Book Bingo Twelve: Square One of Second Card

Book bingo take 2

Starting this week, and each first and third Saturday afterwards until the end of the year, I’ll be doing a fresh bingo card, hopefully with different books to the last one. Having finished half way through the year, I decided to fill up another card, and this time, stretch it out a big more over six months. So even though I have three ticked off already, I’m starting with one square.

the yellow house

A book written by someone under thirty: The Yellow House by Emily O’Grady – AWW2018

 

 

Emily O’Grady’s book filled square four of row five across, and square five of row four down – a book written by someone under thirty and is also one of my reads for the 2018 Australian Women Writer’s Challenge, where I met Theresa Smith Amanda Barrett, and signed up to do this book bingo with them over the course of the year.

Book bingo take 2 .jpg

The Yellow House by Emily O’Grady revolves around the idea of family legacy, and whether the sins of the father, or in Cub’s case, the grandfather, should be the burden of those left behind. It questions whether the violence committed by a family member and its lasting impact on the family – how they behave, how they see themselves, how their community sees them and whether or not they have a genetic predisposition to the same tendencies – the nature versus nurture debate. For Cub, this world is seen through her ten year old eyes – at first as something she is intrigued by, but with the arrival of her cousin, Tilly, and a new friend of her older brother’s – will Cub learn that family legacy is not what defines her?

AWW-2018-badge-rose

Taking on the topic of serial killers and the legacy they leave behind, Emily O’Grady has created a thought-provoking novel, which, when seen through the eyes of a child who has never been told anything about her family history, is the only daughter and is very inquisitive, but often told off, is rather sobering, especially as there is always a feeling that something has to go wrong, someone has to go missing and that new friend of Cub’s older brother gives off a sense of dread and unease that doesn’t leave at all, even after the novel ends in a way that is both conclusive and at the same time, inconclusive, with hints that what Cub knows or thinks she knows will never come to light.

My next book bingo with Theresa and Amanda (Mrs B) will appear on the 30th of June.

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Bridge Burning and Other Hobbies by Kitty Flanagan

burning bridges.jpgTitle: Bridge Burning and Other Hobbies

Author: Kitty Flanagan

Genre: Essays/Non-Fiction/Comedy

Publisher: Allen and Unwin

Published: 21st March 2018

Format: Paperback

Pages: 272

Price: $29.99

Synopsis: One of Australia’s favourite and most multi-talented entertainers, Kitty Flanagan, provides hilarious and honest life advice in this candid collection of cautionary tales.

Kitty Flanagan has been locked in an industrial freezer in Western Australia, insulted about the size of her lady parts in Singapore and borne witness to the world’s most successful wife swap in suburban Sydney. It’s these valuable lessons from The University of Life that have taught her so many things, including the fact that clichés like ‘The University of Life’ are reeeally annoying.

In these funny, true stories, Kitty provides advice you didn’t even know you needed. Useful tips on how not to get murdered while hitch-hiking, how to break up with someone the wrong way, and the right way, why it’s important to keep your top on while waitressing, and why women between the ages of thirty-seven and forty-two should be banned from internet dating.

Bridge Burning and Other Hobbies is a collection of laugh-out-loud, cautionary tales from one of Australia’s favourite comedians.

‘Finally, a book that doesn’t tell you to stop eating sugar.’
KITTY – CAKE ENTHUSIAST

‘Shut your mouth Flanagan or you’ll do fifteen in the freezer.’
GARY – FACTORY FOREMAN

‘I was hoping there’d be more about arson.’
BERNIE – LOCAL FIRESTARTER

~*~

AWW-2018-badge-roseKitty Flanagan’s biography – well, more a series of essays on her adventures throughout life, showcases her sense of humour from the very first page. From her early childhood through to now, Kitty has had many careers, including waitressing, a brief appearance as a child actor and as a copywriter – all of which have led her to becoming one of Australia’s best loved comedians. From her adventures hitch-hiking to her disastrous attempts to break off relationships, Kitty’s true stories are filled with her special brand of humour and proves that clichés like the University of Life are really annoying and cultural misunderstandings can lead to disastrous or at least, unseen, consequences.

Kitty’s sense of humour is unique to her, but also incorporates elements of the Australian sense of humour within her comedy, and makes her relatable and funny, and she has excelled in doing this in writing as well. Each chapter is a snippet, a story from Kitty’s life that illustrate what life was like for her as a child – being dropped off at a party where the only parents there were those of the birthday child – and the other parents weren’t around. Having experienced parties like this myself, this was a story I could relate to. Of the others, I laughed, and enjoyed the ride with Kitty.

It’s very hard not to laugh or smile while reading this book – it is like reading a stand-up comedy routine from the comfort of your home, with Kitty’s voice as clear as it would be live. As Kitty cast a humourous eye over her travels across the world and through a series of unsuccessful relationships, she showed how words – spoken or written have power and can impact you in a variety of ways. Her time in Singapore illustrated the cultural differences she has encountered in her career, and how what in one country might be funny, in another can be offensive and have repercussions that she was unaware of – but in true Kitty style, she managed to turn this into an instance of rolling with the punches, lessons learned and the sort of story that can be funny and awkward.

It is biographical but also, reads like a series of comedy sketches – perfect for when you can’t get to her shows and need a dose of Kitty to brighten your day. It is one that having read the whole way through once, I could dip into random stories when I felt like it, and it will be just as entertaining as reading them in order. It was clear that she was a comedic genius from a young age, and I absolutely loved her recollection of the party when she was five and the dress her Mum had made from a pattern – cute and funny in equal helpings!

Kitty is one of my favourite comedians, which was a deciding factor in me choosing this book as part of my 2018 Australian Women Writer’s Challenge. It is an excellent read and I hope many of Kitty’s fans will enjoy her book and have a good laugh along with Kitty as she navigates life through comedy.

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Grandpa, Me and Poetry by Sally Morgan, Illustrated by Craig Smith

grandpa me poetry.jpgTitle: Grandpa, Me and Poetry

Author: Sally Morgan, illustrated by Craig Smith

Genre: Children’s Fiction

Publisher: Omnibus/Scholastic

Published: 1st May, 2018

Format: Paperback

Pages: 52

Price: $9.99

Synopsis: Melly likes poems that rhyme with words like frog, bog, doggedy-dog.

And when the school holds a poetry competition, Melly has her eye on the prize, with a little bit of inspiration from Grandpa.

~*~

One of Melly Wilson’s favourite things is poetry, and her favourite person is her grandfather. While Melly is at school, Grandpa is in hospital, and she is learning about poetry – which is something that connects her with Grandpa. Together, they come up with rhymes, and poems that don’t rhyme for school. When a poetry competition is announced, Melly is excited: she loves words that rhyme and wants to write a poem that will stun her teacher and win the competition, and perhaps she will – with some inspiration from Grandpa.

I was sent this book by Scholastic as part of a quiz writing program and decided to also review it here.

AWW-2018-badge-roseGrandpa, Me and Poetry is about Melly, who enjoys poetry – but only if it has sounds, beats and repeats – and if it rhymes. She doesn’t like poems that don’t rhyme, but her teacher does. Melly is a cute character, and the book is told from her perspective, as she worries about her Grandpa, who is in hospital, her Mum and writing the perfect poem to please her teacher and win a prize at Family Day at school. But will Melly have her family there?

It is a story about a family, told from the perspective of the daughter and her love of poetry, and how she uses it to express herself at an uncertain time, with a nice resolution at the end of the story that brings a smile to the face of readers.

As well as being cute, it was also funny. Melly’s rhymes were a highlight and will delight readers as they read it and enjoy the sense of rhyming and rhythm that Melly enjoys too. From her cheeky rhymes in class, to her poem that doesn’t rhyme, and her final poem about her Grandpa, Melly’s poetic journey is funny, cute, and enjoyable. and has a great main character, who is full of life but also, shows that everyone has worries and obstacles that they need to overcome.

A great book for children starting to read chapter books and novels, or for reluctant readers, and also a great book to learn to read with, this is a highly enjoyable book for all ages from one of Australia’s fabulous Indigenous authors.

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The Guernsey Literary and Potato Peel Society by Mary Ann Shaffer and Annie Barrows

guernsey.jpgTitle: The Guernsey Literary and Potato Peel Society

Author: Mary Ann Shaffer and Annie Barrows

Genre: Literary Fiction/Historical Fiction

Publisher: Allen and Unwin

Published: Movie tie-in published 21st March 2018

Format: Paperback

Pages: 280

Price: $22.99

Synopsis:A celebration of literature, love, and the power of the human spirit, this warm, funny, tender, and thoroughly entertaining novel is the story of an English author living in the shadow of World War II and the writing project that will dramatically change her life. An international bestseller.

‘I can’t remember the last time I discovered a novel as smart and delightful as this one. Treat yourself to this book, please–I can’t recommend it highly enough.’
Elizabeth Gilbert, author of Eat, Pray, Love

The beloved, life-affirming international bestseller–now a major film coming in April 2018, starring Lily James, Matthew Goode, Jessica Brown Findlay, Tom Courtenay and Penelope Wilton.

It’s 1946. The war is over, and Juliet Ashton has writer’s block. But when she receives a letter from Dawsey Adams of Guernsey–a total stranger living halfway across the Channel, who has come across her name written in a second-hand book–she enters into a correspondence with him, and in time with all the members of the extraordinary Guernsey Literary and Potato Peel Pie Society.

Through their letters, the society tell Juliet about life on the island, their love of books–and the long shadow cast by their time living under German occupation. Drawn into their irresistible world, Juliet sets sail for the island, changing her life forever.

Gloriously honest, enchanting and funny, The Guernsey Literary and Potato Peel Pie Society is sure to win your heart.

~*~

This book came to me as a surprise from Allen and Unwin, and it being the shortest of the ones that arrived the other day, I decided to read it first and work my way through the others over the next week or so. And what a lovely surprise it was! Juliet Ashton is a writer who has writer’s block and is searching for her next story. Whilst searching, she is contacted by Dawsey Adams, a member of the Guernsey Literary and Potato Peel Society on one of the Channel Islands, who are emerging from years of occupation by German forces during World War Two. Dawsey’s letter begins the months of correspondence between the society and Juliet, and the novel is solely told in letters and telegrams. As Juliet begins to uncover a story in Guernsey and those who live there, she is courted by Markham Reynolds, and goes to the island to do research for her book, leaving Markham behind. As Juliet corresponds with the society members and her publishers, a picture of their life and what they have been through unfolds, with heart-warming results for many of the characters of the book.

The use of letters to tell the story was really quite effective because you got to know the characters and their voices, how they thought and what they enjoyed doing, and even though some questions or letters might not have had direct answers, the questions in them were given in other letters, ensuring that their stories were told. Within these stories was that of Elizabeth and her daughter Kit, and Markham Reynolds, who was keen on Juliet. I enjoyed the way these two plot points were dealt with, and that Juliet was of her own mind, and her own person – she was probably my favourite, next to Dawsey and Kit.

Key to the society is literature, and what it means to them. The literary society they created is what got them through the war, and what they survived on – potato peel pie, and what they did to try and keep the German forces at bay and survive. It is touching and at times sad when you read some of the letters, but it has the impact needed: showing what happened and how people dealt with it. A very touching testament to the power of the human spirit, and what people do in the face of adversity for themselves and each other.

The letters are peppered with literary references, and talk about books – the solace that they give, and what they meant to the society but also the Channel Island of Guernsey as a whole, as they endured things they never thought they would endure. Literature and their society pulled them through, showing the power of literature and how it can help people in hard times.

The novel is both peaceful and heartbreaking – the memories and aftershocks of the years of German occupation are not quickly forgotten, especially as someone who knew Elizabeth and knew of her fate comes into their lives, and the realities of what was happening on the European Continent hit home for the society members. There are hints of romance, but the focus is on Juliet and the society members, and their friendship and the family they have built for themselves and Kit, whose entertaining and intriguing character is revealed through the letters.

I really enjoyed this novel and read it quite quickly. It reflects on how war can affect a small community, and in this instance, bring them closer together as family, and the way they welcomed someone else into their family and society, where they could help each other heal as they emerged from an occupation during wartime and the implications of that, where their love of literature binds them together.

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Some of the authors appearing at the Sydney Writer’s Festival…

It’s that time of year again, when the programs and author schedules for the annual Sydney Writer’s Festival are announced. Held between the first and the sixth of May, mostly at Carriageworks but with some events at a variety of other places around Sydney, there will be many events to choose from, and many authors to meet and hear speak.

Below is a sampling of the authors published by Hachette who will be attending this year, which has a diverse and intriguing calendar of events that I am sure will sell out quickly! So here are some of the authors appearing, and when and where they will be appearing.

American author, Jennifer Egan, author of Emerald City and Other Stories, The Invisible Circus,The Keep,Look at Me, Black Box,A Visit From the Goon Squad, and Manhattan Beach. Jennifer will be appearing at the following events, all in Bay 17 at Carriageworks.

Thursday, the 3rd of May, at 3pm – On the Record: Historical Fiction

Saturday the 5th of May at 6pm – Jennifer Egan: Manhattan Beach

Sunday the 6th of May at 6pm: Closing Address: Jennifer Egan.

Also from America, Zack McDermott, author of Gorilla and the Bird, will be appearing on the following dates at the following locations:

Thursday, the 3rd of May at 7pm, Carriageworks, Bay 20: The Full Catastrophe

Friday, the 4th of May, at 11.30am, Carriageworks, Track 8: Zack McDermott: Gorilla and the Bird

Alexis Okeowo, author of A Moonless, Starless Sky, also from America, will be appearing at four different events over the course of the week, all at Carriageworks, where the majority of the events are held.

Tuesday, the 1st of May at 6.30pm, Carriageworks Bay 17: Opening Address: André Aciman, Min Jin Lee and Alexis Okeowo

Friday the 4th of May, 3pm, Carriageworks, Bay 17: Conflicting Narratives

Saturday, the 5th of May, 1.30pm, Carriageworks Bay 17: Resisting Unjust Authority

Sunday, the 6th of May, 1.30pm, Carriageworks Bay 20: Alexis Okeowo, A Moonless, Starless Sky

 

Michael Mohammed Ahmad, an Arab-Australian writer, editor, teacher and community art s worker will also be appearing. His book, The Lebs, is about breaking down stereotypes and showing people that a small minority don’t determine the majority of a culture. Michael will be appearing at the following events at the Seymour Centre, and the Riverside Theatres.

Monday, the 30th of April, at 9.30am, Seymour Centre, Workshop Room 1: Michael Mohammed Ahmad: Good Writing versus Bad Writing.

Wednesday, the 2nd of May, 11.15am Seymour Centre York Theatre: Student Session: The Next Wave.

Friday, the 4th of May, Seymour Centre, Sound Lounge, 4.30PM: New Australian Voices.

Saturday, the 5th of May, Riverside Theatres, Lennox Theatre, 10am: From the Sidelines AND at 5pm in the Everest Theatre of the Seymour Centre, Return of the Big Black Thing.

Walkley Award winning journalist, Michael Brissenden will also be appearing at the festival, at will have one event at the Seymour Centre.

Thursday the 3rd of May, at 1.30pm, Seymour Centre, York Theatre: Straight from the Headlines,

The third Australian author published by Hachette to appear is Indigenous author, Claire G Coleman, author of Terra Nullius, a speculative fiction looking at the concept of invasion and settlement, using aliens taking over the world as a metaphor and symbol. It was an interesting and eye-opening book to read, my review is here. Claire will be appearing at three events across each precinct of the festival.

terra nullius

Thursday, the 3rd of May, at 11.30am, Seymour Centre, York Theatre: Home Truths: Telling Australian Stories.

Friday the 4th of May, at 11.30am at Carriageworks Blacksmith’s Workshop: Claire G Coleman: On Fiction, Villains and the Nature of Evil

Saturday the 5th of May, 1.30pm, Riverside Theatres: Architects of New Worlds.

fairvale

Another Australian author appearing at the festival is Sophie Green, author of The Inaugural Meeting of the Fairvale Ladies Book Club, reviewed on this blog as well and it, and the previous book, Terra Nullius, were included in my Australian Women Writer’s Challenge last year. Sophie will be appearing at one event this year.

Thursday, the 3rd of May, at 10am at the Seymour Centre, Reginald Theatre: Family Ties.

Royce Kurmelovs is another author appearing, and he has written the following books: Death of Holden, Rogue Nation, and Boom and Bust (2018). He will be appearing at an event about the rise of Australian populism.

Saturday the 6th of May, at 11.30 at the Seymour Centre, York Theatre: The Rise of Australian Populism.

Peter Polites, author of Down the Hume will also be in attendance at the following events and is another new Australian author whose book has come out recently.

Peter will be appearing at two events this year:

Saturday, the 5th of May at 5pm in the Everest Theatre of the Seymour Centre, Return of the Big Black Thing, with Michael Mohammed Ahmad.

Sunday, the 6th of May, at 10am at the Seymour Centre, Sound Lounge: Pajtim Statovci: My Cat Yugoslavia

Award winning journalist, Hugh Riminton, a news presenter and foreign correspondent, will be at the festival chatting about his book, Minefields. Hugh will be appearing at three events across the week of the festival.

Thursday, the 3rd of May at 11.30am, Seymour Centre, Reginald Theatre: Becoming the Story.

Thursday, the 3rd of May at 7pm, Hurstville Library: Hugh Riminton: Minefields/

Saturday, the 5th of May, 11.30am, Carriageworks, Bay 17: Peter Greste: The First Casualty.

Michael Robotham will also be appearing, and has written the following books: The Suspect,The Drowning Man, The Night Ferry Shatter,Bombproof,Bleed For Me,The Wreckage,Say You’re Sorry, Watching You,Life or Death,Close Your Eyes,The Secret She Keeps, and The Other Wife (2018).  Michael will be appearing at the following events:

Thursday, the 3rd of May at 1.30pm at Carriageworks, Blacksmith’s Workshop: Michael Robotham: On Plotting the Perfect Crime.

Thursday the 3rd of May, at 6.30pm at Blacktown City Max Webber Library: Michael Robotham: The Secrets She Keeps.

Saturday, the 5th of May, at 10.30am, Seymour Centre, Reginald Theatre: Michael Robotham: The Secrets She Keeps.

Wednesday, the 2nd of May, 7pm, The Concourse Concert Hall: Jane Harper: Force of Nature.

Saturday, the 5th of May, at 1.30pm, Carriageworks Bay 20: Gabriel Talent: My Absolute Darling.

Sha’an d’Anthes, a new Australian author based in Sydney who has had a career as an artist and illustrator and has travelled all over the world. She will be speaking at two events on the final day of the festival. Her picture book, Zoom, was published by Hachette Australia.

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Sunday the 6th of May at 2.15pm. Carriageworks, Track 8: Illustrator Battle Grounds.

Libby Hathorn, well known Australian author of books for children and young adults will also be appearing. Some of her books are: Thunderwith, The Blue Dress, Georgiana, Dear Venny, Dear Saffron, Volcano Boy, The Painter, Feral Kid, Chrysalis, Love Me Tender, Eventual Poppy Day, A Soldier, A Dog and A Boy, and Butterfly, We’re Expecting You!

eventual poppy day

Libby will be appearing at the following events:

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Sunday the 6th of May, at 11.15am, Carriageworks, Track 12: Outside: A Feast of the Senses.

Binny Talib will also be appearing, at the same event as Libby Hathorn and Sha’an d’Anthes on the Sunday morning of the festival. Binny has two books published by Hachette Australia, Origami Heart and Hark It’s Me, Ruby Lee!

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Another Australian author to appear will be Shaun Tan. who has worked in theatre and films as concept artists and designers. His works include Lost Thing, Memorial, The Red Tree, The Rabbits, The Viewer, Rules of Summer, The Arrival (an acclaimed wordless novel), and Cicada, published in 2018. Shaun will be appearing at one event on the Saturday.

Saturday, the 5th of May, at 3pm, Riverside Theatres, Parramatta: Bringing Imaginary Worlds to Life.

Hachette’s final author to be appearing is Debra Tindall, author of The Scared Book. she began her career as a social worker before becoming an author. The Scared Book is a CBCA notable book for children. She will be appearing at the same event as Libby Hathorn, Binny Talib and Sha’an d’Anthes.

Sunday the 6th of May, at 10.00am, Carriageworks, Bay 25: Storytime Clubhouse.

Check out the Sydney Writer’s Festival website for more events and authors.

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NSW Premier’s Literary Awards Shortlist for 2018

One of the Australia’s literary awards has just announced the shortlist for 2018 – The NSW Premier’s Literary Awards, with the winner to be announced in April. Each category and the shortlisted novels for this prize are listed below for 2018, and information about each prize category can be found here in a previous post:

The Christina Stead Prize for Fiction:

Common People by Tony Birch, published by UQP

Seabirds Crying in the Harbour Dark by Catherine Cole, published by UWA

Pulse Points by Jennifer Down, published by Text Publishing

The Book of Dirt by Bram Presser, published by Text Publishing

The Restorer by Michael Sala, published by Text Publishing

Taboo by Kim Scott

Douglas Stewart Prize for Non-Fiction:

Victoria: The Woman Who Made the Modern World by Julia Baird, published by HarperCollins Publishers “A passion for exploring new countries” Matthew Flinders & George Bass by Josephine Bastian, published by Australian Scholarly Publishing

The Enigmatic Mr Deakin by Judith Brett, published by Text Publishing

Passchendaele: Requiem for Doomed Youth by Paul Ham, published by Penguin Random House Australia

The Green Bell: a memoir of love, madness and poetry by Paula Keogh, published by Affirm Press

The Boy Behind the Curtain by Tim Winton, published by Penguin Random House Australia

Kenneth Slessor Prize for Poetry:

Archipelago by Adam Aitken, published by Vagabond Press

Euclid’s dog: 100 algorithmic poems by Jordie Albiston, published by Gloria SMH Press

Bone Ink by Rico Craig, published by Guillotine Press

Argosy by Bella Li, published by Vagabond Press

Captive and Temporal by Nguyễn Tiên Hoàng, published by Vagabond Press

These Wild Houses by Omar Sakr, published by Cordite Books

Patricia Wrightson Prize for Children’s Literature

The Patchwork Bike by Maxine Beneba Clarke and illustrated by Van T Rudd, published by Hachette Australia

The Elephant by Peter Carnavas published by UQP

Blossom by Tamsin Janu, published by Omnibus Books for Scholastic Australia

Figgy Takes the City by Tamsin Janu, published by Omnibus Books for Scholastic Australia

How To Bee by Bren MacDibble, published by Allen & Unwin

The Sorry Tale of Fox and Bear by Margrete Lamond and illustrated by Heather Vallance, published by Dirt Lane Press

Ethel Turner Prize for Young People’s Literature

In the Dark Spaces by Cally Black, published by Hardie Grant Egmont

the blue cat

The Blue Cat by Ursula Dubosarsky, published by Allen & Unwin

The Ones That Disappeared by Zana Fraillon, published by Hachette Australia

A Shadow’s Breath by Nicole Hayes, published by Penguin Random House Australia

The Build-Up Season by Megan Jacobson, published by Penguin Random House Australia

Ballad for a Mad Girl by Vikki Wakefield, published by Text Publishing

Nick Enright Prize for Playwriting

The Sound of Waiting by Mary Anne Butler, published by Brown’s Mart Arts Ltd

Rice by Michele Lee, Presented by Queensland Theatre and Griffin Theatre Company, published by Playlab

Black is the New White by Nakkiah Lui, published by Sydney Theatre Company

Mark Colvin’s Kidney by Tommy Murphy, published by Currency Press and Belvoir

Little Emperors by Lachlan Philpott, published by Malthouse Theatre

The Real and Imagined History of the Elephant Man by Tom Wright, published by Malthouse Theatre

Betty Rowland Prize for Scriptwriting

Deep Water: The Real Story written by Amanda Blue and Jacob Hickey – Blackfella Films

Top of the Lake: China Girl, Series 2 Episode 4 ‘Birthday’ by Jane Campion and Gerard Lee – See-Saw Films

Sweet Country by Steven McGregor and David Tranter – Bunya Productions

Seven Types of Ambiguity, Episode 2 ‘Alex’ by Jacquelin Perske – Matchbox Pictures

Please Like Me, Series 4 Episode 5 ‘Burrito Bowl’ by Josh Thomas, Thomas Ward and Liz Doran – Guesswork TV

Multicultural Award NSW

No More Boats by Felicity Castagna, published by Giramondo Publishing

The Permanent Resident by Roanna Gonsalves, published by UWA Publishing

Dark Convicts by Judy Johnson, published by UWA Publishing

The Family Law, Series 2 Episode 4 by Benjamin Law and Kirsty Fisher – Matchbox Pictures

Down the Hume by Peter Polites, published by Hachette Australia

Quicksilver by Nicholas Rothwell, published by Text Publishing

Indigenous Writer’s Prize

Finding Eliza: Power and Colonial Storytelling by Larissa Behrendt, published by UQP

Common People by Tony Birch, published by UQP

Barbed Wire and Cherry Blossoms by Anita Heiss, published by Simon & Schuster Australia

The Drover’s Wife by Leah Purcell published and produced by Currency Press and Belvoir in association with Oombarra Productions)

Taboo by Kim Scott, published by Pan Macmillam Australia

UTS Glenda Adams Award for New Writing

2018 Shortlist The winner will be announced at the awards ceremony on 30 April 2018. There is no shortlist for this category.

About the award

  • The UTS Glenda Adams Award ($5,000) is for a published book of fiction written by an author who has not previously published a book-length work of narrative fiction or narrative non-fiction.

  • The Award seeks to recognise outstanding new literary talent. The winning author may produce an excellent piece of writing in a traditional fictional form or may challenge and expand the boundaries of the genre.

  • The winner of the UTS Glenda Adams Award is chosen from entries submitted for the Christina Stead Prize (no additional entry fee is required for this award).

  • Entrants who meet the UTS Glenda Adams Award criteria should indicate on the nomination form if they wish to be considered for the Award.

  • There may not be a shortlist in this category.

NSW Premier’s Translation Prize – Next awarded 2019

Multicultural NSW Early Career Translator Prize – Next awarded 2019

 

 

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Dymocks Children’s Charities:  Book Bonus 2018

 

BookBonus_Duck

 

One of Australia’s most well-known booksellers, Dymocks, runs a series of children’s charities to help improve and promote literacy to children, and encourage them to read. Dymocks Children’s Charities also aim to help children find a love of reading that they can carry through their lives.

 

One of the initiatives and campaigns that Dymocks Children’s Charities are running this iyear is Book Bonus. Book Bonus 2018 is an online read-a-thon that is linked to the NSW Premier’s Reading Challenge. What Book Bonus does is provide students with a safe and secure opportunity to gain support from family and friends from the books they read for the NSW Premier’s Reading Challenge.

 

Through this campaign, Dymocks Children’s Charities aims to deliver thousands of new books to school libraries and classrooms in NSW. During Book Bonus, students and school raise money for the campaign, and the money raised will be matched by Dymocks Children’s Charities. For every $1 raised, Dymocks Children’s Charities will match it with a 25% bonus – $1.25 per dollar earned towards new books for schools.

 

They will also award an additional 25% of the amount raised to schools in need to select the right books for their students.

 

Students and schools can fundraise up until the 7th of September, but funds raised after the completion of the NSW Premier’s Reading Challenge, which closes on the 31st of August, will not be counted.

 

Best of luck to all participating!

 

 

 

 

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