Title: The Au Pair
Author: Emma Rous
Genre: Fiction, Mystery
Publisher: Hachette Australia
Published: 11th December 2018
Format: Paperback
Pages: 410
Price: $29.99
Synopsis:A tautly plotted mystery of dark family secrets, perfect for fans of Kate Morton. ‘Entrancing, compelling, atmospheric, reminiscent of Daphne du Maurier. A beautiful read that delivers a shocking and satisfying ending’ Liv Constantine, bestselling author of THE LAST MRS PARRISH
Seraphine Mayes and her brother Danny are known as the summer-born Summerbournes: the first set of summer twins to be born at Summerbourne House. But on the day they were born their mother threw herself to her death, their au pair fled, and the village thrilled with whispers of dark-cloaked figures and a stolen baby.
Now twenty-five, and mourning the recent death of her father, Seraphine uncovers a family photograph taken on the day the twins were born featuring both parents posing with just one baby. Seraphine soon becomes fixated with the notion that she and Danny might not be twins after all, that she wasn’t the baby born that day and that there was more to her mother’s death than she has ever been told…
Why did their beloved au pair flee that day?
Where is she now?
Does she hold the key to what really happened?
~*~
Seraphine Mayes and her brother Danny are known as the summer-born Summerbournes, or the Summerbourne sprites – whispers from people in the village and school children have followed them their whole lives. But after her father’s death so close to their twenty-fifth birthday, during a search through photos, Seraphine discovers a photo of her mother with one baby, minutes before her mother was found dead. From here, Seraphine starts to wonder if she is really her mother’s daughter – Danny and Edwin, her older brother, look so alike, yet she has stark differences that have always made her stand out, and spurred on the rumours that Danny and Seraphine had a sprite-like quality about them, based on stories of witches’ cloaks and stolen babies in the night. In Seraphine’s mind, she is not that baby, not any relation to her brothers. In an effort to find out who she is, Seraphine embarks on a journey to track down the au pair from that day and will discover many more secrets that will affect more people than her and Danny and threaten to break the family apart – and that maybe there is more to her mother’s death than she has been told. The secrets she is about to uncover will change their lives forever.
Family mysteries with a dual storyline as the main focus always make intriguing books – with the focus on family and identity rather than romance, which there is some of, though it is not always the overall goal of the character, but rather, a nice side story alongside the main pot as a nice addition, that is woven in and out neatly. Seraphine’s mystery is tightly plotted and thought out, with each bit of evidence presented at just the right time, slipping back and forth from 2017 to 1991 and 1992 seamlessly, where Seraphine and Laura – the au pair – get to tell their stories – and the clues slowly start to fall into place. Who Seraphine is, and where the au pair, Laura fits in, as well as who Alex is, and information that Seraphine never thought she would uncover in the course of her investigations and asking questions around the village, specifically with the village doctor. The reader discovers the secrets and facts along with Seraphine, and though one can try and guess at the outcome, it is not as clear cut as it is first thought to be, but the execution of this is so well done, it suits the story and entire plot so well.
Overall, this was a well-written book, with an intriguing plot that held my interest and will appeal to fans of Kate Morton and other authors who work in dual or multiple timelines. The dual timeline is a tool that works well here to tell the story, because we need to hear from both Seraphine and Laura to get the full story, and understand what happened that fateful year at Summerbourne, and how the mystery of Seraphine and her brother came into being.
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