Dymocks Children’s Charities:  Book Bonus 2018

 

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One of Australia’s most well-known booksellers, Dymocks, runs a series of children’s charities to help improve and promote literacy to children, and encourage them to read. Dymocks Children’s Charities also aim to help children find a love of reading that they can carry through their lives.

 

One of the initiatives and campaigns that Dymocks Children’s Charities are running this iyear is Book Bonus. Book Bonus 2018 is an online read-a-thon that is linked to the NSW Premier’s Reading Challenge. What Book Bonus does is provide students with a safe and secure opportunity to gain support from family and friends from the books they read for the NSW Premier’s Reading Challenge.

 

Through this campaign, Dymocks Children’s Charities aims to deliver thousands of new books to school libraries and classrooms in NSW. During Book Bonus, students and school raise money for the campaign, and the money raised will be matched by Dymocks Children’s Charities. For every $1 raised, Dymocks Children’s Charities will match it with a 25% bonus – $1.25 per dollar earned towards new books for schools.

 

They will also award an additional 25% of the amount raised to schools in need to select the right books for their students.

 

Students and schools can fundraise up until the 7th of September, but funds raised after the completion of the NSW Premier’s Reading Challenge, which closes on the 31st of August, will not be counted.

 

Best of luck to all participating!

 

 

 

 

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Adelaide Writer’s Week 2018

The third of March, 2018 marks the beginning of the six-day festival of authors and writing in Adelaide, South Australia. Eighty-Four Australian and international authors will attend the event for a variety of talks, across a diverse range of authors, books and genres to discuss literature and how the world impacts the stories we tell. The Adelaide Writer’s Week is part of the Adelaide festival that celebrates art and culture.

This celebration allows the community to engage with authors and the arts, and with each other. The various events will appeal to people of all ages and in all groups.

Hachette Australia has several Australian and international authors attending, and they are as follows, with the works they had published by Hachette last year:

Mark Brandi, author of Wimmera, appearing at the Small Towns event on the 3rd of March, 2018 at 3.45pm – East Stage Pioneer Women’s Memorial Garden. Wimmera was published in 2017, and tells the story of Ben and Fab, and the body that is found twenty years after summer in 1989, and the mystery that unfolds. It is one I am yet to read and hope to do so soon.

terra nulliusClaire G. Coleman author of Terra Nullius, a speculative fiction that looks at the effects of colonisation, and displacement in a suggested future where humankind has been colonised and invaded by aliens. It draws parallels to the effects of real world invasion and colonisation on Indigenous populations, and it was an interesting read, as it started out as what felt like historical fiction, but the reveal half way through was quite a surprise, and admittedly, took some getting used to. It was an interesting read though, and one that will hopefully start conversations or make people think about the issues it draws upon. Claire will be appearing at 2.30pm on the 7th of March, West Stage Pioneer Women’s Memorial Garden.

Thomas Mullen, author of Lightning Men, The Revisionists, and Darktown, will attend three events: American South, on the 3rd of March, East Stage Pioneer Women’s Memorial Garden, at 2.3opm, Making history, East Stage Pioneer Women’s Memorial Garden, at 12pm on the 5th of March and Darktown, at 10.45am on the 6th of March at the East Stage Pioneer Women’s Memorial Garden.

Louise Penny, author of Still Life
, Dead Cold, The Cruellest Month, The Murder Stone
, The Brutal Telling
, Bury Your Dead
, A Trick of the Light
, The Beautiful Mystery, How The Light Gets AWW-2018-badge-roseIn, The Long Way Home, The Nature of the Beast, A Great Reckoning, and Glass Houses ­– the Inspector Gamache series, will be attending two events on the 4th and the 5th of March: Glass Houses at 9.30am on the 4th of March, at East Stage Pioneer Women’s Memorial Garden, and Into the Woods on the 5th of March at 5pm, at the East Stage Pioneer Women’s Memorial Garden.

see what i have doneAnother Australian Author published by Hachette attending will be Sarah Schmidt, author of See What I Have Done, a fictional retelling of Lizzie Borden and her murdered parents, planting seeds of doubt and suggesting that there may have been other suspects, but not coming to any full conclusions, and working with the evidence provided from research. A strange and intriguing read, it gives insight into the people behind the history, as historical fiction aims to do. Sarah will be appearing with Thomas Mullen at Making History on the 5th of March at 12pm, at the East Stage Pioneer Women’s Memorial Garden.

Much-loved Scottish author, Alexander McCall-Smith, whose extensive backlist, including the latest in the No. 1 Ladies Detective Agency Series, The House of Unexpected Sisters, has been published by Hachette, will also be attending. The main event he will be attending will be Love and Tartan, on the 8th of March at 5pm, at the East Stage Pioneer Women’s Memorial Garden. The House of Unexpected Sisters is book eighteen of the No. 1 Ladies Detective Agency.

Sarah Winman, author of Tin Man, A Year of Marvellous Wats and When God Was a Rabbit will also be attending and taking part in two events. She will be attending Friends on the 3rd of March at 9.30 am at the at the East Stage Pioneer Women’s Memorial Garden. and Tin Man on the 5th of March, at 9.30 am at the at the West Stage Pioneer Women’s Memorial Garden.

Links:

http://artsreview.com.au/2018-adelaide-writers-week-program-announced/

https://www.adelaidefestival.com.au/writers_week_blog/

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2018 Stella Prize Longlist

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On the 8th of February, 2018, the long-list for one of Australia’s most prestigious literary prizes was announced. The Stella Prize – a prize that recognises the contribution to literature of Australian Women Writers – announced its twelve-book long list yesterday in a year when women’s voices and diverse voices are starting to be heard more. This longlist showcases these diverse voices and shows how literature and the written word can drive political and social change, make people think and question what we think we know, what has been taught to us and what we have been told about the world. In these twelve books, women’s stories shine through fiction and non-fiction, the diversity of voices, and the fact that many were published by smaller presses, and some by larger presses illustrates the vibrancy of Australian publishing through our plethora of publishers, and the diversity and potency of women’s voices to explore issues that affect them at a personal, and social level, and that can impact the world around them and their understanding of it.

Of these books, I have read Terra Nullius by Claire G Coleman, and am deciding which of the other eleven I might want to read. One book that has caught my eye is Michelle de Krester’s The Life to Come as has The Fish Girl by Miranda Riwoe, who has also written She Be Damned under pen name M.J. Tjia, published with Pantera Press.

The long-list:

The Enlightenment of the Greengage Tree by Shokoofeh Azar

A Writing Life: Helen Garner and Her Work by Bernadette Brennan

Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness by Kate Cole-Adams

Terra Nullius by Claire G. Coleman (read and reviewed)

terra nullius

The Life to Come by Michelle de Krester

The Water: Five Tales by Beverley Farmer

The Green Bell: A Memoir of Love, Madness and Poetry by Paula Keogh

An Uncertain Grace by Krissy Kneen

The Choke by Sofie Laguna

Martin Sharp: His Life and Times by Joyce Morgan

The Fish Girl by Miranda Riwoe

Tracker by Alexis Wright

History of the Stella Prize

The idea of a prize to celebrate women’s literature began in 2011, from a panel meeting at an independent bookstore in Melbourne, Readings, on International Women’s Day that year. At the time, the panel was discussing the under-representation of women in the literary pages of the major newspapers in Australia as reviewers and the authors of books reviewed. At the time of this discussion in 2011, 70% of reviewed books were written by men.

AWW-2018-badge-roseThe panel also discussed the under-representation of women as winners and nominees of literary prizes in Australia. in 2011, only ten women had ever won the Miles Franklin Award, which had been running for fifty-four years at the time. Since the inception of the Stella Prize, four women have won the Miles Franklin Award and 2013 had the first ever all-female shortlist for the prize. However, women not being nominated or winning is a trend across all major literary prizes, though in general, women are often winners of the fiction category of the state premier Literary Awards across Australia, but not often winners of non-fiction, despite women having written some brilliant and moving non-fiction that I have devoured and enjoyed. A full history can be read here on the website for the Stella Prize, but these discussions resulted in the creation of the Stella Prize, and the reclaiming of Stella Maria Sarah Miles Franklin’s first name, Stella, for the name of a prize to honour writing by Australian women and recognise these voices across a diverse spectrum of identities and stories.

Past Winners:

2013 Stella Prize was  Carrie Tiffany forMateship with Birds.(Inaugural year).

mateship with birds

2014 Stella Prize was Clare Wright for The Forgotten Rebels of Eurekarebels of eureka

2015 Stella Prize was Emily Bitto for The Strays.

the strays

2016 Stella Prize was Charlotte Wood for The Natural Way of Things.

natural way of things

2017 Stella Prize was Heather Rose for The Museum of Modern Love.

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This year marks the sixth year the prize has been running, and the shortlist will be announced in March 2018, and the winner in April.

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Book Bingo Two: A book with a number in the title, a book based on a true story, a book by an Australian woman

 

AWW-2018-badge-roseThe next square I managed to fill was the last square in the fourth row a book with a number in the title. This also filled in a book published in 2018 for my other challenge and ticked off another book in the Australian Women Writer’s challenge – I have many books that will fill some categories in book bingo and the other challenge, but I am aiming for a different one for each category if I can.

 

For square twenty, I read Four Respectable Ladies Seek Part Time Husband by Barbara Stoner, which I reviewed on the 29th of January on this blog, and has been linked to this post.

four respectable ladies

 

Sent to me by Penguin Random House, I was pleasantly surprised by this book, and its focus on the female characters and their determination to get help where needed but when things went wrong, they banded together to help each other without needing husbands to do it all for them. My previous book bingo book, Rose Rave

nthorpe Investigates, would have fit into this category also, and they would both have fit into a book by an Australian woman, though each square needs its own book, as I will show in my final post when I have hopefully filled the entire square.

 

mr dickensI have managed to check off three other squares as well. For square twenty-two, a book based on a true story, I read Mr Dickens and His Carol by Samantha Silva, about Charles Dickens journey writing A Christmas Carol, and why he wrote it – more out of economic need than desire to write such a story. And square eleven, a book by an Australian woman, has been filled by The Tides Between by Elizabeth Jane Corbett, an historical fiction novel using storytelling and fairy tales to capture an arduous journey across the seas.The-Tides-Between-300x450

 

Look out for my next book bingo due in two weeks.

 

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Wrap Up #2: My Year in Reading 2017.  

Wrap Up post #2 – My Year in Reading 2017.  

2017 was a busy reading year for me. It was the year my blog picked up a little bit more, and I managed to read more review books. Overall, I read 121 books. Fifty-five of those were by Australian women writers, although I didn’t manage to read all six books I initially hoped to read for the challenge, I did read most of them, as well as many others that came across my path. There are at least two of the three I initially hoped to include that I did not get to, nor did I get to some of the books I have read but wanted to read again. I did achieve my goal to read books by Lynette Noni, Kate Forsyth and Sulari Gentill, though, as well as many others including the entire Matilda Saga by Jackie French, including the latest book, Facing the Flame.

Of the overall count, ninety-two were women writers, with more than half being Australian Women Writers. Eighteen were male authors or the exhibition catalogues for the Harry Potter exhibit at the British Library. A quick glance over my list, and my most read genres appear to be fantasy and historical fiction.

Of these books, it is hard to pick a favourite, and that will have to be another post, as there are a few that need to be included. As 2017 ends and 2018 begins, I am thinking about my next challenges. I will again sign up for the Australian Women Writer’s Challenge, and read as many books as I can by Australian Women Writers. I will continue writing reviews from publishers with the goal of keep on top of each lot of books as they come in, and endeavour to get the reviews up by release date if they come before, or as soon as I can if they arrive after the book has been released – a system I have always used that has helped me prioritise books.

I am also hoping to stick to reading what I like, and not waste time on things I struggle with. I always let the publisher know if this happens, and so far, it hasn’t been an issue. I don’t have specific goals to focus on certain authors or genres, other than to try and read more Australian authors and more Australian female authors, and to continue supporting them.

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Below is my completed list of reading for 2017. It includes all the challenge reads, and the individual lists can be seen in the wrap up posts for those challenges. I hope these lists and reviews have helped you find something new to read.

 

2017 reading log

 

  1. Meet Me at Beachcomber Bay by Jill Mansell
  2. A Waltz for Matilda by Jackie French
  3. The Stolen Child by Lisa Carey
  4. The Girl from Snowy River by Jackie French
  5. Frostblood by Elly Blake
  6. The Road to Gundagai by Jackie French
  7. The History of Wolves by Emily Fridlund
  8. New York Nights by C.J. Duggan
  9. To Love a Sunburnt Country by Jackie French
  10. Country Roads by Nicole Hurley-Moore
  11. Love, Lies, and Linguine by Hilary Spiers
  12. The Bombs that Brought Us Together by Brian Conaghan
  13. The Ghost by the Billabong by Jackie French
  14. Caraval by Stephanie Garber
  15. This is How It Always Is by Laurie Frankel
  16. If Blood Should Stain the Wattle by Jackie French
  17. King’s Cage by Victoria Aveyard
  18. Norse Mythology by Neil Gaiman.
  19. The Last McAdam by Holly Ford
  20. The Edge of Everything by Jeff Giles
  21. Stasi Wolf by David Young
  22. Carnivalesque by Neil Jordan
  23. Bone Gap by Laura Ruby
  24. Frogkisser by Garth Nix
  25. From the Wreck by Jane Rawson
  26. Ariadnis by Josh Martin
  27. Traitor to the Throne by Alwyn Hamilton
  28. A Letter from Italy by Pamela Hart
  29. We Come Apart by Sarah Crossan and Brian Conaghan
  30. Tattletale by Sarah J Naughton
  31. Billy Sing by Ouyang Yu
  32. Draekora by Lynette Noni
  33. Stay with Me by Ayóbámi Adèbáyò
  34. The Mysterious Mr Jacob: Diamond Merchant, Magician and Spy by John Zubrzycki
  35. London Bound by CJ Duggan
  36. Memoirs of a Polar Bear by Yoko Tawada, translated by Susan Bernofsky
  37. Fantastic Beasts and Where to Find Them by JK Rowling (Newt Scamander)
  38. Looking for Rose Paterson: How Family Bush Life Nurtured Banjo the Poet by Jennifer Gall
  39. See What I Have Done by Sarah Schmidt
  40. Flying Too High by Kerry Greenwood
  41. The Blue Cat by Ursula Dubosarsky
  42. A Game of Ghosts by John Connolly
  43. Singing my Sister Down by Margo Lanagan
  44. Under the Same Sky by Mojgan Shamsalipoor, and Milad Jafari with James Knight
  45. Stars Across the Ocean by Kimberley Freeman
  46. Disappearing off the Face of the Earth by David Cohen
  47. Beyond the Wild River by Sarah Maine
  48. Girl in Between by Anna Daniels

49, Murder on the Ballarat Train by Kerry Greenwood

  1. Royce Rolls by Margaret Stohl
  2. Letters to the Lost by Brigid Kemmerer
  3. Rather Be the Devil by Ian Rankin
  4. The Underground Railroad by Colson Whitehead.
  5. Beauty in Thorns by Kate Forsyth
  6. The Lost Pages by Marija Peričić
  7. The Night Visitor by Lucy Atkins
  8. Rotherweird by Andrew Caldecott
  9. Running on the Roof of the World by Jess Butterworth
  10. The Dream Walker by Victoria Carless.
  11. My Lovely Frankie by Judith Clarke
  12. The Pacific Room by Michael Fitzgerald
  13. Death at Victoria Dock by Kerry Greenwood
  14. Harry Potter and the Philosopher’s Stone by JK Rowling (Ravenclaw 20th Anniversary Edition)
  15. Evie’s Ghost by Helen Peters
  16. Tell It to The Dog by Robert Power
  17. Leaving Ocean Road by Esther Campion
  18. The Inaugural Meeting of the Fairvale Ladies Book Club by Sophie Green
  19. Siren by Rachel Matthews.
  20. The Bedlam Stacks by Natasha Pulley
  21.  J.K. Rowling’s Wizarding World – The Dark Arts: A Movie Scrapbook
  22. A Reluctant Warrior by Kelly Brooke Nicholls
  23. Her by Garry Disher
  24. The Sixteen Trees of the Somme by Lars Mytting
  25. Ava’s Big Move by Mary Van Reyk
  26. We That Are Left by Lisa Bigelow
  27. The Cursed First Term of Zelda Stitch by Nicki Greenberg
  28. The Children of Willesden Lane: A True Story of Hope and Survival During World War Two by Mona Golabek and Lee Cohen
  29. The Crying Years: Australia’s Great War by Peter Stanley
  30. Moonrise by Sarah Crossan
  31. The Dalai Lama’s Cat by David Michie
  32. Terra Nullius by Claire G Coleman
  33. Every Word Is A Bird We Teach To Sing by Daniel Tammet
  34. The Book of Secrets: The Ateban Cipher (Book 1) by A.L. Tait
  35. Secrets Between Friends by Fiona Palmer
  36. The Strange Disappearance of a Bollywood Star by Vaseem Khan
  37. The Last Hours by Minette Walters
  38. The Last Namsara by Kristen Ciccarelli
  39. The Secret Books by Marcel Theroux
  40. Barney Greatrex by Michael Veitch
  41. Soon by Lois Murphy
  42. A Dangerous Language by Sulari Gentill
  43. She Be Damned by MJ Tjia
  44. Gum-nut Babies by May Gibbs
  45. Tales from the Gum-Tree by May Gibbs and Jane Massam
  46. The Green Mill Murder by Kerry Greenwood
  47. Tales from the Billabong by May Gibbs and Jane Massam
  48. Tales from the Bush by May Gibbs and Jane Massam
  49. Tales from the Campfire by May Gibbs and Jane Massam
  50. Snugglepot and Cuddlepie by May Gibbs
  51. Nevermoor by Jessica Townsend
  52. The Red Ribbon by Lucy Adlington
  53. Rose Raventhorpe Investigates: Black Cats and Butlers by Janine Beacham
  54. Sleep No More by PD James
  55. Five Go Down Under by Sophie Hamley (inspired by the original series by Enid Blyton
  56. Wolf Children by Paul Dowsell
  57. Esme’s Wish by Elizabeth Foster
  58. The Book of Dust Volume One: La Belle Sauvage by Philip Pullman
  59. Rose Raventhorpe Investigates: Rubies and Runaways by Janine Beacham
  60. The Boy Made from Snow by Chloë Mayer
  61. Harry Potter: A History of Magic – British Library exhibition catalogue.
  62.  Into the World by Stephanie Parkyn
  1. Facing the Flame by Jackie French
  2. Murder on Christmas Eve by Cecily Gayford
  3. Mr Lear: A Life of Art and Nonsense by Jenny Uglow
  4. After I’m Gone by Linda Green
  5. The Light Between Oceans by M.L. Steadman
  6. The Sister’s Song by Louise Allan (2018 Release)
  7. Rain Fall by Ella West (2018 Release)
  8. Father Christmas’s Fake Beard by Terry Pratchett
  9. The Elephant Whisperer by Lawrence Anthony with Grahame Spence

121. Vasilisa the Wise and Other Tales of Brave Young Women by Kate Forsyth and Lorena Carrington

 

Books 117 and 118 are to be released on the 2nd of January 2018, so the reviews will be live on the blog on that day.

The Australian Reading Hour

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It’s a simple idea, but one that has many benefits, and that can introduce children to something that they will hopefully develop a lifetime love for and continue to do for the rest of their lives. What is it?

The Australian Reading Hour, this Thursday, the fourteenth of September, is the day we are all encouraged to stop what we are doing for an hour and pick up a book and read – by ourselves, to any children in our lives or in a group at work, at a library, or at home. It is a time for Australians of all walks of life to rediscover or introduce themselves to the joy and magic of reading, and to share this with those around them.

Children who know adults who readReading can benefit children and adults: in children, reading has been shown to help them form an identity, and set them up for success in the future, and in adults, it can help to reduce stress by 68%, more than listening to music, going for a walk or having a cup of tea.

As part of the initiative, The Australian Reading Hour encourages booksellers, libraries and teachers to do any or all of the following:

  • Organise reading events
  • Coordinate author events,
  • Promote the initiative in store and on social media, something that readers and book bloggers can do actively as well,
  • And promote their favourite Australian books.

Reading a gripping novel causes positive biological changes in the brain that can last for days.To participate in The Australian Reading hour register here and designate one hour of your day on the fourteenth to reading something you enjoy, in the format you enjoy. I haven’t elected my hour yet but hopefully I will be reading a review copy of A Dangerous Language by Sulari Gentill, and if not, another Australian book. The book does not need to be Australian but this even can help promote reading Australian authors just as much as it promotes reading, and will hopefully give readers the chance to explore a new book and find new authors that contribute or have contributed to our sense of being Australian through our literature over the past centuries.

When tested for empathy, readers of narrative fiction achieved significantly higher scores than other groups.

The Australian Reading Hour is sponsored by: The Australian Society of Authors, Australian Library and Information Association, Australian Publisher’s Association, Australian Bookseller’s Association, Copyright Agency Cultural Fund, Australian Literary Agents Association, ACT Government Libraries, NSW Public Library Associations, Northern Territory Government, Northern Territory Library, Queensland Public Libraries Association, Government of South Australia, State Library Public Services, Tasmania: Explore the Possibilities, Learn, Discover, Access, Public Libraries Victoria Network, Public Libraries Western Australia.

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Booktopia

Once Upon A Time – Fairy Tales and The Pre-Raphaelites with Kate Forsyth

Kate_ForsythIt is very rare that I get to meet my favourite authors, or in fact, any authors, even though we interact over social media, so when I heard that Kate Forsyth would be at an author event at Kincumber Library, I booked to go before the tickets were all gone. It was a lengthy month waiting to go, but finally the day came to go and listen to Kate talk about her writing and fairy tales – creating a very interesting evening for all. Last night, Tuesday the 4th of July, was a magical evening and it was one of the most enjoyable evenings I have had.

The night began with Kate telling us about her writing journey. Like me, she has always wanted to be a writer and has always loved reading, and at age 7, wrote her first novel, followed by her second and third at ages 9 and 11 – around the same ages I began writing and dreaming up stories, and at age sixteen, she sent off her first manuscript – something I would not have dreamed of doing at that age, as I had only just started thinking of writing novels then. But it has since been a goal of mine to achieve publication, and Kate had many words of encouragement about writing and publishing – to keep writing and trying, and rewriting and getting your work out there, so I am going to try entering a local short story competition, using her words as my inspiration and drive to do so.

IMG_0341At age 25, Kate’s boyfriend, and now husband, gave her five years to get published – five years, where she could polish her work and query it, and learn her craft through study and writing and rewriting. As Kate tells it, the story came, as several of her stories have, from a dream. Using this as a launchpad, she set out to write what would become her first book, with the contract signed two days before she turned thirty, and that book is turning twenty years old this year. I still have my original copy of this book that Kate signed for me after the talk on last night. This book was the beginning of a six-book saga that introduced me to the world of fantasy, and led me into reading Kate’s books for life. This book was Dragonclaw, first book in the Witches of Eileanan series, which is followed by the Rhiannon’s Ride Trilogy. Kate has written forty books, and has had them published into 17 languages across the world, and has cemented her as an extraordinary storyteller, with a broad audience across ages and genres, as evidenced by the gathering at the event at Kincumber Library.dragonclaw

Fun fact: Dragonclaw was published a month before Harry Potter and the Philosopher’s Stone in 1997, and both just turned twenty this year!

B_bitter-greensDragonclaw’s publication then led to Kate’s career as a full time writer, resulting in that series, and the trilogy that followed, her children’s books which include The Puzzle Ring in 2009, The Starthorn Tree, The Wildkin’s Curse and The Starkin Crown, as well as recent kids series The Impossible Quest and Chain of Charms, as well as picture books and the adult books: Bitter Greens, The Wild Girl, Dancing on Knives, The Beast’s Garden and Beauty in Thorns, all fairy tale infused historical fiction, apart from Dancing on Knives, which has a more contemporary setting – a distinction Kate and I discussed last night – that tell powerful stories of humanity and love against all odds and set against the back drops of very different time periods within each novel, resulting in powerful stories and characters that seep into your subconscious and dreams as you read.

Kate and her siblings have a literary lineage that can be traced back to at least colonial Australia, and Charlotte Waring-Atkinson, who wrote the first children’s book in BeautyinThorns_CoverAustralia: A Mother’s Offering to Her Children by A Lady Long Resident in New South Wales in 1841, the mother of four children, fighting to keep them safe, and loved in a harsh world that tried to separate them, and this book is a testament not only to the literary blood in Kate’s family but to the love, sacrifices, triumphs and moments of grief that Charlotte went through to keep her family safe.

KnivesHearing about Kate’s writing process and literary family was fascinating and she had the audience captured with her words, and very interested to hear about her writing journey, and the moments in her life that affected her and her writing, and introduced her to a love of fairy tales, a love that I share with her, just as we both enjoy reading and watching different fairy tale retellings to see how someone else interprets a fairy tale. The fascination of fairy tales has as much to do with their history and where they came from as what we know them as today – from the oral traditions to the many interpretations that have come about since they were first recorded the early 1800s by Jacob and Wihelm Grimm, whose stories mostly came from Dortchen Wild, their neighbour. During the talk, Kate recounted the childhood incident and subsequent hospital stays that had sparked her interest in fairy tales and desire to write, specifically the fairy tale of Rapunzel. puzzle_ring_med

Most people would associate Rapunzel with the version recorded by the Grimm Brothers, and this is the version Kate began focussing on in her Doctoral research. During this research, she found out more about the fairy tale, and that the first versions pre-dated the Grimm Brothers by about two hundred years, dating back to the 1600s and Giambiattista Basile, and soon came to the story of Charlotte Rose de la Force in the seventeenth century, and her imprisonment in a convent, while she was writing the story. There are three threads, the other two, the witch, and the third, Rapunzel’s perspective, and together, they form an intricate and surprising story, much like Kate’s other books.

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Moving on from Bitter Greens, Kate discussed her latest novel, Beauty in Thorns and the Pre-Raphaelites. Beauty in Thorns, and Kate’s journey in writing it, had been the first time I had heard about the Pre-Raphaelites talked about collectively. The art and poetry of the Pre-Raphaelites was inspired by myth and fairy tale, and a longing to be awakened from the dreariness of accepted art in Victorian times, to bring colour back into the world.

Before Beauty in Thorns and Kate Forsyth’s talk, I had heard the wild girlof individual names such as William Morris and Dante Gabriel Rossetti, and had read some poetry by Dante’s sister, Christina – my favourite of hers was Goblin Market and re-reading it, I wondered if the characters of Lizzie and Laura in her poem had been inspired by Sleeping Beauty as well, and those in the Pre-Raphaelite circles, though perhaps not as obsessively as the series of paintings of her done by Dante Gabriel had been – an obsession that led him to running back to her after affairs, and burying his only copy of his poetry with her, and seven years later, digging her up to retrieve his poetry. Beauty in Thorns tells the stories of Lizzie Siddal, Georgie MacDonald, who married Edward Burne-Jones and Janey Burden, and the various affairs and love triangles that happened with each other and the models that the men longed to paint. But the main story became the story of Margot Burne-Jones, daughter of Georgie and Edward, whose father longed to keep her from growing up and falling in love an experiencing the pain of adult life, and the contrast in her longing to be awakened like Sleeping Beauty, an obsession that Edward had had for many years, since childhood. Together with Georgie’s story of being the faithful wife, Margot’s story shows how obsessions ate away at these artists, and what their passions did to their families and their great loves, how their obsessions became what finally consumed them in the end. Kate said she structured this story along the lines of Sleeping Beauty, with Margot representing Sleeping Beauty, and Georgie as the Queen, and the paintings were Edward’s way of awakening the world, as the Pre-Raphaelites were trying to do through their involvement in the suffrage movement, for example. I was lucky enough to be an early reader and reviewer for Beauty in Thorns, and it was full of hope, love, tragedy and despair, and everything else that makes Kate’s novels so good. Like her written word, Kate’s spoken word is powerful and weaves a spell on her audience, capturing their attention wholly and completely across the room, not even a gasp at times flying forth from the crowd. And like her books, the talk was over all too soon. It was a lovely evening for all, and Kate was so generous with her time afterwards as well.

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After the talk, she signed books for us all, and spent time answering our questions, and when I approached the signing table, she gave me a huge hug, and we talked about her books, the book launch I had just attended, and my reviewing. Hearing how supportive she was, and getting advice on writing and reading and reviewing – to only review what I like, and not to worry about not reading something I get sent that isn’t my thing, so I am going to try this method, as well as being more honest i my reviews about things I don’t like or am unsure about. I appreciated this talk with Kate, and all the interaction she has with me and her other fans on social media, and hope to attend more events with her soon.

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