Rather Be The Devil by Ian Rankin

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Title: Rather Be The Devil

Author: Ian Rankin

Genre: Crime

Publisher: Hachette

Published: 3rd November, 2016

Format: Paperback

Pages: 310

Price: $32.99

Synopsis: Some cases never leave you.

For John Rebus, forty years may have passed, but the death of beautiful, promiscuous Maria Turquand still preys on his mind. Murdered in her hotel room on the night a famous rock star and his entourage were staying there, Maria’s killer has never been found.

Meanwhile, the dark heart of Edinburgh remains up for grabs. A young pretender, Darryl Christie, may have staked his claim, but a vicious attack leaves him weakened and vulnerable, and an inquiry into a major money laundering scheme threatens his position. Has old-time crime boss Big Ger Cafferty really given up the ghost, or is he biding his time until Edinburgh is once more ripe for the picking?

In a tale of twisted power, deep-rooted corruption and bitter rivalries, RATHER BE THE DEVIL showcases Rankin and Rebus at their unstoppable best.

~*~

ian-rankin-2In Rebus’ twenty-first outing, Rather Be The Devil, which marks thirty years since the misanthropic detective who investigates the dark underside of Edinburgh and the crimes it tries to conceal. In Rather Be The Devil, Rebus is retired, though rather unwillingly, and is haunted by an unsolved murder from forty years ago: Maria Turquand. Alongside this, a crime syndicate is trying to evade justice and capture. Naturally, a retired Rebus becomes embroiled in these cases, assisting his former colleagues as he grapples with health issues that he is hiding from those who care about him.

Told in third person, most scenes involve Rebus but there are a few that are seen from the perspective of another character, giving the reader insight into the world Rebus lives in. It is a world of history and darkness, in a city I have visited and could picture in my mind: Princes Street lined by old buildings, the Royal Mile and cobblestones leading up to Edinburgh Castle. Even the names of some of the surrounding areas of Leith were familiar. It is set in a place that has a varied history, an interesting one, that towers architecturally over Rebus and his colleagues as they uncover the unsavoury figures that seek to destroy lives.

Rather Be The Devil refers to events that have occurred in earlier books, and though some things may follow on from what has come before, they do not have a large impact on the story. Hints of what has made Rebus who he is made me want to find out more, so hopefully I can track down some more of the books but overall, I was able to follow the plot as a stand alone story.ian-rankin-2017a

It is a dark and gritty story, but not overly violent. Ian Rankin has taken a beautiful city and placed a gritty misanthrope within it, and contrasted the beauty of Edinburgh with the horror of crime and rankled Rebus, and this works well. The contrast allows for an ongoing story to be told, and for immersion in Edinburgh and the world of Rebus.

With an interesting character, and a mystery that refuses to be let go until it is solved, Rather Be The Devil marks the thirtieth anniversary of Rebus well. Fans new and old will enjoy this outing of Rebus.

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Ian Rankin will be appearing at the Sydney Writer’s Festival, held between the 22nd and the 28th of May. Appearances are:

Conversation: Ian Ranking – Rather Be The Devil, Saturday, 27th of May, 2017 7.30 – 8.30 PM at Riverside Theatres, Parramatta

https://www.swf.org.au/festivals/festival-2017/ian-rankin-rather-be-the-devil-parramatta/

Ian Rankin: Who Says Crime Doesn’t Pay?

Friday, 26th of May , 6.30-7.30 PM at City Recital Hall, Angel Place, Sydney

https://www.swf.org.au/festivals/festival-2017/ian-rankin-who-says-crime-doesnt-pay/

Special Event: SWF Gala – Origin Story

Wednesday , 24th of May, 2017 6pm to 7pm at City Recital Hall, Angel Place, Sydney

https://www.swf.org.au/festivals/festival-2017/swf-gala-origin-story/

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Letters to the Lost by Brigid Kemmerer

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Title: Letters to the Lost

Author: Brigid Kemmerer

Genre: YA

Publisher: Bloomsbury

Published: 6th April 2017

Format: Paperback

Pages: 400

Price: $16.99

Synopsis: Juliet Young always writes letters to her mother, a world-traveling photojournalist. Even after her mother’s death, she leaves letters at her grave. It’s the only way Juliet can cope.

Declan Murphy isn’t the sort of guy you want to cross. In the midst of his court-ordered community service at the local cemetery, he’s trying to escape the demons of his past.

When Declan reads a haunting letter left beside a grave, he can’t resist writing back. Soon, he’s opening up to a perfect stranger, and their connection is immediate. But neither Declan nor Juliet knows that they’re not actually strangers. When life at school interferes with their secret life of letters, sparks will fly as Juliet and Declan discover truths that might tear them apart.

~*~

When Declan Murphy finds a letter on a grave during community service in the graveyard, he is compelled by an invisible force to read it, and respond to the person who wrote the letter.

When Juliet Young finds Delcan’s response to the letter she placed on her mother’s grave, she s incensed that someone has dared to read the words and respond to them as if they know her, as though they had the right to intrude. To Juliet, her privacy has been violated.

And yet, Juliet and Declan find a connection through this anonymous communication. They tell each other things they’ve never told anyone else, and reveal their true selves and feelings throughout the letters and later anonymous emails and messages that they move to. As they grow fond of each other through this method of communication, real life begins to throw them together: at school, at Homecoming, one the dark road with a broken down car, and they begin to form a friendship separate from the letters, not knowing that they are corresponding anonymously online when they face off in person.

Soon, they are thrown together more and more as real life and the letters start to blur together, and a fateful discussion threatens to throw them apart, and secrets are uncovered that Juliet is fearful to share with anyone – except those who helped her find the courage to look at her mother’s cameras, and find out what really happened the day she died.

Letters to the Lost is more than a love story. It is a story of loss, and how everyone deals with it differently, and a story of how the most unlikely friendships can develop in unusual places and come from a similar place and understanding, and slowly, develops into something more. Declan and Juliet have people they can talk to, teachers, friends, but not parents, and those who do try are not always able to understand them the way they understand each other.

I enjoyed Declan and Juliet’s story. It was heartbreaking in many ways, and illustrated the frustrations people feel that come with grief and change, and the shock of truths that lead to what happened, and the burdens that children shouldn’t have to shoulder. They are two people from different walks of life who find a way to understand the world, and the letters and emails interspersed with the prose and the dual perspective – where Declan’s chapters are indicated by him reading Juliet’s letters, and vice versa for Juliet – works well and establishes the characters for the reader, giving them both sides to the story, not just one.

Another interesting read from Bloomsbury for the Young Adult audience.

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Royce Rolls by Margaret Stohl

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Title: Royce Rolls
Author: Margaret Stohl
Genre: YA
Publisher: Bloomsbury Australia
Published: 1st May 2017
Format: Paperback
Pages: 400
Price: $15.99
Synopsis: Sixteen-year-old Bentley Royce is the wild-child of a super-glam reality TV dynasty. She has it all – designer clothes, a fancy school and an actual Bentley to drive around in. Her ambitious mom Mercedes has dragged the family from trailer park to Hollywood stardom. But Bentley wants out – she wants to go to college, escape her own storyline, be NORMAL – but Royces don’t do normal (or college).

Rolling with the Royces is running out of ways to keep viewers hooked and suddenly the show is threatened with cancellation. Bentley faces an impossible choice. Without the show, she could live the college dream – but her family will crumble (and is $20million in debt). Bentley Royce has a mission. She must use her brains to save the show; if she saves the show, she can save her family – and she’ll do whatever it takes …

Royce Rolls is a laugh-out-loud funny romp with a twist of mystery – a behind-the-scenes comedy with a brilliant voice, a hilarious and subversive antidote to the Kardashians and TOWIE (which will still work for fans of both!).

~*~

In Royce Rolls, the main character, Bentley Royce, is tired of playing the role of wild child in the reality television show, Rolling with the Royces. She’s tired of having her every waking minute filmed, and tired of being told how to act, and what to wear and humiliated by her sister, Porsche and her mother, Mercedes. After six seasons of the humiliation, Bentley’s only hope for a normal life and college – something that goes against everything Mercedes has instilled in her children and everything the show runners have encouraged for the Bentley character – is for the show to be cancelled. But when the threat of cancellation, her family will be faced with a large debt they’d have no chance of paying off. And so, Bentley must make a choice between family and a life that she has yearned for over many years.

Starting with an incident that shocks the reader, and inevitably, the characters, the novel switches back to the events that led to the tragedy. Each chapter ends or begins with relevant articles that would probably be found on a celebrity gossip site that blow things out of proportion with sensationalist headlines and stories, these do little to reflect the reality Bentley and her family manage to live when the cameras aren’t rolling during hiatus, or those rare hours when they’re studying their characters and Mercedes is probing them to be a person that they aren’t.

Bentley’s only solace is a local library, where she meets fellow library patron, Venice, and for the first time, experiences a real friendship, outside of a scripted “reality” that has been coerced to bring in ratings. She manages to get away at a certain time of day for this time out, and realises through these meetings that there is more than life on the show, and she wants more. Venice is the only person she can be the real Bentley with, not the scripted wild child “Bad Bentley” that everyone expects on the show.

Royce Rolls takes the reality television format and makes a mockery of it, revealing that what viewers see in the shows that populate television screens claiming to be reality television, television of real life, is really scripted and carefully produced and created using real people – acting as characters who are projected as the true selves of those on the screen, as opposed to fictional characters played by actors in television shows that often have much more interesting story lines.

As a rather anti-reality television fan, or at least, a viewer of shows like Masterchef who looks at the way things are edited for story telling purposes, this was an amusing read, and I was pleasantly surprised that I liked it. It shed light on the fallacy of reality television and indicates the power of reality comes from who a person really is, not what the world sees. It establishes the flaws of celebrity as well, and shows that that world is not as perfect as it may seem.

An interesting read for the YA audience, fans of reality television and those who don’t enjoy it. It is an antidote to the saturation of this genre and it uses humour and satire to show what this world is really like in an accessible and fun way.

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Beyond the Wild River by Sarah Maine

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Title: Beyond the Wild River

Author: Sarah Maine

Genre: Fiction, Historical Fiction

Publisher: Hachette Australia

Published: 26/4/17

Format: Paperback

Pages: 400

Price: $32.99

Synopsis: A spellbinding and beautiful novel from a major new voice in fiction, perfect for fans of Kate Morton, Santa Montefiore and Rachel Hore.

From the author of THE HOUSE BETWEEN TIDES, comes an atmospheric and stunningly evocative historical novel. Perfect for fans of Eowyn Ivey’s TO THE BRIGHT EDGE OF THE WORLD, Stef Penney’s UNDER A POLE STAR, and Sarah Perry’s THE ESSEX SERPENT.

‘Maine skilfully balances a Daphne du Maurier atmosphere with a mystery… compelling’ Kirkus Reviews Scotland, 1893. Nineteen-year-old Evelyn Ballantyre, the daughter of a wealthy landowner, has rarely strayed from her family’s estate in the Scottish Borders. She was once close to her philanthropist father, but his silence over what really happened on the day a poacher was shot on estate land has come between them.

An invitation to accompany her father to Canada is a chance for Evelyn to escape her limited existence. But once there, on the wild and turbulent Nipigon river, she is shocked to discover that their guide is James Douglas, Ballantyre’s former stable hand, and once her friend. He disappeared the night of the murder, charged with the shooting.

Evelyn never believed that James was guilty – and her father’s role in the killing has always been mysterious. What does he have to hide? In the wild landscape of a new world, far from the constraints of polite society, the secrets and lies surrounding that night are finally stripped away, with dramatic consequences.

~*~

Evelyn Ballantyre has rarely left her family estate in the Scottish Borders, but a mystery from five years ago has put a strain on their relationship. In 1888 , there was a murder on the estate, and Evelyn knows the wrong man was accused, and so does her father, but he refuses to reveal the truth. They encounter the wrongly accused young man, James, on their trek in Canada as they travel across the country, taking in the wilderness and encountering the Native Americans living there at the time, faced with emerging memories of the murder, and the cover up that has led them to where they are. Through these scenes, a mystery emerges, and Evelyn is determined to prove to her father that James isn’t the killer and force him to tell the truth and reveal what he knows.

The wilderness of nineteenth century Canada is as much a character in the novel as the Ballantyres, James and their travelling companions. Evelyn and those she is travelling with are as intrigued by the mystery of the murder back in Scotland, yet they seem more fascinated by the Canadian wilderness, and the unknown culture they are faced with – though attitudes of the time and the approach they took in showing their fascination affect the actions and words of the characters. Yet Sarah Maine has managed to show these attitudes sensitively and with care, illustrating the different attitudes, but not resorting to using derogatory terms of the time, but still maintaining the fascination of the Other and the unknown prevalent at a time when contact between cultures wasn’t as instantaneous as it is today.

The character and setting of the Canadian adds another layer: it is the mystery of a new land, a physical place, contrasted against the mystery of the murder – leading to Evelyn wondering if the murderer is actually with them, given that James didn’t do it. In making the setting a character, Sarah Maine has used it to show the flaws in the other characters, as well as showing this through their interactions with each other, eventually bringing the truth out into the open.

I enjoyed the pacing – it was slow at times, but only when it needed to be, and wasn’t too quick. It fitted the genre and plot nicely, and ensured a delightful read with an unexpected ending that I wasn’t sure would happen, but was a pleasant surprise when it happened.

An enjoyable novel for fans of literary fiction, historical fiction, mystery and Kate Morton.

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Under The Same Sky by Mogjan Shamsalipoor and Milad Jafari with James Knight

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Title: Under the Same Sky
Author: Mojgan Shamsalipoor and Milad Jafari with James Knight
Genre: Non-fiction, biography
Publisher: Hachette Australia
Published: 26th April 2017
Format: Paperback
Pages: 331
Price: $32.99
Synopsis: The powerful and incredibly moving story of Mojgan Shamsalipoor and Milad Jafari – two young Iranian asylum seekers who are showing that the power of love can conquer all obstacles.
After fleeing their homeland, Australian refugee policies threaten to tear this young couple apart. An unforgettable story of love, hope and a quest for freedom.
At seventeen, all Mojgan Shamsalipoor wanted was to be safe from physical and sexual abuse, go to school, and to eventually marry for love. In Iran, she was denied all of this.
Milad Jafari was a shy teenage boy who found his voice as a musician. But the rap music he loved was illegal in his country. All Milad’s father, a key maker, builder and shopkeeper, wanted was for his family to live free from the fear of arrest, imprisonment or execution. To do that they all had to flee Iran.
Mojgan and Milad met in Australia. But in the months between their separate sea voyages, the Australian government changed the way asylum seekers were treated. Though Milad is recognised as a refugee and will soon become a proud Australian citizen, Mojgan has been told she cannot stay here even though the threat of imprisonment and further abuse, or worse, means she can’t return to Iran.
UNDER THE SAME SKY, is a powerful insight into the human face of asylum seekers and the way history has shaped the lives of these two young people. It also shows the compassion alive in our suburbs. For Mojgan and Milad, their love keeps their hopes alive.

~*~

Under the Same Sky is the story of Mojgan and Milad’s lives in Iran, and their escape as asylum seekers to Australia. In Iran, both led very different lives under a regime that restricted what women could do, and promoted one religion over all others, persecuting anyone who didn’t fall into line with what the government dictated to them. Eventually, both their families saw the need to flee: Milad’s together, and Mojgan with one of her older brothers, Hossein. With the government as it was, each had to pretend they were only headed to Indonesia for holidays, and that they would return to Iran. Doing it this way, they were able to leave, yet still had to find a way to Australia, where they hoped to find safety. In each chapter, Mojgan and Milad tell their story as their journeys progress, and in some ways, they had similar journeys, but in other ways, their experiences as asylum seekers and refugees differed.

After traumatic events that led to Mojgan and Hossein fleeing Iran for Australia – with the uncertainty of their fate and the fate of the family members they had had to leave behind, and months spent in detention, the two met at a Baha’i camp, and became good friends, and eventually, started dating. However, the government had decided on Mojgan and Hossein’s fate – they had not been granted visas and after months of living in community detention, and a relationship, and marriage between Mojgan and Milad, the brother and sister were sent back to detention, where they were again in limbo, awaiting decisions.

Throughout these turbulent times, Milad, his family and the friends and teachers Mojgan had met at Yeronga at school began fighting for her to be freed, and returned to a safe home with people who cared about her. This fight is included in the story, in some of the chapters told by James Knight, who gives a lot of background to the instability of Iran and the changing attitudes towards asylum seekers and refugees and their treatment. Mojgan’s experiences in detention affected her deeply –even though she wasn’t always harshly treated, the instances she was, and the guards who were rough with her stood out in her mind. Even the guards who tried to help her , who were nice, couldn’t fully erase these experiences.

At the time of the publication of the book and the writing of this review, a final decision is yet to be made and Mojgan and Hossein, though now living with Milad and his family, are still in limbo.

Mojgan and Milad’s story sheds light on an issue that is fraught with complexities and often simplified in the media – which does not always allow for in depth discussion. Mogjan, Milad and James all acknowledge throughout the complexities, especially in the constantly changing attitudes at the political level and in public opinion about refugees, illustrated by interviews with teachers who knew Mogjan and Milad, and quotes from papers about refugees and asylum seekers and references to speeches by the former Minister for Immigration, Scott Morrison. What these do is to establish the political backdrop of Australia, and in a way, contrast it against what Milad and Mojgan ran from – the stark contrast of a dictatorship like Iran, whose government demanded to know the whereabouts of Mogjan long after she left, and the freedom of Australia that they sought but that they were unsure they would ever gain. James Knight’s statements are supportive of those who helped Mogjan and Milad, and less supportive of the government of the time. Some come across as political because issues of asylum seekers and refugees can never be divorced from politics, but I feel like he fell short of outright condemnation and name-calling.

It was an interesting book to read, because it presented a side to the issue not often seen, and one that maybe, should be given more attention. Cases such as Mogjan and Milad’s, where they’ve fled danger and persecution, and simply want a safer life, are the ones we should be hearing about as well as any negative stories that come out. Reading it, I felt moved and shocked by what Mogjan had gone through in Iran and detention. It is only their experiences of fleeing and people smugglers, and becoming asylum seekers. It touches on the issue of how difficult it can be to leave a place like Iran for good. I recommend it for anyone interested in human rights and those wanting to know about the experience from the perspective of someone who has been there.

2017 Sydney Writer’s Festival

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The Sydney Writer’s Festival is held annually across various precincts of Sydney, with many ticketed and free events across the five days of the festival. This year, the dates are the 22nd to the 28th of May.

Each year, the Sydney Writer’s Festival presents over 300 events, with audiences of over 100,000 people over the week travelling to the harbourside events and many other precincts that host the festival. Whilst the hear of the festival is at heritage wharves in Walsh Bay, there are also events at the Sydney Opera House, Sydney Town Hall, the suburbs of Sydney and the Blue Mountains. The spread of these events means many can participate, but planning a day or days will need to be done carefully, to ensure getting to and from venues that aren’t that close.

One such event this year is the Keeping Company: Characters Across A Series, where Lynette Noni (Medoran Chronciles, Pantera Press) will be appearing and talking about writing characters in a series, as the title suggests. Other YA authors including Garth Nix will be in attendance. This could be a very interesting panel, but all of them sound good, and it is very hard to choose which ones to attend and which locations to focus on when booking and choosing.

The list of authors is diverse, from well-known authors to ones that might not be well-known but are just as good.

The Sydney Writer’s Festival unites writers from various forms of writing and backgrounds, including the best contemporary novelists, screenwriters, musicians and writers of non-fiction – some of the world’s leading public intellectuals, scientists and journalists. The finest writing and story telling are at the core of the Sydney Writer’s Festival; the programming is diverse and is driven by ideas and issues that animate a broad spectrum of literature.

The program is live, and you are able to purchase tickets and book events, as well as exploring the program to see what events will be the best options for you to attend.

There are many wonderful authors appearing at the festival this year, including S.D. Gentill, author of the Hero Trilogy, published by Pantera Press, who is hosting a Mining Mythology event on the Tuesday. Her trilogy delves into Greek Mythology and the idea of heroes and betrayal. Other events and authors will cover specific books, or genres of writing, and even hot button topics that can have an impact on what and sometimes how we write.

This is a festival that I hope to be able to go to, if I can decide on the events I would like to attend, as there are a few that interest me.

Booktopia

The Song of Us by JD Barrett

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Title: The Song of Us

Author: J.D. Barrett

Genre: Fiction

Publisher: Hachette Australia

Published: 11th April 2017

Format: Paperback

Pages: 330

Price: $29.99

Synopsis: Zoe Wylde is a woman at a crossroad. Five years ago, she fled her successful career as a concert harpist in London to return to her Bondi home. She still plays, but now her audience is on the way out … literally. It’s complicated and complication is something Zoe understands well. Her best friend is chasing a new love, her brother’s chasing too much love and her father has been married far too many times. Compared to them she thought she was doing okay. She’s met the guy she is sure is the ONE. He wooed her and has been sleeping with her for almost five years. It would all be perfect … if he wasn’t married.

Zoe is learning that hearts, like harps, are capable of beautiful music if treated the right way and can be tricky to manoeuvre. She’s over the old tune. But does Zoe have the courage to rewrite the song of her own life?

~*~

aww2017-badgeIn The Song of Us, we are introduced to Zoe Wylde, the child of a broken home, and many failed relationships, including the current one she is in, and despite being with the same man for five years, he is married, and stringing Zoe along, promising her the world, but disappointing her, and in a way, himself and his family, though they are unaware of his relationship with Zoe. Her father, who has been married several times since the death of Zoe’s mother, has been living with his current wife and stepchildren, abandoning Zoe and her brother as teenagers. And Zoe’s brother Tom is keen for love, but perhaps a little fearful of the commitment that comes with it. Lexie, her best friend has fallen for a woman who is married, but is determined that this is the one.

Zoe is a musician, a harpist who once played in concerts in London, but fled to her Bondi home five years ago, and has been a bedside musician since, helping people in a local hospice with their final journey. Her patients make quite the impression, with one, Clara, giving her a quest: to wear Clara’s clothes and take them to all the places she didn’t get to see, places like New York and London. Zoe undertakes this quest, setting aside her failed relationship with Ross until he turns up on the plane, and decides to accompany her on the journey, part of which includes her audition for the concert group she left five years ago. When things go just as Zoe expects them to go, and Ross leaves, Zoe continues her journey, armed with Clara’s clothes and wine recommendations for each location from the father of one of Zoe’s youngest audience members, Sam. She auditions for Jules and Gigi, members of the symphony, and then heads to Bali, where she meets up with her brother, Tom, and Lexie, and Lexie’s new love, Vivianne. From here, Zoe finds out that when it matters, the ones who really love you aren’t necessarily the one you think you’ll spend the rest of your life with. It’s family, and the friends you make along the way whose love is unconditional.

imagesZoe Wylde is definitely not the typical perfect female protagonist of many love stories out there. She is awkward, she has flaws – she spends five years on and off with a married man, and her family isn’t so perfect – unless you count her brother Tom, who is the best male character in the book. The flaws in Zoe, Lexie and Tom make them relatable, and easy to connect with. It is definitely not a conventional love story, but one of family love and friendship – which made it more appealing to me. It allowed for the characters to fail, and allowed imperfections to be shown. And it showed same sex love as well – in the way that love should be – with the same ups and downs that characters like Bridget Jones and Nina Proudman have in their love lives. Lexie was definitely a favourite character – she was amusing and cheeky, and someone who was a good friend to Zoe. She was caring and sympathetic, but also, could give the hit of reality when it was needed. She was impulsive in contrast to the cautiousness Zoe showed at times. I think Zoe, Tom and Lexie made the perfect trio of main characters, and the supporting characters were just as flawed, just as realistic as well.

The Song of Us is an enjoyable, light hearted novel about love of all kinds, love lost and love found, of family love, the love of friends and love that takes years to come back to us. It shows all of this in a way that readers can relate to, and is funny and witty. Just like Bridget and Nina, Zoe is awkward – which is why I liked her. She seemed to embrace her flaws and face her fears as the book progressed, showing that we don’t need to be absolutely perfect to fit it: We can just be ourselves. We need more characters like Zoe who show that it is okay not to be absolutely perfect. I look forward to reading this again.

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