Book Bingo Three: A book by someone over 60, a book by an author you’ve never read before.

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In my third book bingo posts of the year, I have two books to report on – a book by an author I have never read before, and a book by someone over sixty. Both of these books have already been reviewed on my blog, so I have linked back to the longer reviews in this post.

oceans edgeSquare seven, a book by an author I have never read before has been filled by The Secret’s at Ocean’s Edge by Kali Napier, and it is Kali’s debut novel, and draws on family history and the geography of Western Australia to craft a story that is filled with ups and downs, and characters who are flawed and complex. It is a story about family, and sacrifice, and the lengths that some people will go to so they can protect family, and hide secrets that threaten those they care about. Set in the Great Depression, it shows a side to Australian history and life often not heard about in history books and draws on issues of Aboriginality and how the government defined this during the 1930s, injecting some of the hidden history not taught in schools into the novel. I enjoyed this debut, and hope Kali writes more.

My next square checked off is a book published by someone over 60. Eventual Poppy Day eventual poppy dayby Libby Hathorn (b 1943) fits into this square. Eventual Poppy ay is another story inspired by family history, in this case, a family link to the battlefields of World War One and what would become known as Remembrance Day and Anzac Day, where poppies would become the symbol of a generation lost to the ravages of war. It flicks between the story of Maurice in the war, and his great-great nephew in the twenty-first century, trying to find his place in the world. It is a moving story that gives a sense of what the war was like, the suffocating trenches and the feelings of helplessness during the stalemates.

Both of these were historical fiction as well, as I feel many of my books this year will be. Keep an eye out for my next post in two weeks time with more updates.

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Australian Children’s Laureate 2018-2019: Morris Gleitzman

In 2008, The Australia Children’s Literature Alliance was formed as an independent and not-for-profit organisation that champions and promotes “the transformational power of reading in the lives of young Australians.” The ACLA is inclusive, representing the spectrum of the field of children’s and young adult literature. The vision and mission of the ACLA is:

ACLA’s vision is to: enrich the lives of young Australians through the power of story. 

ACLA’s mission is to:

  • Promote the value, importance and transformational nature of reading

  • Influence the reading habits of Australian families

  • Raise the profile of books in the lives of children and young adults

  • Champion the cause of young Australians reading.

The organisation’s primary activity is developing and managing the Australian Children’s Laureate Program, established based on the successful implementation of similar programs in the UK, the US, with programs in Finland, Holland, Ireland, Mexico, Sweden and Wales as well.

The Children’s Laureate is an Australian author or illustrator of books for children and/or young adults, and in particular, someone who has made a significant contribution to the canon of Australian Children’s Literature and is appointed on a biennial basis. The inaugural year, 2012-2013 – was shared by two well-loved authors, Alison Lester and Boori Monty Pryor.

In 2014-2015, Jackie French took the mantle. She has authored over 140 books, including The Matilda Saga and the iconic Diary of a Wombat.

 

Leigh Hobbs held the mantle for 2016-2017.

And the Australian Children’s Laureate for 2018-1019 is Morris Gleitzman. The theme for his term is Stories Make Us – Stories Create Our Future. Morris has written celebrated books for the youth market for over thirty years including Two Weeks With the Queen, and the Felix Series, stating with Once.

In a world where our attention is divided by many different means of technology, it is comforting to know that there are those passionate about championing books for children, and showing the power of books to teach, to heal, to help us understand the world around us. Keep an eye on the included links for more information on what Morris gets up to this year.

More information about the role and how it is selected can be found here:

Further links and interviews:

http://readingtime.com.au/cbca-book-year-younger-reader-acceptance-speech-morris-gleitzman-author-soon/

http://www.morrisgleitzman.com

http://www.abc.net.au/news/2018-02-12/morris-gleitzman-on-why-kids-need-books-author/9421494

http://www.smh.com.au/entertainment/books/australias-new-childrens-laureate-morris-gleitzman-hopes-to-inspire-children-in-dark-uncertain-world-20180207-h0vr05.html

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2018 NSW PREMIER’S LITERARY AWARDS

The NSW Government has a long tradition of celebrating and connecting the public with art and literature. The NSW Premier’s Literary Awards are an opportunity to highlight the importance of literacy and literature, whilst enjoying and learning from the work of our writers in NSW and Australia. Like other literary awards, this award in highlighting the spectacular Australian Literature Australian writers produce, highlights and honours the achievements of Australia’s writers, and their artistic contributions to society, but also to highlight our literary achievements to the world. The State Library administers the awards.AWW-2018-badge-rose

The NSW Premier’s Literary Awards have more categories than the Victorian awards. These categories are:

Christina Stead Prize for Fiction

2017 Winner: The Museum of Modern Love by Heather Rose

2017 Shortlist: Vancouver #3 in the series Wisdom Tree by Nick Earls

Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers by Ryan O’Neill

Where the Light Falls by Gretchen Shirm

After the Carnage by Tara June Winch

The Natural Way of Things by Charlotte Wood.

UTS Glenda Adams Award for New Writing

2017 Winner: Letter to Pessoa by Michelle Cahil

2017 Shortlist:

The Memory Artist by Katherine Brabon

Dodge Rose by Jack Cox

Our Magic Hour by Jennifer Down

Portable Curiosities by Julie Koh

The Bonobo’s Dream by Rose Mulready

Douglas Stewart Prize for Non-Fiction

2017 Winner: Our Man Elsewhere: In Search of Alan Moorehead by Thornton McCamish

2017 Shortlist: Everywhere I Look by Helen Garner

Talking to My Country by Stan Grant

The Art of Time Travel: Historians and Their Craft by Tom Griffiths

Avalanche by Julia Leigh

Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire by Shane White

Kenneth Slessor Prize for Poetry

2017 Winner: Ghostspeaking by Peter Boyle

2017 Shortlist: Burnt Umber by Paul Hetherington

Breaking the Days by Jill Jones

Fragments by Antigone Kefala

Firebreaks: Poems by John Kinsella

Comfort Food by Ellen van Neerven

Ethel Turner Prize for Young People’s Literature

2017 Winner: One Thousand Hills by James Roy and Noël Zihabamwe

2017 Shortlist: Elegy by Jane Abbott

The Ghost by the Billabong by Jackie French 

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The Sidekicks by Will Kostakis

The Boundless Sublime by Lili Wilkinson

One Would Think the Deep by Claire Zorn

Patricia Wrightson Prize for Children’s Literature

2017 Winner: Iris and the Tiger by Leanne Hall

2017 Shortlist: Magrit by Lee Battersby and Amy Daoud

Something Wonderful by Raewyn Caisley and Karen Blair

Desert Lake Pamela Freeman and Liz Anelli

Figgy and the President by Tamsin Janu

Welcome to Country by Aunty Joy Murphy and Lisa Kennedy

Nick Enright Prize For Playwriting

 

2017 Winner: The Drover’s Wife by Leah Purcell

2017 Shortlist:  The Hanging by Angela Betzein

You, Me and the Space Between by Finegan Kruckemeyer

Ladies Day by Alana Valentine

Betty Roland Prize for Scriptwriting

2017 Winner: The Code – Series 2, Episode 4 by Shelley Birse

2017 Shortlist: Down Under by Abe Forsythe

Sucker by Lawrence Leung and Ben Chessel

The Kettering Incident episode 1 by Victoria Madden

Afghanistan: Inside Australia’s War by Victoria Midwinter Pitt

Cleverman Episode 5 “Terra Nullius” by Michael Miller

Multicultural NSW Award

 2017 Winner: The Hate Race by Maxine Beneba Clarke

2017 Shortlist: Offshore: Behind the Wire on Manus and Nauru by Madeline Gleeson

Not Quite Australian: How Temporary Migration is Changing the Nation by Peter Mares

Of Ashes and Rivers that Run to the Sea by Marie Munkara

Promising Azra Helen Thurloe – on my To Be Read pile.

The Fighter: A True Story by Arnold Zable

NSW Premier’s Translation Prize

 2017 Winner: Royall Tyler

2017 Shortlist: J.M.Q Davies

Penny Hueston

Jennifer Lindsay

Multicultural NSW Early Career Translation Prize

 2017 Winner: Jan Owen

2017 Shortlist: Christopher Williams

Indigenous Writer’s Prize – Biennial Prize Next Awarded in 2018

Last awarded in 2016.

2016 Winners: Dark Emu by Bruce Pascoe and Heat and Light by Ellen van Neerven

2016 Shortlist: Ghost River by Tony Birch

Inside My Mother by Ali Cobby Eckermann

Dirty Words by Natalie Harkin

Not Just Black and White by Lesley Williams and Tammy Williams

Other Awards:

NSW Prize for Literature

2017 Winner: The Drover’s Wife by Leah Purcell

People’s Choice Award

 2017 Winner: Vancouver #3 in the series Wisdom Tree by Nick Earls

 Special Award

 The Special Award was last awarded to Rosie Scott AM in 2016.

Across these twelve categories and the three additional ones, there is a diverse range of authors and stories, that tell of personal experiences, imagined worlds and that draw on history and the world the authors have lived that led them to write these books. Each prize I have looked at so far has shown a different degree of diversity, with this one having a broader range, if only because it has more categories than the others I have looked at. Last year’s winners and nominees are in good company with past winners Peter Carey, David Malouf AO, Elizabeth Jolley, Thomas Keneally AO and Helen Garner.

Each prize has a different amount of money, and further details can be found in the provided links. In 2018, the total prize money, including sponsored awards is up to $305 000, and to be nominated for any of these awards, the writer and illustrator must be living Australian citizens or hold permanent resident status.

Taken from the website:

The NSW Premier’s Literary Awards are presented by the NSW Government and administered by the State Library in association with Create NSW. We are pleased to acknowledge the support of Multicultural NSW and the University of Technology Sydney (UTS).

The 2018 winners will be announced on 30 April 2018.The short-list will be announced in March.

Purchase any of the above books here:

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Victorian Premier’s Literary Awards 2018 Winners

2018 VPLA Victorian Premier's Literary Awards key art tile.jpg

Each year, the State Premiers of Australia nominate several books across several categories for literary awards, and each of the awards are announced at different times, and have different categories.  The Victorian awards were inaugurated in 1985 to honour Australian writing and are administered by the Wheeler Centre on behalf of the Premier of Victoria.

The Victorian awards are split into five categories: fiction, non-fiction, drama, poetry and writing for young adults, with one winner in each. Each winner wins $25,000 and they go on to contest the Victorian Prize for Literature. The Premier’s Award also incorporates the Unpublished Manuscript Award, won by Christian White for Decay Theory in 2017, and a biennial Award for Indigenous Writing. Both of these awards go onto contest the Victorian Literary Prize with the other five categories.

People can participate in the awards by voting for their favourite work on the shortlist, and the winner of the People’s Choice Award, which is named alongside the general categories wins $2,000.

In 2018, none of the winners were male or identified as male. Of the five winners, four were women, and one was non-binary – Alison Evans, whose novel, Ida, won The People’s Choice Award. This year’s winners were announced on the first of February.

The winners

  • The Victorian Prize for Literature, and the Prize for Non-FictionThe Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • The Prize for Fiction: Australia Day by Melanie Cheng (Text Publishing)
  • The Prize for DramaRiceby Michele Lee (Playlab)
  • The Prize for PoetryArgosy by Bella Li (Vagabond Press)
  • The Prize for Writing for Young AdultsLiving on Hope Street by Demet Divaroren (Allen & Unwin)
  • People’s Choice AwardIda by Alison Evans (Echo)

Of these, I have Australia Day by Melanie Cheng on my To Be Read list, and am deciding which of the others to explore.

The above winners were chosen and voted for from the following shortlist:

The shortlist

Fiction 

  • A New England Affair by Steven Carroll (HarperCollins)
  • Australia Day by Melanie Cheng (Text Publishing)
  • The Life to Come by Michelle de Kretser (Allen & Unwin)
  • The Choke by Sofie Laguna (Allen & Unwin)
  • The Restorer by Michael Sala (Text Publishing)
  • Taboo by Kim Scott (Picador Australia)

Non-fiction

  • The Museum of Words: A Memoir of Language, Writing and Mortality by Georgia Blain (Scribe Publications)
  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness by Kate Cole-Adams (Text Publishing)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster by Sarah Krasnostein (Text Publishing)
  • For a Girl: A True Story of Secrets, Motherhood and Hope by Mary-Rose MacColl (Allen & Unwin)
  • No Way But This: In Search of Paul Robeson by Jeff Sparrow (Scribe Publications)
  • Tracker by Alexis Wright (Giramondo)

Drama

  • Rice by Michele Lee (Playlab)
  • Black is the New White by Nakkiah Lui (Sydney Theatre Company)
  • The Rasputin Affair by Kate Mulvany (The Ensemble Theatre)

Poetry

  • Argosy by Bella Li (Vagabond Press)
  • The Metronome by Jennifer Maiden (Giramondo)
  • redactor by Eddie Paterson (Whitmore Press)

Writing for Young Adults

  • Living on Hope Street by Demet Divaroren (Allen & Unwin)
  • Ida by Alison Evans (Echo)
  • Because of You by Pip Harry (UQP)

Highly commended

Fiction

  • No More Boats by Felicity Castagna (Giramondo)
  • Terra Nullius by Claire Coleman (Hachette)
  • Atlantic Black by A.S. Patrić (Transit Lounge)
  • Plane Tree Drive by Lynette Washington (MidnightSun)

Non-fiction 

  • They Cannot Take the Sky: Stories from Detention edited by Michael Green, André Dao, Angelica Neville, Dana Affleck and Sienna Merope (Allen & Unwin)

Poetry

  • I Love Poetry by Michael Farrell (Giramondo)
  • Reading for a Quiet Morning by Petra White (GloriaSMH Press)

Young Adult

  • In the Dark Spaces by Cally Black (Hardie Grant Egmont)

Reading up on as many of these entries as possible shows that this award strived for diversity too, and in naming four women and one non-binary author as winners, shows the importance of having these voices heard in society, but also the exemplary work these authors have achieved to have been nominated for these awards. Some of the authors on the shortlist were also nominated for the Stella Prize, and are on the 2018 Longlist, and information about this can be found on my post about the 2018 Stella Prize here.

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Eventual Poppy Day by Libby Hathorn

eventual poppy day.jpgTitle: Eventual Poppy Day

Author: Libby Hathorn

Genre: YA, Historical Fiction

Publisher: Angus&Robertson, an imprint of HarperCollins

Published: 23rd February, 2015

Format: Paperback

Pages: 384

Price: $17.99

Synopsis: Shooting stars, kisses, grenades and the lumbering tanks. And the shrieking skies and the shaking comrades: ‘Up and over, lads!’ And I know it is time again to go into madness.

It is 1915 and eighteen-year-old Maurice Roche is serving in the Great War. A century later, Maurice’s great-great nephew, eighteen-year-old Oliver, is fighting his own war – against himself.

When Oliver is given Maurice’s war diary, he has little interest in its contents – except for Maurice’s sketches throughout, which are intriguing to Oliver who is also a talented artist.

As he reads more of the diary though, Oliver discovers that, despite living in different times, there are other similarities between them: doubts, heartbreak, loyalty, and the courage to face the darkest of times.

From award-winning children’s and YA author Libby Hathorn comes a moving, timely and very personal book examining the nature of valour, the power of family and the endurance of love.

This is a story we should never forget.

~*~

AWW-2018-badge-roseLike most young men in 1914, Maurice de la Roche signs up to go to a faraway war in Europe that has not yet touched the shores of Australia, but that will soon become part of the history and national identity of the recently Federated nation. As his family reluctantly watches him and his brothers leave, they face an uncertainty about their son’s futures. One hundred years later, Maurice’s great-great-nephew, the great-grandson of his much younger sister, Dorothy, is struggling with life, with family, friends, school and finding his way in the world, wishing to take art classes in school. At home, he is trying to help his younger sister Poppy speak again after a devastating illness following the departure of their father. But it is the story of Maurice that makes up the bulk of the story, and the diary entries that Oliver is reading brought to life in flashbacks to various points in the war: Gallipoli, Poziéres, and other battlefields throughout France, and Maurice’s knack for art, so similar to Oliver’s, that make up the bulk of the narrative, with significant events in Oliver’s life occurring at the beginning, middle and end of the novel.

Eventual Poppy Day respectfully and emotively evokes the battlefields and events of World War One, or The Great War, and The War to End All Wars would culminate in what would become known as Remembrance Day, where poppies are worn and placed in the Honour Rolls that commemorate every Australian military member who has died in service to their country. In a heartbreaking story that draws on family history, and one of the first major wars that would come to shape our national identity and the Anzac legend, Libby Hathorn has created a story that reminds us that we are all human, all fallible and not immune to history or the dangers of the world.

Marketed as a Young Adult novel, I feel that Eventual Poppy Day can be read by anyone, and I did enjoy that Oliver’s love for his family, for his sister Poppy, was the most important love for him on his journey. It is always refreshing to read a book, whatever the target audience, where love of family and friends is part of the story, rather than romantic love. To me, it feels like it strengthens the story, and enhances the characters and their motivations, and shows that there are more ways to love and care for someone beyond romance and are kinds of love I feel are being written about more and this is a good thing to show the spectrum of love across a variety of books and genres, especially when woven throughout the plot.

Another stand-out theme was the patriotic way the ANZACS embrace their mateship in the trenches of Gallipoli and across the Western Front. The way Libby has written about these experiences is so well written, it is as though you are there, experiencing it with the characters, with Maurice and those he served with. In the author’s note, Libby says that this book was inspired by her own relative, also named Maurice, and further research done with the Australian War Memorial and other resources about the ANZACS and World War One. I felt this theme running throughout evoked a sense of what it must have been like being so far from home and caught up in a war that wasn’t ours, but that threatened Britain, a nation that at the time, most Australians still felt strong ties to.

Through reading Maurice’s diary, Oliver’s personal growth shines through in his chapters, and it is a journey he has to take, to find out what he really wants and to help his little sister, Poppy. It is the kind of novel that many will hopefully enjoy reading and that honours the soldiers of World War One, as seen through the eyes of a teenager, trying to find his place in an ever-changing world. I have adored Libby Hathorn since reading Thunderwith in year six, and I am glad to have stumbled upon this novel.

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Book Bingo Two: A book with a number in the title, a book based on a true story, a book by an Australian woman

 

AWW-2018-badge-roseThe next square I managed to fill was the last square in the fourth row a book with a number in the title. This also filled in a book published in 2018 for my other challenge and ticked off another book in the Australian Women Writer’s challenge – I have many books that will fill some categories in book bingo and the other challenge, but I am aiming for a different one for each category if I can.

 

For square twenty, I read Four Respectable Ladies Seek Part Time Husband by Barbara Stoner, which I reviewed on the 29th of January on this blog, and has been linked to this post.

four respectable ladies

 

Sent to me by Penguin Random House, I was pleasantly surprised by this book, and its focus on the female characters and their determination to get help where needed but when things went wrong, they banded together to help each other without needing husbands to do it all for them. My previous book bingo book, Rose Rave

nthorpe Investigates, would have fit into this category also, and they would both have fit into a book by an Australian woman, though each square needs its own book, as I will show in my final post when I have hopefully filled the entire square.

 

mr dickensI have managed to check off three other squares as well. For square twenty-two, a book based on a true story, I read Mr Dickens and His Carol by Samantha Silva, about Charles Dickens journey writing A Christmas Carol, and why he wrote it – more out of economic need than desire to write such a story. And square eleven, a book by an Australian woman, has been filled by The Tides Between by Elizabeth Jane Corbett, an historical fiction novel using storytelling and fairy tales to capture an arduous journey across the seas.The-Tides-Between-300x450

 

Look out for my next book bingo due in two weeks.

 

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Graevale (Medoran Chronicles #4) by Lynette Noni

Transparent_3D_Cover_Noni_Graevale.pngTitle: Graevale (Medoran Chronicles #4)

Author: Lynette Noni

Genre: Fantasy, YA

Publisher: Pantera Press

Published: 1st February 2018

Format: Paperback

Pages: 450

Price: $19.99

Synopsis: ‘Light of dark, only one can win. This world cannot survive in shades of grey.’

Now that Aven Dalmarta sits upon the throne of Meya, Alex must race against the clock to save the rest of Medora from the Rebel Prince’s wrath.

Haunted by an unspeakable vision of the future, Alex and her friends set out to warn the mortal races. But making allies out of ancient enemies proves difficult.

With her nights spend deep in the Library under the guidance of a mysterious new mentor, Alex is desperate to strengthen her gift and keep all those she loves safe. Because in a world where nothing is certain, she is sure of only one thing:

Aven is coming.

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The Medoran Chronicles by Lynette Noni have been described as ‘a game changer’ in YA fiction. A page-turning fantasy series about friendship, finding yourself and the ultimate battle of good versus evil. The Medoran Chronicles are perfect for fans of Sarah J. Maas and Rick Riordan.

The eagerly anticipated fourth book in the series builds to a stunning climax with shock twists and devastating losses. Graevale is an unforgettable read.

~*~

AWW-2018-badge-roseI have been following Alexandra Jennings and her journey since Akarnae was first published, jumping at the chance to review it during an internship at the publisher, Pantera Press. And so, not only did my book blogging grow from there, I fell in love with a series that has me eagerly awaiting each new instalment from Raelia onwards. The early arrival of Graevale as a pre-order meant I got stuck into it right away, keen to know what happened next. Picking up soon after her return from the past and Draekora, Alex is in the midst of telling her friends, Bear, Jordan and Dix what unfolded during that time, and what is to come. Together, they hatch a daring plan to talk to Akarnae’s teachers and the king and queen, and the defences, before heading to speak with the other mortal races of Medora to warn them about the impending war and threat that Aven will bring with him.

Alex is driven to do this and protect those she cares about, and train harder to unlock her gift by a haunting vision of the future she saw in book three – Draekora. With Aven coming, Alex soon finds she has few people she can rely on: Dix, Bear, Jordan, Bear’s father, and the Meyarins, Niyx, Kyia and Zain, whom she trusts fully and who trust her to let them know what is coming and the dangers they will all eventually face at the hands of Aven. What is to come is nothing short of devastating for so many, and painful in so many ways for Alex, least of all being the additional training she receives with a new mentor and mystery classmate in late night sessions in the Library.

Because each novel has started soon after the events of the previous novel, this has a decent pace for the series, and although they all end on rather emotionally wrought cliff-hangers, these work well to keep the reader wanting more and eager for the next book. With book five to follow soon, this September will see We Three Heroes, a collection of novellas told from Bear, Jordan and Dix’s point of views to take place in between Graevale and the last book of the series.

Alex’s journey has been filled with ups and downs, triumphs and failures, but her stubborn nature has seen her through it all, her determination to stop Aven and save Medora and those she cares about driving her towards a goal that seems unattainable, but knowing Alex, she’ll get there, with the help of those she trusts to guide her and assist her where necessary. The darker covers and the smaller the figure of Alex gets demonstrates before you even begin reading how dark and dangerous things are going to be getting.

I enjoyed Graevale, despite the always present Aven and the tragic ending – expected in a war that has been hinted at but no less painful and haunting, and it sits nicely on my shelf with the others, each spine getting progressively darker. So I hope fans of the series enjoy it as much as I have, and I look forward to we Three Heroes and book five when they are released, although I wish they would come out sooner rather than later.

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