Draigon Weather: The Legacies of Arnan Book One by Paige L. Christie

Draigon Weather cover_for promotion (1).jpegTitle: Draigon Weather: The Legacies of Arnan Book One

Author: Paige L. Christie

Genre: Fantasy

Publisher: Prospective Press

Published: 3rd October, 2017

Format: Paperback

Pages: 352

Price: AU$32.75 (Booktopia) US$15.95

Synopsis: The brutal, drought-bringing heat that arises from the colossal, near-mythical Draigon, is a fell portent, heralding the doom of a bad woman.

When Leiel’s mother is sacrificed to the Draigon to relieve the terrible drought, Leiel is marked by the shame brought to her family. She must leave school, relegated to a new life of servitude.

Cleod, the woodcutter’s son, is Leiel’s closest friend. To avenge Leiel’s mother, he vows to rise above his station and join the Ehlewer Enclave, an elite society famed for training men to kill Draigon.

The friends’ lives take different paths. Cleod struggles with divided loyalties as he learns he cannot be a Draigon hunter while remaining a friend to a tainted woman. Leiel seeks forbidden knowledge and old secrets, placing herself in danger of sharing her mother’s fate.

When Draigon Weather returns to the land, Cleod has the chance to fulfil all his promises—both to Leiel and to his new masters, the Ehlewer. But as the rivers choke on their own silt and heat cracks the earth, the choices the two friends made begin to catch up with them, for what plagues Arnan is more than just a monster.

~*~

A copy of this book was sent to me by the author for review.

Leiel Sower is a girl in a place threatened by what they cannot understand – educated women. She attends school, despite disapproving looks, and is educated at home by her mother, Ilora. For several years of her childhood, Leiel is happy, she has a friend, Cleod, and they both have dreams. Until the day the Draigon Weather comes, and Leiel’s mother is sacrificed to the Draigon to relieve a drought that has plagued Arnan for too long. In the years that follow, Leiel and Cleod’s lives take off on different paths. While Cleod trains to be one of the few who can fight the Draigon, Leiel’s life becomes one of servitude to her brothers, Gial and Klem, and her father. The return of Draigon Weather brings Cleod back, hoping to fulfil his promise to Leiel to make sure she doesn’t meet her mother’s fate – but they must face more than just the Draigon that plagues Arnan.

I love a good fantasy story, and one that focuses on friendships between women and between the main male and female characters is always of great interest. Showing these relationships between Gahree and Leiel, Leiel and Cleod and Elda, Torrin and Leiel play a large part in the story, and how Leiel relates to her world and her family, and what drives her. Leiel is a character who does not let her circumstances and status in her family and society define her. She fights against it, subversively, and makes her voice heard, even though it is often overruled, she finds comfort and power in making herself heard, even if her brother, Klem, refuses to listen to her, she has a partial ally in Gial and a friend in Cleod, and the other women in her life, \who understand the struggles she is facing.

The world of Arnan is also complex, where certain classes and men are valued over other classes and women, and where everyone seems to publicly accept the rules, but subversively, and within the rules of the world around them, try and rebel and change it from within. It is a world of tradition, but tradition that needs to be broken apart and rebuilt, in a world where certain behaviours mean you’ll be sacrificed to a hungry Draigon.

I was contacted by the author to read and review this book after she found my blog and was asked to read and review this book. I gladly did, and I enjoyed Leiel and Cleod’s story. I particularly enjoyed the focus on friendship and platonic love over romantic love, and the strong female characters who don’t let anything keep them down and stay true to themselves. It is a story about the power of friendship, and the subversive powers that society sees as a threat and challenge to the status quo of Arnan, not realising what the people that the Council looks down upon can contribute. The bonds of friendship throughout this novel were strong, and enduring until the end, and the last pages gave a nice set up for what is to come in book two.

This is a very enjoyable read for lovers of fantasy, dragons, and those who like their relationships between all characters to unfold and develop into friendship and bonds that cannot be broken. I hope the questions Cleod had at the end will be answered soon.

 

 

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Australian Children’s Laureate 2018-2019: Morris Gleitzman

In 2008, The Australia Children’s Literature Alliance was formed as an independent and not-for-profit organisation that champions and promotes “the transformational power of reading in the lives of young Australians.” The ACLA is inclusive, representing the spectrum of the field of children’s and young adult literature. The vision and mission of the ACLA is:

ACLA’s vision is to: enrich the lives of young Australians through the power of story. 

ACLA’s mission is to:

  • Promote the value, importance and transformational nature of reading

  • Influence the reading habits of Australian families

  • Raise the profile of books in the lives of children and young adults

  • Champion the cause of young Australians reading.

The organisation’s primary activity is developing and managing the Australian Children’s Laureate Program, established based on the successful implementation of similar programs in the UK, the US, with programs in Finland, Holland, Ireland, Mexico, Sweden and Wales as well.

The Children’s Laureate is an Australian author or illustrator of books for children and/or young adults, and in particular, someone who has made a significant contribution to the canon of Australian Children’s Literature and is appointed on a biennial basis. The inaugural year, 2012-2013 – was shared by two well-loved authors, Alison Lester and Boori Monty Pryor.

In 2014-2015, Jackie French took the mantle. She has authored over 140 books, including The Matilda Saga and the iconic Diary of a Wombat.

 

Leigh Hobbs held the mantle for 2016-2017.

And the Australian Children’s Laureate for 2018-1019 is Morris Gleitzman. The theme for his term is Stories Make Us – Stories Create Our Future. Morris has written celebrated books for the youth market for over thirty years including Two Weeks With the Queen, and the Felix Series, stating with Once.

In a world where our attention is divided by many different means of technology, it is comforting to know that there are those passionate about championing books for children, and showing the power of books to teach, to heal, to help us understand the world around us. Keep an eye on the included links for more information on what Morris gets up to this year.

More information about the role and how it is selected can be found here:

Further links and interviews:

http://readingtime.com.au/cbca-book-year-younger-reader-acceptance-speech-morris-gleitzman-author-soon/

http://www.morrisgleitzman.com

http://www.abc.net.au/news/2018-02-12/morris-gleitzman-on-why-kids-need-books-author/9421494

http://www.smh.com.au/entertainment/books/australias-new-childrens-laureate-morris-gleitzman-hopes-to-inspire-children-in-dark-uncertain-world-20180207-h0vr05.html

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2018 NSW PREMIER’S LITERARY AWARDS

The NSW Government has a long tradition of celebrating and connecting the public with art and literature. The NSW Premier’s Literary Awards are an opportunity to highlight the importance of literacy and literature, whilst enjoying and learning from the work of our writers in NSW and Australia. Like other literary awards, this award in highlighting the spectacular Australian Literature Australian writers produce, highlights and honours the achievements of Australia’s writers, and their artistic contributions to society, but also to highlight our literary achievements to the world. The State Library administers the awards.AWW-2018-badge-rose

The NSW Premier’s Literary Awards have more categories than the Victorian awards. These categories are:

Christina Stead Prize for Fiction

2017 Winner: The Museum of Modern Love by Heather Rose

2017 Shortlist: Vancouver #3 in the series Wisdom Tree by Nick Earls

Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers by Ryan O’Neill

Where the Light Falls by Gretchen Shirm

After the Carnage by Tara June Winch

The Natural Way of Things by Charlotte Wood.

UTS Glenda Adams Award for New Writing

2017 Winner: Letter to Pessoa by Michelle Cahil

2017 Shortlist:

The Memory Artist by Katherine Brabon

Dodge Rose by Jack Cox

Our Magic Hour by Jennifer Down

Portable Curiosities by Julie Koh

The Bonobo’s Dream by Rose Mulready

Douglas Stewart Prize for Non-Fiction

2017 Winner: Our Man Elsewhere: In Search of Alan Moorehead by Thornton McCamish

2017 Shortlist: Everywhere I Look by Helen Garner

Talking to My Country by Stan Grant

The Art of Time Travel: Historians and Their Craft by Tom Griffiths

Avalanche by Julia Leigh

Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire by Shane White

Kenneth Slessor Prize for Poetry

2017 Winner: Ghostspeaking by Peter Boyle

2017 Shortlist: Burnt Umber by Paul Hetherington

Breaking the Days by Jill Jones

Fragments by Antigone Kefala

Firebreaks: Poems by John Kinsella

Comfort Food by Ellen van Neerven

Ethel Turner Prize for Young People’s Literature

2017 Winner: One Thousand Hills by James Roy and Noël Zihabamwe

2017 Shortlist: Elegy by Jane Abbott

The Ghost by the Billabong by Jackie French 

the-ghost-by-the-billabong

The Sidekicks by Will Kostakis

The Boundless Sublime by Lili Wilkinson

One Would Think the Deep by Claire Zorn

Patricia Wrightson Prize for Children’s Literature

2017 Winner: Iris and the Tiger by Leanne Hall

2017 Shortlist: Magrit by Lee Battersby and Amy Daoud

Something Wonderful by Raewyn Caisley and Karen Blair

Desert Lake Pamela Freeman and Liz Anelli

Figgy and the President by Tamsin Janu

Welcome to Country by Aunty Joy Murphy and Lisa Kennedy

Nick Enright Prize For Playwriting

 

2017 Winner: The Drover’s Wife by Leah Purcell

2017 Shortlist:  The Hanging by Angela Betzein

You, Me and the Space Between by Finegan Kruckemeyer

Ladies Day by Alana Valentine

Betty Roland Prize for Scriptwriting

2017 Winner: The Code – Series 2, Episode 4 by Shelley Birse

2017 Shortlist: Down Under by Abe Forsythe

Sucker by Lawrence Leung and Ben Chessel

The Kettering Incident episode 1 by Victoria Madden

Afghanistan: Inside Australia’s War by Victoria Midwinter Pitt

Cleverman Episode 5 “Terra Nullius” by Michael Miller

Multicultural NSW Award

 2017 Winner: The Hate Race by Maxine Beneba Clarke

2017 Shortlist: Offshore: Behind the Wire on Manus and Nauru by Madeline Gleeson

Not Quite Australian: How Temporary Migration is Changing the Nation by Peter Mares

Of Ashes and Rivers that Run to the Sea by Marie Munkara

Promising Azra Helen Thurloe – on my To Be Read pile.

The Fighter: A True Story by Arnold Zable

NSW Premier’s Translation Prize

 2017 Winner: Royall Tyler

2017 Shortlist: J.M.Q Davies

Penny Hueston

Jennifer Lindsay

Multicultural NSW Early Career Translation Prize

 2017 Winner: Jan Owen

2017 Shortlist: Christopher Williams

Indigenous Writer’s Prize – Biennial Prize Next Awarded in 2018

Last awarded in 2016.

2016 Winners: Dark Emu by Bruce Pascoe and Heat and Light by Ellen van Neerven

2016 Shortlist: Ghost River by Tony Birch

Inside My Mother by Ali Cobby Eckermann

Dirty Words by Natalie Harkin

Not Just Black and White by Lesley Williams and Tammy Williams

Other Awards:

NSW Prize for Literature

2017 Winner: The Drover’s Wife by Leah Purcell

People’s Choice Award

 2017 Winner: Vancouver #3 in the series Wisdom Tree by Nick Earls

 Special Award

 The Special Award was last awarded to Rosie Scott AM in 2016.

Across these twelve categories and the three additional ones, there is a diverse range of authors and stories, that tell of personal experiences, imagined worlds and that draw on history and the world the authors have lived that led them to write these books. Each prize I have looked at so far has shown a different degree of diversity, with this one having a broader range, if only because it has more categories than the others I have looked at. Last year’s winners and nominees are in good company with past winners Peter Carey, David Malouf AO, Elizabeth Jolley, Thomas Keneally AO and Helen Garner.

Each prize has a different amount of money, and further details can be found in the provided links. In 2018, the total prize money, including sponsored awards is up to $305 000, and to be nominated for any of these awards, the writer and illustrator must be living Australian citizens or hold permanent resident status.

Taken from the website:

The NSW Premier’s Literary Awards are presented by the NSW Government and administered by the State Library in association with Create NSW. We are pleased to acknowledge the support of Multicultural NSW and the University of Technology Sydney (UTS).

The 2018 winners will be announced on 30 April 2018.The short-list will be announced in March.

Purchase any of the above books here:

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Victorian Premier’s Literary Awards 2018 Winners

2018 VPLA Victorian Premier's Literary Awards key art tile.jpg

Each year, the State Premiers of Australia nominate several books across several categories for literary awards, and each of the awards are announced at different times, and have different categories.  The Victorian awards were inaugurated in 1985 to honour Australian writing and are administered by the Wheeler Centre on behalf of the Premier of Victoria.

The Victorian awards are split into five categories: fiction, non-fiction, drama, poetry and writing for young adults, with one winner in each. Each winner wins $25,000 and they go on to contest the Victorian Prize for Literature. The Premier’s Award also incorporates the Unpublished Manuscript Award, won by Christian White for Decay Theory in 2017, and a biennial Award for Indigenous Writing. Both of these awards go onto contest the Victorian Literary Prize with the other five categories.

People can participate in the awards by voting for their favourite work on the shortlist, and the winner of the People’s Choice Award, which is named alongside the general categories wins $2,000.

In 2018, none of the winners were male or identified as male. Of the five winners, four were women, and one was non-binary – Alison Evans, whose novel, Ida, won The People’s Choice Award. This year’s winners were announced on the first of February.

The winners

  • The Victorian Prize for Literature, and the Prize for Non-FictionThe Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • The Prize for Fiction: Australia Day by Melanie Cheng (Text Publishing)
  • The Prize for DramaRiceby Michele Lee (Playlab)
  • The Prize for PoetryArgosy by Bella Li (Vagabond Press)
  • The Prize for Writing for Young AdultsLiving on Hope Street by Demet Divaroren (Allen & Unwin)
  • People’s Choice AwardIda by Alison Evans (Echo)

Of these, I have Australia Day by Melanie Cheng on my To Be Read list, and am deciding which of the others to explore.

The above winners were chosen and voted for from the following shortlist:

The shortlist

Fiction 

  • A New England Affair by Steven Carroll (HarperCollins)
  • Australia Day by Melanie Cheng (Text Publishing)
  • The Life to Come by Michelle de Kretser (Allen & Unwin)
  • The Choke by Sofie Laguna (Allen & Unwin)
  • The Restorer by Michael Sala (Text Publishing)
  • Taboo by Kim Scott (Picador Australia)

Non-fiction

  • The Museum of Words: A Memoir of Language, Writing and Mortality by Georgia Blain (Scribe Publications)
  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness by Kate Cole-Adams (Text Publishing)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • For a Girl: A True Story of Secrets, Motherhood and Hope by Mary-Rose MacColl (Allen & Unwin)
  • No Way But This: In Search of Paul Robeson by Jeff Sparrow (Scribe Publications)
  • Tracker by Alexis Wright (Giramondo)

Drama

  • Rice by Michele Lee (Playlab)
  • Black is the New White by Nakkiah Lui (Sydney Theatre Company)
  • The Rasputin Affair by Kate Mulvany (The Ensemble Theatre)

Poetry

  • Argosy by Bella Li (Vagabond Press)
  • The Metronome by Jennifer Maiden (Giramondo)
  • redactor by Eddie Paterson (Whitmore Press)

Writing for Young Adults

  • Living on Hope Street by Demet Divaroren (Allen & Unwin)
  • Ida by Alison Evans (Echo)
  • Because of You by Pip Harry (UQP)

Highly commended

Fiction

  • No More Boats by Felicity Castagna (Giramondo)
  • Terra Nullius by Claire Coleman (Hachette)
  • Atlantic Black by A.S. Patrić (Transit Lounge)
  • Plane Tree Drive by Lynette Washington (MidnightSun)

Non-fiction 

  • They Cannot Take the Sky: Stories from Detention edited by Michael Green, André Dao, Angelica Neville, Dana Affleck and Sienna Merope (Allen & Unwin)

Poetry

  • I Love Poetry by Michael Farrell (Giramondo)
  • Reading for a Quiet Morning by Petra White (GloriaSMH Press)

Young Adult

  • In the Dark Spaces by Cally Black (Hardie Grant Egmont)

Reading up on as many of these entries as possible shows that this award strived for diversity too, and in naming four women and one non-binary author as winners, shows the importance of having these voices heard in society, but also the exemplary work these authors have achieved to have been nominated for these awards. Some of the authors on the shortlist were also nominated for the Stella Prize, and are on the 2018 Longlist, and information about this can be found on my post about the 2018 Stella Prize here.

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The War that Saved My Life by Kimberly Brubaker Bradley

war saved life.jpgTitle: The War that Saved My Life

Author: Kimberly Brubaker Bradley

Genre: Historical Fiction, Children’s and YA

Publisher: Text Publishing

Published: 16th May 2016

Format: Paperback

Pages: 336

Price: $16.99

Synopsis: · Winner, Newbery Honor Book, United States, 2016 

  • Winner, Schneider Family Book Award, United States, 2016 
  • Shortlisted, West Australian Young Readers’ Book Award, 2017

An exceptionally moving story of triumph against all odds, set during World War II.

Nine-year-old Ada has never left her one-room flat. Her mother is too humiliated by Ada’s twisted foot to let her outside. So when her little brother Jamie is shipped out of London to escape the war, Ada doesn’t waste a minute—she sneaks out to join him.

So begins a new adventure for Ada, and for Miss Susan Smith, the woman who is forced to take in the two children. As Ada teaches herself to ride a pony, learns to read, and watches for German spies, she begins to trust Susan—and Susan begins to love Ada and Jamie. But in the end, will their bond be enough to hold them together through wartime? Or will Ada and her brother fall back into the cruel hands of their mother?

This masterful work of historical fiction is equal parts adventure and a moving tale of family and identity—a classic in the making.

~*~

For nine years, Ada has lived in a tiny, one room flat with her mother and younger brother, Jamie, in London. For years she has been confined in this dreary place because of a birth deformity – clubfoot. She receives little care and love from her mother, and all her affection comes from her younger brother, whom she has raised. When war is announced in 1939, all the children of London are evacuated to less populous areas to save them from being bombed by the Germans. For Ada, this is her chance to leave home for good, to escape the horrors of her young life and get out of the dim home she lives in. On her bad foot, she hobbles towards the school, receiving assistance from Stephen White, a neighbour also being evacuated. Unaware of what the outside world is like, both on the journey and arrival in Kent, where they are placed with Susan Smith, and their lives begin to change. Jamie gets to go to school, Ada learns to ride, and they learn what it is to be kept safe, though throughout, Ada feels that there will always be something that will take them away, that this cannot last. The war is present, though never at the forefront of the book, just a threat that lingers as Ada fights her own war against everything her mother has told her she is and breaking down her own barriers to let people in, to learn to read and to find her place in the world. But can Ada’s sanctuary last?

The War that Saved My Life is more than a story of survival in war, it is survival of who Ada is and who she can become, survival of spirit and the land. It is a unique experience of war told through the eyes of a disabled child, who has always been the carer, and never cared for, fearful of a mother who has never loved or wanted her and struggling with a disability that she has been told can never been helped. In this story, there is a harsh reality shown of disability and the way it is seen and treated – the unwillingness of Ada’s mother to help or care for her versus Susan’s desire to keep Ada safe, wanting to help her and wanting to care for her, and the repercussions of nine years of being treated poorly, of being abused, set against the backdrop of a war that killed millions and wounded many more.

Each character has layers that need to be peeled back slowly, and they are. Even though Ada’s PTSD isn’t explained explicitly, it is shown in a way that readers can understand, and that people can relate to, giving people a character that they can see themselves in and representation of what they might have gone through or be feeling. The War that Saved My Life is told in first person format, through Ada’s eyes. The reader can feel and experience what she goes through: feeling trapped, feeling unable to articulate what she is feeling or find the right words, and the way her mind gives her conflicting messages, that she feels she cannot unravel properly.

It is more than a story about World War Two, it a story about the war that Ada fights within herself every day, trying to trust someone who cares for her after all she has been through. It is touching and shows the reality of Ada’s life with her mother. It shows the strength of love between siblings and the love that another can have for someone they aren’t related to.

In a story where the protagonist feels at war with herself and those around her constantly, she copes in the only way she knows how – detaching from a situation and letting herself go into her own world. She learns that there are many ways to love and care for people, and that sometimes, a lie to protect someone is okay, but lying to hurt and humiliate is not. With Susan, Ada learns that there are no absolutes in life, and that she can be helped, that her club foot can be fixed so she can at walk. Ada’s constant disbelief is coloured by the way Mam treated her for so long. It is a war that Ada is determined to win.

A touching story that can be read by all ages, The War that Saved My Life is deserving of the awards it has won and been nominated for. It is a book that shows a different side to the war, and will hopefully become a much-loved classic in years to come.

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Book Bingo Two: A book with a number in the title, a book based on a true story, a book by an Australian woman

 

AWW-2018-badge-roseThe next square I managed to fill was the last square in the fourth row a book with a number in the title. This also filled in a book published in 2018 for my other challenge and ticked off another book in the Australian Women Writer’s challenge – I have many books that will fill some categories in book bingo and the other challenge, but I am aiming for a different one for each category if I can.

 

For square twenty, I read Four Respectable Ladies Seek Part Time Husband by Barbara Stoner, which I reviewed on the 29th of January on this blog, and has been linked to this post.

four respectable ladies

 

Sent to me by Penguin Random House, I was pleasantly surprised by this book, and its focus on the female characters and their determination to get help where needed but when things went wrong, they banded together to help each other without needing husbands to do it all for them. My previous book bingo book, Rose Rave

nthorpe Investigates, would have fit into this category also, and they would both have fit into a book by an Australian woman, though each square needs its own book, as I will show in my final post when I have hopefully filled the entire square.

 

mr dickensI have managed to check off three other squares as well. For square twenty-two, a book based on a true story, I read Mr Dickens and His Carol by Samantha Silva, about Charles Dickens journey writing A Christmas Carol, and why he wrote it – more out of economic need than desire to write such a story. And square eleven, a book by an Australian woman, has been filled by The Tides Between by Elizabeth Jane Corbett, an historical fiction novel using storytelling and fairy tales to capture an arduous journey across the seas.The-Tides-Between-300x450

 

Look out for my next book bingo due in two weeks.

 

book bingo 2018.jpg

Mr. Dickens and His Carol by Samantha Silva

mr dickens.jpgTitle: Mr. Dickens and His Carol

Author: Samantha Silva

Genre: Historical Fiction

Publisher: Faber Factory Plus/Allison and Busby/Allen and Unwin

Published: 22nd November 2017

Format: Hardcover

Pages: 320

Price: $24.99

Synopsis: ‘A charming, comic, and ultimately poignant Christmas tale about the creation of the most famous Christmas tale ever written. It’s as foggy and haunted and redemptive as the original; it’s all heart, and I read it in a couple of ebullient, Christmassy gulps.’ Anthony Doerr, bestselling author of All The Light We Cannot See

For Charles Dickens, each Christmas has been better than the last. His novels are literary blockbusters, avid fans litter the streets and he and his wife have five happy children and a sixth on the way. But when Dickens’ latest book, Martin Chuzzlewit, is a flop, the glorious life threatens to collapse around him.
His publishers offer an ultimatum: either he writes a Christmas book in a month, or they will call in his debts, and he could lose everything. Grudgingly, and increasingly plagued by self-doubt, Dickens meets the muse he needs in Eleanor Lovejoy and her young son, Timothy. With time running out, Dickens is propelled on a Scrooge-like journey through Christmases past and present.
Mr. Dickens and His Carol is a charming, comic, and ultimately poignant Christmas tale about the creation of the most famous Christmas tale ever written. It’s as foggy and haunted and redemptive as the original; it’s all heart, and I read it in a couple of ebullient, Christmassy gulps.’ Anthony Doerr, bestselling author of All The Light We Cannot See

~*~

Mr Dickens and His Carol by Samantha Silva focuses on what drove Dickens to write his most famous story, A Christmas Carol in 1843. In this novel, Dickens has been approached by his publishers, whose grave news of the failure of Martin Chuzzlewit over in America starts to eat away at him, and his usually charitable donations he gives out. For economic reasons, they encourage Dickens to write a Christmas story. In Silva’s version, these events happen not long before Christmas, with the book published days before Christmas. Silva has Dickens go through a similar transformation to Scrooge, though his reasons for wanting to cut back are presented as economic struggles rather than a selfish desire for money. On his journey, Dickens encounters the homeless and impoverished children of London, and a young woman named Eleanor Lovejoy, and her son, Timothy – who inspire the version we know and love today.

This fictional retelling of how Dickens came to write one of the best loved Christmas stories in the world draws from threads of information and biography that the author collected, and showed that someone many people depended on, a man whose heart was big, could be crippled by the very thing his books made social commentary about: poverty, or near poverty. Dickens was plagued by debts at the time, but the demands on his aid and from family didn’t stop – nor did they take him seriously in the novel when he said he couldn’t help. For Dickens, a chance meeting with the Lovejoys gives him the inspiration he needs to write the book that people all around the world know and love today: A Christmas Carol.

The London that Dickens inhabits leaps from the page, fog and all, just as it is in his books. His time alone with the Lovejoys is akin to the journey of Scrooge in A Christmas Carol, where Dickens finds his way back to family and Christmas, and the magic in his heart that makes him the kind and generous man everyone knows he is. It is a heart-warming story, and portrays Dickens as merely human, a man who just likes to write and wants the best for his family, but also feels pressure from outside forces to do everything and please everyone. As an aspiring author, one line stuck with me, where Dickens is talking to his publishers and they are telling him what audiences want. His response about writers having to be told what to write by an audience even then shows the pressure authors are under to please an audience of readers. Despite this attitude, Dickens ended up writing a wonderful story that illustrates what Christmas is about, and the meaning of family and humanity, reflecting the attitudes of what it meant to be rich and poor in Victorian London.

I enjoyed this, even though it was a fictional reimaging of the journey Dickens took to write A Christmas Carol because it allowed an insight into what kind of journeys a writer goes on, and how they come to write certain books. The fog, and the cobblestones were as real as the figures that populated Dickens world and the young pauper boys who followed him around, wanting to put on a play of his work, and wanting to be immortalised as characters on the page. Silva has used research and her imagination in a wonderful union to recreate this time in Dickens’ life, and I will be aiming to read it again this coming December, alongside my other Christmas books.

I read this after Christmas as it arrived in early January from Allen and Unwin, but it is one that will make a great Christmas read, and enjoyable to read beside A Christmas Carol. I loved this book and I think fans of Dickens, lovers of Christmas and literature will enjoy this delightful book.

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