To make sure I manage to fit in the rest of the card evenly, this is one of a few posts that will have multiple squares marked off – progress has been a little slower, so some squares might have books from earlier in the year, but in different categories to the first card.
First square being marked off this week is a memoir – No Country Woman written by Zoya Patel, an Australian with Fijian-Indian heritage, about her struggle with identity, and reconciling her Fijian-Indian, Muslim heritage with an Australian identity, and looking for ways to embrace both, during a time when she felt like she had to make a decision as she grew up in Australia with modern Australian influences, as well as the traditional influences of her family, and the conflict that this brought with it, where an Australian life and the access she had to everything – vastly more than her parents had had as children – was at odds with her familial heritage. This memoir explores how she came to embrace both identities and her interactions with racism, feminism, and the intersectional feminism that can benefit all, and not just one group.
It is eye-opening and informative – Zoya allows herself to reflect on things said to her, things she sees and the idea that everyone’s interactions with society are different based on how much access they are given or have, and there is no one experience of this, each one is different and some people get lucky and have more than others – she goes further in-depth than i have here, and she says it much more eloquently than I have, so go forth and read her book!
The second book I’ve marked off in this post falls under a book by a person under thirty years old. For this, I have chosen another Australian Woman Writer, Emily O’Grady, The Yellow House, examining whether having a serial killer in the family ensures a legacy of violence in later generations. It was intriguing and disturbing – it drew you in and even though there was a sadistic feel to it, as a reader, I felt I had to read on to find out what happened and how it all played out – it was quite different to the usual fare of crime novels I read but very well written.
So there are my latest two squares, with more to come as I tick them off.
Title: We Three Heroes (Medoran Chronicles)
The first novella, Crowns and Curses, is D.C.’s story, starting when she is thirteen years old, and still living at the palace – she’s friendly with Jeera, who is training to be a warden, and knows Kaiden and Declan, but the rest of the children have believed the stories the son of a diplomat, Maxton has told about her. And it is here that we learn why she doesn’t trust people at Medora initially and learn why she has her own room, why Jordan and Bear aren’t her friends, and what she had hoped for when she awoke to Alex in her dorm room in Akarnae, and lastly, how the three became friends. Through the events in this book, and D.C.’s interactions with Maxton and her initial interactions with Jordan and Bear, and the rest of the students, we learn why she has found it hard to make friends – and share her joy in finally finding people she can count on in her life away from the confines of her royal life.
Title: The Clockmaker’s Daughter
Each narrator tells their story, though the house, Birchwood Manor, and Birdie are the stars. Elodie’s story is woven throughout, and the ending to her story is hinted at quite cleverly. Not all stories are wound up as neatly as Birdie’s – as neatly as can be, given the plot, or Lucy’s, or indeed I suppose Elodie’s, where we find out little bits about the end or presumed ending to these stories, but I think this works and adds to the mystery and what the manor bore witness to over the years and decades. This adds to the mystery, and develops the history of the house in a unique ay, where all its secrets are not revealed at once, but gradually, each clue leading to another as the novel progresses.
Title: Archibald, The Naughtiest Elf in the World Goes to the Zoo
Title: Disappearing Act (Kensy and Max #2)
Title: Sisters and Brothers
Sisters and Brothers by Fiona Palmer explores the intricacies and complexities of family, and what happens when a family grows unexpectedly and has to face a crisis together. Bill, aged seventy-two, has recently lost his wife, and isn’t well – so it falls to his daughter, Sarah, to look after him. Just before his surgery and hospital stay, he discovers another daughter, Emma. At first, Sarah resists her new sister, Emma, yet at the same time, finds comfort in her, and confides in her, allowing her to become part of the family. At the same time, Adam, whose success as a florist and with his new life is taking off, starts to look for his father, and discovers a whole new family along the way.