Book Bingo Twenty-Four – the PENULTIMATE BINGO POST! Featuring A Book with A Number in the Title and A Non-Fiction Book.

Book bingo take 2

That time has come around again, and I am ticking off two in this post, with the final three to come in a fortnight! I again have a few bingos – Row Two Across gains the bingo with the non-fiction square finally being ticked off, as well as row three and row five down. I have one more book to read, and a review to write for the next book bingo, as well as several others so keep an eye out for all that coming out in the coming weeks, and finally, at the end of the year, my wrap up posts for each challenge and my reading for the year overall.

Book bingo take 2

Across

Row #2 – BINGO

 

A book with a yellow cover: Australia Day by Melanie Cheng – AWW2018

A book by an author you’ve never read before: If Kisses Cured Cancer by T.S. Hawken

A non-fiction book: Amazing Australian Women: Twelve Women Who Shaped History by Pamela Freeman and Sophie Beer – AWW2018

 A collection of short stories: Fairy Tales for Feisty Girls by Susannah McFarlane – AWW2018

A book with themes of culture: Relic of the Blue Dragon (Children of the Dragon #1) by Rebecca Lim – AWW2018

Row #4

 

A forgotten classic:

A book with a one-word title: Wundersmith by Jessica Townsend – AWW2018

A book with non-human characters: A Home for Molly by Holly Webb, Beast World by George Ivanoff

A funny book: Archibald, the Naughtiest Elf in the World Goes to the Zoo by Skye Davidson, Illustrated by Ágnes Rokiczky -AWW2018

A book with a number in the title: We Three Heroes by Lynette Noni – AWW2018

Down

Row #3: – BINGO

 

A memoir: No Country Woman by Zoya Patel – AWW2018

A non-fiction book:Amazing Australian Women: Twelve Women Who Shaped History by Pamela Freeman and Sophie Beer – AWW2018

A prize-winning book: Chain of Charms series by Kate Forsyth – 2007 Aurealis Award for Best Children’s Fiction – aWW2018

A book with non-human characters: A Home for Molly by Holly Webb, Beast World by George Ivanoff

A book everyone is talking about: Lenny’s Book of Everything by Karen Foxlee – AWW2018

Row #5 – BINGO

 

A Foreign Translated Novel: The Distance Between Me and the Cherry Tree by Paola Peretti

A book with themes of culture: Relic of the Blue Dragon (Children of the Dragon #1) by Rebecca Lim – AWW2018

A book with a mystery: The Mitford Murders by Jessica Fellowes (Mitford Murders #1)

A book with a number in the title: We Three Heroes by Lynette Noni – AWW2018

A book written by someone over sixty: Miss Lily’s Lovely Ladies by Jackie French – AWW2018

3D-WTH

The first book I’ve ticked off for this post is a book with a number in the title – We Three Heroes by Lynette Noni. Part of the Medoran Chronicles series, it is three novellas, told from the perspectives of Alex’s three best friends, Jordan, D.C. and Bear, and is linked to the previous four books – so if you wish to avoid spoilers, make sure you read Akarnae, Raelia, Draekora and Graevale. It is a well-written book, delving into the lives of three heroes who help Alex in her battle against Aven. Seeing what has happened through the eyes of D.C., Bear and Jordan fills in the gaps in the stories we see through the eyes of Alex, and what they mean to her and what she means to them. It gives the series a new insight and delves into the secrets of Alex’s friends that are hinted at in the other books and gives readers a deeper understanding of D.C. and why when we first meet her, she comes across as prickly and off-putting, and what caused this attitude.

A great book for those who love the Medoran Chronicles.

amazing australian women

The second, and final book on this post, is a non-fiction picture book that tells the stories of remarkable women in Australia and what they did to contribute to our history and nation as it stands today. Amazing Australian Women: Twelve Women Who Shaped History by Pamela Freeman and Sophie Beer is a non-fiction picture book, women who were involved in arts, politics, activism and resistance, business owners, singers, teachers and politicians, whose achievements and roles in society had a great impact on Australia but are perhaps not as well-known as some. The book does explore a few well-known women, such as Dame Nellie Melba, Sister Elizabeth Kenny, and Edith Cowan, yet the others were ones that I had not previously heard about or come across in my history studies. In bringing them out of the archives, and into the light and to life, for readers young and old. Learning about new historical figures is always interesting and important to reshape our thinking of how we view history and the people who built it – those who were once hidden but are not anymore – and these are figures that I would have enjoyed writing assignments on during my history studies.

AWW-2018-badge-rose

This has been my penultimate post for the book bingo I’ve been participating in with Theresa Smith and Amanda Barrett for the past year, and hope to do so again next year. This is one challenge I have managed to complete, whereas my other one was trickier, as there were some very difficult categories to fill. Until next fortnight!

Booktopia

The Little Fairy Sister by Ida Rentoul Outhwaite and Grenbery Outhwaite

little fairy sister.jpgTitle: The Little Fairy Sister

Author: Ida Rentoul Outhwaite and Grenbery Outhwaite

Genre: Fantasy

Publisher: NLA Publishing First Edition

Published: 1st May 2013

Format: Hardcover

Pages: 112

Price: $14.99

Synopsis: ‘The Little Fairy Sister’ is a real fairy story of Bridget’s adventures among the wee people. She meets the most delightful little creatures: the Dragon-fly, the Kookaburra, the Lizard, the Teddy Bears, the Pelican, as well as the Mannikins, the Merman, and of course the Fairies.

This facsimile of The Little Fairy Sister, popular with children of the 1920s, has been reproduced by the National Library of Australia from an early edition of the book. Ida Rentoul Outhwaite’s enchanting illustrations will appeal to children as much today as they did yesterday.

~*~

Many children in Australia have been, and still are, brought up on a European tradition of fairy tales that have their roots in oral, salon and literary traditions: Oscar Wilde, Jacob and Wilhelm Grimm, Charles Perrault and other French salon writers, including Charlotte Rose de la Force, and Hans Christian Andersen. Stemming from there, collections from Andrew Lang – his rainbow fairy books, and English authors such as John Jacobs would have largely shaped the fairy tale world children come to inhabit. In the early twentieth century in Australia, a young woman  named Ida Rentoul turned her hand to creating images of fairies, drawing fairies and whimsical creatures into a uniquely Australian setting, combining them with Australian flora and fauna.

Bridget is an only child who is doted on by nurse and her parents – and when she falls asleep after her father tells her a story of the little sister she was told went to live with the fairies, she falls into a world of magic, of fairies and talking animals, much like Alice did when she tumbled down the rabbit hole of Lewis Carroll’s classic Wonderland. In this new world, Bridget shrinks down to the size of a fairy as she explores the world of talking animals, a fairy queen, wonder, magic and a bushland paradise that is both quintessentially European in the tradition of a fairy land, and yet also, quintessentially Australian as native fauna and flora populate the world Bridget finds herself in. Accompanied by dragonflies, pelicans, a kookaburra and a myriad of other creatures that populate the world of fairy tales, and bridge the gap of the real and fairy tale worlds of Australia and the European tradition – where the familiar tales are transported into an equally familiar landscape for Australian children.

The introduction states that Ida would allow her family – mother, sisters and later, her husband, Grenbery, to put text and stories to her images. The text that accompanies Ida’s images of Bridget and The Little Fairy Sister was written in 1923, by her husband, Grenbery, and has been reproduced in the facsimile edition in this new print. Ida is known as the queen of the fairy book in Australia, and though her work is uniquely Australian, hr work is filled with echoes of Lewis Carroll, Arthur Rackham, Kate Greenaway and Aubrey Beardsley – where European tradition meets Australian wilderness.

It is an enjoyable and easy read, where the combination of European fairy tales and Australian nature, flora and fauna creates a new world, though sadly a little unknown these days, and so this reprint of the original facsimile of the 1920s edition brings it back to life for a new audience, and deserves a place in our literary canon, and the fairy tale canon of literature in Australia and around the world, to show how tradition can marry with a new world that is familiar and unfamiliar at the same time to people.

This book marks of my final book bingo square for the year, a forgotten classic, which will go up in December.

Booktopia

Book Bingo Twenty-two – a prize winning book, a book by someone over sixty, and a book with a yellow cover.

Book bingo take 2

With 2018 rushing towards its busy, and warm conclusion, and in consultation with my fellow book bingo players, I have assigned some previously read books to the following categories, and have assigned my prize-winning category is taken up this time by 2007 Aurealis Best Children’s Book winning series, The Chain of Charms by Kate Forsyth, and have utilised other books in different squares from last time for others this time.

Book bingo take 2 .jpg

Rows Across – update:

Row #2 –

A book with a yellow cover: Australia Day by Melanie Cheng – AWW2018

A book by an author you’ve never read before: If Kisses Cured Cancer by T.S. Hawken

A non-fiction book:

 A collection of short stories: Fairy Tales for Feisty Girls by Susannah McFarlane – AWW2018

A book with themes of culture: Relic of the Blue Dragon (Children of the Dragon #1) by Rebecca Lim – AWW2018

 

Row #3:  – BINGO

A book written by an Australian woman:Disappearing Act by Jacqueline Harvey (Kensy and Max #2) – AWW2018, The Clockmaker’s Daughter by Kate Morton – AWW2018

A book written by an Australian man: Captain Cook’s Apprentice by Anthony Hill

A prize-winning book: Chain of Charms series by Kate Forsyth – 2007 Aurealis Award for Best Children’s Fiction – AWW2018

A book that scares you: What the Woods Keep by Katya de Becerra – AWW2018

A book with a mystery: The Mitford Murders by Jessica Fellowes (Mitford Murders #1)

 

Row #5

A book that became a movie:

A book based on a true story:

A book everyone is talking about:

A book written by someone under thirty: The Yellow House by Emily O’Grady – AWW2018

A book written by someone over sixty: Miss Lily’s Lovely Ladies by Jackie French – AWW2018

 Rows Down update:

Row #1 –

A book set more than 100 years ago: The Gypsy Crown by Kate Forsyth (Chain of Charms #1) – AWW2018

A book with a yellow cover: Australia Day by Melanie Cheng – AWW2018

A book written by an Australian woman: Disappearing Act by Jacqueline Harvey (Kensy and Max #2) – AWW2018

A forgotten classic:

A book that became a movie:

Row #3: –

 A memoir: No Country Woman by Zoya Patel – AWW2018

A non-fiction book:

A prize-winning book: Chain of Charms series by Kate Forsyth – 2007 Aurealis Award for Best Children’s Fiction – AWW2018

A book with non-human characters: A Home for Molly by Holly Webb, Beast World by George Ivanoff

A book everyone is talking about:

Row #5 – BINGO

 A Foreign Translated Novel: The Distance Between Me and the Cherry Tree by Paola Peretti

A book with themes of culture: Relic of the Blue Dragon (Children of the Dragon #1) by Rebecca Lim – AWW2018

A book with a mystery: The Mitford Murders by Jessica Fellowes (Mitford Murders #1)

A book with a number in the title:

A book written by someone over sixty: Miss Lily’s Lovely Ladies by Jackie French – AWW2018

AWW-2018-badge-rose

Row three across and row five down are my bingo rows this time around!

Australia DayLast time, Australia Day by Melanie Cheng slotted into the short story square, and yet this time, it fits into the yellow cover category this time. A series of short stories about life in Australia, and the varying experiences within society, aiming to capture the breadth of society and the different ways people react to, and deal with how they are perceived, and what is expected from the Australian experience, or perhaps in some cases, Melanie plays on the conflict between what is expected and who her characters are – varying between race, gender, class and sexuality to try and give a well-thought look at how Australia and Australia Day, isn’t the same for everyone, whatever their identity, and that it never will be. By revealing uncomfortable truths about Australian society in a way many people can relate to and understand.

Miss Lily 1Another book I recycled this time was Miss Lily’s Lovely Ladies by Jackie French – which fitted into the over 500-page square last time. This time, it fits into a book by someone over sixty – I did this again to make it easier filling the remaining categories with books I am in the middle of, and some I am yet to find. A historical fiction novel set during World War One, Sophie is sent to London to a school to learn how to be a lady – yet it is much more than that – she learns the ways of spying and using her feminine ways to find out about the war, and eventually, play a part in the war on the front line, in a time when the world is in tatters, and where men and women are dying everyday as battles rage across Europe, leaving Sophie’s home relatively untouched by the guns of war. Jackie French has been writing for all age groups for many years, and has been a favourite of mine since I was thirteen, and read Somewhere Around the Corner, which I still have my shelf. Another good book that fit more than one square.

My final square is the prize-winning book square. Ordinarily, this would go to a single book, however, with the flexibility we have given ourselves in this challenge, I have assigned it to a series I read this year within two weeks (had I not been so sick, it would have been a week). The Chain of Charms series by Kate Forsyth won the Aurealis Award for Best Children’s Fiction in 2007, for the whole series, comprised of six books, and won for books 2-6, i the long fiction category:

Kate Forsyth, The Silver Horse, The Chain of Charms 2, Pan Macmillan
Kate Forsyth, The Herb of Grace, The Chain of Charms 3, Pan Macmillan
Kate Forsyth, The Cat’s Eye Shell, The Chain of Charms 4, Pan Macmillan
Kate Forsyth, The Lightning Bolt, The Chain of Charms 5, Pan Macmillan
Kate Forsyth, The Butterfly in Amber, The Chain of Charms 6, Pan Macmillan

The series follows Luka and Emilia during the final days of a tyrannical reign during the time of Oliver Cromwell, trying to track down charms from each Roma family in the south regions of England, to reunite them and their families to bring back their good luck and fortune, and also, help stop the violence growing around them, and release their families from prison. It is a charming tail about friendship, and family, tying in historical fact and belief to create a world that children and any other readers can escape to.

Again, all my books are by Australian Women Writers. My aim was for each to be a unique book, but as I am cutting it fine, I’m not sure that will happen, so recycling will happen at times. Onto my next Book Bingo in two weeks time!

Booktopia

Book Bingo Twenty-one – A funny book, A book that scares you and a book of short stories

Book bingo take 2

This week marks my twenty-first post for the year of my Bok Bingo challenge, which has been chugging along well. So well in fact, I’m whipping through my second card quite rapidly, with a few squares to be decided and written up. For this post, all three books are by Australian women, scoring a hattrick for the post and overall Australian women writers challenge. In fact, many of the books for this year could have ticked off the book by an Australian woman over sixty times. At this stage, I have read and reviewed sixty-four books by Australian women, with more to come.

Book bingo take 2

Rows Across:

Row #2

 A book with a yellow cover:

A book by an author you’ve never read before: If Kisses Cured Cancer by T.S. Hawken

A non-fiction book:

 A collection of short stories: Fairy Tales for Feisty Girls by Susannah McFarlane – AWW2018

A book with themes of culture: Relic of the Blue Dragon (Children of the Dragon #1) by Rebecca Lim – AWW2018

 Row #3:  –

 A book written by an Australian woman: Disappearing Act by Jacqueline Harvey (Kensy and Max #2) – AWW2018, The Clockmaker’s Daughter by Kate Morton – AWW2018

A book written by an Australian man: Captain Cook’s Apprentice by Anthony Hill

A prize-winning book:

A book that scares you: What the Woods Keep by Katya de Becerra – AWW2018

A book with a mystery: The Mitford Murders by Jessica Fellowes (Mitford Murders #1

Row #4

 A forgotten classic:

A book with a one-word title:

A book with non-human characters: A Home for Molly by Holly Webb, Beast World by George Ivanoff

A funny book: Archibald, the Naughtiest Elf in the World Goes to the Zoo by Skye Davidson, Illustrated by Ágnes Rokiczky – AWW2018

A book with a number in the title:

Rows Down:

Row #4 –BINGO

A book more than 500 pages: The Clockmaker’s Daughter by Kate Morton – AWW2018

A collection of short stories: Fairy Tales for Feisty Girls by Susannah McFarlane – AWW2018

A book that scares you: What the Woods Keep by Katya de Becerra – AWW2018

A funny book: Archibald, the Naughtiest Elf in the World Goes to the Zoo by Skye Davidson, Illustrated by Ágnes Rokiczky -AWW2018

A book written by someone under thirty: The Yellow House by Emily O’Grady – AWW2018

NJ1802-ETP-Archibald-book-1-pdf-1030x824

First off, is a picture book, and this fills in the square for a funny book. Archibald, The Naughtiest Elf in the World Goes to the Zoo by Skye Davidson, published by Elephant Tree Publishing, slots into this category nicely. When Archibald decides to go to the local zoo, he is quickly spotted by the zoo keeper selling tickets and is told to behave himself – poor Archibald tries to be good, but he always seems to be getting into trouble – whatever he tries. At the zoo, all he wants is for the animals to be able to play with each other. What happens next is charming, hilarious and so magical, children will delight in reading this with someone or on their own as they learn to read independently. A story well worth trying to get your hands on.

what the woods keep

Second up is a book that scares me. This one is a debut novel by Katya de Becerra – What the Woods Keep, and for those who embrace the macabre, it is perfect. Filled with hints of science fiction, mythology and dark fantasy, it compels you to read on, lulling you into a false sense of safety until you hit Promise, and quite literally, all hell breaks loose. The woods are a terrifying place, where big bad things happen. People go missing or die. They are swallowed up whole by the environment and never heard from again. It is a chilling, intriguing book that will keep you awake at night, wondering what to expect next. Though you’ll want to set it aside to recover from what has just happened, you will also want to continue reading to see how it plays out for Hayden and to finally feel your heart start beating at a normal rate again. Horrifying and intriguing, this is a great book for those in search of a spooky tale.

crepp

fairytales for feisty girls

Finally, we get to what has to be one of my favourite books of the year, because it combines feisty girls and fairy tales, and my little nerd heart couldn’t have been happier, having studied fairy tales at university, and developing a love for them in their raw, unabridged forms, with the lopping off of limbs, dancing in red hot shoes and thorny punishments, to the various retellings that have sanitised them or taken them to the absolute extremes, to the fairy tale retellings that are coming out in abundance these days in various genres, in particular the fairy tale infused historical fiction written by Kate Forsyth. So for the short story square, Susannah McFarlane’s book, Fairytales for Feisty Girls captures this spot. Susannah has taken well known tales – Little Red Riding Hood, Cinderella, Rapunzel and Thumbelina – fairy tale girls who have previously been acted upon, and passive in the original oral tales and Brothers Grimm versions – and allows them to act for themselves. Rapunzel is an inventor, using the things Mother Gothel brings her to create things to help around the house, much to Gothel’s horror. Red Riding Hood and her grandmother outwit a wolf, Thumbelina finds her way home and Cinderella makes her own fortunes with the glass slipper. Each girl does something using the key aspects and symbols of the original tales to save herself, showing girls of all ages that they can be who they want, do what they want and that they don’t need to wait for the prince or woodsman (who, funnily enough in this story, has lost his axe), to save them.

 

Wrapping book bingo 21, and moving onto book bingo 22 in a couple weeks.

Booktopia

Amazing Australian Women: Twelve Women Who Shaped History by Pamela Freeman and Sophie Beer

amazing australian womenTitle: Amazing Australian Women: Twelve Women Who Shaped History

Author: Pamela Freeman and Sophie Beer

Genre: Children’s Non-Fiction

Publisher: Hachette/Lothian

Published: 28th August 2018

Format: Hardback

Pages: 32

Price: $26.99

Synopsis: A bright and colourful look at twelve incredible Australian women who helped shape our country, from politics and the arts to Indigenous culture, science and more.

Meet twelve amazing Australian women who have changed the world, in small ways and large.

Some of them are world famous, like Annette Kellerman and Nellie Melba.

Some of them are famous in Australia, like Mary Reibey and Edith Cowan.

All of them deserve to be famous and admired.

These women are the warriors who paved the way for the artists, business owners, scientists, singers, politicians, actors, sports champions, adventurers, activists and innovators of Australia today.

The featured women are:
Mary Reibey, convict and businesswoman
Tarenore, Indigenous resistance fighter
Mary Lee, suffragist
Nellie Melba, opera singer
Edith Cowan, politician
Tilly Aston, teacher, writer and disability activist
Rose Quong, actress, lecturer and writer
Elizabeth Kenny, nurse and medical innovator
Annette Kellerman, swimmer and movie star
Lores Bonney, aviation pioneer
Emily Kame Kngwarreye, artist
Ruby Payne-Scott, scientist

~*~

History is filled with amazing people and stories that for some reason, we’ve never heard of, never read, and never seen. Whatever the reason, many of these previously unknown or hidden stories and figures are being revealed now, and it is making the study of history that much more interesting – though I have always loved it, knowing some of the stories coming out now would definitely have made things more interesting to dig into and discover. As part of this movement, especially in promoting the histories of women in all walks of life, Hachette have released this picture book today by Pamela Freeman and Sophie Beer, Amazing Australian Women: Twelve Women Who Shaped History.

 

The women included in this new book cover each state and territory in Australia and come from various backgrounds, and occupations, covering recorded Australian history from 1788 onwards. Mary Reiby, a convict and businesswoman opens the book, and from their it moves onto Indigenous women like Tarenore, an Indigenous resistance fighter – a story I would like to know more about and that should be taught in history because it is a part of our history as well as the usual facts and events we learn about. There suffragists such as Mary Lee – not as well-known as other suffragettes such as Edith Cowan or Stella Maria Sarah Miles Franklin, but no less important, and many other lesser known women whose stories might not have been shared before. In fact, of the twelve in the book, the only two I had learnt about through my own reading and studies were opera singer Dame Nellie Melba, and Sister Elizabeth Kenny -nurse and medical innovator. So, finding out a little bit about these other women was refreshing, and any of these women – had I known a bit more about them – would have made for excellent research projects in history courses and classes where topics and questions for essays were not pre-determined.

AWW-2018-badge-rose

This book runs the spectrum of scientists, artists, political activists and businesswomen who all had a role to play in shaping our country into what it is today. It is these stories that need to be told in history class alongside what we are already taught about the ANZACs, the world wars, Federation and other aspects of Australia’s history from 1788 onwards. It tells unknown and known stories, sparking an early interest in history, but also, acting as a starting point for research so anyone wishing to read more has a starting point for names and dates to track down more on people they might not have heard about otherwise.

Adding lesser known stories to history – especially when it comes to groups often ignored by the official records or at least, marginalised by them – allows history to become richer, and more complex and much more interesting, diverse and more of a shared history, because it allows us to explore a world beyond what we have been taught. Pamela Freeman writes historical fiction for adults as Pamela Hart, with strong female characters who do not let the confines of what is expected of them define who they are, and they forge their own paths through their lives – yet still have to work within some of the confines imposed upon them, they manage to break out of some. Exposing children early – whatever their gender – to these sorts of stories about people who weren’t what society expected of them not only shows that the stereotypes are not real, but that history is actually diverse and interesting.

A great picture book and introduction to significant women who contributed to Australian history and society.

Blog Tour Part #2: Interview with Kayte Nunn, author of The Botanist’s Daughter – 12th August 2018

the botanists daughter

Hi Kayte, and welcome to The Book Muse.

First, thank you for taking the time to answer my questions about your latest book, The Botanist’s Daughter, which I reviewed here on the 4th of August for the blog tour. I hope you can answer the following questions in as much depth as you would like to.

  1. What was your initial inspiration for this story, and where were you when it came to you?

About three years ago, I took my young daughter to the Sydney Botanic Gardens for a picnic as it was not long before she was due to start school. It was a sultry late-January day and we were looking for fairies (there is a fairy trail there) and ended up at the Herb Garden. In the middle is a wonderful cast bronze sundial on which is a raised relief of herbs. I put my hand on the warm metal and instantly knew there was a story there – it was like a bolt of lightning. I had a vision of a young, headstrong girl in a similar garden in England and I spent the rest of the afternoon in a daze as I thought more about who she was and what her story might be. I fully believe that stories come and tap you on the shoulder and it is the writer’s job to try and do justice to them.

  1. Gardens, and in particular botanic gardens such as the one in Kew, and the Royal Botanic Gardens in Sydney, as well as Anna’s landscaping business play an important role in the story. Following on from where you got the idea, what is it specifically about gardens that you are the most attracted to? Did this attraction help to formulate your plot and characters?

I’ve always loved gardens, and the mystery and magic of growing things (though sadly I have a rather brown thumb, not a green one!). I also love the names of plants and flowers, that often sound like poetry, and have fond memories of listening to my grandmother tell me the names of all those that bloomed in her garden. The scent of tomato plants and greenhouses takes me straight back there.

  1. On the theme of gardens and plants, do you have any favourite literary gardens or plants? When I think of this, The Secret Garden and the plants in Herbology in Harry Potter immediately spring to mind – are there any characters linked to gardens and botany that you like?

AWW-2018-badge-roseThe Secret Garden is a book I have re-read many times. Dickon is one of my all-time favourite fictional characters – a gentle and wise boy who was so in touch with nature. More recently, I loved Vanessa Diffenbaugh’s The Language of Flowersand Garden Spellsby Sarah Addison Allen, which combine two of my favourite things – gardens and magic.

  1. Are you a plotter or a pantser when it comes to writing?

I’m mainly a plotter – I actually have a whiteboard where I map out the main beats of the story – usually once I am a little way in and know where it might go. That really helps me get the emotional structure of the narrative clear. However, I still leave plenty of room for the detours my subconscious might take me on.

  1. The dual timeline is fascinating, and I found it very effective to tell your story – as it has been for several other historical fiction novels I have read over the years. What made you choose this format to tell Anna and Elizabeth’s stories?

My favourite thing about history is when it becomes tangible in the present – an object from the past that still exists today provides a very clear link to that time.

I also wanted to have two characters that could almost have been better placed in each other’s era – Elizabeth is modern, confident and headstrong, whereas Anna is cautious. calm and quiet. I liked having the ability to contrast and compare events in both of the stories.

  1. What challenges did you face when writing the dual timeline, and what were they? Is there any advice you received or something you found out about writing a dual timeline that could help writers who want to use this format?

Near the beginning, I contacted the novelist Kate Forsyth, as I had read and loved her book, Bitter Greens, which has a dual timeline that works really well. She was generous enough to give me the advice to write each one separately, to keep my head in the world of each story, and that is what I did. When I came to stitch the narrative together, though it was mostly surprisingly seamless, it required great concentration not to give away the mystery of the past in the present narrative until close to the end, and to try and remember what the reader did and didn’t know at any given point.

  1. What sort of research did you do, and how intense was the process? What strategies did you use to ensure the process was smooth and accurate?

I’m not certain I used any particular strategies – I looked for as many reference books, both on Victorian everyday life, and Chile in the 1880s, as I could find, from my local library and the State Library of NSW, and read, made notes of points of interest, before starting to write. I spent several months doing this.

During the writing process, when I found myself wanting to know certain facts and details, I stopped to find them out – for example I found a very helpful online community of ship enthusiasts who helped with the type of vessel Elizabeth would have sailed on and from which port; I found photographs of Valparaiso in the 1880s and so could see what the town looked like, which buildings existed then.

I also found a wonderful diary written by a sea-captain’s wife who lived in Valparaiso in the 1830s. This was fifty years before the time of my story, but her descriptions of the landscape and the plants that grew there was an invaluable primary source. I also visited several exhibitions of botanical art and about 19th-century plant hunters in both Sydney and London during the course of writing, and read many letters written by plant hunters when they were on their expeditions.

  1. I love that the novel is distinctly female driven in both the nineteenth and twenty-first centuries by Elizabeth, Daisy and Anna and her family. These relationships were key to the story – what kind of sacrifices did you make in terms of character for Daisy and Elizabeth for the time you set them in, if any, and why?

One of the books I came across in my research told the stories of a number of extraordinarily adventurous women in previous centuries, and when I visited Kew, I discovered the Marianne North Gallery, which houses the paintings of this Victorian adventuress and botanist. So, I knew that I could faithfully create characters who were equally single-minded and brave, even though this was not generally expected of women in those times.

  1. Daisy’s sacrifice after a significant and heartbreaking event in the novel was crucial to the plot and uncovering the secrets that link Anna to Trebithick. The impact these had on me as a reader was profound – i was shocked and saddened but knew I had to keep reading on to find out what happened. Were these scenes and revelations hard to write, emotionally, and how so?

Yes, I remember writing the scene where Daisy discovers Elizabeth and Tomas with my heart in my mouth!

  1. What more can you tell us about the Devil’s Trumpet, its history and what it does? Does it still exist in the world, or is it a mystery plant to many still?

One of the clues in writing the story was a newspaper article I came across online about a rare, poisonous plant (actually a class B drug and illegal to cultivate in England) that had mysteriously sprung up in an English suburban garden. The owners eventually realised that it must have grown from seed imported from Chile that they had been putting out for the birds. That plant is the Devil’s Trumpet – datura.

  1. In Kew, Ed tells Anna that he believes the plant is extinct, or at least, that they have no samples available. Is there any truth in this, or did you take a bit of creative licence with Ann’s cultivation of the seeds in Sydney?

I invented a sub-species of daturaas the plant that Elizabeth went looking for, but when I researched if it was possible to germinate very old seeds I was delighted to find that scientists have successfully grown seeds up to 32,000 years old.

  1. Who was the most challenging character to write, and in what way did you find this to be so?

Damien Chegwidden – I had to rewrite him several times to make him truly villainous, but also not a one-dimensional baddie. I wanted the reader to understand what motivated him – I kept the adage ‘everyone is the hero of his or her own story’ very much in mind.

  1. Damien Chegwidden is of course, the villain in this novel – against anyone who is trying to beat him in finding the Devil’s Trumpet – were there people and situations like this in real life, do you think, of botanists competing to see who could find plants first?

According to accounts I read, early plant hunters were sometimes cooperative and collaborative, although several (particularly orchid hunters in the late nineteenth century) were unscrupulous – or worked for unscrupulous men – and would strip an area of the desired plant, urinate on a competitor’s haul to kill them, or even pull a gun on a rival!

  1. Finally, the ending left things quite open to the imagination – does this mean there is potential for a follow-up, or are you leaving this to the imagination of your readers?

I love stories that leave a question for the reader’s imagination to decide on, and help the story and characters live on in their mind. I hope, in some small way, I managed to achieve this, while still providing a satisfying conclusion.

Any further comments, or anything I may have missed?

The book is ultimately, I hope, about courage: Elizabeth’s is bold and obvious, and Anna’s more subtle, but both have to summon inner strength, albeit in different ways.

Again, thank you Kayte for agreeing to appear on my blog as part of the blog tour for your novel.

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Blog Tour #1: Review of The Botanist’s Daughter by Kayte Nunn

the botanists daughter.jpgTitle: The Botanist’s Daughter

Author: Kayte Nunn

Genre: Historical Fiction

Publisher: Hachette Australia

Published: 31st July 2018

Format: Paperback

Pages: 388

Price: $29.99

Synopsis: Discovery. Desire. Deception. A wondrously imagined tale of two female botanists, separated by more than a century, in a race to discover a life-saving flower . . .

In Victorian England, headstrong adventuress Elizabeth takes up her late father’s quest for a rare, miraculous plant. She faces a perilous sea voyage, unforeseen dangers and treachery that threatens her entire family.

In present-day Australia, Anna finds a mysterious metal box containing a sketchbook of dazzling watercolours, a photograph inscribed ‘Spring 1886’ and a small bag of seeds. It sets her on a path far from her safe, carefully ordered life, and on a journey that will force her to face her own demons.

In this spellbinding botanical odyssey of discovery, desire and deception, Kayte Nunn has so exquisitely researched nineteenth-century Cornwall and Chile you can almost smell the fragrance of the flowers, the touch of the flora on your fingertips . . .

‘I loved The Botanist’s Daughter. I was transported to the 1880s and Chile, to contemporary Sydney and Kew. A gripping, warm-hearted read’
JOY RHOADES, author of The Woolgrower’s Companion

‘The riveting story of two women, divided by a century in time, but united by their quest to discover a rare and dangerous flower said to have the power to heal as well as kill. Fast-moving and full of surprises, The Botanist’s Daughter brings the exotic world of 19th-century Chile thrillingly to life’ KATE FORSYTH

~*~

This review and upcoming Q and A with the author are part of a blog tour with Hachette during August.

AWW-2018-badge-roseElizabeth Trebithick lives in Victorian England, in an old house, alone after the death of her father and sister’s marriage. Headstrong and determined to make her own way in the world and not be confined to the female universe that society, her sister and brother in law seem bent on setting out for her, Elizabeth sets out on a quest presented to her by her father before his death – to Chile to find a rare plant with miraculous qualities, that might have the answers and cures to many ailments, but getting it from Chile to England will be the challenge. But so will life aboard a ship for many months, and then life in South America: falling in love, making enemies and the consequences that come with hiding secrets and secret missions.

In Australia in 2017, Anna’s discovery of a tightly sealed box containing a diary, sketches and watercolours, as well as a hidden secret that draws Anna into the mystery of the diary of Elizabeth, known at first as ‘E’ – it ruptures her ordered life of work, and routine, and beings to force her to face her own demons, the memories of her past still haunting her as she tries to let go and move on with her life – which is why she has created such a well-ordered schedule, so life doesn’t overwhelm her. When the box she finds triggers a mystery that potentially involves her family, Anna leaves to go to England to trace the story of Elizabeth and the flower she was searching for – the Devil’s Trumpet. Keen to find out more about Elizabeth, and the diary, Anna’s trip takes her to London, Kew and Cornwall – to meet a descendant of Elizabeth’s father whom she hopes will be able to help her solve the mystery of the diary and paintings. With the help of her sister, Vanessa and friends who also work with plants, Anna’s interest is caught: and it is a mystery that had me turning each page diligently and eagerly as she met botanists in England at Kew, and found a kinship with them, and a shared interest in botany that Anna will soon learn hits much closer to home than she, her mother or her sister ever realised.

Elizabeth and Anna are strong, wilful characters whose driven presence gives the book its strength. It is through these characters that the world of botany comes to life, the smells and sounds of both centuries and cities, and the scent of flowers wafts around as you read – even the unfamiliar plants and scents filter through, and come to life in the imagination. The characters in both timelines were so full of life and complexities, both linked by a love of botany, which shines through, as does their determination not to let families, times or other people define what they do and who they are – they are allowed to be themselves and – particularly Elizabeth – work within the confines of what is expected of them whilst maintaining a sense of self and individuality that springs in a lively form from the page.

With a few twists and turns, the mystery of the diary, sketches and forgotten stories and family are solved, and brought together in a riveting ending that has whispers of the past potentially coming through on the very last page.

A well written novel, and one that I thoroughly enjoyed. My Q and A with Kayte will appear on the blog on the 12th of August as part of the blog tour with Hachettte.

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