Book Bingo Two: A book with a number in the title, a book based on a true story, a book by an Australian woman

 

AWW-2018-badge-roseThe next square I managed to fill was the last square in the fourth row a book with a number in the title. This also filled in a book published in 2018 for my other challenge and ticked off another book in the Australian Women Writer’s challenge – I have many books that will fill some categories in book bingo and the other challenge, but I am aiming for a different one for each category if I can.

 

For square twenty, I read Four Respectable Ladies Seek Part Time Husband by Barbara Stoner, which I reviewed on the 29th of January on this blog, and has been linked to this post.

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Sent to me by Penguin Random House, I was pleasantly surprised by this book, and its focus on the female characters and their determination to get help where needed but when things went wrong, they banded together to help each other without needing husbands to do it all for them. My previous book bingo book, Rose Rave

nthorpe Investigates, would have fit into this category also, and they would both have fit into a book by an Australian woman, though each square needs its own book, as I will show in my final post when I have hopefully filled the entire square.

 

mr dickensI have managed to check off three other squares as well. For square twenty-two, a book based on a true story, I read Mr Dickens and His Carol by Samantha Silva, about Charles Dickens journey writing A Christmas Carol, and why he wrote it – more out of economic need than desire to write such a story. And square eleven, a book by an Australian woman, has been filled by The Tides Between by Elizabeth Jane Corbett, an historical fiction novel using storytelling and fairy tales to capture an arduous journey across the seas.The-Tides-Between-300x450

 

Look out for my next book bingo due in two weeks.

 

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The Tides Between by Elizabeth Jane Corbett

The-Tides-Between-300x450.jpgTitle: The Tides Between

Author: Elizabeth Jane Corbett

Genre: Historical Fiction, YA

Publisher: Odyssey Books

Published: 20th October 2017

Format: Paperback

Pages: 300

Price: $23.95

Synopsis: In 1841, on the eve of her departure from London, Bridie’s mother demands she forget her dead father and prepare for a sensible, adult life in Port Phillip. Desperate to save her childhood, fifteen-year-old Bridie is determined to smuggle a notebook filled with her father’s fairy tales to the far side of the world.

When Rhys Bevan, a soft-voiced young storyteller and fellow traveller realises Bridie is hiding something, a magical friendship is born. But Rhys has his own secrets and the words written in Bridie’s notebook carry a dark double meaning.

As they inch towards their destination, Rhys’s past returns to haunt him. Bridie grapples with the implications of her dad’s final message. The pair take refuge in fairy tales, little expecting the trouble it will cause.

When Elizabeth Jane Corbett isn’t writing, she works as a librarian, teaches Welsh at the Melbourne Celtic Club, writes reviews and articles for the Historical Novel Society and blogs at elizabethjanecorbett.com. In 2009, her short-story, Beyond the Blackout Curtain, won the Bristol Short Story Prize. Another, Silent Night, was short listed for the Allan Marshall Short Story Award. An early draft of her debut novel, The Tides Between, was shortlisted for a HarperCollins Varuna manuscript development award. Elizabeth lives with her husband, Andrew, in a renovated timber cottage in Melbourne’s inner-north. She likes red shoes, dark chocolate, commuter cycling, and reading quirky, character driven novels set once-upon-a-time in lands far, far away.

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Bridie Stewart’s life is about to change forever. Aged fifteen, she is about to embark on a journey with her mother and stepfather that will take her half-way across the world to the colonies of Australia, far from what she knows. Adamant she will never forget her father, Bridie smuggles a notebook, her final gift from him on board, where she meets Rhys Bevan and his wife, Siân, and with Rhys, she begins to fill her notebook with Welsh fairy tales. These stories help them on their journey, both of them loved by their families but at the same time, feeling alone. And so, a friendship forms between Rhys, Siân and Bridie, as they write stories together along the arduous journey from England to Port Phillip. Along the way, there will be magic, woven through the words and music of the stories Rhys shares with Bridie, and over time, she will grow up. As they enter the waters of Australia, there is trouble and tragedy to come, that will hit them all and cause immense pain.

Elizabeth Jane Corbett’s novel takes place almost entirely on the fictional emigrant ship, The Lady Sophia, bookended by the departure and destination in the opening and final chapters. Through Bridie and Rhys, in third person, the novel moves easily between their perspectives and has a shroud of mystery about it, where details about the characters and their histories are revealed at exactly the right time. The fairy tale feel of this novel is what makes it unique and magical, and makes what would have been a very arduous journey in the 1840s bearable, at least for a while.

It is a lovely story of friendship and the power of fairy tales during hard times and tragedy, and how stories can shape our world and the way we see it. The stories are what begin to heal Bridie, leading up to the climatic tragedy that brings several surprises to those aboard the ship, and realisations from characters who had once shrugged Bridie and her family, and the other steerage passengers off, such as Doctor Roberts. Each character has flaws that they come to recognise, or not, as the novel progresses, and relationships between some have changed by the end of the novel.

I enjoyed that this novel focussed more on the friendships and family relationships, and Bridie’s individual character than a romantic relationship, something that is quite refreshing in literature and in Young Adult novels, showing that there is more to life than romance – it shows that other relationships can have the same degree of love, but in a different and perhaps more important way to some people. Bridie was a delightful character, full of life, wonder ad kindness towards those around her. The ending was sweet and realistic, showing the impact that the journey and her friendship with Rhys had had on the two of them. A wonderful novel that can be enjoyed beyond the Young Adult age group.

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Sunday Spotlight via Australian Women Writers, interview with Kate Forsyth and Theresa Smith

Welcome to Sunday Spotlight. Today it gives us great pleasure to bring to you a conversation with Kate Forsyth about her exciting new book, Vasilisa the Wise and Other Tales of Brave Young Women. I read on your blog that Vasilisa the Wise and Other Tales of Brave Young Women was born out…

via Sunday Spotlight with Kate Forsyth on Vasilisa the Wise — Australian Women Writers Challenge Blog

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Vasilisa the Wise and Other Tales of Brave Young Women by Kate Forsyth and Illustrated by Lorena Carrington

Vasilisa the wise.jpgTitle: Vasilisa the Wise and Other Tales of Brave Young Women

Author:  Kate Forsyth and Illustrated by Lorena Carrington

Genre: Fairy tales, children’s literature

Publisher: Serenity Press

Published: 14th December 2017

Format: Hardcover

Pages: 100

Price: $29.99

Synopsis: For many young women, the only fairy-tales they know are the ones that have been retold by Walt Disney Studios.

Once upon a time, these stories of magical transformation were meant for young women as they grew away from childhood and towards adulthood. They were told by their mothers and grandmothers and the wise women of the clan as they spun and wove and stirred their pots and made their potions. The heroines of these old tales set out on a difficult road of trials to discover their true destiny. And, contrary to popular opinion, marrying a prince was not the only goal. These ancient tales of wonder and adventure are about learning to be strong, brave, kind and true-hearted, and trusting in yourself to change the world for the better.

Meet the brave young women from tales of yore …

Vasilisa who must try to outwit the fearsome witch Baba-Yaga.

Katie Crackernuts who sets out to save her sister from dark magic.

Flora, the gardener’s daughter, who marries a giant serpent to save a prince.

Fairer-Than-A-Fairy, a princess who is kidnapped by an evil one-eyed enchantress.

Lullala, in love with a prince cursed to be a lion by day and a man by night.

Rosemary, a Scottish lass whose baby is stolen by the wicked faery folk of the Sidhe.

Ursula, a princess replaced by a walking, talking automaton.

These are not your usual passive princesses, waiting forlornly for their prince to come …

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aww2017-badgeWhat a joy to read another new Kate Forsyth book this year. Of the three she published – Beauty in Thorns, Vasilisa the Wise with illustrator Lorena Carrington, and The Silver Well, I have bought them all and read two – with The Silver Well having to wait until the New Year. Like me, Kate has a fascination with fairy tales. As children, the first fairy tales we are exposed to are Disney retellings, or sanitised versions that have the names of Jacob and Wilhelm Grimm, Charles Perrault or Hans Christian Andersen stamped on them. If we are lucky, we get to read the dark, original versions, often more terrifying and much darker than the originals. However, it is rare to see female characters with as much power as some modern retellings give them. There are examples, such as Hansel and Gretel, where Gretel saves her brother, yet it is often through the actions of being saved by the prince that the princess can finally exert her power. In Vasilisa the Wise, Kate Forsyth has retold traditional fairy tales by Andrew Lang, The Brothers Grimm, and from Scandinavia with the strong female characters at the forefront, who take charge of their own fate using what is available to them within their worlds.

It was a pleasure to see Kate’s version of The Singing, Springing Lark included, as I enjoyed the original and her fairy tale infused historical fiction, The Beast’s Garden. I think it was my favourite of all the tales, however, as they were all filled with amazing characters who took charge of their own fates, it was very hard to come to this decision. I also enjoyed the Pre-Raphaelite tale, The Toy Princess by Mary de Morgan – it would be lovely to read some more fairy tales by women, and to have studied these tales would have been amazing too.

Kate’s stories are accompanied by amazing artwork by Lorena Carrington, comprised of photographs, items from nature and layered to create evocative images that sing the song of the words they sit next to, and carry the heart of the story within their simplicity and beauty. Alone they tell a story as well, showing the reader what is to come, and what has come before, capturing the essence of characters and the tragedy of consequences of the actions of others, contrasted with the happier outcomes for the main characters of Kate’s tales. These exquisite silhouetted illustrations suit these stories perfectly.

As a lover of fairy tales, I can always find something to enjoy about oral tales recorded by figures like Jacob and Wilhelm, the literary fairy tales of Charlotte Rose de la Force, Mary de Morgan, Hans Christian Andersen and Oscar Wilde, and their various reincarnations and retellings throughout time. Kate’s retellings are special, and words that evoke the same magic of the tales they were inspired by, and keep the integrity of the original whilst giving it wings and a new voice through the courageous and loving women she has focussed on. These stories will endure, and become part of fairy tale canon and the wonderful library of Kate Forsyth stories. It is an amazing book that can be read alone or out loud to younger people and shared with young women of all ages to show them how to be courageous and brave.

This is my final read for the 2017 Australian Women Writer’s Challenge, and I don’t think I could have finished on a better note.

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Release Date Announced for Kate Forsyth’s Beauty in Thorns

BeautyinThorns_Cover

On the 3rd of July this year, Kate Forsyth’s latest historical novel, Beauty in Thorns will be released by Penguin Random House, and is being hailed as her best work yet. Beauty in Thorns is Kate’s fortieth novel, and centres on the Pre-Raphaelites, and the series of paintings that Edward Burne-Jones completed in 1890 that had been inspired by the fairy tale, Sleeping Beauty. Other inspirations for the story come from a Dante Gabriel Rosetti print that Kate found during her days as a student, and encouraging a passion for the Pre-Raphaelites, which is evident in Kate’s writing.

The influence of the Pre-Raphaelites is evidence in their style of art and fashion, the work of William Morris and Gabriel Rossetti and is still evident, celebrated and available today, inspiring artists and designers. The stories Kate writes are a tribute to this, and Beauty in Thorns will be no exception upon its release in a few months.

The lifestyle of the Pre-Raphaelites was unconventional for the Victorian England they lived in. Their lifestyle of drug taking, partying and husband swapping was a stark contrast to the mores and expectations of the time period, and the women – Lizzie Siddal, Jane Morris, Georgie MacDonald and Margaret Burne-Jones – eschewed Victorian expectations and did away with corsets, and embracing a bohemian lifestyle – which is what draws people to them now and what made them fascination in the Victorian period.

Kate_ForsythKate’s story follows the four women listed above, and their association with William Morris and Rosetti, and how their experiences of being mothers, and losing children, being models and inspirations and having their own desires, formed who they were, and who they would become in history. Lizzie, Jane, Georgie and Margaret are the voices that tell the story, allowing love, desire, tragedy and betrayal, and the people behind the wives and the muses of the Pre-Raphaelite’s to be given a voice.

Kate Forsyth is an internationally recognised expert in the realm of fairy tales and fairy tale retellings, and it was a childhood illness that led to her fascination with fairy tales, and in particular, Sleeping Beauty and the themes of innocence and fear of death. Most of her books for adults and children incorporate either fairy tale elements or retell a specific fairy tale, such as The Singing, Springing Lark in The Beast’s Garden, which is my favourite. I enjoy Kate’s writing because she finds that nice balance with all her elements and the research makes the settings genuine, and moving. There are many books of hers that I enjoy, and each for different reasons.

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dragonclawI first came to Kate Forsyth’s writing through her first book, Dragonclaw, which celebrates its twentieth birthday this year. I still have my original set with the original covers on my shelves, and have plans to revisit the series. Dragonclaw is the first book in the six book Witches of Eileanan series, a tale of dark mysteries and dire mixed with dangerous quests, it follows Isabeau the Foundling, and her quest across Eileanan to save the children of Fairgean and stop the rise of the Ensorcellor, and also incorporates fairy tale themes.

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Tales from the Kingdoms by Sarah Pinsborough

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I received a copy from the publisher for review

Title: Tales from the Kingdoms

Author: Sarah Pinborough

Genre: Fantasy

Publisher: Hachette/Gollancz

Published: 14/6/2016

RRP: $29.99

Format: Hardcover

Pages: 464

Synopsis: Snow White, Cinderella and Sleeping Beauty: stories you love, and that we think we all know…but why would a prince fall in love with a woman in a coffin? Why would a queen poison her stepdaughter? And what is a fairy Godmother’s real motivation?

 

Turn the page, and discover these classic fairy stories, told the way they always should have been…

 

 

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Tales of the Kingdom is an exquisite collection of three novellas – Poison, Charm and Beauty – retelling the stories of Snow White, Cinderella and Sleeping Beauty. These tales incorporate elements of more than just these three fairy tales, seamlessly twisting the characters and their stories so that they work together to create a narrative that flows well throughout.

There were a few surprises whilst reading, though I had an inkling of what might happen part way through the second story, I enjoyed reading through to the end to see if the stories were to become intertwined with each other. Was the prince the same prince? Is this why he was not named? The nice inclusion and hints towards other well-known characters and their tales added to the overall story.

Most fairy tales explore the nasty side of evil characters and the nice side of good characters. Pinborough does the opposite; she explores the black, white and grey of all characters, showing that they are not all good, nor are the y all evil – they have reasons, motivations and most of all, she shows most of them as flawed humans, unless they are witches who always seem to have ulterior motives, or whose personalities are such stark contrasts, that these extremes are who they are. This seems to be a new trend in fairy tale retellings, as this is something Once Upon A Time does as well, but in a different way to this book.

Tales of the Kingdom is also a little bit sexy – the sex scenes are not overdone, nor are they the main focus of the story. They are the result of the spells woven by characters throughout and often are the turning point in the tales for the characters, in particular, for who the characters truly are, and perhaps showing the side of them that the happily ever after endings do not show. The messy implications of the actions of true love’s kiss and what it does to the parties involved. The stories perhaps question why true love’s kiss was so important in fairy tales, rather than just getting to know somebody for who they are, but also explores how some people see others and would prefer them to be.

I enjoyed reading this, especially as I have read and seen many fairy tale retellings, including Disney, and each retelling reveals something different about the tales.

The Rebirth of Rapunzel by Kate Forsyth

Fairy tales have a long and varied history, from their beginnings in an oral format, to fairy tale collectors such as The Brothers Grimm, and creators such as Hans Christian Andersen, Oscar Wilde and Charlotte-Rose de la Force, author of Persinette. Various authors and collectors have different versions of these tales stemming from different traditions that journeyed across Europe and the world. Today, the best-known fairy tales are from Jacob and Wilhelm Grimm, Charles Perrault and Hans Christian Andersen. Little is known about female authors such as Charlotte-Rose and their contributions to the fairy tale tradition.
In The Rebirth of Rapunzel: A Mythic Biography of the Maiden in the Tower, and the novel Bitter Greens, Kate Forsyth brings Charlotte-Rose to life and explores how her tale of Persinette evolved into the story of Rapunzel that we know today, and the various incarnations and retellings of the tale, culminating in Disney’s Tangled.
Unlike the fairy tales collected by Jacob and Wilhelm Grimm, de la Force’s fairy tale is a literary fairy tale. The distinction being, that even though it was inspired by other sources, de la Force created it herself.
The Rebirth of Rapunzel is a well-written, intelligent collection of non-fiction writing exploring the evolution of the tale of Rapunzel. It presents the history of the tale to the reader in an effective manner, and will be of great interest to anybody who has studied or is studying fairy tales and their history. Kate’s distinctive writing style shines through, making reading this offering as enjoyable as her novels, and is an engaging read for anyone interested in the subject matter.
The book includes a doctorate on the Rapunzel fairy tale, and at the end, other pieces of Kate’s writing on Rapunzel and fairy tales, which, when read with Bitter Greens in mind, gives a greater understanding to the fairy tale of Rapunzel, in an accessible way for many readers.