Lethal White (Cormoran Strike #4) by Robert Galbraith

lethal white.jpgTitle: Lethal White (Cormoran Strike #4)

Author: Robert Galbraith

Genre: Crime/Mystery

Publisher: Hachette/Little Brown

Published: 18th September 2018

Format:  Paperback

Pages: 650

Price: $32.99

Synopsis: LETHAL WHITE is both a gripping mystery and the page-turning next instalment in the highly acclaimed series featuring Cormoran Strike and Robin Ellacott, written by J.K. Rowling under the pseudonym Robert Galbraith.

‘Hugely absorbing. . . the best Strike novel yet’ SUNDAY MIRROR

—–

When Billy, a troubled young man, comes to private eye Cormoran Strike’s office to ask for his help investigating a crime he thinks he witnessed as a child, Strike is left deeply unsettled. While Billy is obviously mentally distressed, and cannot remember many concrete details, there is something sincere about him and his story. But before Strike can question him further, Billy bolts from his office in a panic.

Trying to get to the bottom of Billy’s story, Strike and Robin Ellacott – once his assistant, now a partner in the agency – set off on a twisting trail that leads them through the backstreets of London, into a secretive inner sanctum within Parliament, and to a beautiful but sinister manor house deep in the countryside.

And during this labyrinthine investigation, Strike’s own life is far from straightforward: his newfound fame as a private eye means he can no longer operate behind the scenes as he once did. Plus, his relationship with his former assistant is more fraught than it ever has been – Robin is now invaluable to Strike in the business, but their personal relationship is much, much more tricky than that . . .

The most epic Robert Galbraith novel yet, LETHAL WHITE is both a gripping mystery and a page-turning next instalment in the ongoing story of Cormoran Strike and Robin Ellacott.

~*~

Lethal White is the fourth novel in the Cormoran Strike series by Robert Galbraith, the nom de plume of J.K Rowling. In this novel, we begin with the marriage of Robin Ellacott, following a rather turbulent case that has almost ended her career with Strike, but she is drawn back in, much to her husband’s disapproval. Set in 2012, around the time of the London Olympics and Paralympics, as well as other elements of politics that are present in relation to what is going on in England. Amidst all of this, comes a complex case, starting with a young man who comes to Strike claiming he witnessed a murder as a child, Strike begins to investigate, and he is led to a secretive inner sanctum residing in Parliament, and a sinister manor house in the country – where secrets abound between family and friends, and lies extend into a community far beyond as Robin and Strike work together, using undercover aliases to infiltrate various places that each person involved in the case is linked to, to uncover the truth, which turns out to be stranger, and much more complicated than Robin and Strike had ever thought it would be – this is not a cut and dry case, and with people hiding secrets all over the place, and it will take all of Robin and Strike’s skills and bravery to uncover the truth.

Lethal White is a dense mystery novel, with many strands that are woven in and out of the plot in an intricate and fascinating fashion, engaging the reader, though there is a lot to take in, it all ends up coming together at the end, even when some threads seem unrelated – the final chapters will bring it together and allow the reader to feel like a decent conclusion has been made – as well as seeing justice served. In this sense, the intricacy of plot and plethora of characters works, as it allowed for links between characters that might not have been considered to be discovered and their involvement in the crimes Strike investigates would go by the wayside, and people would get away with all kinds of crimes, and justice would not be served.

It is a dark and gritty world they enter, a world where the private detection services they provide bring events and people to light that were once hidden – a place where people reveal themselves to Robin and let their guard down with her as she injects herself into their lives to obtain evidence and uncover secrets that have been hidden for a long time, and also uncover truths that Billy’s mind has hidden from him for many years, blocking out trauma and events that he misinterpreted as a child, yet that had some kernel of truth within what he said he had seen – events that led him to ask Strike and Robin for help.

I enjoyed this novel, with all its intricacies and depth that revealed more about Robin and Strike, and what this job means to them. Even though I have not had the chance to read the second and third novels in the series yet, it was easy to pick up on past events, as they were referred to, and I can go back and read the others.

Private detectives like Cormoran bring a fresh look and take on the crime genre and provides a new look at how crimes can be investigated and solved beyond the usual police detectives. An intriguing novel and series for crime lovers.

Booktopia

The Nutcracker by Alexandre Dumas

the-nutcracker.jpegTitle: The Nutcracker (Barnes & Noble Leather-bound Pocket Editions)

Author: Alexandre Dumas

Genre: Historical Fiction, Fantasy

Publisher: Barnes and Noble Inc/Fall River Press

Published: 1st September 2018

Format: Leather bound

Pages: 152

Price: $19.99

Synopsis: Discover the real story behind the Disney holiday film, The Nutcracker and the Four Realms, and the famous Nutcracker Christmas ballet, as told by Alexandre Dumas

‘How could you imagine, silly child, that this toy, which is made of cloth and wood, could possibly be alive?’

The nutcracker doll that mysterious Godfather Drosselmeyer gives to little Marie for Christmas is no ordinary toy. On Christmas Eve, as the clocks strike midnight, Marie watches as the Nutcracker and her entire cabinet of playthings come to life and boldly do battle against the evil Mouse King and his armies.
But this is only the start of the tale.

Read on for enchantment and transformation; enter a world by turns fantastical and sinister, a kingdom of dolls and spun-sugar palaces, and learn the true history of the brave little Nutcracker.

~*~

The Nutcracker is one of those stories that is inexplicably linked to Christmas, whether it is the E.T.A Hoffman version, Tchaikovsky’s ballet, one of the many movie adaptations, including the upcoming Disney film, The Nutcracker and the Four Realms, and finally, the version being reviewed here, by Alexandre Dumas, who also wrote The Three Musketeers. Marie, or Mary as she is referred to in this version, is given a nutcracker doll for Christmas by Godfather Drosselmeyer, but unlike her doll, Clara, is magical, and when the clocks strike midnight on Christmas Eve, Marie watches the Nutcracker and her dolls come to life, battle the evil Mouse King, and take Marie/Mary on a journey through a world of magical dolls, and sugar-spun palaces, and many more realms that show the fantastical and sinister world that the Nutcracker is truly a part of.

The Nutcracker is one of those stories – whether in the written form, a movie or as the ballet – that is quintessentially linked with Christmas, much like A Christmas Carol by Charles Dickens, and the associations with a world of magic and toys often sung about in a myriad of Christmas songs, and is one of those stories that sets the mood for Christmas perfectly and nicely. Originally published in 1847 as The History of a Nutcracker, this new edition introduces people to the Nutcracker anew as they go in a journey with Mary/Marie (depending on which translation and author you read) through the world that the Nutcracker, the toys and the Mouse King inhabit – a magical world of wonder and joy, where Mary/Marie is destined to help the Nutcracker bring order back to the world and kingdoms she enters in her dreams.

For a long time, I only knew of the Nutcracker as a ballet by Tchaikovsky, and have the score, or at least, the main piece of music, somewhere. I also knew about it from a movie I once saw, so when I found it as a novel, I knew I had to read it, and I was not disappointed. It really sets the mood for Christmas and is entertaining – though Mary is admonished for staying up after midnight on Christmas Eve, it is the magic of the world Mary/Marie enters, and that the reader enters too. Reading this book has really put me in the mood for Christmas and the new Nutcracker movie coming out later this month, just in time for Christmas.

I’m getting ready to do some Christmas reading of other books and the usual movies, but read this one early so I could see the movie after reading it. I look forward to seeing the movie and reading this book again soon.

Booktopia

Victoria and Abdul: The Extraordinary True Story of the Queen’s Closest Confidant by Shrabani Busi

victoria and abdul.jpgTitle: Victoria and Abdul: The Extraordinary True Story of the Queen’s Closest Confidant

Author: Shrabani Busi

Genre: Non-fiction, History

Publisher: The History Press

Published: 21st Jult 2017

Format: Paperback

Pages: 336

Price: $24.99

Synopsis:

Tall, handsome Abdul Karim was just twenty-four years old when he arrived in England from Agra to wait at tables during Queen Victoria’s Golden Jubilee. An assistant clerk at Agra Central Jail, he suddenly found himself a personal attendant to the Empress of India herself. Within a year, he was established as a powerful figure at court, becoming the queen’s teacher, or Munshi. Devastated by the death of John Brown, her Scottish gillie, the queen had at last found his replacement, but her intense and controversial relationship with the Munshi led to a near revolt in the royal household.
Victoria & Abdul explores how a young Indian Muslim came to play a central role at the heart of the Empire at a time when independence movements in the sub-continent were growing in force. Yet, at its heart, it is a tender love story between an ordinary Indian and his elderly queen – a relationship that survived the best attempts to destroy it.

~*~

Often the most interesting stories that come from the historical record are the ones that we do not learn about on a school syllabus, but that we discover by chance, or that come out years after the event – whatever that event may be, and are told with a truthfulness and raw emotion, and that complement what we already know about history and add to our understandings and the record that was either wiped clean or hidden by those who did not want it known, and there are many examples of this throughout history. One such example is one that, until the movie came out last year, I had not known anything about, and ticks off the two movie categories in my Pop Sugar Reading Challenge, and my book bingo this year. After the movie, which spanned the final jubilee year of Queen Victoria, I was intrigued about the story, and where it had come from, and how Abdul had fared after he went back to India – as we were only given a small glimpse at the end of the movie. What I discovered was what we saw in the movie, and much, much more.

So I tracked down the book, Victoria and Abdul: The Extraordinary True Story of the Queen’s Closest Confidant. Starting more than ten years earlier than the movie, with the Golden Jubilee in 1887, and ending in 1901, after the Queen’s death in the January of that year. During his time in England, Abdul Karim saw two jubilee celebrations – the Gold and the Diamond, and the heart of the English Empire, and became a good friend and Munshi to the Queen. His arrival, and elevation to roles beyond that of servant, and the trust Queen Victoria placed in him during her last years was seen by her family and household staff as undesirable, and they tried at every turn to undermine the Queen and her decisions, in particular her son, Bertie, who would become King Edward the VII, whose subsequent line would consist of King George the VI, who saw England through World War Two, and the threat of the Nazis, after his brother, Edward the VIII abdicated to marry American divorcee Wallis Simpson.

But Queen Victoria stuck to her guns and continued her Urdu lessons with Abdul filling many journals, so she could speak with her Indian servants, Abdul, and his family when they arrived to live with him in England, and she ensured that they were well-looked after, another thing her family and staff felt was an affront to the image of royalty and the empire. What follows is an intricate story of the inner workings of Queen Victoria’s house and her delightful friendship with Abdul, and the respect she showed him, giving him a decent wage, helping his family and learning his language. In a time in history when many people would have seen Abdul as a subservient in England, and very much did, the Queen treated Abdul with respect and as an equal, treasuring her journals and letters from him. Upon her death, Abdul and his family returned to India, and a parcel of land, but the correspondence he had had with his Queen, were destroyed by her family and household staff.

In a world of prejudice and racism, Abdul broke barriers with Queen Victoria and into her society, and was then scrubbed from history until recently, or if not scrubbed, largely ignored when his influence was so significant upon one of the longest reigning monarchs of England, known as the Empress of India at the time. This is a book that needs to be read by history lovers, and those intrigued by the hidden histories that we have not had much of a chance to hear about.

Booktopia

The Turn of Midnight by Minette Walters

turn of midnight.jpgTitle:  The Turn of Midnight

Author: Minette Walters

Genre: Historical Fiction/Mystery

Publisher: Allen and Unwin

Published: 24th October 2018

Format: Paperback

Pages: 472

Price: $32.99

Synopsis:For all those who love Ken Follett’s The Pillars of the Earth, and Geraldine Brooks’ Year of Wonders comes the worldwide-bestselling Minette Walters’ compelling and fascinating historical novel of the Plague years.

As the year 1349 approaches, the Black Death continues its devastating course across England. In Dorseteshire, the quarantined people of Develish question whether they are the only survivors.

Guided by their beloved young mistress, Lady Anne, they wait, knowing that when their dwindling stores are finally gone they will have no choice but to leave. But where will they find safety in the desolate wasteland outside?

One man has the courage to find out.

Thaddeus Thurkell, a free-thinking, educated serf, strikes out in search of supplies and news. A compelling leader, he and his companions quickly throw off the shackles of serfdom and set their minds to ensuring Develish’s future – and freedom for its people.

But what use is freedom that cannot be gained lawfully? When Lady Anne and Thaddeus conceive an audacious plan to secure her people’s independence, neither foresees the life-threatening struggle over power, money and religion that follows …

~*~

Picking up soon after the end of The Last Hours, which came out last year, The Turn of Midnight begins in 1348, and ends in 1349, during the dark days of the plague coming to England, and devouring the land and people, except for those sheltering in the demesne of Develish, overseen by Lady Anne after the death of her husband, Sir Richard. Out on a journey to find survivors and information are serfs led by Thaddeus Thurkell, whom she trusts on this quest, and eventually will head out on a quest of her own to help him. Back at home, her daughter Eleanor is ill, and needs care and help to survive in the absence of her mother. As the novel progresses, truths and scandals threaten to come out about Thaddeus, Eleanor, and religious leaders continue their plot against Lady Anne, threatened by her knowledge and authority as a woman who oversees Develish. The Turn of Midnight is the epic conclusion to The Last Hours and wraps up the threads that began in that book and leads to a conclusion that is satisfying and enjoyable, ensuring that the characters all get their stories wrapped up and resolved nicely.

This duology explores a time in history – medieval history and the plague, known as the pestilence throughout the novel, and the dynamics of power between the classes – the nobles and the serfs, and the religious figureheads, and their roles in the demesne, as well as gender and the ways the religious figures try to use claims of heresy, and other accusations against Lady Anne to take over – will they succeed, or will the demesne remain in Lady Anne’s control?

Allied with Lady Anne are the household staff she leaves in charge of Eleanor and the household, much to the chagrin of the religious factions. In the fourteenth century, religion played an important role, and despite being religious, Lady Anne’s skills and desires to teach Eleanor and Isabella were frowned upon by the church. It is also a novel of humanity at its best and worst. At its best, Lady Anne’s decision to bring in the healthy people of all classes and ages, saving her demesne from the plague. It is a novel filled with history, and intrigue, and mysteries that are woven in and out, throughout each perspective that is told, back and forth between the quest and the demesne and what is happening, ensuring that story is given a full body and dense, yet amazingly intricate threads and characters that revolve around a variety of issues around gender, class and religion that are still in play today, and that still affect people all around the world today in a variety of ways.

Like other historical fiction, the themes are universal, ideas around humanity and destruction, but placed in a different setting, and testing people in different ways and with different societal implications and challenges that change and evolve over time. It is one of those novels which is dense and intense, yet at the same time, summons you and begs you to read on, because there is so much to know, so many unanswered questions that need to be resolved. It does this nicely, and in a satisfying way that shows the expectations of people are not always right, and that people who try to undermine those they wish to will not always succeed.

Booktopia

Gendered Reading: Why Do We Still Insist on Gendering Books?

Over the past few months and years, I have been following online discussions about the way people gender reading – not only the act of reading, as a pursuit that girls are said to prefer, but the books we give younger children and what we expect of them as they grow and how they develop their reading tastes. Trends in publishing for children and young adults, but especially children, at that age of discovering independent reading and what they enjoy for themselves, can be gendered – targeted stories about princesses being saved for girls, and boys playing sports for boys, for example, are the two extremes. Girls are frilly and passive, boys are dirty and active. It sometimes seems that there is no in between, and children are often presented with books chosen by adults, the ones who buy the books – which, when you only know a few brief facts about a child, can be hard, because what if you buy the wrong book? Understandably, people like to play it safe, and that is where gendered reading can come in.

 

AWW-2018-badge-roseYesterday, I followed Word of Mouth TV and Jacqueline Harvey on Twitter as they tweeted and chatted about and at the Colin Simpson Memorial Lecture, with the Australian Society of Authors and the Children’s Book Council of Australia, on the issue of gendered books and reading, and how adults in the lives of children – whether implicitly or explicitly, in schools and libraries, guide children towards books “for girls” or “for boys”. Which brings me to the question – just what are boy books versus girl books? Well, apparently, if you’ve been following the discussions, a few things boys won’t read, or are said to be discouraged from reading:

 

– a book with love in the title

– a book with a girl on the cover

– a novel (boys apparently prefer comic books)

– a girl in the title

– a female author.

 

However, as adults, parents, teachers, booksellers and librarians, we encourage girls to read widely, but still within what is seen as “acceptable” for girls: no crime, no violence, passive princesses! LOVE! As a girl reader who has read widely since the age of six, war and crime have never been a deterrent. Spies? GREAT, I love Kensy and Max, and so do many other boys and girls when I read the reviews – and adults. Yet, Jacqueline Harvey has only had the chance to present to one or two groups of just boys – rather than mixed groups or just girls, and George Ivanoff pointed out that he saw that the boys in the mixed group were just as enthralled as the girls – excellent news for Kensy and Max, Alice- Miranda and Clementine-Rose. In my view, anyone can read anything they desire, and that they feel ready for – readers should be free to explore the world around them, so whenever I see people asking for “boy books” or “girl books”, I often feel the desire to point out that books do not have a gender, they are just books. Kensy is exactly the kind of girl character I would have enjoyed as a kid – because she was so different and refused to be overly girly.

 

So why do we encourage these reading habits? Is it because we associate reading with characters in popular culture like Hermione Granger and Rory Gilmore (By the way, two of my favourite characters), or even Spencer Reid in Criminal Minds? The lack of male characters who enjoy reading, and who aren’t broody and sullen like Jess Mariano, also of Gilmore Girls? Girls as readers seem to have a few role models to look up to when it comes to reading and seeing themselves as readers but also as people who have interests beyond reading. Boys, it seems, are always shown as the hero, or the nerd (Spencer, but he’s an adorable nerd, and a positive reading role model), or Jess, who often faced unfair comparisons with certain literary men, like Holden Caulfield, whilst Rory, and indeed girls, have many to be compared to. Supporting characters can be readers if they are boys – Percy Weasley, but often, they fade into the background, and so, it feels, does reading as a pleasurable activity for our boys.

 

Of these characters I know of, Spencer, Rory and Hermione are the three whose reading is prominently and positively portrayed – to the point where other characters don’t blink. And when the other male characters in these books and shows – Derek Morgan, Harry and Ron, Dean or Logan – are shown as sporty and brave, or disinterested in reading (Ron), or a someone who would rather disrupt learning than learn (Logan), we don’t blink either. My point is these, whilst exceptionally well written characters, and ones I can either love or hate in varying degrees, are characteristic of how we portray what it means to be a boy or a girl, and therefore, what activities and indeed, books we desire them to read. And perhaps this is why we are seeing a trend in books aimed at both boys and girls by authors like Kate Forsyth and Jacqueline Harvey, and George Ivanoff, and a trend in reimagined fairy tales for girls who dare to not be a passive princess – gone are the days of the prince saving the day, Rapunzel can save herself now!

 

And books aimed at both boys and girls that tell stories of men and women, across a diverse group of people, who have dared to be different to what their respective societies, cultures, nations and times in history expected of them, and why Disney movies are starting to pull back on ending it with the marriage of the main male and female characters. There are quite a few to name that have done this over the years, but the three recent ones that stand out to me are Frozen, Brave and Moana, where it was love of family that saved the day. Sure, Anna might have ended up with Kristoff (I had Hans picked as the villain from the start – if they look too good to be true, they probably are), but it was the love she had for Elsa, and Elsa’s love for her – their acts of true love, that drove the movie and the idea that love does not have to be romantic to be powerful. It is the same love we see in Kensy and Max, and in the Other Worlds series, especially in book two, Beast World, narrated by a girl, Xandra, who is also disabled. George Ivanoff wrote her really well and made sure she was represented as a disabled girl in a way that wasn’t demeaning. In our Twitter conversation, he said he had written books one and three with a male protagonist, and two and four with a female protagonist, and hoped boys reading them would continue with the female characters.

 

Unpacking gendered reading and representation of this in film and other media is not going to be resolved in this one post. It requires self-reflection, and asking ourselves why do we hope boys will begin a series with a boy and continue reading the books narrated by a girl? Why do we assume boys are naturally more interested in comics, sports and certain male-coded things rather than fairy tales or girl spies, or anything that girls are supposed to inherently be drawn to? We assume, we don’t ask, unless we think the child is old enough to decide for themselves – and at what age do we start this? Before they start school? When they’re learning to read? Somewhere in between, or only once they hit age ten? My own reading experiences are varied. I read Narnia at age nine, and books like The Wind in the Willows, The Neverending Story and a few others that might have been deemed “boy books”. I also read what are likely deemed “girl books”: The Babysitters Club, Seven Little Australians, Little Women (many, many times), and The Secret Garden, amongst many others. These days, I read whatever I can, and whenever I can. I read books by women, by men, by both, by people with various identities, and books aimed at boy, girls and everyone in between. I laugh with Bridget, I spy with Kensy and Max, I paint with Rowly, and explore all avenues of history with Kate Forsyth. I traverse London with Charles Dickens, and solve crimes with Phryne, and so many others that I cannot list, otherwise this will become an exegesis rather than a blog post.

 

 

During this blog post, I have worked in the binary because many discussions I read do. This is a whole other level that needs unpacking, the inclusion of all genders, and perhaps a really good reason why we should refrain from using the terms “boy books” and “girl books” – and just go with books so we can all feel included, and all find our way to characters we identify with. This layer is something I do not have enough of an understanding about yet, and will leave to those who do to comment on and write about – and leave it at we need to stop gendering our books and reading habits. Just Read.

 

A list of books that we can all enjoy, whatever our gender:

Kate Forsyth

Chain of Charms series

The Gypsy Crown

The Silver Horse

The Herb of Grace

The Cat’s Eye Shell

The Lightning Bolt

The Butterfly in Amber

Jacqueline Harvey:

Kensy and Max series

Kensy and Max: Breaking News

Kensy and Max: Disappearing Act

George Ivanoff

Other Worlds series

Other Worlds: Perfect World

Other Worlds: Beast World

Other Worlds: Game World

Other Worlds: Dark World

frogkisser

 

Garth Nix

Frogkisser!

Garth Nix and Sean Williams

Have Sword, Will Travel series

Have Sword, Will Travel

Let Sleeping Dragons Lie

Jessica Townsend

Nevermoor: The Trials of Morrigan Crow

Wundersmith: The Calling of Morrigan Crow

Comment with your books that you’d recommend to anyone regardless of gender – I have based this on what I have read!

 

Book Bingo Twenty-two – a prize winning book, a book by someone over sixty, and a book with a yellow cover.

Book bingo take 2

With 2018 rushing towards its busy, and warm conclusion, and in consultation with my fellow book bingo players, I have assigned some previously read books to the following categories, and have assigned my prize-winning category is taken up this time by 2007 Aurealis Best Children’s Book winning series, The Chain of Charms by Kate Forsyth, and have utilised other books in different squares from last time for others this time.

Book bingo take 2 .jpg

Rows Across – update:

Row #2 –

A book with a yellow cover: Australia Day by Melanie Cheng – AWW2018

A book by an author you’ve never read before: If Kisses Cured Cancer by T.S. Hawken

A non-fiction book:

 A collection of short stories: Fairy Tales for Feisty Girls by Susannah McFarlane – AWW2018

A book with themes of culture: Relic of the Blue Dragon (Children of the Dragon #1) by Rebecca Lim – AWW2018

 

Row #3:  – BINGO

A book written by an Australian woman:Disappearing Act by Jacqueline Harvey (Kensy and Max #2) – AWW2018, The Clockmaker’s Daughter by Kate Morton – AWW2018

A book written by an Australian man: Captain Cook’s Apprentice by Anthony Hill

A prize-winning book: Chain of Charms series by Kate Forsyth – 2007 Aurealis Award for Best Children’s Fiction – AWW2018

A book that scares you: What the Woods Keep by Katya de Becerra – AWW2018

A book with a mystery: The Mitford Murders by Jessica Fellowes (Mitford Murders #1)

 

Row #5

A book that became a movie:

A book based on a true story:

A book everyone is talking about:

A book written by someone under thirty: The Yellow House by Emily O’Grady – AWW2018

A book written by someone over sixty: Miss Lily’s Lovely Ladies by Jackie French – AWW2018

 Rows Down update:

Row #1 –

A book set more than 100 years ago: The Gypsy Crown by Kate Forsyth (Chain of Charms #1) – AWW2018

A book with a yellow cover: Australia Day by Melanie Cheng – AWW2018

A book written by an Australian woman: Disappearing Act by Jacqueline Harvey (Kensy and Max #2) – AWW2018

A forgotten classic:

A book that became a movie:

Row #3: –

 A memoir: No Country Woman by Zoya Patel – AWW2018

A non-fiction book:

A prize-winning book: Chain of Charms series by Kate Forsyth – 2007 Aurealis Award for Best Children’s Fiction – AWW2018

A book with non-human characters: A Home for Molly by Holly Webb, Beast World by George Ivanoff

A book everyone is talking about:

Row #5 – BINGO

 A Foreign Translated Novel: The Distance Between Me and the Cherry Tree by Paola Peretti

A book with themes of culture: Relic of the Blue Dragon (Children of the Dragon #1) by Rebecca Lim – AWW2018

A book with a mystery: The Mitford Murders by Jessica Fellowes (Mitford Murders #1)

A book with a number in the title:

A book written by someone over sixty: Miss Lily’s Lovely Ladies by Jackie French – AWW2018

AWW-2018-badge-rose

Row three across and row five down are my bingo rows this time around!

Australia DayLast time, Australia Day by Melanie Cheng slotted into the short story square, and yet this time, it fits into the yellow cover category this time. A series of short stories about life in Australia, and the varying experiences within society, aiming to capture the breadth of society and the different ways people react to, and deal with how they are perceived, and what is expected from the Australian experience, or perhaps in some cases, Melanie plays on the conflict between what is expected and who her characters are – varying between race, gender, class and sexuality to try and give a well-thought look at how Australia and Australia Day, isn’t the same for everyone, whatever their identity, and that it never will be. By revealing uncomfortable truths about Australian society in a way many people can relate to and understand.

Miss Lily 1Another book I recycled this time was Miss Lily’s Lovely Ladies by Jackie French – which fitted into the over 500-page square last time. This time, it fits into a book by someone over sixty – I did this again to make it easier filling the remaining categories with books I am in the middle of, and some I am yet to find. A historical fiction novel set during World War One, Sophie is sent to London to a school to learn how to be a lady – yet it is much more than that – she learns the ways of spying and using her feminine ways to find out about the war, and eventually, play a part in the war on the front line, in a time when the world is in tatters, and where men and women are dying everyday as battles rage across Europe, leaving Sophie’s home relatively untouched by the guns of war. Jackie French has been writing for all age groups for many years, and has been a favourite of mine since I was thirteen, and read Somewhere Around the Corner, which I still have my shelf. Another good book that fit more than one square.

My final square is the prize-winning book square. Ordinarily, this would go to a single book, however, with the flexibility we have given ourselves in this challenge, I have assigned it to a series I read this year within two weeks (had I not been so sick, it would have been a week). The Chain of Charms series by Kate Forsyth won the Aurealis Award for Best Children’s Fiction in 2007, for the whole series, comprised of six books, and won for books 2-6, i the long fiction category:

Kate Forsyth, The Silver Horse, The Chain of Charms 2, Pan Macmillan
Kate Forsyth, The Herb of Grace, The Chain of Charms 3, Pan Macmillan
Kate Forsyth, The Cat’s Eye Shell, The Chain of Charms 4, Pan Macmillan
Kate Forsyth, The Lightning Bolt, The Chain of Charms 5, Pan Macmillan
Kate Forsyth, The Butterfly in Amber, The Chain of Charms 6, Pan Macmillan

The series follows Luka and Emilia during the final days of a tyrannical reign during the time of Oliver Cromwell, trying to track down charms from each Roma family in the south regions of England, to reunite them and their families to bring back their good luck and fortune, and also, help stop the violence growing around them, and release their families from prison. It is a charming tail about friendship, and family, tying in historical fact and belief to create a world that children and any other readers can escape to.

Again, all my books are by Australian Women Writers. My aim was for each to be a unique book, but as I am cutting it fine, I’m not sure that will happen, so recycling will happen at times. Onto my next Book Bingo in two weeks time!

Booktopia

Wundersmith: The Calling of Morrigan Crow by Jessica Townsend (Nevermoor #2)

Wundersmith.jpgTitle: Wundersmith: The Calling of Morrigan Crow

Author: Jessica Townsend

Genre: Fantasy

Publisher: Hachette Australia/Lothian

Published: 30th October 2018

Format: Paperback

Pages: 475

Price: $16.99 (PB), $24.99 (HB)

Synopsis: Wunder is gathering in Nevermoor … 

Morrigan Crow may have defeated her deadly curse, passed the dangerous trials and joined the mystical Wundrous Society, but her journey into Nevermoor and all its secrets has only just begun. And she is fast learning that not all magic is used for good.

Return to the magical world of Nevermoor! Morrigan Crow’s perilous adventures continue in the most anticipated sequel of the year, a treat for all fans of magic and Wunder. 

Morrigan Crow has escaped her deadly fate and found a new home in the fantastical city of Nevermoor. She has also discovered that she has a strange and magical ability. But will her unique talent be a blessing or another curse?

Now that Morrigan and her best friend Hawthorne are proud scholars in the elite Wundrous Society, she is sure that she’s found a place to belong at last, but life is far from perfect. Can Morrigan prove that she deserves to be in the Society – or will an unexpected new enemy ruin her new life?

Praise for Nevermoor: The Trials of Morrigan Crow:

Winner 
Dymocks Book of the Year 2018
Winner Book of the Year, Australian Book Industry Awards 2018
Winner Book of the Year for Younger Children, Australian Book Industry
Awards 2018
Winner The Matt Richell Award for New Writer of the Year, Australian
Book Industry Awards 2018
Winner Book of the Year, Indie Book Awards 2018
Winner Children’s Category, Indie Book Awards 2018
Winner Nielsen Booksellers’ Choice Award, Australian Booksellers Association Awards 2018
Winner Best Children’s Fiction, Aurealis Awards 2017
Winner Younger Fiction, Waterstones Children’s Book Prize (UK) 2018
Shortlisted The Readings Children’s Book Prize 2018
A CBCA Notable book
Voted #1 in the Dymocks Kids’ Top 51


‘Unexpected, exciting and funny. Like Alice in Wonderland, Harry Potter and Doctor Who swirled up together.’ – Judith Rossell, ABIA Award-winning author of Withering-by-Sea

‘Exciting, charming, and wonderfully imagined, it’s the sort of delightful, grand adventure destined to be many a reader’s favourite book.’ – Trenton Lee Stewart, New York Times bestselling author of The Mysterious Benedict Society series and The Secret Keepers

‘It really is brilliant, with an engaging plot, plenty of twists, memorable characters and a marvellous sense of humour. Pick it up and the hours disappear, just like magic.’ – Daily Telegraph

‘An exciting and charming middle-grade read that will hook readers aged 10 and up with intricate imaginative detail and its sheer energy … a compulsively readable romp that fans of ‘Harry Potter’, Terry Pratchett or Studio Ghibli will gobble up.’ – Books and Publishing

~*~

Morrigan Crow’s journey began in Nevermoor, where she was whisked away from the Wintersea Republic on Eventide, the day she was destined to die, by Captain Jupiter North, whose red hair and flashy clothes were, and still are, in stark contrast to the black clothing donned by our heroine. Released exactly twelve months and twenty days after Nevermoor: The Trials of Morrigan Crow, Wundersmith: The Calling of Morrigan Crow picks up shortly after the first book, with Morrigan (Mog to Jupiter North), living at the Hotel Deucalion with its rooms that change depending on what you need at that moment, and the vampire dwarf, Frank, causing mischief and planning epic parties – this time to compete with a new hotel nearby, which is all in good fun amidst Morrigan’s acceptance into WunSoc, and her unit, Unit 919. Accepted by Hawthorne and Miss Cheery, Mog must work to earn the trust of the rest of her unit, as she grapples with her newfound identity as a Wundersmith, and she must fight all the prejudice flung at her because of it, and show everyone that there are good Wundersmiths, that they’re not all like Ezra Squall, who is trying to get back into Nevermoor.

As Morrigan starts her classes – at first, dully with only one class, referring to an abridged edition of the history of Wundersmiths, with a wuntortoise as her teacher – Professor Onstald – and gradually gaining a second class where she discovers the world of Nevermoor and all the sneaky, secret streets that lead to dangerous places like the Ghastly Market, or have rather unpleasant results, like vomiting everywhere. Despite this Tricksy Lanes, and their more nefarious relations, Morrigan finds herself in all sorts of trouble with Ezra Squall as Jupiter is called away more often, to the point where she fears she will have to leave WunSoc and Proudfoot House, but Morrigan will come to learn that loyalty and choice are what will make her the Wundersmith she is, and it is her loyalty to those who are around her in Nevermoor that make her a wunderful character. As she ventures into the world of WunSoc, along with readers, things are  not always as they seem, and there are threads and hints at certain things that are so subtle, the impact their reveal is given is magical and powerful.

I’ve been with this series since the first book came out last year, and it is absolutely delightful. Filled with everything from snarky cats to best friends, magical doors and rooms that change the type of bed you have based on what you need, I enjoyed my latest stay at the Hotel Deucalion, and spending time with Fen and Jupiter again. Fen is a character who doesn’t hold back, she tells it like it is. She is one of those characters who you really want to get behind and cheer on because, well, she’s magnificent and even though she’s full of snark and sarcasm, she truly cares for Mog and Jupiter.

Like many fantasy series before it, this series begins with an orphaned, or unwanted child, living a rather mundane experience until someone – in this case the enigmatic Jupiter North, arrives to whisk Morrigan away to a new, colourful world of magic and wonder, where good and evil fight each other and dastardly people lurk in the shadows, trying to disrupt the lives of those wanting to get by in Nevermoor peacefully. And, like in similar series, the threat of Squall will grow until a face-off – but the execution of Morrigan’s journey is as unique as every other story in the same genre. What Morrigan has to do is and will be unique, she is unique, and she shows people that they can overcome the bad things and shows that just because a certain fate is ascribed arbitrarily to you, it doesn’t mean you have to fulfil this fate. You can change it, and with Jupiter and Hawthorne’s help, that is just what Morrigan does.

Morrigan and Hawthorne are the heroes and friends we need – loyal, not perfect, and willing to learn from mistakes. Hawthorne’s loyalty to Morrigan, following certain events that turn the rest of their unit against her, and his willingness to do anything he can to help his friend, are what make him one of my favourite characters. There is nothing Hawthorne wouldn’t do for his friend, and I absolutely loved that.

The entire book from beginning to end is amazing, and fits in so well with the previous book, naturally, and gives a deeper look into the characters, but still with enough mystery to ensure there are secrets to come out in later books. I look forward to the continuation of this series, and where Mog goes from here.

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