the popular crowd – something that many teenagers feel during the turbulent years where they can sacrifice any part of themselves – interests, convictions, beliefs – in an attempt to fit in. Sky is torn between doing the right thing – staying true to herself and befriending Lucy, a less popular girl, but one who shares Sky’s passions – and joining in with the popular crowd, which means becoming a hypocrite.

aww2017-badgeAs well as this, Sky has been interacting online with a fellow vegan, and a boy at school who is also a devoted animal lover – could they be the same? This love story evolves as the story goes on, and does not dominate Sky’s thoughts – she is in mourning and the evolution of the story reflects this, and the reader’s ability to pause and think about these issues, but also, gives them the freedom to make their own choices as well.

Ondine Sherman has written a novel that reflects her beliefs but also reflects the nature of humans and the contradictions and challenges they face after death and in new places, and within themselves. Whilst Sky does speak a lot about being vegan and animal cruelty, rather than trying to convert the reader, Sherman shows one aspect of the fight for animal rights, and she does it well. With an open ending, leaving much to the imagination of the reader, I found that this worked for Sky and her story, and left off in a place where, like many people, she was left in a state of indecision.

Starting this novel, I wasn’t sure if I would connect with it or enjoy it, but found that like any novel, it had good points and bad points, and it is a powerful story about finding out who you are, and staying true to yourself, finding a family and finding friends who will always stand by you. At times I did find Sky annoying, but the popular girls were more annoying, and I did like that Sky stood up for what she believed in but at the same time, I also felt that she accepted that not everyone would agree with her all the time.

The power of this novel lies in its ability to communicate a message about what the author believes but also, a general message about being who you are. It may not be one I will revisit right away, but it was an unexpected and interesting read that had a story behind the story, and that fits in with the philosophy of The Author People and Lou Johnson.

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Once Upon A Time – Fairy Tales and The Pre-Raphaelites with Kate Forsyth

Kate_ForsythIt is very rare that I get to meet my favourite authors, or in fact, any authors, even though we interact over social media, so when I heard that Kate Forsyth would be at an author event at Kincumber Library, I booked to go before the tickets were all gone. It was a lengthy month waiting to go, but finally the day came to go and listen to Kate talk about her writing and fairy tales – creating a very interesting evening for all. Last night, Tuesday the 4th of July, was a magical evening and it was one of the most enjoyable evenings I have had.

The night began with Kate telling us about her writing journey. Like me, she has always wanted to be a writer and has always loved reading, and at age 7, wrote her first novel, followed by her second and third at ages 9 and 11 – around the same ages I began writing and dreaming up stories, and at age sixteen, she sent off her first manuscript – something I would not have dreamed of doing at that age, as I had only just started thinking of writing novels then. But it has since been a goal of mine to achieve publication, and Kate had many words of encouragement about writing and publishing – to keep writing and trying, and rewriting and getting your work out there, so I am going to try entering a local short story competition, using her words as my inspiration and drive to do so.

IMG_0341At age 25, Kate’s boyfriend, and now husband, gave her five years to get published – five years, where she could polish her work and query it, and learn her craft through study and writing and rewriting. As Kate tells it, the story came, as several of her stories have, from a dream. Using this as a launchpad, she set out to write what would become her first book, with the contract signed two days before she turned thirty, and that book is turning twenty years old this year. I still have my original copy of this book that Kate signed for me after the talk on last night. This book was the beginning of a six-book saga that introduced me to the world of fantasy, and led me into reading Kate’s books for life. This book was Dragonclaw, first book in the Witches of Eileanan series, which is followed by the Rhiannon’s Ride Trilogy. Kate has written forty books, and has had them published into 17 languages across the world, and has cemented her as an extraordinary storyteller, with a broad audience across ages and genres, as evidenced by the gathering at the event at Kincumber Library.dragonclaw

Fun fact: Dragonclaw was published a month before Harry Potter and the Philosopher’s Stone in 1997, and both just turned twenty this year!

B_bitter-greensDragonclaw’s publication then led to Kate’s career as a full time writer, resulting in that series, and the trilogy that followed, her children’s books which include The Puzzle Ring in 2009, The Starthorn Tree, The Wildkin’s Curse and The Starkin Crown, as well as recent kids series The Impossible Quest and Chain of Charms, as well as picture books and the adult books: Bitter Greens, The Wild Girl, Dancing on Knives, The Beast’s Garden and Beauty in Thorns, all fairy tale infused historical fiction, apart from Dancing on Knives, which has a more contemporary setting – a distinction Kate and I discussed last night – that tell powerful stories of humanity and love against all odds and set against the back drops of very different time periods within each novel, resulting in powerful stories and characters that seep into your subconscious and dreams as you read.

Kate and her siblings have a literary lineage that can be traced back to at least colonial Australia, and Charlotte Waring-Atkinson, who wrote the first children’s book in BeautyinThorns_CoverAustralia: A Mother’s Offering to Her Children by A Lady Long Resident in New South Wales in 1841, the mother of four children, fighting to keep them safe, and loved in a harsh world that tried to separate them, and this book is a testament not only to the literary blood in Kate’s family but to the love, sacrifices, triumphs and moments of grief that Charlotte went through to keep her family safe.

KnivesHearing about Kate’s writing process and literary family was fascinating and she had the audience captured with her words, and very interested to hear about her writing journey, and the moments in her life that affected her and her writing, and introduced her to a love of fairy tales, a love that I share with her, just as we both enjoy reading and watching different fairy tale retellings to see how someone else interprets a fairy tale. The fascination of fairy tales has as much to do with their history and where they came from as what we know them as today – from the oral traditions to the many interpretations that have come about since they were first recorded the early 1800s by Jacob and Wihelm Grimm, whose stories mostly came from Dortchen Wild, their neighbour. During the talk, Kate recounted the childhood incident and subsequent hospital stays that had sparked her interest in fairy tales and desire to write, specifically the fairy tale of Rapunzel. puzzle_ring_med

Most people would associate Rapunzel with the version recorded by the Grimm Brothers, and this is the version Kate began focussing on in her Doctoral research. During this research, she found out more about the fairy tale, and that the first versions pre-dated the Grimm Brothers by about two hundred years, dating back to the 1600s and Giambiattista Basile, and soon came to the story of Charlotte Rose de la Force in the seventeenth century, and her imprisonment in a convent, while she was writing the story. There are three threads, the other two, the witch, and the third, Rapunzel’s perspective, and together, they form an intricate and surprising story, much like Kate’s other books.

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Moving on from Bitter Greens, Kate discussed her latest novel, Beauty in Thorns and the Pre-Raphaelites. Beauty in Thorns, and Kate’s journey in writing it, had been the first time I had heard about the Pre-Raphaelites talked about collectively. The art and poetry of the Pre-Raphaelites was inspired by myth and fairy tale, and a longing to be awakened from the dreariness of accepted art in Victorian times, to bring colour back into the world.

Before Beauty in Thorns and Kate Forsyth’s talk, I had heard the wild girlof individual names such as William Morris and Dante Gabriel Rossetti, and had read some poetry by Dante’s sister, Christina – my favourite of hers was Goblin Market and re-reading it, I wondered if the characters of Lizzie and Laura in her poem had been inspired by Sleeping Beauty as well, and those in the Pre-Raphaelite circles, though perhaps not as obsessively as the series of paintings of her done by Dante Gabriel had been – an obsession that led him to running back to her after affairs, and burying his only copy of his poetry with her, and seven years later, digging her up to retrieve his poetry. Beauty in Thorns tells the stories of Lizzie Siddal, Georgie MacDonald, who married Edward Burne-Jones and Janey Burden, and the various affairs and love triangles that happened with each other and the models that the men longed to paint. But the main story became the story of Margot Burne-Jones, daughter of Georgie and Edward, whose father longed to keep her from growing up and falling in love an experiencing the pain of adult life, and the contrast in her longing to be awakened like Sleeping Beauty, an obsession that Edward had had for many years, since childhood. Together with Georgie’s story of being the faithful wife, Margot’s story shows how obsessions ate away at these artists, and what their passions did to their families and their great loves, how their obsessions became what finally consumed them in the end. Kate said she structured this story along the lines of Sleeping Beauty, with Margot representing Sleeping Beauty, and Georgie as the Queen, and the paintings were Edward’s way of awakening the world, as the Pre-Raphaelites were trying to do through their involvement in the suffrage movement, for example. I was lucky enough to be an early reader and reviewer for Beauty in Thorns, and it was full of hope, love, tragedy and despair, and everything else that makes Kate’s novels so good. Like her written word, Kate’s spoken word is powerful and weaves a spell on her audience, capturing their attention wholly and completely across the room, not even a gasp at times flying forth from the crowd. And like her books, the talk was over all too soon. It was a lovely evening for all, and Kate was so generous with her time afterwards as well.

 

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After the talk, she signed books for us all, and spent time answering our questions, and when I approached the signing table, she gave me a huge hug, and we talked about her books, the book launch I had just attended, and my reviewing. Hearing how supportive she was, and getting advice on writing and reading and reviewing – to only review what I like, and not to worry about not reading something I get sent that isn’t my thing, so I am going to try this method, as well as being more honest i my reviews about things I don’t like or am unsure about. I appreciated this talk with Kate, and all the interaction she has with me and her other fans on social media, and hope to attend more events with her soon.

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Beauty in Thorns by Kate Forsyth

BeautyinThorns_CoverTitle: Beauty in Thorns

Author: Kate Forsyth

Genre: Historical Fiction

Publisher: Penguin Random House/Vintage

Published: 3rd of July 2017

Format: Paperback

Pages: 465

Price: $32.99

Synopsis: A spellbinding reimagining of ‘Sleeping Beauty’ set amongst the wild bohemian circle of Pre-Raphaelite artists and poets.

The Pre-Raphaelites were determined to liberate art and love from the shackles of convention. 

Ned Burne-Jones had never had a painting lesson and his family wanted him to be a parson. Only young Georgie Macdonald – the daughter of a Methodist minister – understood. She put aside her own dreams to support him, only to be confronted by many years of gossip and scandal.

Dante Gabriel Rossetti was smitten with his favourite model, Lizzie Siddal. She wanted to be an artist herself, but was seduced by the irresistible lure of laudanum. 

William Morris fell head-over-heels for a ‘stunner’ from the slums, Janey Burden. Discovered by Ned, married to William, she embarked on a passionate affair with Gabriel that led inexorably to tragedy.

Margot Burne-Jones had become her father’s muse. He painted her as Briar Rose, the focus of his most renowned series of paintings, based on the fairy-tale that haunted him all his life. Yet Margot longed to be awakened to love. 

Bringing to life the dramatic true story of love, obsession and heartbreak that lies behind the Victorian era’s most famous paintings, Beauty in Thorns is the story of awakenings of all kinds.

~*~

aww2017-badgeKate Forsyth’s fortieth novel, Beauty in Thorns reimagines the Sleeping Beauty fairy tail, using the well-known version of Jacob and Wilhelm Grimm, and the world of the Pre-Raphaelite artists and poets working to free art from the conventional prison that the Victorian world tried to isolate and suffocate it in. The stories of Ned Burne-Jones and his wife, Georgie, Dante Gabriel Rossetti, and his many affairs and obsession with model Lizzie Siddal, William Morris, and Ned Burne-Jones’s daughter were all caught up in this life of perfecting art and the paintings of Briar Rose, and the betrayal of lovers and husbands, rushing into the arms of muses who wished to tear them away from their families. The lives are tragic and romantic, hopeful and realistic, showing the depths and flaws of these characters.

Sweeping across the latter half of the nineteenth century, we meet Dante Gabriel Rossetti, William Morris, and New Burne-Jones as they enter the art world and find models for their paintings, and they fall in love and out of love. Rossetti’s favourite model, Lizzie Siddal, falls ill during a sitting and following her illness, becomes addicted to laudanum and uses her addiction to the drug and obsession to pull Rossetti towards her, and their tragic relationship faces many ups and downs, the final tragedy striking suddenly and harshly amongst the group of friends and lovers.

Whilst the men painted and had their works exhbited and commissioned, the women wrote poetry and painted too, with Dante Gabriel Rossetti’s sister, Christina, author of poems such as Goblin Market, making a few appearances, and other authors, such as Rudyard Kipling, appearing as infants, part of one of the families, and eventually, as Kate_Forsythadults in the world of art and poetry their parents raised them in. Lizzie, Georgie, Janey and the other models share in their jealousy of each other, and desire to have the men they love to themselves, but they are more than that – they wish to be recognised in their own right as artists and poets, not just wives and mothers, or lovers and models. Beauty in Thorns is a novel full of complex characters whose desires in all aspects of their lives drive them, and influence the decisions they make. I found Georgie and Ned’s story to be the most hopeful – they stayed together through thick and thin, and Georgie didn’t sacrifice her sense of self to become a wife and mother. It is a story of women who fit into their time period, but at the same time, step out of the conventions they were born into and forge their own paths, sometimes separate from the men in their lives, sometimes alongside them, and at times, they do both, creating intrigue within the plot, pulling the reader along towards the conclusion of a story filled with tragedy at times, but hope at others.

Each peripheral character impacted dynamics too, and the group was shaken at times of death and tragedy, but pulled through, showing the strength of family and friendship, not just romantic love in the Pre-Raphaelite community. Even the well-known authors mentioned by name or who make brief appearances such as Rudyard Kipling bring an interest to the story, and cement the setting with mention of their works and inspirations, perhaps hinting at other possible stories to be told. I was unaware of Rudyard Kipling’s familial link to the Pre-Raphaelites prior to reading this, and I hope to be able to look further into it, and read his works, and Christina Rossetti’s works, in a new light.

Beauty in Thorns is a book of beauty, from the cover to the story and characters within. It weaves a magic spell around the reader, and using the Sleeping Beauty fairy tale, there are hints as to who the Sleeping Beauty of the Pre-Raphaelites was: Was it Lizzie Siddal, perfect even in death? Or Margot Burne-Jones, her father’s muse, and the child he desired to keep at home, young and innocent, free from the heartbreak of love that he and his friends had experienced? Or is it both, Lizzie sleeping, Margot awake, yet feeling as though she isn’t, and longing for love to awaken her? Having read the novel, I think both are Sleeping Beauty in a way, and Kate Forsyth has conveyed this through beautiful language and imagery that flows delightfully across the page and envelops the reader as though in a warm, comforting blanket.

In each of her books, Kate Forsyth works magic with her words, weaving a spell around characters – whether inspired by real people, imagined or a fictional yet believable image of a historical figure, artist or poet – and creating a world to escape into. Her historical fiction is exceptionally well researched, and Beauty in Thorns is no exception. Using history and fairy tales as inspiration, Kate Forsyth has created a world that I didn’t want to leave, and a book that I wanted to savour yet devour at the same time. I ended up devouring it in two days, as I often do with her books. This is usually the sign of a good book for me, and an intriguing story that combined many themes of family, love, friendship and tragedy, much like The Beast’s Garden, which I am hoping to read again this year.

Another exceptional novel from one of Australia’s favourite storytellers, a true master of the story, Kate Forsyth, Beauty in Thorns is sure to appeal to lovers of historical fiction, fairy tales and Kate’s other works. I look forward to her future novels as well.

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My Lovely Frankie by Judith Clarke

my lovely frankie

Title: My Lovely Frankie

Author: Judith Clarke

Genre: YA Fiction

Publisher: Allen and Unwin

Published: 28th June 2017

Format: Paperback

Pages: 224

Price: $19.99

Synopsis: A masterful, moving story about a teenage boy caught between faith and love, by one of Australia’s finest YA writers.

‘Frankie believed in Heaven quite literally, as if it was another lovely world out past the stars. And when he spoke the word “love”, it seemed to spring free and fly into the air like a beautiful balloon you wanted to run after. But I couldn’t tell my parents about Frankie, not properly. I told them I’d made friends with the boy in the room next to mine, and how he’d come from this little town out west. I couldn’t tell them how he was becoming the best thing in my world. I couldn’t tell anyone, I hardly admitted it to myself.’

In the 1950s, ‘entering’ the seminary was forever, and young boys were gathered into the priesthood before they were old enough to know what they would lose. Tom went to St Finbar’s because he was looking for something more than the ordinary happiness of his home and school.

But then he discovered that being able to love another person was the most important thing of all. For Tom, loving Frankie made him part of the world. Even when Frankie was gone…

~*~

aww2017-badgeSet during a time when entering the seminary was for life, with some boys sent there from a very young age, unable to know or discover what they would be giving up, and a time when homosexuality was something that wasn’t spoken about , or accepted, and given different names, or described differently, being able to talk about how you felt was hard. What My Lovely Frankie does is take a young boy, just realising he is gay, and entering St Finbar’s with a desire to join the seminary, on his journey of the conflict he finds between the love he feels for someone that society tells him he shouldn’t, and the faith he has followed in his heart, into a priesthood. Tom tells the story as he is nearing the end of his life to his cousin Miri, who has always known, and accepts him for who he is. In the world they grew up in, the gay couple Tom’s parents knew are accepted by Tom and his family, and his father always says “Love is love.” Clarke moves easily from Tom’s narration as an elderly man into the voice of a sixteen year old boy, discovering what love and faith mean, and finding a way to accept who he is.

Entering St FInbar’s later than most of the boys. Tom is befriended by Frankie, sent there by his father for something he shouldn’t have done with a girl – had sex – as a punishment, yet to Frankie, it is almost a sanctuary. He is friendly and bubbly, and takes Tom on as a friend almost immediately upon meeting him. As Tom tells the reader, Frankie always did things his way: arriving at the school, caring for the younger kids such as Hay, who might need food or a handkerchief, or even just reaching out for Tom, who escorts him to a dentist and then keeps his secrets about his feelings for one of the St Brigid’s girls. Frankie is not gay, but still loves Tom, still loves those who care for him, but in a different way to how Tom does. Tom uses his love to try and protect Frankie from Etta, the bully who spies on everyone and reports to the Rector to get those he feels need punishing in trouble. Together, Tom and Frankie work – the love they share, though different for each boy, is written beautifully and with great care and sensitivity.

Though heartbreaking in the knowledge that Tom will never be able to tell Frankie how he feels, telling the story of an LGBTQ+ character in the 1950s, where it is not accepted and fear can prevent people from revealing their true selves, as it did with Tom – he always knew but also knew he would not be accepted, and the fear that Frankie would think less of him – My Lovely Frankie reveals that the love of a friendship can be just as powerful as romantic love, and examines how faith and love are at times, in conflict with each other and how this affected someone like Tom.

I fell in love with Frankie and his exuberance and kindness towards just about everyone, and the way he just accepted Tom as a friend the first time they met. Reading and watching their friendship grow, I hoped that things would work out nicely for Tom and Frankie, that maybe they would fall in love – and perhaps they did, but in different ways for each of them. I felt it celebrated the differences in love, and highlighted the importance of accepting yourself for who you are, and not what others expect you to be, or to see yourself as a mirror of another who might share your feelings. I felt though there was tragedy and heartbreak, this made it more realistic for me, the unrequited love, the unspoken love, because it is probably something quite relatable for many people, whoever they love from afar.

It is a great book for any YA readers and fans, and Judith Clarke has tackled this subject matter sensitively and in an accessible way that does not present too much darkness, yet at the same time, is telling readers that it is okay to be who you are.

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Small Publisher Spotlight: University of Western Australia Publishing — Australian Women Writers Challenge Blog

The following post by Ashleigh Meikle (co-authored by Elizabeth Lhuede) is the third in our occasional series highlighting small presses. It focuses on UWA Publishing. University of Western Australia Publishing (UWAP) was established in 1935, 24 years after the founding of the university. In that time, it has published over 800 books over a range…

via Small Publisher Spotlight: University of Western Australia Publishing — Australian Women Writers Challenge Blog

 

The third in this series, with several more to come. Another small press that makes the effort to highlight lesser known authors that larger publisher’s might not take on.

 

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Small Publisher Spotlight: Transit Lounge — Australian Women Writers Challenge Blog

Engaging with other cultures and ways of living beyond our own is perhaps the most powerful aspect of reading, and one reason I am doing the AWW challenge – not only to read more women writers but also to try and read more diversely. Although I often pick a book based on the plot, not…

via Small Publisher Spotlight: Transit Lounge — Australian Women Writers Challenge Blog

 

Another of my small publisher posts – this time on Transit Lounge. perhaps not one that has many women writer’s on their books, rather one that publishes the stories they feel will do well.

 

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