Isolation Publicity: Interview with Danielle Binks – literary agent, blogger and author.

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

One of my first interviews for this venture that I have called Isolation Publicity is an interview with Danielle Binks – literary agent, fellow book reviewer and author. Her debut novel, The Year the Maps Changed is due for release with Hachette on the 28th of April 2020, and I had hoped to participate in the blog tour run by AusYABloggers. As I wasn’t able to, I decided to interview Danielle about her new book, and plan to read it as soon as I can.

the year the maps changed
The Year The Maps Changed by Danielle Binks, out 28th April 2020.

Hi Danielle, and welcome to The Book Muse!

1. How did you get started working in the arts and publishing industry, and what was your first job?

A: I was really lucky once I finished up doing RMIT’s Professional Writing and Editing course (and after a year of still-working in my uni job at the local post-office) an internship program came up with the Australian Publishers Association, for a paid internship at one of (I think?) five placements around Australia. There were two going in Victoria, and I nabbed one. That was my foot in the door – and luckily, after my six-month internship that indie publisher decided to keep me on! I was a publicist and editor for a few indie-publishers over about 3-years, before getting tapped on the shoulder one day by Jacinta di Mase … she’d read my freelance writing for Kill Your Darlings digital and liked what I had to say about Aussie YA in particular, and offered me a job working as a literary agent with her. I joined her in 2016 and have never looked back – even as being a literary agent never even crossed my mind until she offered me that opportunity, I now can’t think what else I’d rather be doing!

2. As a literary agent, what is it about a book that makes you go wow, this has to be published?

A: Chills. I can’t quite describe it – but there are just some books you read and, no matter how raw and unpolished the writing or ideas may be, there’s something in their delivery that just makes the hair on the back of your neck stand on end. It’s that X-factor that’s so hard to describe. But it’s the exact same feeling you have as a reader, when you begin a book and just *know* you’re reading the exact perfect story for this point in time, and you’re reading something that’ll be a new favourite. That’s what I look for as an agent too – to first fall in love with a story as a reader.

3. As I follow you on Twitter, I feel I should know this, but what is your favourite young adult or middle grade series?

A: Oh, gosh – ask me this same question next week and it’ll totally change. I’ve got to say, a series I keep returning to in YA is Melina Marchetta’s set in the Saving Francesca universe – that continued with The Piper’s Son and concluded last year with The Place on Dalhousie. I don’t even care that that’s a series starting in YA and gradually progressing to adult-fiction – I just love those characters, and reading them is like going home and catching up with old friends. I also have a deep and abiding love for Melina’s fantasy The Lumatere Chronicles trilogy, big love and respect for The Tribe series by Ambelin Kwaymullina, and The Grisha by Leigh Bardugo. In middle-grade, it’s gotta bet the American series Gaither Sisters by Rita Williams-Garcia (P.S. Be Eleven is pretty much a masterpiece). I also love the Binny UK-series from Hilary McKay.

4. I am yet to read The Year the Maps Changed and hope to do so soon. What inspired you to write this novel for the middle grade readership?

A: I hope you like it when you do! … I started thinking of this idea way back in 2016, when I decided to delve into this big Australian event that happened in 1999 called ‘Operation Safe Haven’ when our then-Government began the biggest-ever humanitarian exercise, of offering temporary-asylum to Albanian-Kosovar refugees of the Kosovo War and NATO Bombings.

For a long time I wrestled with whether or not to make the book YA or MG – I thought, I was known to be a big fan and supporter of young-adult literature, and back in 2016 (even though I consumed a lot of American middle-grade lit) the readership wasn’t as clearly-defined in Australia then. But what tipped me into deciding to go all-in on MG was the fact that in 1999, I was eleven going on twelve. So I decided my protagonist would be too; and once I made that decision it was so easy to remember what that age and year was like, and my protagonist – Fred – seemed to spring fully-formed in my mind.

Between 2016 and now, MG also really took off in Australia; Jessica Townsend, Nova Weetman, Jeremy Lachlan, Bren MacDibble, and Zana Fraillon (to name a very few!) all wrote these gorgeous and ground-breaking books that really carved out that space in Australia, so by the time Maps was ready it was very clear who the book would be for.

5. It feels like we’re in a Golden Age of Australian Middle Grade fiction at the moment from a reader and reviewer’s perspective. What do you think, as an agent, author and also, if you’d like, a reader as well?

A: I’m so glad you think that, because I literally just wrote an article for Books+Publishing about this very topic! And it’s an article following-up something I wrote in 2016 for them, called ‘Unstuck in the Middle’ which was kind of looking at how robust and plentiful the MG readership was in America (especially after a book like R.J. Palacio’s Wonder became a mega-bestseller) but how in Australia, everyone was still grappling with what it was and who it was for.

Now, MG has always existed in Australia (books by Leanne Hall and Barry Jonsberg, Morris Gleitzman and Ursula Dubosarsky spring to mind) but those books would often win awards, or get labelled as ‘junior fiction/kids books’ or ‘young adult’ – and there didn’t seem to be an acknowledgment of the spectrum that also exists for those trickier middle-years of (roughly) 8-12. But Nevermoor by Jessica Townsend and The Bone Sparrow by Zana Fraillon really went a long way to defining modern MG in Australia (and at opposite ends of the genre-spectrum too) and carving out that space for the tricky in-between age-group. So many Aussie editors were aware of what was happening in America and the clearly-defined readership according to them, and the success of those books in Australia signalled them to just … go bananas and embrace! And they have. It was also things like ‘The Readings Children’s Book Prize’ acknowledging MG, and also The Text and Ampersand Prizes, putting a spotlight on the readership with their unpublished manuscript award-winners.

So it was a lot of ingredients that have gone into creating this ‘Golden Age’ of MG in Australia, for sure. And like most things … timing is everything.

6. Do you have a favourite middle grade author or series, past or present – or even both?

A: Gosh, look – I am a fan of contemporary fiction across all readerships so it’s the likes of Rebecca Stead, Jacqueline Woodson, Gary D. Schmidt, Nova Weetman and Emily Gale for me. All current-MG authors who I just adore and admire and I’m always on tenterhooks waiting for new books from them.

7. When you’re not reading middle grade, what do you enjoy reading, and what has been a favourite read recently?

A: Anyone who follows me anywhere, I hope, knows that I’m a HUGE romance-reader and fan. Everything from historical to paranormal; I just finished Kylie Scott’s latest romance The Rich Boy and loved it (it is adult though, not suitable for younger readers!) As an agent I’ve been lucky enough to get a sneaky-peek at Jenna Guillaume’s next book (the new stand-alone, follow-up to her debut What I Like About Me) it’s called You Were Made For Me and it’s so funny and romantic and brilliant. Think: Weird Science meets Jenny Han.

My go-to (adult!) romance authors are; Sarah Mayberry, Courtney Milan, Helen Hoang, Mhairi McFarlane, Lisa Kleypas, Sarah MacLean, and I’m hanging out for the TV series adaptation Bridgerton (based on Julia Quinn’s books!). I also have the sequel to The Royal We – The Heir Affair by Heather Cocks and Jessica Morgan – geared up on my Kindle, thanks to NetGalley!

8. What is your favourite festival, or do you have a favourite, and why or why not?

A: I went to Clunes Booktown for the first time last year, and that quickly became a new fave that I have to get to again! I’m also a big fan of The YA Room’s YA Day – just for the ingenious way they’ve found to bring the YA-lit community together in Melbourne, in a really lovely event that I hope continues to grow and thrive.

9. Do you have a favourite bookseller – which one, and why are they your favourite?

A: I have so many! Readings, Better Read Than Dead, Mary Martin, The Little Bookroom, Rabble Books, The Younger Sun, Avenue Bookstore, Antipodes … but my local independent in Mornington is Farrells and I love them so much (and they’ve been such a staple of my childhood, and now adulthood) that they even have a cameo-appearance in The Year the Maps Changed.

10. The important stuff: Cats, dogs, or both for a writing and reading companion?
A: Both! Always both! I have a very cat-like dog called Murray, so I feel he’s the best of all worlds.

11. Do you have a Hogwarts house, and which one would you be in if you attended the school?

A: Slytherin, baby. Cunning! … actually; whenever I take a quiz I literally end up like Harry and get a fair amount of Gryffindor and Slytherin in equal amounts. I guess it depends what mood I’m in.

12. Favourite Beatles song, and why?

A: I LOVE THIS QUESTION! I actually think it’s Blackbird for me. I just think it’s the most beautiful tune and poetic lullaby. And then it’s kind of a two-way tie for Hey Jude and Let It Be.

13. What is your favourite Jane Austen novel, and why?
A: Sense and Sensibility. Colonel Brandon. That’s it. That’s … everything.

14. Who played Darcy better – Colin Firth or Matthew McFadyen?
A: Laurence Olivier. Seriously: https://www.youtube.com/watch?v=643d0KOkMl8

15. What inspired you to start working in the arts industry, and what did you study at university?

A: Let’s see – when I first finished high school I knew I wanted a job *writing* because that’s what I loved. So I had it suggested to me, that I should become a journalist. So I trotted off and did that at Monash within a Communications degree but I hated it – and was always being told to stick to WHO, WHAT, WHEN, WHERE & WHY and not to give any purple prose. In my last year of study, we had to choose an internship within a publishing medium and I decided to do this crazy thing of seeing if I could try and work with kid’s books – which I did; scoring an internship at Black Dog Books (now, Walker Books) in Melbourne. It was eye-opening for me; this realisation that there are so many different areas of work in books publishing, and that I could maybe work within that industry too! So I went off and studies Professional Writing and Editing at RMIT, while also getting my own book-review blog Alpha Reader – http://alphareader.blogspot.com/ – off the ground as I delved further and further into books realms. That was it. Letting myself dream of working with books, reading more, and making that my hobby too.

16. The arts industry is important to Australia, especially now. Do you think people will come to appreciate the arts more after this crisis while they consume books, music and television shows that we need the arts around to produce?

A: Look; everything that people are reaching for is ART. Be that a television show, movie, video-game, comic-book, audiobook, or interacting with the number of museums and art-galleries who have found creative ways for people at home to do virtual-tours. So much of what is alleviating personal pain and boredom, that is continuing to connect people, is … ART. And as the saying goes – the world without ‘art’ is just ‘eh’. I think we’re all feeling that right now, and I hope that as people reach for those mediums and art forms – I do hope that realise that they are reaching for creativity, and then connect that to the people who made it happen. Benjamin Law says this all so much better than I can, in his Guardian Article – and I really do pray that the Government acknowledges that too. That film and TV alone is a $3-billion-dollar industry in Australia, and at times of crisis we’ve all reached for art in some capacity – and art is hurting right now, and needs our help.

I think it all comes back to … if you asked Australians right now, what they want to happen after all this – I’m betting most would say they’d like everything to go back to normal. Well, normal in Australia is the Arts. It’s having the option of ducking into an act during the International Comedy Festival. It’s planning a weekend-getaway in Clunes for Booktown Festival. Hearing of a great exhibit at NGV you can take an international visitor to. A band starting up at the pub. That’s normality, because art is … life. If we want it to be here when this is all over, we have to protect it now – in little and big ways. That means Government crisis packages, and it means individuals requesting digital titles of new books at their libraries, and (if they can!) ordering books from their local independent bookstores.

17. Do you have any book, television, podcast or movie recommendations to get us through these trying times over the next few months?

A: I want to recommend that you all reach for what works for you, in the moment. Don’t feel guilty that you binged Fleabag (or Drag Race!) for the fourth time instead of reading The Complete Works of William Shakespeare or something. It’s all art, as I said – and it all helps us cope. That being said, I can tell you what’s working for me and if there’s any crossover with what works for you then – Hey! – maybe we do a Houseparty get-together and discuss it?

TV: Killing Eve, The Commons, Stateless, The Heights, Bluey, North & South
MOVIES: 10 Things I Hate About You, To All the Boys I’ve Loved Before, A League of Their Own, The Mummy movies, Jane Austen-anything
PODCASTS: Keep It, The Readings Podcast, The First Time Podcast, Booktopia Podcast, The Eleventh, How to Fail with Elizabeth Day.
BOOKS: Heartstopper by Alice Oseman, Wild Fearless Chests by Mandy Beaumont, Peta Lyre’s Rating Normal by Anna Whateley and Please Don’t Hug Me by Kay Kerr.
MUSIC: The Beatles. Lizzo. Lorde. Goldfrapp. Crazy Ex-Girlfriend soundtrack. Hamilton: The Musical.

Any comments about something I may have missed?

Thank you Danielle, and congratulations on your book. I hope it finds its readers.

Willow Moss and the Lost Day (Starfell #1) by Dominique Valente

Starfell 1Title: Willow Moss and the Lost Day (Starfell #1)

Author: Dominique Valente

Genre: Fantasu

Publisher: HarperCollins

Published: 2nd May 2019

Format: Paperback

Pages: 304

Price: $16.99

Synopsis: The first book in the most spellbinding children’s fantasy series of the year, now in paperback, with beautiful black-and-white inside illustrations by Sarah Warburton. Perfect for fans of Cressida Cowell and Nevermoor.

Willow Moss, the youngest and least powerful sister in a family of witches, has a magical ability for finding lost things – like keys, or socks, or spectacles. Useful, but not exactly exciting…

Then the most powerful witch in the world of Starfell turns up at Willow’s door and asks for her help. A whole day – last Tuesday to be precise – has gone missing. Completely. And without it the whole universe could unravel.

Now Willow holds the fate of Starfell in her rather unremarkable hands… Can she save the day – by finding the lost one?

Step into Starfell, a world crackling with warmth, wit and magic, perfect for readers aged 8–12. Book 2 coming in April 2020!

~*~

Willow Moss is supposed to have magic like her sisters, but she’s not as powerful as the rest of her family. However, she does have a magical talent that is probably more precious than any other gift. She can find things.

One day Moreg Vaine, Starfell’s most powerful witch asks for Willow’s help to find Tuesday – an entire day from the preceding week has disappeared and without it, Starfell could meet a very dark fate that nobody wants to experience.

Willow’s journey takes her across the land of Starfell, accompanied by a rather irate kobold named Oswin, who berates her and offers advice throughout the novel. Willow’s journey is not easy though, and she must face many dangers, including the Brothers of Wol who do not like witches or anything that goes against what they believe in – reminiscent of the witch hunts of the sixteenth and seventeenth centuries. It is this conflict that drives the novel, and Willow is a character who will grow and learn across the series. At the same time, she will prove that she can do the things that everyone says she can’t do or shouldn’t do. Yet only Willow can find the missing Tuesday and set the world right and ensure that she still has a family and place to live at the end of her journey.

Girls being front and centre in books is taking off, and these days, they are occupying a myriad of role and personalities to appeal to all readers – they’re not just stereotypes or strong female characters who occupy a specific time and place in their story. Here, we have characters like Willow who are reluctant and unsure of what to do, they’ve been told things that are not true and are forced to confront these memories  and through doing this, they grow and learn that they are more than what everyone has been telling them they are.

Middle grade is an age group that is gaining a lot of traction, and this book is aimed at readers aged eight and older – and I think will appeal to readers of all genders. It is a wonderful book, and a really good start to a series that I am very keen to follow as each book is released. This is one of those books I picked up on a whim, because the story looked interesting, and I think it is one that many will enjoy regardless of age, and one that will be fun to read out loud as well.

Books and Bites Book Bingo: A Book with a door on the cover: The Winterborne Home for Vengeance and Valour by Ally Carter

books and bites game card

For my eleventh square, I chose a book with a door on the cover. This was always going to be a challenge, and the book I chose for a book published over 100 years ago – The Secret Garden – would also have been good for this square. However, I realised I had to use – or wanted to use – a different book for each square as much as possible.

I interpreted a door as a gate as well, and that’s why I chose The Winterborne Home for Vengeance and Valour by Ally Carter. There is a gate in the foreground of the cover, with the house and its door in the background behind the kids.

Winterborne 1

I reviewed this for Hachette on the 3rd of March, and thought it was a great introduction to a new series – with a slow build towards the climatic conclusion that inevitably leads into a second book – with several threads that were worked through the book left seeking more answers beyond what April finds out in the book.  As readers, we only know what April knows, and this draws us further into the mystery, and the lives of the orphans and their world, and what is to come. I cannot wait to find out what happens next.

 

The Lost Future of Pepperharrow by Natasha Pulley

pepperharrowTitle: The Lost Future of Pepperharrow

Author: Natasha Pulley

Genre: Magical Realism, Historical Fiction, Gothic Fiction

Publisher: Bloomsbury Circus

Published: 17th March 2020

Format: Paperback

Pages: 512

Price: $29.99

Synopsis: Step back into the enchanting world of The Watchmaker of Filigree Street. This extraordinary sequel takes readers to Japan, where time, destiny and love collide to electrifying effect

‘A Japan that never was, a future lost, ghosts that are not dead, random numbers, clairvoyant samurai … not even a partial list of ingredients can do justice to this wonderful cake of a book. A lovely blending of steam punk ether science, Japanese historical figures, and a time-defying thriller’ ROBIN HOBB

For Thaniel Steepleton, an unexpected posting to Tokyo can’t come at a better moment. The London fog has made him ill and doctor’s orders are to get out.

His brief is strange: the staff at the British Legation have been seeing ghosts, and his first task is to find out what’s going on. But staying with his closest friend Keita Mori in Yokohama, Thaniel starts to experience ghostly happenings himself. For reasons he won’t say, Mori is frightened. Then he vanishes.

Meanwhile, something strange is happening in a frozen labour camp in northern Japan. Takiko Pepperharrow, an old friend of Mori’s, must investigate.

As ghosts appear across Tokyo and the weather turns bizarrely electrical, Thaniel grows convinced that it all has something to do with Mori’s disappearance – and that Mori might be in far more trouble than any of them first thought.

~*~

In 2015, readers were introduced to Natasha Pulley, Mori and Thaniel Steepleton in The Watchmaker of Filigree Street. Five years later, they’re returning in the Lost Future of Pepperharrow which sees Thaniel and Mori headed to Japan with their daughter, Six, as they seek to improve Thaniel’s health during a new posting for the British Legation in Tokyo to investigate ghosts, and strange goings on at a labour camp that bring them into contact with someone from Mori’s past – Takiko Pepperharrow.

The story moves between the past – up to ten years – particularly when dealing with Takiko, and 1888/1889 – the present in the novel, and how Mori and Thaniel navigate the mysteries and ghosts of Tokyo. In doing so, Thaniel finds himself falling into an unknown world, and when Mori disappears, and nobody knows where he is nor if he is still alive. It is an intricate plot that moves back and forth over a decade in Tokyo and Japan, highlighting issues of religion, the place of foreigners in Japan and the role of ghosts and clockwork as a common thread across both books. Denser than the first book, The Lost Future of Pepperharrow continues the story in surprising and eloquent ways.

Some aspects are most definitely historical – the Japanese Education Minister, Arinori Mori’s assassination and at least one of the prisons, whilst the rest might be based on history but has become a fantastical thing of its own, and borrows from history in order to create the world these characters populate and live in. The story is complex, immense and exceptionally told with rich detail where needed, and is immersive for time and place – making each aspect feel as though you were really there in the book with Thaniel – both when he was with Mori and whilst he was searching for him through Japan.

Each setting evoked a sense of being there – from the foggy streets of London, to the ships that sail across oceans and all the sights, sounds and sensations of Tokyo – both confronting and intriguing as seen through the eyes of Thaniel and his uncertainty as he investigates the ghosts, come together to create a story filled with so many different elements, some seem so small, it can be hard to define them easily, and with hints of magical realism, this is not a straight-forward historical fiction. It is much more layered and multi-faceted than that. It has so many layers that there were times I re-read a section – just to see if I had picked everything up, only to discover that some things had merely been hinted at in a very clever way that made sense towards the end. It maintained the balance of revealing things in the right place, and dropping little hints, and also, maintained the balance of good description and storytelling – neither was overdone. For each of these aspects – all books are going to be different in what they do and why – and when these elements as well as character, plot and setting combine, they create a story like this one that is clever and unique.

I thoroughly enjoyed this book, and hope that fans of Natasha’s first two books will as well.

Books and Bites Book Bingo – A book with bad reviews: Trials of Apollo: The Dark Prophecy by Rick Riordan

books and bites game card

In my tenth post for Books and Bites Book Bingo, I chose to mark off the square for a book with bad reviews. This was always going to be a subjective square – as all books are going to have good and bad reviews, so any book could really fit in here.

dark prophecy

Usually, the more popular books are more likely to have bad reviews, and this could be for many reasons – from simplistic writing, to the way the author handles the plot or issues of representation. Last year I was sent book four in the Trials of Apollo series by Rick Riordan – after the publication date and decided I had better read the first three first. For this category, I read Trials of Apollo: The Dark Prophecy.

I’ve read the first two, and this is one of those series that will always have bad reviews for a variety of reasons – and sometimes, these will be a very individual reason, and might not make sense. From people feeling it is too much of one thing, or too little of another, or they simply do not like the way the Greek mythology has been dealt with, the bad reviews can be expansive, they can be brief and they might even be reviews that miss the point of the book – perhaps a commonality amongst bad reviews.

I’m getting a good pace going through this challenge – some squares have books planned in my mind, and some I’m letting fall as they come, so that lets some of the stress off me to find things all the time. With my aim to post at least once a fortnight, hopefully I will fill the card by the end of the year, but will probably post as often as possible at some point.

Phoenix (Firewatcher Chronicles #2) by Kelly Gardiner

phoenix-coverTitle: Phoenix (Firewatcher Chronicles #2)
Author: Kelly Gardiner
Genre: Historical Fiction
Publisher: Scholastic
Published: 1st February 2020
Format: Paperback
Pages: 272
Price: $14.99
Synopsis: May 1941.
The German bombing campaign is reaching its fiery climax, and Christopher and the firewatchers battle against the flames and huge bombs through the worst night of the Blitz.
Christopher tries to go back to 1666; to find his new friends and learn more about the power of his phoenix ring.
Instead, he finds himself in a deserted city, overlooking a smaller, older river port town known as Lundenwic, where the Anglo-Saxon community faces an invasion by the dreaded Vikings.
Christopher must discover why the ring has brought him here, and how to get back to his own time. But there are Viking ships on the Thames, and their warriors threaten to burn the city and conquer the whole of England.
~*~

As the Blitz rages on, and Christopher’s father arrives home, injured and discharged, London will never be the same. As the war rages on and his mother volunteers to help fight fires instead of watching for the bombers, Christopher finds himself mourning friends and neighbours, in between attending school, watching for bombs and looking for treasures with his friends by the Thames. During one of these hunts, Christopher finds a pendant with Thor’s Hammer, that transports him back to the ninth century, where Vikings are threatening to invade the Anglo-Saxon settlement of Lundenwic. Whilst here, he encounters the Vikings, a girl named Elda and is thrust back and forth between their conflict, and German destruction of London. Christopher can’t stop the German bombs coming but he can find a way to stop the Vikings attacking an empty town.

As the novel moves back and forth between 1941 and at least a thousand years in the past, and hints at London’s history, and the layers of history that lie beneath the streets of modern London are hinted at in an accessible and exciting way for young readers, aged eight and older. Aimed at middle grade readers, it combines history, time travel, action, mystery and adventure, the second book in this trilogy alludes to what came before, and the role fire has played many times in shaping London and its history.

AWW2020I waited a long time for this book to come out, and I ordered it into my local bookstore and waited for it to arrive – and managed to read it within two days.
This is a trilogy worth reading – filled to the brim with amazing diverse characters – with disabilities, who aren’t white and the women in history – the Vikings, and Elda, Molly and Christopher’s mother and teacher – who are exceptional in many ways and do not fit the supposed gender norms or expectations of their times, or what history assumes they did. I loved this aspect of the book, and the hints at history we don’t know about – it opens it up for readers and leads them – hopefully – to researching it further. Because, how can we know what is out there if we don’t look and if there isn’t anything like this fabulous series to guide us? It certainly led me to looking up Saxon women, Lundenwic and Vikings – leading me down many research rabbit holes whilst writing this review.

This is one of my favourite middle grade trilogies – we have some fantastic authors in Australia writing for all age groups, and we should be supporting them as often as we can, if not all the time. When a novel like this combines history and time travel, and adventure, it makes history fun for kids, and can introduce concepts, ideas and knowledge that they may not get elsewhere or that become facts that are picked up because they are there. At the same time, this novel confronts ideas about gender and race in the 1940s, but briefly and is shown to illustrate that these ideas existed, but that they can be challenged and people can change their perceptions and attitudes, and prove that history is more complex than previously thought and even more complex than the way we are taught at school.

This is another reason these historical fiction novels when learning about history – they introduce a new side to history that is hidden in a variety of ways, and doing so through fiction makes it exciting and relatable. With the third book out later this year, I can’t wait to see how this trilogy ends.

Cover Reveal for Quidditch Through the Ages

illustrated quidditch

As part of the new editions of the Harry Potter books, there is a new illustrated edition of Quidditch Through the Ages, with illustrations by Emily Gravett. The full press release and cover image from Bloomsbury is below.

I love the colour in this cover – the teal background, the golden lettering and the colourful images of the quaffle, the bludgers, the snitch, and a broomstick, as well as various quidditch players zooming around and team colours and emblems. It brings the book to life and it will be lovely to see what is inside.

BLOOMSBURY REVEALS COVER FOR NEW ILLUSTRATED EDITION OFQUIDDITCH THROUGH THE AGES

‘Oh, you wait, it’s the best game in the world.’ Ron Weasley

Bloomsbury Children’s Books has revealed the cover of the full-colour illustrated edition of J.K. Rowling’s Quidditch Through the Ages illustrated by Emily Gravett. The cover showcases some of the key elements of Harry Potter’s favourite sport – including players, team badges and a hovering Golden Snitch waiting to be caught. Devoured by Harry Potter in his first year, Quidditch Through the Ages is consulted on a daily basis by the young witches and wizards at Hogwarts, and this beautifully illustrated edition is set to become a firm favourite for readers of all ages who dream of grabbing a broomstick and taking to the skies.

Publishing in Australia, New Zealand, the UK and USA on 6th October 2020, Quidditch Through the Ages Illustrated Edition features showstopping artwork from Emily Gravett, twice winner of the Kate Greenaway Medal. Emily’s wildly creative imagination has conjured a cornucopia of sporting memorabilia to surprise and delight. With some items lovingly created in a dazzling range of media and infused with her trademark visual wit, these charming and funny artworks are the perfect pairing for J.K. Rowling’s humorous insights into the magical, airborne sport.

Quidditch Through the Ages invites readers to take a whistle-stop tour through wizarding history, reliving epic matches and great moments along the way. Accessible at any point in the Harry Potter reading journey, it is packed with trivia, tales of on-pitch antics, and Quidditch stars past and present. The sports almanac also contains comprehensive profiles of teams loved by readers of the Harry Potter novels.

Quidditch Through the Ages first appears in Harry Potter and the Philosopher’s Stone. After catching Harry Potter with a copy, it is also the reason that Professor Snape invents the rule that no library books are allowed outside of Hogwarts School. Harry Potter and the Philosopher’s Stone continues to mesmerise readers and, in 2019, was the number three bestselling children’s book in Australia overall and the number two children’s novel.

A percentage of proceeds from the sale of this edition will go to J.K. Rowling’s own international charity Lumos, which helps some of the world’s most vulnerable children and young people to have a better life; and to Comic Relief.

Wizarding World Digital has exclusively revealed examples of artwork from Quidditch Through the Ages Illustrated Edition. See Emily Gravett’s astonishing art at the below link.
https://www.wizardingworld.com/news/bloomsbury-reveal-cover-for-new-illustrated-edition-of-quidditch-through-the-ages