Draigon Weather: The Legacies of Arnan Book One by Paige L. Christie

Draigon Weather cover_for promotion (1).jpegTitle: Draigon Weather: The Legacies of Arnan Book One

Author: Paige L. Christie

Genre: Fantasy

Publisher: Prospective Press

Published: 3rd October, 2017

Format: Paperback

Pages: 352

Price: AU$32.75 (Booktopia) US$15.95

Synopsis: The brutal, drought-bringing heat that arises from the colossal, near-mythical Draigon, is a fell portent, heralding the doom of a bad woman.

When Leiel’s mother is sacrificed to the Draigon to relieve the terrible drought, Leiel is marked by the shame brought to her family. She must leave school, relegated to a new life of servitude.

Cleod, the woodcutter’s son, is Leiel’s closest friend. To avenge Leiel’s mother, he vows to rise above his station and join the Ehlewer Enclave, an elite society famed for training men to kill Draigon.

The friends’ lives take different paths. Cleod struggles with divided loyalties as he learns he cannot be a Draigon hunter while remaining a friend to a tainted woman. Leiel seeks forbidden knowledge and old secrets, placing herself in danger of sharing her mother’s fate.

When Draigon Weather returns to the land, Cleod has the chance to fulfil all his promises—both to Leiel and to his new masters, the Ehlewer. But as the rivers choke on their own silt and heat cracks the earth, the choices the two friends made begin to catch up with them, for what plagues Arnan is more than just a monster.

~*~

A copy of this book was sent to me by the author for review.

Leiel Sower is a girl in a place threatened by what they cannot understand – educated women. She attends school, despite disapproving looks, and is educated at home by her mother, Ilora. For several years of her childhood, Leiel is happy, she has a friend, Cleod, and they both have dreams. Until the day the Draigon Weather comes, and Leiel’s mother is sacrificed to the Draigon to relieve a drought that has plagued Arnan for too long. In the years that follow, Leiel and Cleod’s lives take off on different paths. While Cleod trains to be one of the few who can fight the Draigon, Leiel’s life becomes one of servitude to her brothers, Gial and Klem, and her father. The return of Draigon Weather brings Cleod back, hoping to fulfil his promise to Leiel to make sure she doesn’t meet her mother’s fate – but they must face more than just the Draigon that plagues Arnan.

I love a good fantasy story, and one that focuses on friendships between women and between the main male and female characters is always of great interest. Showing these relationships between Gahree and Leiel, Leiel and Cleod and Elda, Torrin and Leiel play a large part in the story, and how Leiel relates to her world and her family, and what drives her. Leiel is a character who does not let her circumstances and status in her family and society define her. She fights against it, subversively, and makes her voice heard, even though it is often overruled, she finds comfort and power in making herself heard, even if her brother, Klem, refuses to listen to her, she has a partial ally in Gial and a friend in Cleod, and the other women in her life, \who understand the struggles she is facing.

The world of Arnan is also complex, where certain classes and men are valued over other classes and women, and where everyone seems to publicly accept the rules, but subversively, and within the rules of the world around them, try and rebel and change it from within. It is a world of tradition, but tradition that needs to be broken apart and rebuilt, in a world where certain behaviours mean you’ll be sacrificed to a hungry Draigon.

I was contacted by the author to read and review this book after she found my blog and was asked to read and review this book. I gladly did, and I enjoyed Leiel and Cleod’s story. I particularly enjoyed the focus on friendship and platonic love over romantic love, and the strong female characters who don’t let anything keep them down and stay true to themselves. It is a story about the power of friendship, and the subversive powers that society sees as a threat and challenge to the status quo of Arnan, not realising what the people that the Council looks down upon can contribute. The bonds of friendship throughout this novel were strong, and enduring until the end, and the last pages gave a nice set up for what is to come in book two.

This is a very enjoyable read for lovers of fantasy, dragons, and those who like their relationships between all characters to unfold and develop into friendship and bonds that cannot be broken. I hope the questions Cleod had at the end will be answered soon.

 

 

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2018 NSW PREMIER’S LITERARY AWARDS

The NSW Government has a long tradition of celebrating and connecting the public with art and literature. The NSW Premier’s Literary Awards are an opportunity to highlight the importance of literacy and literature, whilst enjoying and learning from the work of our writers in NSW and Australia. Like other literary awards, this award in highlighting the spectacular Australian Literature Australian writers produce, highlights and honours the achievements of Australia’s writers, and their artistic contributions to society, but also to highlight our literary achievements to the world. The State Library administers the awards.AWW-2018-badge-rose

The NSW Premier’s Literary Awards have more categories than the Victorian awards. These categories are:

Christina Stead Prize for Fiction

2017 Winner: The Museum of Modern Love by Heather Rose

2017 Shortlist: Vancouver #3 in the series Wisdom Tree by Nick Earls

Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers by Ryan O’Neill

Where the Light Falls by Gretchen Shirm

After the Carnage by Tara June Winch

The Natural Way of Things by Charlotte Wood.

UTS Glenda Adams Award for New Writing

2017 Winner: Letter to Pessoa by Michelle Cahil

2017 Shortlist:

The Memory Artist by Katherine Brabon

Dodge Rose by Jack Cox

Our Magic Hour by Jennifer Down

Portable Curiosities by Julie Koh

The Bonobo’s Dream by Rose Mulready

Douglas Stewart Prize for Non-Fiction

2017 Winner: Our Man Elsewhere: In Search of Alan Moorehead by Thornton McCamish

2017 Shortlist: Everywhere I Look by Helen Garner

Talking to My Country by Stan Grant

The Art of Time Travel: Historians and Their Craft by Tom Griffiths

Avalanche by Julia Leigh

Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire by Shane White

Kenneth Slessor Prize for Poetry

2017 Winner: Ghostspeaking by Peter Boyle

2017 Shortlist: Burnt Umber by Paul Hetherington

Breaking the Days by Jill Jones

Fragments by Antigone Kefala

Firebreaks: Poems by John Kinsella

Comfort Food by Ellen van Neerven

Ethel Turner Prize for Young People’s Literature

2017 Winner: One Thousand Hills by James Roy and Noël Zihabamwe

2017 Shortlist: Elegy by Jane Abbott

The Ghost by the Billabong by Jackie French 

the-ghost-by-the-billabong

The Sidekicks by Will Kostakis

The Boundless Sublime by Lili Wilkinson

One Would Think the Deep by Claire Zorn

Patricia Wrightson Prize for Children’s Literature

2017 Winner: Iris and the Tiger by Leanne Hall

2017 Shortlist: Magrit by Lee Battersby and Amy Daoud

Something Wonderful by Raewyn Caisley and Karen Blair

Desert Lake Pamela Freeman and Liz Anelli

Figgy and the President by Tamsin Janu

Welcome to Country by Aunty Joy Murphy and Lisa Kennedy

Nick Enright Prize For Playwriting

 

2017 Winner: The Drover’s Wife by Leah Purcell

2017 Shortlist:  The Hanging by Angela Betzein

You, Me and the Space Between by Finegan Kruckemeyer

Ladies Day by Alana Valentine

Betty Roland Prize for Scriptwriting

2017 Winner: The Code – Series 2, Episode 4 by Shelley Birse

2017 Shortlist: Down Under by Abe Forsythe

Sucker by Lawrence Leung and Ben Chessel

The Kettering Incident episode 1 by Victoria Madden

Afghanistan: Inside Australia’s War by Victoria Midwinter Pitt

Cleverman Episode 5 “Terra Nullius” by Michael Miller

Multicultural NSW Award

 2017 Winner: The Hate Race by Maxine Beneba Clarke

2017 Shortlist: Offshore: Behind the Wire on Manus and Nauru by Madeline Gleeson

Not Quite Australian: How Temporary Migration is Changing the Nation by Peter Mares

Of Ashes and Rivers that Run to the Sea by Marie Munkara

Promising Azra Helen Thurloe – on my To Be Read pile.

The Fighter: A True Story by Arnold Zable

NSW Premier’s Translation Prize

 2017 Winner: Royall Tyler

2017 Shortlist: J.M.Q Davies

Penny Hueston

Jennifer Lindsay

Multicultural NSW Early Career Translation Prize

 2017 Winner: Jan Owen

2017 Shortlist: Christopher Williams

Indigenous Writer’s Prize – Biennial Prize Next Awarded in 2018

Last awarded in 2016.

2016 Winners: Dark Emu by Bruce Pascoe and Heat and Light by Ellen van Neerven

2016 Shortlist: Ghost River by Tony Birch

Inside My Mother by Ali Cobby Eckermann

Dirty Words by Natalie Harkin

Not Just Black and White by Lesley Williams and Tammy Williams

Other Awards:

NSW Prize for Literature

2017 Winner: The Drover’s Wife by Leah Purcell

People’s Choice Award

 2017 Winner: Vancouver #3 in the series Wisdom Tree by Nick Earls

 Special Award

 The Special Award was last awarded to Rosie Scott AM in 2016.

Across these twelve categories and the three additional ones, there is a diverse range of authors and stories, that tell of personal experiences, imagined worlds and that draw on history and the world the authors have lived that led them to write these books. Each prize I have looked at so far has shown a different degree of diversity, with this one having a broader range, if only because it has more categories than the others I have looked at. Last year’s winners and nominees are in good company with past winners Peter Carey, David Malouf AO, Elizabeth Jolley, Thomas Keneally AO and Helen Garner.

Each prize has a different amount of money, and further details can be found in the provided links. In 2018, the total prize money, including sponsored awards is up to $305 000, and to be nominated for any of these awards, the writer and illustrator must be living Australian citizens or hold permanent resident status.

Taken from the website:

The NSW Premier’s Literary Awards are presented by the NSW Government and administered by the State Library in association with Create NSW. We are pleased to acknowledge the support of Multicultural NSW and the University of Technology Sydney (UTS).

The 2018 winners will be announced on 30 April 2018.The short-list will be announced in March.

Purchase any of the above books here:

Booktopia

Victorian Premier’s Literary Awards 2018 Winners

2018 VPLA Victorian Premier's Literary Awards key art tile.jpg

Each year, the State Premiers of Australia nominate several books across several categories for literary awards, and each of the awards are announced at different times, and have different categories.  The Victorian awards were inaugurated in 1985 to honour Australian writing and are administered by the Wheeler Centre on behalf of the Premier of Victoria.

The Victorian awards are split into five categories: fiction, non-fiction, drama, poetry and writing for young adults, with one winner in each. Each winner wins $25,000 and they go on to contest the Victorian Prize for Literature. The Premier’s Award also incorporates the Unpublished Manuscript Award, won by Christian White for Decay Theory in 2017, and a biennial Award for Indigenous Writing. Both of these awards go onto contest the Victorian Literary Prize with the other five categories.

People can participate in the awards by voting for their favourite work on the shortlist, and the winner of the People’s Choice Award, which is named alongside the general categories wins $2,000.

In 2018, none of the winners were male or identified as male. Of the five winners, four were women, and one was non-binary – Alison Evans, whose novel, Ida, won The People’s Choice Award. This year’s winners were announced on the first of February.

The winners

  • The Victorian Prize for Literature, and the Prize for Non-FictionThe Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • The Prize for Fiction: Australia Day by Melanie Cheng (Text Publishing)
  • The Prize for DramaRiceby Michele Lee (Playlab)
  • The Prize for PoetryArgosy by Bella Li (Vagabond Press)
  • The Prize for Writing for Young AdultsLiving on Hope Street by Demet Divaroren (Allen & Unwin)
  • People’s Choice AwardIda by Alison Evans (Echo)

Of these, I have Australia Day by Melanie Cheng on my To Be Read list, and am deciding which of the others to explore.

The above winners were chosen and voted for from the following shortlist:

The shortlist

Fiction 

  • A New England Affair by Steven Carroll (HarperCollins)
  • Australia Day by Melanie Cheng (Text Publishing)
  • The Life to Come by Michelle de Kretser (Allen & Unwin)
  • The Choke by Sofie Laguna (Allen & Unwin)
  • The Restorer by Michael Sala (Text Publishing)
  • Taboo by Kim Scott (Picador Australia)

Non-fiction

  • The Museum of Words: A Memoir of Language, Writing and Mortality by Georgia Blain (Scribe Publications)
  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness by Kate Cole-Adams (Text Publishing)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • For a Girl: A True Story of Secrets, Motherhood and Hope by Mary-Rose MacColl (Allen & Unwin)
  • No Way But This: In Search of Paul Robeson by Jeff Sparrow (Scribe Publications)
  • Tracker by Alexis Wright (Giramondo)

Drama

  • Rice by Michele Lee (Playlab)
  • Black is the New White by Nakkiah Lui (Sydney Theatre Company)
  • The Rasputin Affair by Kate Mulvany (The Ensemble Theatre)

Poetry

  • Argosy by Bella Li (Vagabond Press)
  • The Metronome by Jennifer Maiden (Giramondo)
  • redactor by Eddie Paterson (Whitmore Press)

Writing for Young Adults

  • Living on Hope Street by Demet Divaroren (Allen & Unwin)
  • Ida by Alison Evans (Echo)
  • Because of You by Pip Harry (UQP)

Highly commended

Fiction

  • No More Boats by Felicity Castagna (Giramondo)
  • Terra Nullius by Claire Coleman (Hachette)
  • Atlantic Black by A.S. Patrić (Transit Lounge)
  • Plane Tree Drive by Lynette Washington (MidnightSun)

Non-fiction 

  • They Cannot Take the Sky: Stories from Detention edited by Michael Green, André Dao, Angelica Neville, Dana Affleck and Sienna Merope (Allen & Unwin)

Poetry

  • I Love Poetry by Michael Farrell (Giramondo)
  • Reading for a Quiet Morning by Petra White (GloriaSMH Press)

Young Adult

  • In the Dark Spaces by Cally Black (Hardie Grant Egmont)

Reading up on as many of these entries as possible shows that this award strived for diversity too, and in naming four women and one non-binary author as winners, shows the importance of having these voices heard in society, but also the exemplary work these authors have achieved to have been nominated for these awards. Some of the authors on the shortlist were also nominated for the Stella Prize, and are on the 2018 Longlist, and information about this can be found on my post about the 2018 Stella Prize here.

Booktopia

The Last Train by Sue Lawrence


the last train.jpgTitle: The Last Train

Author: Sue Lawrence

Genre: Historical Fiction/Mystery

Publisher: Allen and Unwin

Published: 24th January 2018

Format: Paperback

Pages: 352

Price: $29.99

Synopsis: Sue Lawrence serves up a brilliant historical mystery, meticulously researched and densely plotted, with plenty of twists and a gripping climax.

At 7 p.m. on 28 December 1879, a violent storm batters the newly built rail bridge across the River Tay, close to the city of Dundee. Ann Craig is waiting for her husband, the owner of a large local jute mill, to return home. From her window Ann sees a shocking sight as the bridge collapses, and the lights of the train in which he is travelling plough down into the freezing river waters.

As Ann manages the grief and expectations of family and friends amid a town mourning its loved ones, doubt is cast on whether Robert was on the train after all. If not, where is he? And who is the mysterious woman who is first to be washed ashore?

In 2015, Fiona Craig wakes to find that her partner Pete, an Australian restaurateur, has cleared the couple’s bank account before abandoning his car at the local airport and disappearing. When the police discover his car is stolen, Fiona conducts her own investigation into Pete’s background, slowly uncovering dark secrets and strange parallels with the events of 1879.

~*~

Three days after Christmas in 1879, the Tay Bridge is battered by a violent storm that destroys the bridge and takes all the passengers on the train down to a watery grave. At home with her children, James and Lizzie, Ann Craig is waiting for her husband Robert to return from visiting an elderly relative in Edinburgh. Ann sees the tragedy as it happens, convinced her husband is aboard and in a watery grave, never to be seen again. Living in a town of mourning, Ann’s doubt that her husband was aboard the train starts to grow, and after a young woman is washed ashore, a mystery surrounding her death, and Ann’s missing husband begins.

Over a century later in 2015, Fiona Craig awakens to find her partner, Pete missing, and all their savings gone. She and her son move in with her parents, Dorothy and Struan, whilst trying to rebuild their lives after Pete has disappeared. What Fiona discovers as she looks into Pete’s whereabouts and disappearance are strange parallels to the Tay Bridge disaster of 1879. What will the mysteries of time and space reveal to these two women, generations apart?

Based on the Tay Bridge Disaster of 1879, The Last Train combines historical fiction elements with intrigue, and elements of mystery. Told in alternating third person perspectives in the days following the Tay Bridge disaster in late December 1879 and early January 1880 and in 2015, the stories mirror each other in some ways with subtle differences to the stories, and more than one mystery to be solved along the way. What connects Ann and Fiona is the desire to keep their children safe, and a desire to find out the truth of what has happened to the men they share their lives with, even if they go about it in rather different ways. Fiona’s interest in the local history pulls her into a job helping curate a memorial for the 1879 disaster, uncovering names and stories that bring light to those who perished, and will solve the questions of Fiona’s secretive father Struan as the novel’s climax brings it to a dramatic and satisfying close, that sews together all the strands that have been dangled.

An enticing historical fiction novel tinged with two mysteries that allow secrets to be revealed and families to become close. Scotland’s landscapes and history are as important as the characters of Ann and Fiona, and the nation itself, in particular Dundee, play an important role in the story and who the characters are. A well-rounded novel for fans of historical fiction and mysteries.

200 Years of Emily Brontë

2018 marks the two hundredth anniversary of Emily Brontë’s birth. The fifth of six children, Emily lived with her parents and siblings at Haworth, a Pennine village in Yorkshire, England. Born on the 30th of July 1818, Emily Brontë, along with her sisters Anne and Charlotte, are the most well-known of the Brontë siblings.

Growing up, Emily didn’t receive much formal schooling than her sisters. Instead, most of her education took place at Haworth from tutors, and family members, such as her sister Charlotte. Her broader education came from her father. Happiest at home, Emily didn’t last long in traditional school or working for other people.

Emily wrote from the time she could read, much like her sisters, Charlotte and Anne, and brother, Branwell, creating the imaginary world of Gondal together, a collaboration that does not seem to have lasted. However, this literary family has produced some of the most famous works in English literature that are still widely known and read even today, over a century after their publication. The Haworth website speculates that it is possible that Emily never abandoned her imaginary world, yet it is her 1847 novel she is best known for.

Emily’s only book, Wuthering Heights was first published in 1847, just over 170 years ago. Today, it is a much-loved classic read by many, and known across the literary world. However, at the time it was published, Emily wrote under a nom de plume – Ellis Bell, and her sisters wrote as Acton and Currer Bell. Not wanting to reveal her true identity upon publication, Emily refused to go to London to do so. Only a year after Wuthering Heights was published, at the age of thirty, Emily died on the 19th of December 1848.

The endurance of the Brontës and their writing for over 150 years could be due to the passion in their books, and the fact that people will mostly love them or hate them – for me, perhaps it has more to do with the spectrum of emotions that these books evoke. I’m not on either extreme, but somewhere comfortably in the middle, where I can enjoy it but don’t need to declare an extreme love or hatred for the book. Perhaps Wuthering Heights has enjoyed the endurance it has after Emily’s death because it was her only book, whereas her sisters, Anne and Charlotte, wrote a few more – the titles lesser well known than their most famous ones – The Tennant of Wildfell Hall and Jane Eyre respectively. Whatever the reason, the fact that it is still readily available in bookstores and libraries, and still read and studied, indicates that it has indeed made a mark on literary culture – and that it has endured over the decades to be one of the best known stories ever.

Wuthering Heights

Synopsis taken from the Penguin Random House website:

Wuthering Heights has achieved an almost mythical status as a love story, yet it is also a unique masterpiece of the imagination: an unsettling, transgressive novel about obsession, violence and death.

“May you not rest, as long as I am living. You said I killed you – haunt me, then

Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before: of the intense passion between the foundling Heathcliff and Catherine Earnshaw, and her betrayal of him. As Heathcliff’s bitterness and vengeance is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past.

The Penguin English Library – 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

It has been a while since I read Wuthering Heights. But with the 200th anniversary of Emily Brontë’s birth approaching, I will try to plan another read. Have any of you read it, and what did you think about it?

Booktopia

Mr. Dickens and His Carol by Samantha Silva

mr dickens.jpgTitle: Mr. Dickens and His Carol

Author: Samantha Silva

Genre: Historical Fiction

Publisher: Faber Factory Plus/Allison and Busby/Allen and Unwin

Published: 22nd November 2017

Format: Hardcover

Pages: 320

Price: $24.99

Synopsis: ‘A charming, comic, and ultimately poignant Christmas tale about the creation of the most famous Christmas tale ever written. It’s as foggy and haunted and redemptive as the original; it’s all heart, and I read it in a couple of ebullient, Christmassy gulps.’ Anthony Doerr, bestselling author of All The Light We Cannot See

For Charles Dickens, each Christmas has been better than the last. His novels are literary blockbusters, avid fans litter the streets and he and his wife have five happy children and a sixth on the way. But when Dickens’ latest book, Martin Chuzzlewit, is a flop, the glorious life threatens to collapse around him.
His publishers offer an ultimatum: either he writes a Christmas book in a month, or they will call in his debts, and he could lose everything. Grudgingly, and increasingly plagued by self-doubt, Dickens meets the muse he needs in Eleanor Lovejoy and her young son, Timothy. With time running out, Dickens is propelled on a Scrooge-like journey through Christmases past and present.
Mr. Dickens and His Carol is a charming, comic, and ultimately poignant Christmas tale about the creation of the most famous Christmas tale ever written. It’s as foggy and haunted and redemptive as the original; it’s all heart, and I read it in a couple of ebullient, Christmassy gulps.’ Anthony Doerr, bestselling author of All The Light We Cannot See

~*~

Mr Dickens and His Carol by Samantha Silva focuses on what drove Dickens to write his most famous story, A Christmas Carol in 1843. In this novel, Dickens has been approached by his publishers, whose grave news of the failure of Martin Chuzzlewit over in America starts to eat away at him, and his usually charitable donations he gives out. For economic reasons, they encourage Dickens to write a Christmas story. In Silva’s version, these events happen not long before Christmas, with the book published days before Christmas. Silva has Dickens go through a similar transformation to Scrooge, though his reasons for wanting to cut back are presented as economic struggles rather than a selfish desire for money. On his journey, Dickens encounters the homeless and impoverished children of London, and a young woman named Eleanor Lovejoy, and her son, Timothy – who inspire the version we know and love today.

This fictional retelling of how Dickens came to write one of the best loved Christmas stories in the world draws from threads of information and biography that the author collected, and showed that someone many people depended on, a man whose heart was big, could be crippled by the very thing his books made social commentary about: poverty, or near poverty. Dickens was plagued by debts at the time, but the demands on his aid and from family didn’t stop – nor did they take him seriously in the novel when he said he couldn’t help. For Dickens, a chance meeting with the Lovejoys gives him the inspiration he needs to write the book that people all around the world know and love today: A Christmas Carol.

The London that Dickens inhabits leaps from the page, fog and all, just as it is in his books. His time alone with the Lovejoys is akin to the journey of Scrooge in A Christmas Carol, where Dickens finds his way back to family and Christmas, and the magic in his heart that makes him the kind and generous man everyone knows he is. It is a heart-warming story, and portrays Dickens as merely human, a man who just likes to write and wants the best for his family, but also feels pressure from outside forces to do everything and please everyone. As an aspiring author, one line stuck with me, where Dickens is talking to his publishers and they are telling him what audiences want. His response about writers having to be told what to write by an audience even then shows the pressure authors are under to please an audience of readers. Despite this attitude, Dickens ended up writing a wonderful story that illustrates what Christmas is about, and the meaning of family and humanity, reflecting the attitudes of what it meant to be rich and poor in Victorian London.

I enjoyed this, even though it was a fictional reimaging of the journey Dickens took to write A Christmas Carol because it allowed an insight into what kind of journeys a writer goes on, and how they come to write certain books. The fog, and the cobblestones were as real as the figures that populated Dickens world and the young pauper boys who followed him around, wanting to put on a play of his work, and wanting to be immortalised as characters on the page. Silva has used research and her imagination in a wonderful union to recreate this time in Dickens’ life, and I will be aiming to read it again this coming December, alongside my other Christmas books.

I read this after Christmas as it arrived in early January from Allen and Unwin, but it is one that will make a great Christmas read, and enjoyable to read beside A Christmas Carol. I loved this book and I think fans of Dickens, lovers of Christmas and literature will enjoy this delightful book.

Booktopia

Book Bingo 2018

At the start of this year, I had decided to undertake the annual Australian Women Writer’s Challenge, and the 2018 Popsugar Reading Challenge. As I will read some books that will work for both, this shouldn’t be a massive undertaking, apart from a few categories that won’t coincide with the #AWW2018.

AWW-2018-badge-rose


Whilst perusing some of my favourite blogs today, I came across a Book Bingo, that Theresa Smith Writes and Mrs B’s Book Reviews are taking part in. I decided to give this a go, deciding that I would be more casual, and try to fill as many squares as I could. Rather than actively seek out all the squares, I am aiming to see where books for the other challenges fit into them to make it easier for me. I do have some books that won’t fit the #AWW2018 but might fit this and the other challenge I can do.

As today is launch day, there is no review for today. I aim to have one up on the 20th though, possibly scheduled. Keep an eye out for it and a note about which square it has filled.

To try and keep involved with Theresa and Mrs B, I will aim to complete a bingo review on the first and third Saturday of the month, whichever square happens to be have been filled at that time, and that will be the review I post.

I will be aiming to complete this over the course of the year, however, if I miss a few squares I won’t worry, though filling them all would be a very cool achievement. As part of this year’s reading journey, being able to use books across a few challenges will help me complete as many reviews and as many categories as possible.

If I double up with Theresa and Mrs B, that will be entirely coincidental, but also rather fun and interesting to see how we manage to fill the squares, and as some categories are open, what we choose to read for these ones.

My focus is of course, the #AWW2018 challenge, but this is just a bit of added fun.

Here is the bingo below, and ping-backs to Theresa and Mrs B are in the second paragraph.

book bingo 2018.jpg

If you want to join me, as a blogger, ping back this and the other posts, and share your reviews!

Booktopia