The Strange Disppearance of a Bollywood Star by Vaseem Khan (Baby Ganesha Agency #3)

baby ganesh 3.jpgTitle: The Strange Disppearance of a Bollywood Star

Author: Vaseem Khan

Genre: Crime and Mystery

Publisher: Mulholland Books/Hachette Australia

Published: 16th May 2017

Format: Paperback

Pages: 360

Price: $29.99

Synopsis: In the third delightful Baby Ganesh Agency novel, Inspector Chopra investigates the darkly glittering underbelly of Bollywood when a film star vanishes into thin air…

The enchanting new Baby Ganesh Agency novel sees Inspector Chopra and his elephant sidekick investigating the dark side of Bollywood.

Mumbai thrives on extravagant spectacles and larger-than-life characters.

But even in the city of dreams, there is no guarantee of a happy ending.

Rising star and incorrigible playboy Vikram Verma has disappeared, leaving his latest film in jeopardy. Hired by Verma’s formidable mother to find him, Inspector Chopra and his sidekick, baby elephant Ganesha, embark on a journey deep into the world’s most flamboyant movie industry.

As they uncover feuding stars, failed investments and death threats, it seems that many people have a motive for wanting Verma out of the picture.

And yet, as Chopra has long suspected, in Bollywood the truth is often stranger than fiction…

~*~

Ashwin Chopra, his wife, Poppy, and their little elephant, Ganesha return in this third instalment of the wonderful Baby Ganesh Agency series. This time, the star of an upcoming Bollywood movie, Vicky Verma, has gone missing at a promotional performance for the movie and his role, with Chopra and Ganesha in the audience. Together, they watch him vanish and supposedly reappear on stage, and from there, the investigation begins. Chopra speaks to the movie company, and the director, PK Das, Bijli Verma, Vicky’s mother and anyone else who has ever worked with or known Vicky during his attempts to find him. At the same time, Chopra’s partner, Rangwalla is caught up in an investigation amongst a eunuch community, where he goes undercover to investigate the activities they are being lured into, and so, he agrees to help the Queen find out what is going on. As Rangwalla and Chopra investigate their cases, ACP Rao, the officer whom Chopra bested in the last book during the Koh-I-Noor investigation, simmers in the background as a threat to Chopra and his case, leading to a series of events that Chopra, Ganesha, Poppy and their friends must find a way to get out of so that Chopra can find Verma and the person, or people who took him. But, as with any case, things are not what they seem, nor are they as simple as one might think, and Chopra’s confusion and disillusionment with the Bollywood industry and the way they operate, illuminating the way these people treat others, and this is contrasted with the case Rangwalla looks into, and the slums where the eunuchs live, their isolation from society and the way they are seen by others, as something to be discarded almost – but still retain their humanity and appreciate what Rangwalla does for them.

The contrast between the cases shows the spectrum of society in Chopra’s Mumbai, and shows that money cannot buy affections or humanity, a theme that weaves through both cases eventually, and as Chopra comes to the conclusion of his third case, the flaws of humanity and the way people react in the face of the truth illustrates that you cannot judge someone without knowing them or only knowing a public persona that they might hide behind – but the way Vaseem Khan has presented this moral was effective and done in a way that wasn’t overtly obvious, but could still be understood by the reader.

Poppy was at her finest in this book – she is a strong, capable character who has flaws and vulnerability and can be every bit as sneaky and deceptive as her husband – skills that she has picked up from Chopra. She is fast becoming a favourite of mine, because she takes no prisoners and doesn’t give up on those she cares about. And how could I not mention the star of the series, Baby Ganesha, the little elephant that started it all when he came to Chopra as an inheritance from a dead relative. Ganesha is more than just a pet – he is a special elephant whose diet consists mainly of Cadbury’s Milk Chocolate, a habit that not even Chef Lucknowwallah or Poppy can break him of. Ganesha knows when to help, and when his Chopra is in trouble – and he has saved the day before, and is loyal to Chopra, Poppy and Irfan in the fiercest way possible.

This third story with its dual plot meanders at a gentle pace, and without a hint of unnecessary gore and violence. When things get complicated and dangerous, Poppy finds a way to sort things out and ensure nobody gets hurt. As in the first two books, Ganesha comes to Chopra’s rescue at least once, and is perhaps the true hero of the series, even though it is usually Rangwalla and Chopra who uncover the truth, sometimes in unconventional and unexpected ways. The Strange Disappearance of a Bollywood Star is a wonderful addition to a series with a difference, and one that will hopefully continue for many years to come. I look forward to next year’s book, and hopefully, many more after that.

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2017 Pultizer Prize Winner: The Underground Railroad by Colson Whitehead

undergroud railroad.jpg

Title: The Underground Railroad

Author: Colson Whitehead

Genre: Fiction, Literary Fiction, Historical Fiction

Publisher: Hachette Australia

Published: 26th April, 2017 (latest edition), Trade paperback 9th August 2016

Format: Paperback

Pages: 306

Price: $19.99

Synopsis: #1 NEW YORK TIMES BESTSELLER and a NEW YORK TIMES BOOK OF THE YEAR

NATIONAL BOOK AWARD WINNER FOR FICTION 2016

2017 Pultizer Prize Winner

‘Whitehead is on a roll: the reviews have been sublime’ Guardian
‘Luminous, furious, wildly inventive’ Observer
‘Hands down one of the best, if not the best, book I’ve read this year’ Stylist
‘Dazzling’ New York Review of Books

Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.

In Whitehead’s razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.

At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. THE UNDERGROUND RAILROAD is at once the story of one woman’s ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

~*~

In the antebellum South, Cora hasn’t seen much beyond the cotton plantation she is enslaved at in Georgia. An outcast as a slave and amongst slaves, Cora’s impending womanhood heralds an uncertain and painful future – one that she longs to escape but doesn’t know how. Until Caesar tells her about the Underground Railroad, a network of secret routes and safe houses set up during the nineteenth century to help slaves escape to free states. Assisted by abolitionists along the way to navigate the route and keep hidden from the slave catcher, Ridgeway. Running for her life and freedom after killing a white boy who tried to stop her, Cora must take on new identities and try to blend – working with a system that at each point, brings disadvantage and bondage of different kinds, and faced with the ignorance that breeds racism in the antebellum South.

Separated at one stage from Caesar, Cora must continue alone, and rely on fellow escaped slaves, freemen and abolitionists, all working to abolish slavery in America, in the decades leading up to the Civil War of 1861-1865. In a penultimate confrontation at a community of former slaves and abolitionists, tragedy strikes and Cora must use all the strength she has left to cross over into the free states, and begin to venture into a life she has control over, but that is still scarred by the shackles and chains of slavery.

Before reading this book, I knew a little bit about the antebellum South, the Underground Railroad, and slavery from a university history course on the American Civil War. It did not go into too much depth from memory, so Colson Whitehead’s novel helped to bring these stories to life more for me. As I read Cora’s story, I found it engaging, and at the same time horrifying: it was a story that gripped me on a human level, horrified at the way Cora had been treated, and as soon as she had some hope, it was ripped away too quickly. As the key character, all events and characters are seen through her eyes, and her judgement, but as she travels the Underground Railroad and encounters a variety of people in all walks of life, it felt that Colson Whitehead was showing the breadth and depth of how different people reacted to slavery, and how they felt about it. This made Cora’s story more powerful as she worked out who she could put her trust in and when, and in her dealings with Ridgeway when he caught up with her.

Using this historical backdrop, Whitehead has created a world of authenticity with a darkness to it that can’t be escaped or denied when discussing slavery and the antebellum South in the nineteenth century. Whitehead’s story mingles literary fiction and historical fiction, with a nice balance of character and plot throughout, interspersing Cora’s story with perspectives of her mother, Caesar and an abolitionist’s wife who nursed her back to health when she got sick. Cora travels through states that are determined to drive out the black population entirely, and states who seem to deal with black people but still treat them like second class citizens, or worse. The dehumanising language of slurs and “it” to refer to runaway slaves are shocking – but necessary. They set the tone for the characters and the setting of the novel as well.

Colson Whitehead has sewn the threads of this novel together eloquently, and by evoking a sense of place for each stop along the Underground Railroad, a sense of self in Cora and utilising speech patterns that fit the characters and places, has created a novel that must be read to understand the other side of the story to slavery and the Underground Railroad: the hopelessness felt by slaves, and the way they were mercilessly pursued and viewed as property in many places.

By shocking readers with the raw brutality of this period in time, Colson Whitehead’s novel will hopefully open up a dialogue and allow these issues to be explored further.

Sydney Writer’s Festival Appearances and links:

Colson Whitehead: The Underground Railroad (Conversation)

Saturday 27th May 8.30-9.30PM

https://www.swf.org.au/festivals/festival-2017/colson-whitehead-the-underground-railroad/

Pulitzer Prize Winners Colson Whitehead and Hisham Matar

https://www.swf.org.au/stories/pulitzer-prize-winners-colson-whitehead-and-hisham-matar/

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