Title: The Beast’s Heart
Author: Leife Shallcross
Genre: Fantasy
Publisher: Hodder & Stoughton/Hachette Australia
Published: Â 24th April 2018
Format: Paperback
Pages: 342
Price: $19.99
Synopsis: A richly magical retelling of the Beauty and the Beast fairy tale, from the point of view of the Beast.
A sumptuously magical, brand new take on a tale as old as time – read the Beast’s side of the story at long last.
My beast’s nose scented cold, and earth, and the faintest tang of magic. Not the same magic that pervaded the house, or even the forest. This was something older and wilder, filled with sadness and decay. Yet at its core was something pure and clear, like the peal of a bell or the heat of a burning ember. Or the colour of a crimson rose.
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I am neither monster nor man – yet I am both.
I am the Beast.
I know why I was cursed; I know the legacy of evil I carry in my tainted blood. So how could she ever love me?
My Isabeau. She opened my eyes, my mind and my heart when I was struggling just to be human.
And now I might lose her forever.
~*~
Most retellings of the French fairy tale, written in 1740, by Madame Gabrielle-Suzanne de Villeneuve, and influenced by the literary fairy tales of authors such as Charles Perrault and Marie-Catherine d’Aulnoy. Unlike the fairy tales collected by The Brothers Grimm, which include a similar tale known as The Singing, Springing Lark, Beauty and the Beast was one of the first literary fairy tales recorded, though the specific tale that many retellings are based on oral tales over many years beforehand.
Where many retellings of this tale focus on the perspective of the Beauty – the girl who will break the spell, told in first or third person with this focus, Leife Shallcross’s debut novel takes the traditional fairy tale, and gives it new life, writing it from the perspective of the Beast, and how he deals with his situation and the beautiful girl – named Isabeau in this story – living in his house.
At the start of the story, the Beast, whom we know to be a prince or at least, a noble from the original and previous retellings, is lonely, and losing track of time. He mentions a Fairy and the curse, and the invisible servants – who see to his every need. When Isabeau’s father, Monsieur de la Noue stumbles across his wintry castle, where seasons don’t occur as they do outside the gates, the Beast and his invisible servants extend hospitality towards him – until he plucks a rise from the rose garden for Isabeau – and a deal is struck: Isabeau must come and stay with the Beast for a year in exchange for her father not being killed. Isabeau agrees, and whilst she is at the castle, the Beast watches her family thrive with gifts he sends them magically, and their fortunes change. As the year goes by, the Beast and Isabeau become friends – but the Beast – as in other reincarnations – begins to fall in love, seeking for her to save him from the curse.
But he can’t tell her this – the Fairy warns him against it and is quite malevolent in the few appearances she makes, and even when the Beast refers to her in his private musings. What I did like was that the Beast did not force Isabeau. Rather, he was hopeful and allowed her to come to him, but also, the respect and friendship they had for each other was more important. It was an exquisitely and enchantingly written story, where lessons must be learned by all, and where forgiveness becomes a large part of the plot – forgiveness of self, forgiveness of family and forgiveness of those who appear to have done the wrong thing. Set in France, in what I imagine is the eighteenth century, it has the same magic of the original and the other incarnations but an originality that no other retelling has come close to capturing. In each retelling, we always know the Beast isn’t the horrid monster some characters, such as Gaston in the Disney version – make him out to be – much like Isabeau’s father does in this novel, and her sisters, Claude and Marie, who are inclined to believe him, are the ones who at first believe their father’s claims but then begin to doubt them, hoping that Isabeau is alive – and it is Marie who is the catalyst for this.
Each character is flawed – not one is perfect, and to this end, I think this worked exceptionally well for this novel. It showed that flaws are everywhere, and that even if we see them in others, we don’t see them in ourselves all the time. Isabeau recognises her own flaws when she goes to live with the Beast and is aware of them. She can also see past his flaws. Yet it is her family she must find a way to reassure, with a father whose stubbornness would see her live at home forever, and sisters who once relied on her for everything, must recognise what they are capable of in her absence, and as a result, make their own fortunes with suitors. Each version of the story has a variance on the siblings the Beauty character has – from the six brothers and sisters of the original, to Belle as an only child in the Disney version, and in this version, the two sisters who work to pull the family through in Isabeau’s absence.
As each character begins to recognise their flaws, I could see them grow to accept what they had to deal with in life – except Monsieur de la Noue, whose resistance illustrated that not everyone adapts to change, or wishes to. Where I loved that his daughters made the best of their circumstances, I found myself wishing he would start doing the same.
Overall, I thoroughly enjoyed this novel. I adore fairy tale retellings, and this is a really good one. It is up there with The Beast’s Garden by Kate Forsyth, which is more of a fairy tale infused historical fiction, and other novels such as Frogkisserthat incorporate fairy tale elements. Whilst this used the traditional elements and tale, turning it around and telling the Beast’s story gave more of an insight into what it must have been like for him, living as a Beast under a curse that only love, and the promise of marriage can break, and return him to his true form. What I most enjoyed as well was that the mysteries of the castle, and magic, and Marie’s letters to Isabeau weren’t solved immediately – the answers to these and many other questions were given gradually.
The chapters where Isabeau was at home for a time were dealt with well, written from the Beast’s perspective as he watched them in his mirror – his window to the outside world. The mirror and the roses were there, as they always are – key aspects to the fairy tale that has sparked many retellings and interpretations over the years.
A delightful read, and one I hope to be able to revisit one day.
Title: The Belles
The next square I managed to fill was the last square in the fourth row a book with a number in the title. This also filled in a book published in 2018 for my other challenge and ticked off another book in the Australian Women Writer’s challenge – I have many books that will fill some categories in book bingo and the other challenge, but I am aiming for a different one for each category if I can.
I have managed to check off three other squares as well. For square twenty-two, a book based on a true story, I read 
Title: The Tides Between
Title: Vasilisa the Wise and Other Tales of Brave Young Women
What a joy to read another new Kate Forsyth book this year. Of the three she published – Beauty in Thorns, Vasilisa the Wise with illustrator Lorena Carrington, and The Silver Well, I have bought them all and read two – with The Silver Well having to wait until the New Year. Like me, Kate has a fascination with fairy tales. As children, the first fairy tales we are exposed to are Disney retellings, or sanitised versions that have the names of Jacob and Wilhelm Grimm, Charles Perrault or Hans Christian Andersen stamped on them. If we are lucky, we get to read the dark, original versions, often more terrifying and much darker than the originals. However, it is rare to see female characters with as much power as some modern retellings give them. There are examples, such as Hansel and Gretel, where Gretel saves her brother, yet it is often through the actions of being saved by the prince that the princess can finally exert her power. In Vasilisa the Wise, Kate Forsyth has retold traditional fairy tales by Andrew Lang, The Brothers Grimm, and from Scandinavia with the strong female characters at the forefront, who take charge of their own fate using what is available to them within their worlds.
Kate’s story follows the four women listed above, and their association with William Morris and Rosetti, and how their experiences of being mothers, and losing children, being models and inspirations and having their own desires, formed who they were, and who they would become in history. Lizzie, Jane, Georgie and Margaret are the voices that tell the story, allowing love, desire, tragedy and betrayal, and the people behind the wives and the muses of the Pre-Raphaelite’s to be given a voice.
I first came to Kate Forsyth’s writing through her first book, Dragonclaw, which celebrates its twentieth birthday this year. I still have my original set with the original covers on my shelves, and have plans to revisit the series. Dragonclaw is the first book in the six book Witches of Eileanan series, a tale of dark mysteries and dire mixed with dangerous quests, it follows Isabeau the Foundling, and her quest across Eileanan to save the children of Fairgean and stop the rise of the Ensorcellor, and also incorporates fairy tale themes.