The Girl, the Dog and the Writer in Lucerne by Katrina Nannestad

girl dog write rucerneTitle: The Girl, the Dog and the Writer in Lucerne

Author: Katrina Nannestad

Genre: Fiction, Mystery

Publisher: HarperCollins

Published: 24th September 2019

Format: Paperback

Pages: 352

Price: $16.99

Synopsis: AN ABSOLUTE DELIGHT TO READ, WITH LOTS OF CHARMING AND QUIRKY CHARACTERS’ – Better Reading

Freja and her mother, Clementine, are reunited at last. Tobias and Vivi are in love. And Lucerne, their new home, is a paradise of snowy alps, sapphire lakes, white swans and delicious Swiss chocolate!

Everything seems perfect, until poor Lady P appears, bandaged from head to toe after a fall – or was it a push? Crimes break out across the city, all involving chocolate. Clementine doesn’t seem her usual self. And still Freja has not solved the biggest mystery – who is Tobias Appleby?

All will be revealed in the girl, the dog and the writer’s final adventure by award-winning Australian author Katrina Nannestad.


PRAISE FOR THE GIRL, THE DOG AND THE WRITER SERIES

‘sure to be treasured’ – Children’s Book Council of Australia’s Reading Time

‘Children from eight up will really warm to this funny, sad, happy book, and many adults will be charmed too’ – The Book Bubble

‘Fans of… Jacqueline Harvey will love this book’ – Kids’ Book Review on The Girl, the Dog and the Writer in Rome

‘an absolute delight to read, with lots of charming and quirky characters … The mini world that author Katrina Nannestad has created is every child’s dream’ – Better Reading

2018 Australian Book Industry Awards – Longlisted

2018 CBCA Book of the Year Awards – Notable

~*~

Tobias, Freja and Finnegan head off on their final adventure – to Lucerne. They’ve been summoned from their home in Provence to Switzerland, where Clementine has been for the past six months in a clinic. She shares a room with Lady P., whose story coincides with a series of chocolate thefts around the city, all centred around the famous Margrit Milk chocolate. Freja is still trying to solve the biggest mystery of all – who is Tobias Appleby?

This question has been at the heart of the series and has been one of the driving factors as Tobias and Freja travel across Italy, France and Switzerland on their adventures, and to be with Vivi as she learns about the specialty dishes across Europe. These elements are just as crucial to the story, as they are woven into the relationships, the mystery and all the outcomes of the story cleverly and intricately, evoking a sense of place, as well as a true sense of character and how they respond to their world.

AWW2020The elements of mystery within this series also come from the crimes Freja sets out to solve in each place. In Lucerne, she is hot on the trail of a chocolate thief and is sure that taking Clementine gifts everyday will help make her better. As Freja has grown, physically and emotionally, so has Tobias. Finnegan, not so much–he is still a puppy, after all. Lucerne comes to life as magically as Rome and Provence–you can feel the chill in the air when Tobby and Freja are able to take Clementine up the mountain, and the magic in the way everyone comes together to help Tobby and Freja settle in.

The third and final story is exquisitely linked – each story has Tobias using the world around him to construct his stories with such authenticity, that creators and writers will see something of himself in themselves. Finnegan reminded me of the dog my family used to have who also ate everything. Much like Finnegan, Indy would have eaten rubber ducks if he’d been given a chance.

The first two books are filled with fun and smiles, with a layer of seriousness when it came to the crimes. Yet here, there is an added layer of heaviness and sadness as we come to the realisation of what is happening with Clementine, and there is distinct foreshadowing of what is to come. Yet Katrina holds this together with the same lightness and delight of the adventures in Rome and Provence, and the same joy that the main characters and side characters bring to the story. They bring the story to life, and Lucerne just leaps off the page. This finale made me laugh and cry. My heart leapt and danced, and it also broke. You will need tissues for this instalment. Make sure you read this series in order – it is more powerful, and more enjoyable this way. Reading books is a way to engage with humanity and emotions on different levels, and this series has done it in spades.

During a time of our lives when we can’t travel, doing so through books is bittersweet. As each cover evokes a sense of travel and place, when married with the words, we are transported to a new place in each book. A place where things seem simpler, or a little easier. We get to escape from the worries of the world. And right now, we all need something like that, even if we miss the idea that we’ll be able to go to Rome, Provence and Lucerne soon. But for now, we can travel via stories like this series that are rich in story, setting, character and everything that pulls them together. A lovely and heartfelt conclusion to the series. Be sure to start with the adventures in Rome – it will all come together nicely in the end.

 

The Girl, the Dog and the Writer in Provence by Katrina Nannestad

girl dog writer provenceTitle: The Girl, the Dog and the Writer in Provence

Author: Katrina Nannestad

Genre: Fiction

Publisher: HarperCollins

Published: 22nd October 2018

Format: Paperback

Pages: 368

Price: $16.99

Synopsis:

‘FANS OF … JACQUELINE HARVEY WILL LOVE THIS BOOK’
– Kids’ Book Review on The Girl, the Dog and the Writer in Rome

When Freja and Tobias arrive in Claviers, Provence, it feels like home. The hilltop village is surrounded by olive groves, lavender fields and drifts of red poppies. The market square hides a world-famous pâtisserie and an antique merry-go-round. Pippin, their precocious young neighbour, and Vivi, the beautiful chef, fill their lives with chatter and laughter and love.

For a moment, the girl, the dog and the writer are happy.

But a spate of criminal activity casts a cloud over the village. Freja is determined to solve the mystery and uncover the villain, but the closer she gets, the more impossible things seem to become …

Award-winning Australian author Katrina Nannestad is back with the much-anticipated sequel to the bestselling novel The Girl, the Dog and the Writer in Rome.


PRAISE FOR THE GIRL, THE DOG AND THE WRITER SERIES

‘sure to be treasured’ – Children’s Book Council of Australia’s Reading Time

‘Fans of the Clementine Rose and Alice-Miranda series by Jacqueline Harvey will love this book’ – Kids’ Book Review

‘Children from eight up will really warm to this funny, sad, happy book, and many adults will be charmed too’ – The Book Bubble

‘The mini world that author Katrina Nannestad has created is every child’s dream. 8+ readers will love this book’ – Better Reading

2018 Australian Book Industry Awards – Longlisted

2018 CBCA Book of the Year Awards – Notable

~*~

‘Provence is an echo of our lives.’ Tobias Appleby says this to Freja as they live in Provence, and make new friends, and try to solve the mystery of the dastardly criminal acts happening around the sleepy French village of Claviers. Not so sleepy, as it turns out. At every turn, Tobias and Freja make new friends: the Diderots, the Jolys, Pipping and gentle giant Henri who runs the charming merry-go-round. At the same time, everyone must contend with needy, demanding famous actress Mimosa Asterisque, suspected of a spate of crimes that see the village brought to its knees. Freja and her new friends – Pippin, Christophe, Edith and Cossette are determined to uncover, and bring joy back to Claviers.

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This series continues the themes of friendship and family from the first. Freja feels at home with Tobias – at times, it feels like she is taking care of him more than he is taking care of her, and their move to Provence to follow Vivi. Freja is learning what family and friendship means – it is more than what she knows. She misses Clementine, but her world has expanded, her family has expanded. Of all the new characters, I fell in love with Pippin the most, and also instantly. He’s bubbly and cheerful, and each character brings something unique and new to the story.

The power of this book is in its representation of family – and that family is what we make of it, and the people we choose to be in our lives, as well as our biological family. Friends become family. Freja’s once small, insular world has become large and spans several countries. She had grown in many ways, and has even helped Tobias and Finnegan grow.

The magic in this book comes from the characters, the places, and the way food – gelato and pastries – informs the world, and its sense of timelessness – it could be set at any time in the last thirty years, and allows readers to imagine themselves as Freja and the other characters. It is world we know, and yet in some ways don’t know. Freja and Tobias take us on a journey – in many ways. Provence comes to life, with the scent of lavender and the musical delights of the merry-go-round, and many more. As Freja works to solve the mystery of who has been trying to drive people out of Claviers, and ruining their livelihoods, she will find out that not everything is always as it seems.

Cleverly combined as an adventure and a mystery series with a touch of romance along the way (although Tobby and Vivi might not always realise it), this series is delightful, and moves along at the right pace – not too fast, not too slow. It allows the characters and plot to develop and will enthral readers aged eight and older.

Onto Lucerne, and the final stages of Freja and Tobby’s story!

 

Book Bingo Eight 2020 – Themes of politics and power

Book bingo 2020

 

Welcome to the August edition of Book Bingo with Theresa Smith and Amanda Barrett. This month I am checking off the square for themes of politics and power. In some books, the themes of politics and power are very overt, and very obvious to the reader. This can be because of the gender of a character, a setting or the overall themes within the book that might be exploring something political in an allegorical, tactile or obvious way. However, there are those books that have themes of politics and power where the politics are often a lot more subversive, less obvious to the reader until something happens, and it becomes clear that there are much more sinister things happening than we’ve been led to believe. One such book, and the book that I have chosen to mark off this square is the March release of a stand-alone novel, The Vanishing Deep by Astrid Scholte.

the vanishing deep

Set in a world where people are governed by water, where diving is a job, and where a facility called Palindromena assists loved ones in a final farewell, The Vanishing Deep reveals that there is more to Palindromena than people know. Told over twenty-four hours in alternating perspectives of Tempest and Lor, The Vanishing Deep explores the power and politics behind a facility like Palindromena, and the way they control death, and the threats to those who try to expose them for what has gone wrong, and how they silence opposition. Whilst much of this comes in the latter half of the novel, the issues of who has power over whom, who allows people to come and go on the Reefs in this new world are constantly hinted at, and told that this is just how we live now – these aspects are not questioned as highly as the integrity and ethical behaviour of Palindromena.

Whilst it is a Young Adult novel, it does deal with some heavy themes, such as death and corruption. The way these are written about is accessible, but readers should be warned in case they find darker issues a bit distressing. It is in no way graphic yet can tug at the heartstrings and throw a few curveballs at the reader. It is an exceptional example of what happens when someone tries to play God and abuses their power to exploit those they see as expendable.

Isolation Publicity with Angela Savage

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

WDIWDMTM18
Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

Angela Savage is the author of the Jayne Keeney Mysteries, and Mother of Pearl. She also works with Writer’s Victoria and the State Library of Victoria, has run manty awards and runs writing workshops, some of which have been moved online during the pandemic. Like many authors, she has had events and launches, and many other things related to her jobs with the State Library of Victoria and Writer’s Victoria have been put on hold for now. She appears below to discuss all of these as part of my isolation publicity series.

Hi Angela and welcome to The Book Muse

Hi Ashleigh – thanks for inviting me along.

  1. You released a new book last year – Mother of Pearl. What is the basic plot and premise of that book?

Mother of Pearl explores family, motherhood, culture and power through the lens of international commercial surrogacy between Australia and Thailand. The story is told through the eyes of three characters: Anna, an aid worker; her sister Meg, who longs for a baby; and Mukda, a single mother in rural Thailand. The lives of the women and their families become intimately intertwined in the unsettling and extraordinary process of trying to bring a child into the world across boarders of class, culture and nationality.

  1. What genre would you say Mother of Pearl is, and what genre do you usually write in?

Mother of Pearl sits somewhere between literary and popular fiction. My three previous novels were crime fiction.

  1. What events, launches and festivals have you had to cancel due to COVID-19, and which were you really looking forward to?

I had events lined up at the inaugural Yarra Valley Writers Festival in Healesville, Queenscliffe Literary Festival, Melbourne Jewish Book Week and Willy Lit Fest, plus some good leads on festivals in the second half of the year. Amazingly, Yarra Valley Writers Festival went ahead online on 9-10 May and Willy List Fest 2020 Vision will go online from 21 May. While I’m sad to miss out on meeting face-to-face with readers and writers, I’m delighted to appear on these program rather than chalking up more cancellations. As YVWF Director Brook Powell put it, ‘No, it’s not the same, but it is of the moment.’

 

  1. How are you working with Writer’s Victoria to help artists during the pandemic?

Writers Victoria has offered online learning for several years as part of our mix of services, so we were able to quickly adapt to deliver the bulk of our workshop program online. We’ve also launched Spotlight, a suite of budget options to link emerging writers with experienced writers, editors and industry experts for personalised feedback on their work.

Aware that writers were likely to be feeling anxious and isolated, we ran our Flash Fiction competition in April, providing daily word prompts and inviting writers to submit 30-word stories based on the prompt. While many of the thousands of stories we received did reflect on the pandemic, writers also told us how much they appreciated the creative routine and having something other than COVID-19 to focus their attention.

For Writers Victoria members who are launching new books in 2020, we’re offering promotion through our social media channels, where we have a combined following of around 36,000. Normally worth $180, it’s free for members as part of our response to COVID-19. I hope that by the end of the year, social distancing restrictions will have eased enough for Writers Victoria to host a book fair/mega launch party for local authors whose books were released during lockdown.

  1. Alongside this, what are you, as an individual hoping to do, and encouraging others to do to support Australian arts and booksellers?

I read mostly Australian fiction and buy mostly Australian books for myself and as gifts, using social media to share books that I’ve loved and to reach out to authors. When people ask for recommendations, I recommend Australian books; and I also use examples from Australian works when I teach writing.

  1. Have you won, or been shortlisted for any awards for your writing?

I was very fortunate to win the Victorian Premier’s Literary Award for Unpublished Manuscript in 2004 for what became my debut novel, Behind the Night Bazaar, which was later shortlisted for the 2007 Ned Kelly Award for Best First Book. Both other books in the Jayne Keeney PI series, The Half-Child and The Dying Beach, were shortlisted for Ned Kelly Awards, with The Dying Beach also shortlisted for the 2014 Davitt Awards. My short story, ‘The Teardrop Tattoos’ won the 2011 Sisters in Crime Scarlet Stiletto Award. I’ve just had another short story, ‘The Black Feather’, longlisted for the Peter Carey Award.

  1. Where did the idea for Jayne Keeney, PI come from, and how long have you been writing her stories for?

Jayne Keeney first appeared in a short story called ‘The Mole on the Temple’, set in Bangkok, which won third prize in the Scarlet Stiletto Awards in 1998. With this encouragement, I started writing more short stories featuring Jayne, one of which grew into my first novel. People mistake Jayne for me (my fault for giving us the same dark curly hair), but she’s more of an alter ego: someone I might’ve been like if I’d made very different life choices.

  1. Jayne Keeney looks to be mainly set in South-East Asia – what was it about this setting that lent itself so well to the character and her stories?

I lived and worked in Southeast Asia off and on for over seven years, in Laos, Vietnam, Cambodia as well as Thailand, where the Jayne Keeney novels are set. Working cross-culturally is a lot like being a detective: you’re always looking for the big picture from a small set of clues, trying to tell a reliable source from an unreliable one, constantly searching for meanings lost in translation. Creating an Australian detective character gave me the chance to explore these themes in fiction – the tension and the humour that arise when cultures collide. The choice of Thailand as a setting was a practical one: only in a city as big as Bangkok could an expatriate Australian woman set up a PI business and stay low enough beneath the radar to make a go of it.

  1. Do you have one publisher, or many, and what has the publishing journey been like if you have had multiple publishers?

Melanie Ostell, then a senior editor at Text Publishing, was on the judging panel when I won the Victorian Premier’s Award and subsequently offered me a publishing deal. Text published all three Jayne Keeney novels, but passed on Mother of Pearl. It was subsequently picked up by Transit Lounge, which was serendipitous as Transit Lounge boss Barry Scott administered the Premier’s Awards the year my manuscript won. Generally speaking, publishers don’t like it when their writers change genres as it messes with their ‘brand’. My risk paid off, but it was a nerve-wracking experience—not one I’d recommend.

 

  1. Apart from your novels, what other writing have you done, and where?

I’ve had a few short stories published in Australia and overseas, including my Scarlet Stiletto Award winner, ‘The Teardrop Tattoos’ (in Crime Scenes) and ‘The Odds’ (in Deadlier: 100 of the Best Crime Stories Written by Women). I’ve been publishing non-fiction articles since the late-1980s, and had a regular column in AsiaLIFE magazine when I lived in Cambodia. I’ve also written several comics, drawn by my friend Bernard Caleo.

  1. When you’re not writing, what sort of things do you enjoy doing?

I love reading. I came to writing as a reader, and I’m compelled by a desire to give to readers of my work some vestige of the pleasure I derive from reading other writers. I also enjoy travelling, walking, cooking, knitting and singing karaoke with more enthusiasm than talent. One of my greatest pleasures is hanging out with people I love, drinking wine and talking.

  1. Did you have a career in another industry prior to being an author, and what did you do?

I had a 12-year career in international development, working on HIV/AIDS, sexual and reproductive health projects in Southeast Asia and the South Pacific, mostly for the Red Cross. I spent 12 years after that working in community development in Victoria. Since September 2017, I’ve been director of Writers Victoria.

  1. Did this experience, or any others have an impact on how and what you write?

Even though I knew I wanted to be a writer from an early age, I made the assumption that to be a good writer, I needed to live an interesting life. Working on HIV/AIDS and sexual health projects in Southeast Asia was more than interesting, it was life-changing: confronting, enlivening, exhausting and humbling. When I set out to become a published author in my early 30s, it made sense for me to turn to that experience for creative inspiration.

Ironically, of all the jobs I’ve had, my current role in the arts sector is the least conducive to getting any writing done.

  1. Do you have a favourite furry writing companion?

Not unless you count my partner, with whom I share a study.

 

  1. When it comes to reading, which authors or genres are you always drawn to?

Asking me to name authors I’m drawn to is harder than asking about my favourite child! I read more Australian fiction than anything else. Some of my favourite local authors include Simone Lazaroo, Tara June Winch, Christos Tsiolkas, Carrie Tiffany, Laura Jean McKay, Kate Mildenhall and Alice Pung. Among my favourite international authors are Barbara Kingsolver, Michael Ondaatje and Tash Aw, though I’ve recently read Hilary Mantel and I suspect she has a lot to teach me. I also enjoy reading crime fiction and will read anything by Sulari Gentill, Jock Serong, Emma Viskic and Robert Gott.

  1. How do you think the arts will recover after this pandemic is over?

The breadth, depth and diversity of the arts that survives the pandemic depends to a large degree on government and public support. As Benjamin Law noted in The Guardian, ‘In times of crisis, humans turn to art for help.’ Yet we are often unaware of the ecosystem needed to bring the work of artists—whether writers, film-makers, visual artists, performers, game designers, etc—to us. Organisations like Writers Victoria will continue to advocate for the health of the arts ecosystem but I fear that many organisations, publishers, theatres, galleries and studios will not survive this crisis.

  1. The book community is often urging people to buy local, buy Australian – which is what I always do. If people don’t do this, what valuable local markets and culture will we lose if the only access we have to books is international authors and international sellers?

Much has been said about the importance of seeing ourselves in what we read in terms of personal and cultural wellbeing. We will be diminished as individuals and as a nation without a local book industry.

  1. The book community and arts community in Australia are coming together during this tough time – do you think this will encourage people outside of the communities to buy and read locally?

A number of publishers are reporting increases in book sales during the COVID-19 lockdown, which is a positive sign, though I’m not sure what proportion of these sales are for specifically Australian books. Certainly, the community is deeply supportive of its members; whether this translates into a wider commitment to buying Australian books remains to be seen.

  1. Which local booksellers are you hoping to support during these tough times?

I continue to shop at my local bookseller Brunswick Bound, and will also shop at Readings once the State Library where I work re-opens our offices.

 

  1. Finally, what is next for your writing – another Jayne Keeney, or something else?

Right now I can only dream of writing. I somehow seem thwarted by not knowing how any of this ends. That said, I’m mulling over a few non-fiction pieces, percolating another novel (historical fiction this time), and my short story ‘The Black Feather’ was recently longlisted for the Peter Carey Award. So all is not lost.

Anything I may have missed?

Thanks Angela!

 

Monty’s Island: Beady Bold and the Yum-Yams by Emily Rodda

Monty's Island 2Title: Monty’s Island: Beady Bold and the Yum-Yams
Author: Emily Rodda
Genre: Fiction
Publisher: Allen and Unwin
Published: 4th August 2020
Format: Paperback
Pages: 176
Price: $14.99
Synopsis: Monty lives on a perfect island in the middle of a magical sea. Sometimes the sea throws up something interesting … and Monty goes on an amazing adventure!
On a tiny island far away, in a sea that ripples with magic, Monty never knows what he might find…

Everyone loves Bring-and-Buy Day, when Trader Jolly visits the Island with all the supplies Monty and his friends need.

But this Bring-and-Buy day is different. Instead of Trader Jolly, there’s a sneaky new trader called Beady Bold. And he’s arrived with a boatload of trouble. The yum-yams are yummy, but they’re hiding a very scary secret.

All seems lost until Monty comes up with a daring plan.

A charming and exciting series from beloved author Emily Rodda.

~*~

Bring-and-Buy Day is coming! Monty and his friends are excited – they have their list, their Jinglebeads and a list ready for Trader Jolly and his crew. But when a new trader arrives, Beady Bold, everything starts to go wrong! He won’t give them what they need, won’t accept their Jinglebeads and will only offer them the mysterious yum-yams – yummy food with a danger behind it. So Monty comes up with a clever plan to save the day.

AWW2020The second book in the Monty’s Island series bring back the same characters from the first, with a few additions – the Weavers and Trader Jolly – to build the world and expand upon it in a way that is relevant to the story being told. This series allows children to go on adventure safely and face the world in a way they can access and relate to.

Much like the first book, the characters are diverse – Marigold and Monty are the only human characters, the rest are animals – and they each have their own personalities that make them fun and relatable for readers, both young and old. From Bunchy the elephant to Clink the parrot who acts like a pirate. Each character brings something unique to the story, which enriches it and shows children that it is okay to be different and need, or want, different things whilst working to the same common goal, and working together to achieve these goals.

Much like the first story, it is the little details in the story are what makes the story work, and with each story its own contained adventure, that is linked by characters and setting rather than plot, like Deltora Quest, which is aimed at readers aged nine and older, and a good step up from the new Monty’s Island books. Monty’s Island is perfect for early readers, just venturing into longer books, and it lots of fun for all readers as well of any age. There is something in it for every reader, and I hope readers will fall in love with this series by one of Australia’s best loved authors.

It is a wonderful addition to the series, and I looked forward to more.

 

A Clue for Clara by Lian Tanner

a clue for claraTitle: A Clue for Clara
Author: Lian Tanner
Genre: Mystery, Humour, Fiction
Publisher: Allen and Unwin
Published: 4th August 2020
Format: Paperback
Pages: 320
Price: $16.99
Synopsis: Can a scruffy chicken crack a crime? Perhaps, if she’s a genius like Clara. An egg-cellent novel about a small chook and a big crime by the highly acclaimed author of Ella and the Ocean
‘GREETINGS. AM LOOKING FOR A MAJOR CRIME TO SOLVE. PLEASE INFORM ME OF ANY RECENT MURDERS, KIDNAPPINGS OR JEWEL HEISTS IN THIS AREA.’

Clara wants to be a famous detective with her own TV show. She can read claw marks, find missing feathers and knows Morse code and semaphore.

There’s just one problem. She’s a small scruffy chook, and no one takes her seriously.

But when she teams up with Olive, the daughter of the local policeman, they might just be able to solve the crimes that have been troubling the town of Little Dismal.

A puzzling and hilarious mystery from bestselling author, Lian Tanner.

~*~

Scruffy-looking chook Clara loves solving mysteries and watching detectives on television. The rest of the chooks at the farm she lives on with the Boss aren’t very impressed with Clara or her eggs, so when the local police constable and his daughter stop by to talk about a rash of stock thefts, Clara hops into their car, and heads home with them, where she begins to investigate with Olive’s help, to save their town, Little Dismal. But as Clara and Olive investigate, they will discover that there is more to the case than everyone can see.

Told in alternating perspectives through diary entries by Clara – a day-by-day run down using certain times of the day, and letters from Olive to her mother, the novel is fun and engaging, and gives as much joy and story as a traditional narrative – and for these characters, it works very well to get across who they are, and how they operate in the world, with each other and with everyone around them.

Clara’s diary entries are entertaining – the human world seen through the eyes of a chicken, who needs to find a way to get the humans to believe her. But how can Clara communicate with Olive and Digby, and get them to believe her?

As the story reveals clues and ideas, Clara has her mind set on one suspect – Jubilee Crystal Simpson – and using a phone to communicate with Olive, is determined to solve the case for Olive and her father, and prove her theory correct, whilst Olive finds a way to deal with her mother’s death, and the way she is now treated around town and at school.

 

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A Clue for Clara explores crime in an entertaining and light-hearted way for younger readers whilst still managing to communicate how serious the stock thefts are in a small country town. It is a fun read that explores friendship, death, acceptance and secrets in an accessible way through the eyes of a most unlikely hero and her human sidekick. Animals as main characters in books for younger readers is something, I have been noticing a lot of, especially in Australian middle grade and junior fiction – llamas, chickens, pigeons and many more, and others to come. I don’t know what they will be, but the opportunities are endless, and I look forward to seeing what comes up next. Animals make for fun characters, and Clara is no exception.

We mostly heard from Clara, but through her observations that take place hour to hour, and Olive’s letters, we learn about the town, and the people who live there, and what they do to get by. It is a funny, and charming book that is filled with great lines such as ‘You are not a duck,’ (read the book to understand this), and Clara’s love of Inspector Garcia and Amelia X, and many other things that make this a lot of fun, and a joy to read for all ages and readers.

 

Battle of Book Week (Yours Troolie, Alice Toolie #3) by Kate and Jol Temple, illustrated by Georgia Draws A House

Battle of Book WeekTitle: Battle of Book Week (Yours Troolie, Alice Toolie #3)

Author: Kate and Jol Temple, illustrated by Georgia Draws A House

Genre: Humour, Fiction

Publisher: Allen and Unwin

Published: 4th August 2020

Format: Paperback

Pages: 208

Price: $14.99

Synopsis: Alice Toolie – seriously famous Youtootuber – and her best enemy Jimmy Cook are back to fight another day in a whole new chapter of adventures from the CBCA award-winning writers of the Captain Jimmy Cook Discovers series.

Book Week is always the best week of the year! But when Alice Toolie and Jimmy Cook get involved, it’s set for disaster. From kooky costume ideas to accidental author visits, nothing is safe. It’s no wonder they’ve been fired as Library Monitors! The only way they’ll get their jobs back is by winning First Prize in the book parade. And that means working together. Can these two best frenemies leave their differences behind long enough to win the Battle of Book Week?

~*~

Alice Toolie is her school’s library monitor – but now her frenemy, Jimmy Cook, is also a library monitor, and neither seems to be happy about sharing these duties. With an author visit and Book Week approaching, the rivalry ramps up with their letters to each other in the library monitor notebook, and everything leads to something that sees them fired as library monitors – and determined to get their jobs back. What lengths will they go to so they can get their job back, and do their best to win the Book Week costume competition?

AWW2020Told in letters and notes, this is a fun and humourous read. It is the third in the series, but I found things easy to pick up, and would like to go back and read the other Alice Toolie books. Kate and Jol Temple have created a fun world, and story. With two distinct voices, it is accessible for middle grade readers of all ages and readerships and shows that sometimes the best solution is working together, and compromising, especially when things don’t go as well as you would like them to.

This Alice Toolie book is a celebration of books, in a humourous and fun way that kids will enjoy. There are many things kids will get out of this book, and I loved it – it has been years since I’ve been to a Book Week or the Scholastic Book Fair – and it felt familiar and fun, and a great joy to experience again through the eyes of these characters.

Using journal entries and letters to tell a story is something that needs to be done cleverly, and in a way that moves the story along – and Alice Toolie hits all these notes. It moves the story along and gives us enough of what has happened in between the letters to imagine what is happening. Finally, it evokes a sense of the characters – not only in the style of their handwriting, but in the way, they write and interact.     This makes the format work, as it allows the reader to get the most out of the book, and it is when these sorts of books work well in this way that I think they’re very effective and well-written.

A great book from Kate and Jol Temple.

What Zola did on Tuesday by Melina Marchetta, Illustrated by Deb Hudson

What Zola Did on TuesdayTitle: What Zola did on Tuesday
Author: Melina Marchetta, Illustrated by Deb Hudson
Genre: Fiction
Publisher: Puffin Australia
Published: 4th August 2020
Format: Paperback
Pages: 96
Price: $12.99
Synopsis: From the author of Looking for Alibrandi comes this gorgeous series to engage and entertain newly independent young readers.
Zola loves living on Boomerang Street with her mum and her nonna. Every day of the week is an adventure. But Zola has a problem. No matter how much she tries, she can’t keep out of trouble! Like on Tuesday, when Zola tries to help Nonna knit a scarf . . .
Collect all seven stories in the series. One for every day of the week.

~*~

Zola has new neighbours – she can hear them every day. She also wants to help her Nonna knit a scarf, but she doesn’t know how. When Zola meets thew new neighbours, she finds out that their Teta – their Nonna – also knits and they come up with a plan to get their grandmother’s together to start a knitting club. But will it all work out?

Zola’s world celebrates everyday families and diversity. In this story, Zola meets the Muslim family next door, and finds out what makes them different, and also, the things about their families that are similar, and what connects them. Kids will learn about people who need help, and about different cultures in an accessible and easy to understand way that is age appropriate and leaves room for further exploration and questions to be asked and investigated.

AWW2020

This series sets out to celebrate gardens and knitting, family, animals and diversity, whilst giving kids the confidence they need to read on their own. This series also teaches kids about problem solving and caring for the wider world – doing what you can for other people, taking complex themes and issues, and using simple, easy to understand language to explore them. These stories are universal – any kid can imagine themselves doing what Zola does.

I loved that it explored diversity as a part of life – which is what good literature does. It showed the differences and celebrated them – and explained things that kids might not be familiar with in a way that young readers will be able to understand and from there, find out more should they wish to, or when they are ready. Or, they’ll be able to relate other reading and experiences to these characters.

This is a really good addition to the series and it will be fun to see what else Zola gets up to.

Isolation Publicity with Jacqueline Harvey

 

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.
Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

 

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Jacqueline Harvey is the best-selling author of three wonderful series of books for children and readers of all ages – Clementine-Rose, Alice-Miranda and Kensy and Max. Jacqueline also has a background in teaching and works with several reading charities and is an Australia Reads ambassador for 2020, which has had its major events moved to November. Much like other authors, Jacqueline has had events and launches cancelled – and below, she discusses Clemmie, Alice-Miranda and the wonderful spy twins, Kensy and Max, as well as the reading and writing industry and how her educational career has complemented her writing career.

 

Hi Jacqueline and welcome to The Book Muse

 

  1. I first came to your books through Kensy and Max two years ago – but you got started in the writing industry elsewhere – what was the very first thing that you had published?

 

I’ve been writing for quite a while now. The first book I had published was Code Name Mr Right with Lothian Books in Melbourne. There were three books in that series and I also had a picture book called The Sound of the Sea. They were all published between 2003 and 2005 then nothing for five years until the first Alice-Miranda book was released in 2010.

 

  1. Where did the idea for Clemmie (Clementine -Rose) come from, and how many books do you have planned for that series?

 

I wanted to write a shorter book than Alice-Miranda and loved the idea of a little girl who lives in a rather ramshackle country house hotel. The first line came to me quite out of the blue and was the start of the Clemmie back story (she was a foundling delivered to her adoptive mother in the back of the local baker’s van). Her full story is revealed throughout the series. She also had to have an interesting pet and Lavender the teacup pig was perfect. I’ve written 15 books in the series with the final book, Clementine Rose and the Best News Yet published in November 2019 (I think the title is a tad ironic given it’s the last book so it’s not the best news in some ways but it is for Clemmie).

 

  1. Similarly, where did the idea for Alice-Miranda come from – and after she heads to the outback later this year – where will she head next?

 

I originally thought Alice-Miranda would be a picture book – how wrong I was about that! In the beginning she was based on three little girls I used to teach but over time she grew to have the best characteristics of many children I’ve worked with over the years (boys and girls). Having worked in schools for a long time it just seemed natural that I would write a school story. I love the outback adventure – there are some really funny new characters and lots of challenges for Alice-Miranda and her friends. At this point I’m not sure where I’ll take her next but the second animated film is currently in production so I’m excited to see that towards the end of the year. It’s called Alice-Miranda: A Royal Christmas Ball and follows on from last year’s film, Alice-Miranda Friends Forever, which is now airing on STAN and Nine Now. You can also download it from iTunes.

  1. Onto my absolute favourite of your series – Kensy and Max – where did this idea come from, and how many other places do you think you’ll take the twins?

 

Kensy and Max grew out of my curiosity about all things spies. I also wanted to create a series to make the reader think – hence the chapter headings are written in code and the whole name of the spy organisation, Pharos is linked to the ancient lighthouse of Alexandria (also the name of Granny Cordelia’s country estate). A beacon is a light in a lighthouse and also the name of the newspaper which provides the ‘front’ for the spies. We had been doing a lot of travelling in the UK and on several occasions visited a pub called The Morpeth Arms which is right on The Thames opposite the Mi6 building. Upstairs the pub had a restaurant called The Spying Room and when you sat at the tables with a view, there were binoculars available and a sign that said, ‘Can you spy on the spies?’ I had a conversation with the publican about whether he’d seen anything interesting over there and he told me (and he could have been pulling my leg but that didn’t matter) that he’d worked in the pub for 16 years and in that time he’d seen the lights go on and off, computer screens flicker and occasionally someone on the balcony but that he’d never seen a person in the building. True or not it got me thinking – what if Mi6 was more like a publicity company and the real spies were somewhere close by that you’d never think to find them. Hence Kensy and Max was born. We have also visited some interesting places like Scotland’s Secret Bunker – a war time hideout just south of St Andrew’s and another hotel north of London which had been used for spy activities during the war.

I’m currently signed to write 8 books in the series though hopefully if children love them I’ll be able to write more. Kensy and Max have been on adventures in London, Rome, Sydney, Paris, New York and I’m in the middle of writing Kensy and Max: Full Speed which begins in London but will head to the Swiss Alps. I have plenty of ideas for more stories and had actually been planning a trip to Russia later this year – that’s currently off the agenda for me but definitely not for them!

 

  1. What 2020 releases, launches and author events have been impacted by the COVID-19 pandemic?

 

I had a huge tour planned for March and April but we only managed to get three days of bookshop and school visits and our Sydney High Tea Celebration for 10 years of Alice-Miranda before everything went pear shaped. My Melbourne and Perth tours were cancelled and I’ve had lots of festivals cancelled too including one in Tasmania in September and touring in New Zealand in June. So far pretty much all of my school events have been postponed or are in state of flux although I do have some online bookings that are set to go ahead. I’m still writing and none of my release dates have been impacted as yet.

 

  1. When it comes to Kensy and Max, what sort of research have you had to do into spies, ciphers and codes, and all the locations they visit across the world?

 

Kensy and Max requires a considerable amount of research from all angles. Just this week I’ve been taking virtual tours of the Palace of Westminster and the British Houses of Parliament and I also wrote to the London Fire Brigade to ask them some specific questions on their uniforms. It was lovely to receive a very comprehensive reply on Friday morning. I have to research all the codes and ciphers and my husband loves that sort of thing (and is something of a maths genius) so his help has been invaluable. Location wise, I’ve been to all of the places they’ve been so far but some, not for a while, so Google Maps, Google Earth and Google Street View are always on my other screen when I’m in a city that I need extra reminders of. For example in Italy I took myself on loads of walking tours of Rome on Street View and it jogged my memory for the small details like the fabulous door knockers and the cobbled streets.

 

  1. Is there a favourite place in the world you haven’t taken any of your characters in any series yet, but that you would love to send them to?

 

Well I’m not sure if it’s going to be a favourite place as I haven’t been there yet but I am desperate to send them to Russia and I am very keen to go there. I could also set a full story in New Zealand as we spend a lot of time in Queenstown.

 

  1. Does Ballypuss help with your writing, or hinder it?

 

He’s a great help most of the time because he’s the world’s best sleeper. Although when he’s out roaming in the garden he often demands that I let him back inside (he sits on the wall outside my office and meows to tell me he’s ready to come home). Lately that has turned into a game of ‘follow me around the garden’ and he has this bizarre habit of needing someone to watch him while he eats.

 

  1. Did your teaching career help you when it came to writing?

 

Absolutely as I spent a lot of time testing early material on a captive audience. I have always loved visiting schools and talking to children and teachers. It also helps when it comes to classroom management and being able to speak to groups of all sizes. My raised left eyebrow has an excellent effect on a rowdy audience 😊.

 

  1. You are one of Australia’s most popular authors – what kind of reception do you get from readers – and do you find that some of your books might be read more by a certain readership than another?

 

I am so grateful to my readers. I get lots of beautiful messages from children and adults about my books. I think it’s tricky when you write books with girls as the central characters to convince some boys that they too, can read the stories – they seem to cop a bit of pressure at times not to. Both Alice-Miranda and Clementine Rose have plenty of boys in the stories and I am a strong proponent of the idea that there are no books for girls or books for boys – just books. Kensy and Max has definitely opened the market to a lot more boys (though thankfully I get plenty of parents telling me their boys love Alice-Miranda and Clementine Rose too).

 

  1. Your books are not aimed at boys or girls specifically – how have you managed to capture readers across the board with all your series?

 

I have a lot of loyal boy readers who have loved Alice-Miranda and Clementine Rose but I still struggle with adults who will sometimes steer boys away from those stories. I’ve heard horrible comments at times – one story that was heartbreaking when a boy whose school I had visited that week saw me signing books outside a shop and he ran up and was very enthusiastically telling his dad, ‘That’s her – the lady who came to our school. I really want that book.’ He pointed at Alice-Miranda to the Rescue – which has a green cover and a picture of Alice-Miranda holding a puppy. It’s not especially feminine or overly ‘girly’. The father growled at the boy, ‘Maaaate, you don’t want that book – it’s got a girl on the cover.’ I was mortified and asked the fellow if he’d heard what had just come out of his mouth. He muttered some choice words and quickly ushered his son away. The little boy was upset and I was too. I find it hard to believe that in 2020 attitudes are still quite archaic at times. Only last year I visited a school where the librarian told me I was talking to the Year 3 and 4 girls. I asked what the boys were doing because unless it was flying on a rocket to the moon I didn’t imagine it was anything more exciting than listening to my talk. She told me that the ‘powers that be’ had decided ‘you only write books for girls.’ I was aghast and said (politely) that if the powers that be didn’t let the boys come I was not planning to stay. Suffice to say the boys arrived and that afternoon I had an email from a mum whose son had begged to go into town and get some of my books. She said that he never read but he couldn’t stop talking about all the stories I had told them. She was so grateful and I was really pleased that I made a fuss and the boys were allowed to come to the talk.

 

  1. You’ve worked in the arts and teaching – like a few other participants – how do you think these two roles complement each other?

 

Quite a few authors and illustrators have backgrounds in education – and I think the two occupations are very complementary. I spent year’s trialling stories on my captive audiences and I also read so many books to the children – it was wonderful training to see what worked well. I’ve had quite a diverse school career from classroom teacher to deputy head to director of development and find that many of the skills I needed back then have stood me in good stead now – presenting, organising events, communicating with children and adults, writing – both creatively and non-fiction.

 

  1. As a writer with an education background, how do you think both industries will be affected by the pandemic?

 

Education has been turned on its head. Teaching remotely has created a huge additional workload for teachers, many of whom are just getting to grips with the technology they are required to use. One of my sisters is a high school teacher and she has been overwhelmed with extra work as well as trying to monitor her own four children who are studying from home. I guess the one good thing is that most teachers have secure incomes (casuals aside) and that’s an area where the arts have been hugely impacted. For me personally almost all of my festival gigs have been cancelled for the year and while schools are beginning to book authors for online events, it’s very different to being there in person and interacting with the students. Obviously the rates of pay are much lower too. Royalties for book sales are paid twice a year so it’s difficult to know how they will be impacted in the long term. Some of my author friends have been tutoring to help make up the shortfall in income while others have been creating online content – though there is some concern about ongoing intellectual property issues particularly ensuring that once we do come out of lockdown schools will once again book authors and illustrators to do ‘in person’ gigs.

 

  1. You’re also an ambassador for Dymocks Children’s Charities – what sort of programs does the charity support, and what work do you do for them?

 

Dymocks Children’s Charities have wonderful programs including Book Bank and Library Regeneration, and have recently run a fantastic fundraiser for bushfire affected schools. They have introduced ‘Books for Homes’ to ensure that disadvantaged children who have been isolated by the pandemic are still getting books to read. I’ve recorded some short videos for their new You Tube channel which we hope will be viewed and used by schools and in homes. Under normal circumstances I would do a couple of Library Regen or Book Bank presentations a year and I also promote their campaigns via social media and an awareness page in all of my books. The past couple of years, Ambassadors Sally Rippin and Adrian Beck have edited a fabulous book called Total Quack Up and Total Quack Up Again and I’ve contributed to both of those as well.

 

  1. Has any of this work been affected by the pandemic or can you do it remotely?

 

Unfortunately a lot of the charity’s work has been impacted by Covid 19. The first thing to go was the annual Great Debate which is a huge charity fundraising event – and their largest source of income. Initially it was postponed until later in the year but with things so up in the air they have decided to move it to 2021. Obviously they have had to adapt so the Books for Homes program was born and the You Tube channel was developed to help spread awareness.

 

  1. Favourite writing snack?

 

A cup of white tea and a handful of raw cashews.

 

  1. Do you have a favourite place to write?

 

Anywhere with a view – especially of water or mountains.

 

  1. What would you like to see in terms of support for the arts, and how can people support the arts and authors in these difficult times?

 

I wrote an article for Reading Time –  http://readingtime.com.au/supporting-childrens-authors-during-the-corona-crisis/ about ways people can support authors and illustrators during this time. Certainly buying books (if you can afford to) but also giving recommendations – there are some wonderful sites like Your Kids’ Next Read on Facebook where parents can comment and support authors. It has been good to see some additional grants offered by organisations like the Copyright Agency and the City of Sydney, though I know not everyone is able to access these.

 

  1. Do you have a favourite local bookseller you’ll be trying to support during the pandemic?

 

So far I have ordered books online from Dymocks and when I get through that reading pile I will definitely be supporting my local shops including Novella at Wahroonga and Book Review St Ives. My second last public event before we went into lockdown was at Book Review and I can’t wait to get back out and do more events once it’s safe to do so.

 

  1. Finally, what are you working on at the moment?

 

I’m writing the sixth book in the Kensy and Max series. It’s called Kensy and Max: Full Speed and will be out in October. I’ve just finished writing a short book, Kensy and Max: Spy Games for the Australia Reads Campaign which will be out in November and I’m also working on some other exciting secret projects.

 

Anything further?

 

 

I think that just about covers everything – well except I’d love to give a big shoutout to all of the school and municipal librarians across Australia who have been working hard to keep kids supplied with books and resources. They’ve had to adapt in record time and I know they’re doing a brilliant job. So a huge thanks from me!

 

Thank you Jacqueline!

 

 

July 2020 Wrap Up

In July, I read twenty-two books, and have managed to complete my Australian Women Writer’s Challenge – which I am still going with, and my Book Bingo Challenge. All those posts are written and scheduled, as are several others for reviews and my isolation publicity series, which ends on the twenty-first of this month. I’ve been doing a lot of reading since lockdown and restrictions began, and it has allowed me to get on top of my review list finally. Below are my July numbers and reviews.

 

The Modern Mrs Darcy 11/12

AWW2020 – 78/25

Book Bingo – 12/12

The Nerd Daily Challenge 47/52

Dymocks Reading Challenge 23/25

Books and Bites Bingo 19/25

STFU Reading Challenge: 10/12

General Goal –130/165

July – 22

Book Author Challenge
Finding Eadie Caroline Beecham Reading Challenge, AWW2020
Emma Jane Austen Reading Challenge, Book Bingo, Dymocks Reading Challenge
Beyond Belief

 

Dee White Reading Challenge, AWW2020
Evie and Pog: Party Perfect Tania McCartney Reading Challenge, AWW2020
The Wild Way Home Sophie Kirtley Reading Challenge
The Schoolmaster’s Daughter Jackie French Reading Challenge, AWW2020
Kitty is Not a Cat: Teddy’s Bear Jess Black Reading Challenge, AWW2020
Kitty is Not a Cat: Light’s Out Jess Black Reading Challenge, AWW2020
A Clue for Clara Lian Tanner AWWW2020, Reading Challenge
Starfell: Willow Moss and the Forgotten Tale Dominique Valente Reading Challenge
What Zola did on Tuesday Melina Marchetta Reading Challenge, AWW2020
The Battle of Book Week Kate and Jol Temple AWW2020, Reading Challenge
Monty’s Island: Beady Hold and the Yum-Yams Emily Rodda AWW2020, Reading Challenge
The Louvre: The Many Lives of the World’s Most Famous Museum James Gardner Reading Challenge, Books and Bites Bingo,
The Adventures of Princess Peony Nette Hilton and Lucinda Gifford AWW2020, Reading Challenge
Ella at Eden: The Secret Journal Laura Sieveking AWW2020, Reading Challenge
Alice: Curiouser and Curiouser 

 

Kate Bailey Reading Challenge
Toffle Towers: The Great River Race Tim Harris and James Foley Reading Challenge

 

The Girl, the Dog and the Writer in Rome Katrina Nannestad AWW2020, Reading Challenge, The Nerd Daily, Books and Bites Bingo
Toffle Towers: Order in the Court Tim Harris and James Foley Reading Challenge
The ABC Book of Australian Poetry: A Treasure of poems for young people Compiled by Libby Hathorn Reading Challenge, STFU Reading Challenge
Max Booth, Future Sleuth: Chip Blip Cameron Macintosh and Dave Atze Reading Challenge
 

Reading Log

 

  1. Any Ordinary Day by Leigh Sales – Walkley Book Award
  2. Trials of Apollo: The Hidden Oracle by Rick Riordan
  3. Pippa’s Island: Puppy Pandemonium by Belinda Murrell
  4. Dragonfly Song by Wendy Orr
  5. The Nine Hundred: The Extraordinary Young Women of the First Official Jewish Transport to Auschwitz by Heather Dune McAdam
  6. Josephine’s Garden by Stephanie Parkyn
  7. The Soldier’s Curse by Meg and Tom Keneally (Monsarrat Series Book One)
  8. Ella at Eden: New Girl by Laura Sieveking
  9. The Binder of Doom: Speedah-Cheetah by Troy Cummins
  10. The God Child by Nana Oforiatta Ayim
  11. Harry Potter and the Goblet of Fire by JK Rowling (Ravenclaw Edition)
  12. Shark Out of Water by Ace Landers
  13. A Testament of Character (Rowland Sinclair #10) by Sulari Gentill
  14. The Secret Garden by Frances Hodgson Burnett
  15. The Good Turn by Dervla McTiernan
  16. Dragon Masters: Future of the Time Dragon by Tracey West
  17. The Killing Streets: Uncovering Australia’s First Serial Murderer by Tanya Bretherton
  18. Dolphin Island: A Daring Rescue by Catherine Hapka
  19. The River Home by Hannah Richell
  20. The Vanishing Deep by Astrid Scholte
  21. Radio National Fictions (various short stories on ABC Listen App)
  22. Withering-by-Sea (A Stella Montgomery Intrigue) by Judith Rossell
  23. Death in the Ladies’ Goddess Club by Julian Leatherdale
  24. Hapless Hero Henrie by Petra James (House of Heroes)
  25. The Story Puppy by Holly Webb
  26. Trails of Apollo: The Dark Prophecy by Rick Riordan
  27. The Bell in the Lake by Lars Mytting
  28. The Winterborne Home for Vengeance and Valour by Ally Carter
  29. The Republic of Birds by Jessica Miller
  30. Captain Marvel Hero Storybook by Steve Behling
  31. Esme’s Gift by Elizabeth Foster
  32. Friday Barnes: Girl Detective by R.A. Spratt
  33. The Last Firehawk: The Cloud Kingdom by Katrina Charman
  34. Christmas in Paris (Miss Lily 3.5) by Jackie French
  35. The Lost Future of Pepperharrow by Natasha Pulley
  36. The Paris Secret by Natasha Lester
  37. Museum Kittens: The Midnight Visitor by Holly Webb
  38. Firewatcher Chronicles: Phoenix by Kelly Gardiner
  39. The Lost Jewels by Kirsty Manning
  40. The Girl She Was by Rebecca Freeborn
  41. Ninjago: Back in Action by Tracey West
  42. Layla and the Bots: Happy Paws by Vicky Fang
  43. Friday Barnes: Under Suspicion by R.A. Spratt
  44. Daring Delly: Going for Gold by Matthew Dellavedova and Zanni Louise
  45. Aussie Kids: Meet Katie at the Beach by Rebecca Johnson and Lucia Masciullo
  46. Aussie Kids: Meet Eve in the Outback by Raewyn Caisley and Karen Blair
  47. The Besties Make A Splash by Felice Arena and Tom Jellett
  48. Fantastic Beasts and Where to Find Them by JK Rowling/Newt Scamander
  49. Liberation by Imogen Kealey
  50. The Year the Maps Changed by Danielle Binks
  51. The Deceptions by Suzanne Leal
  52. Puppy Diary: The Great Toy Rescue by Yvette Poshoglian
  53. The Octopus and I by Erin Hortle
  54. Friday Barnes: Big Trouble by R.A. Spratt
  55. The Strangeworlds Travel Agency by L.D. Lapinski
  56. The Inheritance of Secrets by Sonya Bates
  57. Secrets of a Schoolyard Millionaire by Nat Amoore
  58. Jane in Love by Rachel Givney
  59. Persuasion by Jane Austen
  60. The Austen Girls by Lucy Worsley
  61. The Unadoptables by Hana Tooke
  62. Friday Barnes: No Rules by R.A. Spratt
  63. Anzac Girl: The War Diaries of Alice-Ross King by Kate Simpson and Jess Racklyeft
  64. Sherlock Bones and the Natural History Mystery by Renée Treml
  65. Nim’s Island by Wendy Orr
  66. Ribbit Rabbit Robot by Victoria MacKinlay and Sofya Karmazina
  67. Nim at Sea by Wendy Orr
  68. Rescue on Nim’s Island by Wendy Orr
  69. The Complete Adventures on Nim’s Island by Wendy Orr
  70. The Monstrous Devices by Damien Love
  71. An Alice Girl by Tanya Heaslip
  72. Daisy Runs Wild by Caz Goodwin and Ashley King
  73. Peta Lyre’s Rating Normal by Anna Whateley
  74. Her Perilous Mansion by Sean Williams
  75. What Zola did on Monday by Melina Marchetta and illustrated by Deb Hudson
  76. Henrie’s Hero Hunt (House of Heroes) by Petra Hunt
  77. The Power of Positive Pranking by Nat Amoore
  78. Edie’s Experiments: How to Make Friends by Charlotte Barkla
  79. Alice-Miranda at School (10th anniversary edition) by Jacqueline Harvey
  80. Alice-Miranda in the Outback by Jacqueline Harvey
  81. The Giant and the Sea by Trent Jamieson and Rovina Cai
  82. Shoestring: The Boy Who Walks on Air by Julie Hunt and Dale Newman
  83. Orla and the Serpent’s Curse by C.J. Halsam
  84. A Treacherous Country by K.M. Kruimink
  85. Elephant Me by Giles Andreae and Guy Parker-Rees
  86. Eloise and the Bucket of Stars by Janeen Brian
  87. Snow White and Rose Red: And Other Tales of Kind Young Women by Kate Forsyth and Lorena Carrington
  88. Tashi: 25th Anniversary Edition by Anna Fienberg, Barbara Fienberg and Kim Gamble
  89. On A Barbarous Coast by Craig Cormick and Harold Ludwick
  90. Elementals: Battle Born by Amie Kaufman
  91. Lilies, Lies and Love (Miss Lily #4) by Jackie French
  92. Kid Normal and the Final Five by Greg James and Chris Smith
  93. Toffle Towers: Fully Booked by Tim Harris and James Foley
  94. Monty’s Island: Scary Mary and the Stripey Spell by Emily Rodda and Lucinda Gifford
  95. Wonderscape by Jennifer Bell
  96. When Rain Turns to Snow by Jane Godwin
  97. League of Llamas: Undercover Llama by Aleesah Darlison
  98. League of Llamas: Rogue Llama by Aleesah Darlison
  99. Kensy and Max: Freefall by Jacqueline Harvey
  100. The Silk House by Kayte Nunn
  1. The Mummy Smugglers of Crumblin Castle by Pamela Rushby and Nellé May Pierce
  2. Roxy and Jones: The Great Fairy Tale Cover Up by Angela Woolfe
  3. Alexandra-Rose and Her Icy Cold Toes by Monique Mulligan and Kat Fox (Illustrator)
  4. Meet Mia by the Jetty by Janeen Brian and Danny Snell
  5. Meet Sam at the Mangrove Creek by Paul Seden and Brenton McKenna
  6. Death by Shakespeare: Snakebites, Stabbings and Broken Hearts by Kathryn Harkup
  7. Edie’s Experiments: How to Be the Best by Charlotte Barkla
  8. Finding Eadie by Caroline Beecham
  9. Emma by Jane Auste
  10. Beyond Belief by Dee White
  1. Evie and Pog: Party Perfect by Tania McCartney
  2. The Wild Way Home by Sophie Kirtley
  3. The Schoolmaster’s Daughter by Jackie French
  4. Kitty is Not a Cat: Teddy’s Bear by Jess Black
  5. Kitty is Not a Cat: Lights Out by Jess Black
  6. A Clue for Clara by Lian Tanner
  7. Starfell: Willow Moss and the Forgotten Tale by Dominique Valente
  8. What Zola did on Tuesday by Melina Marchetta
  9. The Battle of Book Week (Yours Troolie, Alice Toolie) by Kate and Jol Temple
  1. Monty’s Island: Beady Hold and the Yum-Yams by Emily Rodda
  2. The Louvre: The Many Lives of the World’s Most Famous Museum by James Gardner
  3. The Adventures of Princess Peony by Nette Hilton and Lucinda Gifford
  4. Ella at Eden: The Secret Journal by Laura Sieveking
  5. Alice: Curiouser and Curiouser by Kate Bailey
  6. Toffle Towers: The Great River Race by Tim Harris and James Foley
  1. The Girl, the Dog and the Writer in Rome by Katrina Nannestad
  2. Toffle Towers: Order in the Court by Tim Harris
  3. The ABC Book of Australian Poetry compiled by Libby Hathorn
  1. Max Booth, Future Sleuth: Chip Blip by Cameron Macintosh and Dave Atze
  2. Lapse by Sarah Thornton
  3. A Monstrous Heart by Claire McKenna

Books and Bites Bingo

 

Set in Europe: Josephine’s Garden by Stephanie Parkyn

 

Debut Novel: The Soldier’s Curse by Meg and Tom Keneally (Monsarrat Series Book One)

Travel Memoir: The Strangeworlds Travel Agency by L.D. Lapinski

Published More than 100 Years Ago: The Secret Garden by Frances Hodgson Burnett

Written in the First Person: Pippa’s Island: Puppy Pandemonium by Belinda Murrell

 

Fairy Tale Collection: Snow White and Rose Red: And Other Tales of Kind Young Women by Kate Forsyth and Lorena Carrington

A Book with a door on the cover: The Winterborne Home for Vengeance and Valour by Ally Carter

Written by someone called Jane: Persuasion by Jane Austen

An Australian crime or thriller: A Testament of Character (Rowland Sinclair #10) by Sulari Gentill

Wherever you go:

 

Eco-themes: The Vanishing Deep by Astrid Scholte

A Neil Gaiman book:

Short story collection: Radio National Fictions (various short stories on ABC Listen app

Published the year you were born:

Makes you blush: The Girl, the Dog and the Writer in Rome by Katrina Nannestad

 

 

That book you keep putting off: The Louvre by James Gardiner

A book with lots of hype: Harry Potter and the Goblet of Fire by JK Rowling (Ravenclaw Edition)

Has “the girl” in the title: The Girl She Was by Rebecca Freeborn

A book with bad reviews: Trials of Apollo: The Dark Prophecy by Rick Riordan

Book to movie: Nim’s Island by Wendy Orr

 

Scary: The Monstrous Devices by Damien Love

Someone you love’s fave book:

Made into a TV Series:

A title longer than five words: The Nine Hundred: The Extraordinary Young Women of the First Official Jewish Transport to Auschwitz by Heather Dune McAdam

Fave childhood book:

 

STFU Reading Society #AustLit Reading Challenge

  1. Found on #BookstagramAustralia

The Good Turn by Dervla McTiernan

  1. An Australian classic
  1. A book by an Indigenous Australian author

Meet Sam by the Mangrove Creek by Paul Seden and Brenton McKenna

  1. A book about climate change [cli-fi or non-fiction] 

Fiction: The Vanishing Deep by Astrid Scholte, The Giant and the Sea by Trent Jamieson and Rovina Cai

Non-Fiction:

  1. A book by an LGBTQ+ Australian author

Firewatcher Chronicles: Phoenix by Kelly Gardiner

  1. A #LoveOzYA book

The Vanishing Deep by Astrid Scholte

  1. A memoir by an Australian woman

Any Ordinary Day by Leigh Sales

  1. A poetry collection

The ABC Book of Australian Poetry compiled by Libby Hathorn

 

 

  1. A 2020 Finalist for a State Premier’s Literary Prize

* Note: Not all states have a Premier’s Literary Prize / some are awarded biennially rather than yearly, so are not running in 2020.

* New South Wales Premier’s Literary Awards – Shortlist announced March 2020 / Winners announced 27 April 2020 –

The Adelaide Festival Awards for Literature – Shortlist out now / Winners announced 29 February 2020 –

Victorian Premier’s Literary Award – Shortlist out now / Winners announced 30 January 2020 –

Bonus: Read a finalist [shortlisted book] from each of the State Premier’s prizes

  1. A Book by a Territorian author – NT or ACT

Bonus: Read both an NT and ACT author

ACT: On A Barbarous Coast by Craig Cormick and Harold Ludwick

NT: An Alice Girl by Tanya Heaslip, Between Us by Claire Atkins

  1. Read and watch a book to movie adaptation

Nim’s Island by Wendy Orr (21st anniversary edition)

  1. A book from across the ditch – A book by a New Zealand author 

Josephine’s Garden by Stephanie Parkyn

THE MODERN MRS. DARCY

2020 Reading Challenge

a book published the decade you were born:

a debut novel: The Soldier’s Curse by Meg and Tom Keneally (Monsarrat Series Book One)

a book recommended by a source you trust: Any Ordinary Day by Leigh Sales – Amanda Barrett

a book by a local author: Pippa’s Island: Puppy Pandemonium by Belinda Murrell

a book outside your (genre) comfort zone: The God Child by Nana Oforiatta Ayim – literary fiction

a book in translation: The Bell in the Lake by Lars Mytting

a book nominated for an award in 2020: Sherlock Bones and the Natural History Mystery by Renée Treml (Nominated for the 2020 Readings Children’s Prize)

a re-read:  Harry Potter and the Goblet of Fire by JK Rowling (Ravenclaw Edition)

a classic you didn’t read in school: The Secret Garden by Frances Hodgson Burnett

three books by the same author:

  1. Friday Barnes: Girl Detective by R.A. Spratt
  2. Friday Barnes: Under Suspicion by R.A. Spratt
  3. Friday Barnes: Big Trouble by R.A. Spratt

The Nerd Daily 2020 Challenge

  1. Author Starting with A: Shark Out of Water by Ace Landers
  2. Female Author: The Good Turn by Dervla McTiernan
  3. Purchased on Holidays: Withering-by-Sea (A Stella Montgomery Intrigue) by Judith Rossell
  4. 2020 Film Adaptation: The Secret Garden by Frances Hodgson Burnett
  5. Fantasy or SciFi: Harry Potter and the Goblet of Fire by JK Rowling (Ravenclaw Edition)
  6. Recommended by Us: The Vanishing Deep by Astrid Scholte
  7. Under 200 pages: Ella at Eden: New Girl by Laura Sieveking
  8. Six Word Title: The Binder of Doom: Speedah Cheetah by Troy Cummins, Death at the Ladies’ Goddess Club by Julian Leatherdale
  9. Written by two authors: The Soldier’s Curse by Meg and Tom Keneally (Monsarrat Series Book One)
  10. Mystery/thriller: A Testament of Character (Rowland Sinclair #10) by Sulari Gentill
  11. Green Cover: The Soldier’s Curse by Meg and Tom Keneally (Monsarrat Series Book One)
  12. Recommended by a friend: Any Ordinary Day be Leigh Sales
  13. Set in the past: Josephine’s Garden by Stephanie Parkyn
  14. 2019 Goodreads Choice Winner:
  15. A book you never finished: The Louvre by James Gardiner (Never finished in time to review for release date, managed to finish after)
  16. Protagonist starting with H: The Soldier’s Curse by Meg and Tom Keneally, Hapless Hero Henrie by Petra James (House of Heroes)
  17. Reread: The Secret Garden by Frances Hodgson Burnett
  18. Non-fiction: The Nine Hundred: The Extraordinary Young Women of the First Official Jewish Transport to Auschwitz by Heather Dune McAdam
  19. Released in February: Ella at Eden: New Girl by Laura Sieveking, The Binder of Doom: Speedah-Cheetah by Troy Cummins
  20. Part of a duology: The Lost Future of Pepperharrow by Natasha Pulley
  21. New York times best seller:
  22. Recommended by family:
  23. Over 500 pages:
  24. An award-winning book: Any Ordinary Day by Leigh Sales – Walkley Book Award 2019
  25. Orange cover: Trials of Apollo: The Dark Prophecy by Rick Riordan
  26. Bookstore recommended: The Girl, the Dog and the Writer in Rome by Katrina Nannestad
  27. A number in the title: Alice-Miranda at School (10th Anniversary Edition) by Jacqueline Harvey
  28. An audiobook: Radio National Fictions (various short stories)
  29. Debut author: The God Child by Nana Oforiatta Ayim
  30. Inspired my mythology/folklore: Trials of Apollo: The Hidden Oracle by Rick Riordan, Dragonfly Song by Wendy Orr,
  31. A retelling: Jane in Love by Rachel Givney
  32. A one-word title: Liberation by Imogen Kealey
  33. Bought based on cover: Friday Barnes: Girl Detective by R.A. Spratt
  34. Author that starts with M: What Zola did on Monday by Melina Marchetta and illustrated by Deb Hudson
  35. Start a new series: Ella at Eden: New Girl by Laura Sieveking
  36. A book released in 2019: The Last Firehawk: The Cloud Kingdom by Katrina Charman
  37. Male author: Trials of Apollo: The Hidden Oracle by Rick Riordan, Death in the Ladies’ Goddess Club by Julian Leatherdale
  38. 2020 TV Adaptation:
  39. A book gifted to you: Captain Marvel Hero Storybook by Steve Behling
  40. Author with a hyphenated name: Elephant Me by Giles Andreae and Guy Parker-Rees
  41. Released in September: The Wild Way Home by Sophie Kirtley
  42. Purchased years ago:
  43. A standalone: The River Home by Hannah Richell
  44. Author with the same initials:
  45. Told from two perspectives: The Vanishing Deep by Astrid Scholte
  46. Romance or thriller: Liberation by Imogen Kealey, The Vanishing Deep by Astrid Scholte
  47. A protagonist starting with S: Withering-by-Sea (A Stella Montgomery Intrigue) by Judith Rossell (Stella Montgomery)
  48. Two-word title: Dragonfly Song by Wendy Orr, Esme’s Gift by Elizabeth Foster
  49. Set in a foreign country: Josephine’s Garden by Stephanie Parkyn, The Good Turn by Dervla McTiernan
  50. Animal featured in cover: Dolphin Island: A Daring Rescue by Catherine Hapka
  51. Written by your favourite author: The Paris Secret by Natasha Lester
  52. Based or inspired by a true story: Museum Kittens: The Midnight Visitor by Holly Webb, The Lost Jewels by Kirsty Manning

Dymocks Reading Challenge

  1. A book by an Australian author: Pippa’s Island: Puppy Pandemonium by Belinda Murrell
  2. A book by an Indigenous author: On A Barbarous Coast by Craig Cormick and Harold Ludwick, Meet Sam by the Mangrove Creek by Paul Seden and Brenton McKenna
  3. A book from our Top 101:
  4. A book from our Kids’ Top 51: Withering-by-Sea (A Stella Montgomery Intrigue) by Judith Rossell, Friday Barnes: Girl Detective by R.A. Spratt
  5. A Dymocks ‘Book of the Month’:
  6. Re-read your favourite book of all time: The Secret Garden by Frances Hodgson Burnett
  7. Ask a friend for a recommendation: Any Ordinary Day by Leigh Sales
  8. A book featuring your favourite country: The Good Turn by Dervla McTiernan (Ireland)
  9. A book from your TBR pile: Josephine’s Garden by Stephanie Parkyn
  10. An award-winning book: Dragonfly Song by Wendy Orr – CBCA Honour Book, Prime Minister’s Literary Award 2017 – WINNER: 2017 Prime Minister’s Literary Award, Children’s Fiction
    WINNER: 2018 Adelaide Festival Awards for Literature, Children’s Literature
    HONOUR BOOK: CBCA Book of the Year, Younger Readers, 2017
  11. A Mystery/Thriller: The Soldier’s Curse by Meg and Tom Keneally (Monsarrat Series Book One), A Testament of Character by Sulari Gentill
  12. A memoir:
  13. A book outside your usual genre: The God Child by Nana Oforiatta Ayim
  14. A book of short stories: Snow White and Rose Red: And Other Tales of Kind Young Women by Kate Forsyth and Lorena Carrington
  15. A self-help/motivation: Elephant Me by Giles Andreae and Guy Parker-Rees
  16. A fairytale/fable adaptation: Esme’s Gift by Elizabeth Foster
  17. Book one in a fantasy series: Trials of Apollo – The Hidden Oracle by Rick Riordan
  18. A book that teaches you something new: The Paris Secret by Natasha Lester
  19. A book with a red cover: Elementals: Battle Born by Amie Kaufman
  20. A book with a colour in the title: Snow White and Rose Red: And Other Tales of Kind Young Women by Kate Forsyth and Lorena Carrington
  21. A book you can read in a day: Pippa’s Island: Puppy Pandemonium by Belinda Murrell, Ella at Eden: New Girl by Laura Sieveking
  22. A book about books: Jane in Love by Rachel Givney
  23. A book that made you laugh: Puppy Diary: The Great Toy Rescue by Yvette Poshoglian, The Power of Positive Pranking by Nat Amoore
  24. A book published this year: The Nine Hundred: The Extraordinary Young Women of the First Official Jewish Transport to Auschwitz by Heather Dune McAdam, The Vanishing Deep by Astrid Scholte
  25. A book you said you’ve read but haven’t: Emma by Jane Austen

Australian Women Writers Challenge – 25

 

  1. Any Ordinary Day by Leigh Sales – Walkley Book Award
  2. Pippa’s Island: Puppy Pandemonium by Belinda Murrell
  3. Dragonfly Song by Wendy Orr
  4. Josephine’s Garden by Stephanie Parkyn
  5. The Soldier’s Curse by Meg and Tom Keneally (Monsarrat Series Book One)
  6. Ella at Eden: New Girl by Laura Sieveking
  7. A Testament of Character (Rowland Sinclair #10) by Sulari Gentill
  8. The Good Turn by Dervla McTiernan
  9. The Killing Streets: Uncovering Australia’s First Serial Murderer by Tanya Bretherton
  10. The River Home by Hannah Richell
  11. The Vanishing Deep by Astrid Scholte
  12. Withering-by-Sea (A Stella Montgomery Intrigue) by Judith Rossell
  13. Hapless Hero Henrie by Petra James (House of Heroes)
  14. The Republic of Birds by Jessica Miller
  15. Esme’s Gift by Elizabeth Foster
  16. Friday Barnes: Girl Detective by R.A. Spratt
  17. Christmas in Paris (Miss Lily 3.5) by Jackie French
  18. The Paris Secret by Natasha Lester
  19. Firewatcher Chronicles: Phoenix by Kelly Gardiner
  20. The Lost Jewels by Kirsty Manning
  21. The Girl She Was by Rebecca Freeborn
  22. Friday Barnes: Under Suspicion by R.A. Spratt
  23. Aussie Kids: Meet Katie at the Beach by Rebecca Johnson and Lucia Masciullo
  24. Aussie Kids: Meet Eve in the Outback by Raewyn Caisley and Karen Blair
  25. The Year the Maps Changed by Danielle Binks
  26. The Deceptions by Suzanne Leal
  27. Puppy Diary: The Great Toy Rescue by Yvette Poshoglian
  28. The Octopus and I by Erin Hortle
  29. Friday Barnes: Big Trouble by R.A. Spratt
  30. The Inheritance of Secrets by Sonya Bates
  31. Secrets of a Schoolyard Millionaire by Nat Amoore
  32. Jane in Love by Rachel Givney
  33. Friday Barnes: No Rules by R.A. Spratt
  34. Anzac Girl: The War Diaries of Alice Ross-King by Kate Simpson and Jess Racklyeft
  35. Sherlock Bones and the Natural History Mystery by Renée Treml (Nominated for the 2020 Readings Children’s Prize)
  36. Nim’s Island by Wendy Orr
  37. Ribbit Rabbit Robot by Victoria MacKinlay and Sofya Karmazina
  38. Nim at Sea by Wendy Orr
  39. Rescue on Nim’s Island
  40. The Complete Adventures on Nim’s Island by Wendy Orr
  41. An Alice Girl by Tanya Heaslip
  42. Daisy Runs Wild by Caz Goodwin and Ashley King
  43. Peta Lyre’s Rating Normal by Anna Whateley
  44. What Zola did on Monday by Melina Marchetta and illustrated by Deb Hudson
  45. Henrie’s Hero Hunt (House of Heroes) by Petra Hunt
  46. The Power of Positive Pranking by Nat Amoore
  47. Edie’s Experiments: How to Make Friends by Charlotte Barkla
  48. Alice-Miranda at School (10th Anniversary Edition) by Jacqueline Harvey
  49. Alice-Miranda in the Outback by Jacqueline Harvey
  50. Shoestring: The Boy Who Walks on Air by Julie Hunt and Dale Newman
  51. Eloise and the Bucket of Stars by Janeen Brian
  52. A Treacherous Country by K.M. Kruimink
  53. Snow White and Rose Red: And Other Tales of Kind Young Women by Kate Forsyth and Lorena Carrington
  54. Tashi: 25th Anniversary Edition by Anna Fienberg, Barbara Fienberg and Kim Gamble
  55. Elementals: Battle Born by Amie Kaufman
  56. Lilies, Lies and Love (Miss Lily #4) Lilies by Jackie French
  57. Monty’s Island: Scary Mary and the Stripey Spell by Emily Rodda and Lucinda Gifford
  58. When Rain Turns to Snow by Jane Godwin
  59. League of Llamas: Undercover Llama by Aleesah Darlison
  60. League of Llamas: Rogue Llama by Aleesah Darlison
  61. Kensy and Max: Freefall by Jacqueline Harvey
  62. The Silk House by Kayte Nunn
  63. The Mummy Smugglers of Crumblin Castle by Pamela Rushby and Nellé May Pierce
  64. Alexandra-Rose and Her Icy Cold Toes by Monique Mulligan and Kate Fox (Illustrator)
  65. Meet Mia by the Jetty by Janeen Brian and Danny Snell
  66. Edie’s Experiments: How to Be the Best by Charlotte Barkla
  67. Finding Eadie by Caroline Beecham
  68. Beyond Belief by Dee White
  69. Evie and Pog: Party Perfect by Tania McCartney
  70. The Schoolmaster’s Daughter by Jackie French
  71. Kitty is Not a Cat: Teddy’s Bear by Jess Black
  72. Kitty is Not a Cat: Light’s Out by Jess Black
  73. A Clue for Clara by Lian Tanner
  74. What Zola did on Tuesday by Melina Marchetta
  75. The Battle of Book Week (Yours Troolie, Alice Toolie) by Kate and Jol Temple
  76. Monty’s Island: Beady Hold and the Yum-Yams by Emily Rodda
  77. The Adventures of Princess Peony by Nette Hilton and Lucinda Gifford
  78. Ella at Eden: The Secret Journal by Laura Sieveking
  79. The Girl, the Dog and the Writer in Rome by Katrina Nannestad
  80. Lapse by Sarah Thornton
  81. A Monstrous Heart by Claire McKenna

 

Book Bingo – BINGO

 

Themes of culture – The Republic of Birds by Jessica Miller

Themes of inequality – The Nine Hundred: The Extraordinary Young Women of the First Official Jewish Transport to Auschwitz by Heather Dune McAdam

Themes of Crime and Justice – A Testament of Character (Rowland Sinclair #10) by Sulari Gentill

Themes of politics and power – The Vanishing Deep by Astrid Scholte

About the environment – The Giant and the Sea by Trent Jamieson and Rovina Cai

Prize winning book – Any Ordinary Day by Leigh Sales – Walkley Book Award

Friendship, family and love – Pippa’s Island: Puppy Pandemonium by Belinda Murrell

Coming of age – Ella at Eden: New Girl by Laura Sieveking

Set in a time of war – The Paris Secret by Natasha Lester

Set in a place you dream of visiting – The Good Turn by Dervla McTiernan (Ireland)

Set in an era you’d love to travel back in time to – Dragonfly Song by Wendy Orr (Minoan Times)

A classic you’ve never read before – Emma by Jane Austen