The Schoolmaster’s Daughter by Jackie French

schoolmaster's daughterTitle: The Schoolmaster’s Daughter
Author: Jackie French
Genre: Historical Fiction
Publisher: HarperCollins Australia
Published: 18th May 2020
Format: Paperback
Pages: 384
Price: $17.99
Synopsis: Drawing on her own family history, this is a story from Jackie French about education in Colonial Australia – and how women once had to fight for their right to it.
January 1901
Sharks circle a stranded ship as a young girl and her family stagger from the waves …
Rescued by a Pacific Islander boy named Jamie, Hannah’s family begin a new life in Port Harris, which at first seems a paradise for the schoolmaster’s daughter. But local fortunes are built on slavery and the whip.
As the new Federal Parliament passes the law that will force Pacific Islanders from their homes, Hannah and her mother risk everything to run a secret school, while Hannah and Jamie must fight for their rights to education and equality. Can friendship and love win against prejudice and power?
Inspired by real events, this powerful new novel brings to life the bravery and battles of the past and gives us courage for the challenges of today.

~*~

As Australia becomes a nation, Hannah Ferndale and her family move to northern NSW town, Port Harris, where sugar cane farms are run using labour from Pacific Islanders, who are kept in slavery-like conditions. Hannah and her family are shipwrecked as they arrive at Port Harris, and are rescued Jamie, a young Pacific Islander boy, before they begin their new life, with Papa as the new schoolmaster.

Hannah longs to learn more than what she has been taught – and is ready for the next stage of her schooling. Yet as she attends school, she discovers that she is only there to help him teach the Infants kids to read and count, and write, and assist with her mother’s role in teaching music and sewing. When her mother starts teaching Hannah and Jamie secretly after he’s denied a place at the school, Hannah starts to learn more about the world than what she has experienced, as Jamie and his mother tell Hannah and her mother about their lives and the lives of the Islanders on the plantations. Their secret school is interrupted by a family emergency, and Hannah and Jamie try to continue, but she soon must return to her life teaching small children with no hope of moving forward beyond marriage.

As new laws are debated, and as Hannah has to attend to her duties as a good girl and live in a world she longs to change for the good for everyone. The country has been federated, and new laws about women’s suffrage and the status of Pacific Islanders on the farms up north. The Schoolmaster’s Daughter is based on Jackie’s own family history, which she explains in her author’s notes at the back. This makes the story so powerful – it is from the heart, and from a family, whose history and people have inspired many stories, and many novels, all of which are compelling in so many ways, and have a genuine, unique, and authentic voice that sings and shines through the words, characters and narrative.

AWW2020It is an ode to a new country, grappling with their identity and their people in 1901, themes that are still relevant today in 2020, as some issues still need to be resolved – such as racism. At the same time, it is a celebration of reading, words, education and poetry – something that unites Jamie and Hannah in Eliza’s absence, and they connect them in a way that society cannot understand or fathom. The words that they shared created a world beyond what they knew and showed how they each saw exploring the world – for Jamie, it was the ability to physically explore. Hannah was happy to explore via the page – both are valid – exploring the world and travelling the world can be done in both ways. During these times of the pandemic, most of us are travelling across the world, through time and into other worlds via the page. Reading in Hannah and Jamie’s world opens this door, and the door to better lives, to lives they long for and have so far only dreamed about.

I read this book in about two days – it was one where I just had to find out what was going to happen next, and how Hannah was going to achieve her goals. Jackie French books always teach me something new, and this book was no exception. It presented a world that we may not be familiar with and issues that feel distant but are not. It is a fantastic piece of historical fiction that I will

Evie and Pog: Party Perfect by Tania McCartney

Evie and Pog Party PerfectTitle: Evie and Pog: Party Perfect
Author: Tania McCartney
Genre: Fiction
Publisher: HarperCollins Australia
Published: 20th April 2020
Format: Paperback
Pages: 144
Price: $12.99
Synopsis:
In the bestselling tradition of Ella and Olivia, comes a further book in a new series for early readers about best friends, Evie and Pog.
High in a tree house live two very best friends. Evie and Pog. A girl and a dog.
Evie is six years old. She likes reading and baking and rolling on the daisy-spot grass.
Pog is a pug. He is two and likes to drink tea and read the newspaper. He also likes fixing things.
But most of all, Evie and Pog love to have fun – especially at parties! Join them for three further adventures – Book Parade, Art Show Muddle and Party Time!

~*~

Each Evie and Pog story begins with the same six lines with some rhyming, that introduces us to Evie and Pog, the pug. It then launches into the story – the book parade, where Evie and Granny work hard to create a celebrations costume – but they have to keep it a secret from Pog! In Art Show Muddle, Evie and her friend, Noah, are painting a picture when a litter of kittens wreaks havoc, and in Parry Time, Evie feels like her plans for her grandmother’s birthday are going to be overshadowed by what everyone else wants a party for.

The stories are filled with fun and love, and memorable characters: Mr Arty-Farty, Miss Footlights, Noah, Granny, and of course, Evie and Pog, all of whom come together to create a wonderful community and series of stories for readers aged six and older, who have enjoyed and do enjoy the Ella and Olivia books by Yvette Poshoglian.

AWW2020Like Ella and Olivia, Evie and Pog is aimed at the stage of readership that is just starting to read alone, but who still like to be read to or read with someone. The three short novels in each book are interlinked – through the characters and references to what has come in the previous story. This made it delightful to read, and ensured that readers will remain engaged with both the words and the illustrations created by Tania McCartney, which work together to tell the stories within this new Evie and Pog book.

This was my first adventure with Evie and Pog, after hearing about it on various podcasts and in my reading groups. I found it very easy to slip into this world, and it was filled with fun and art, books and humour – Evie is a fabulous character who brings words and crafting together in a fun and delightful way for readers to engage with Evie and the stories, and see a variety of interests celebrated – knitting and reading are celebrated a lot in the stories, showing how fun and awesome these hobbies are.

I thoroughly enjoyed this book, and would recommend it to readers aged six and older looking to expand their vocabulary as they learn to read.

June 2020 Wrap Up

 

The Modern Mrs Darcy 11/12

AWW2020 – 67/25

Book Bingo – 12/12

The Nerd Daily Challenge 45/52

Dymocks Reading Challenge 23/25

Books and Bites Bingo 15/25

STFU Reading Challenge: 9/12

General Goal –110/165

 

In June, I managed to read eighteen books in total, fourteen by Australian authors, and all but one of those were Australian women authors. Fifteen of the eighteen were by women authors from Australia and the United Kingdom, and my reading crossed all kinds of genres and audiences this month as I work towards my yearly reading goals.

Towards the end of the month, I participated in an Emma versus Pride and Prejudice read-along with some blogger friends – it seemed several of us went with Emma- perhaps because we had not read it yet and had already read Pride and Prejudice – and two of us found we could use it for a classics book bingo square.

I’m moving slowly through my stacks of books to read, and will hopefully be on top of all of them soon.

June – 18

Book Author Challenge
Elementals: Battle Born Amie Kaufman Reading Challenge, AWW2020, Dymocks Reading Challenge
Lilies, Lies and Love Jackie French Reading Challenge, AWW2020
Kid Normal and the Final Five Greg James and Chris Smith Reading Challenge
Toffle Towers: Fully Booked Tim Harris and James Foley Reading Challenge
Monty’s Island: Scary Mary and the Stripey Spell Emily Rodda and Lucinda Gifford Reading Challenge, AWW2020
Wonderscape Jennifer Bell Reading Challenge
When Rain Turns to Snow Jane Godwin Reading Challenge, AWW2020
League of Llamas: Undercover Llama Aleesah Darlison Reading Challenge, AWW2020
League of Llamas: Rogue Llama Aleesah Darlison Reading Challenge, AWW2020
Kensy and Max: Freefall Jacqueline Harvey Reading Challenge, AWW2020
The Silk House 

 

Kayte Nunn Reading Challenge, AWW2020
The Mummy Smugglers of Crumblin Castle

 

Pamela Rushby and Nellé May Pierce Reading Challenge, AWW2020
Roxy and Jones: The Great Fairy Tale Cover Up Angela Woolfe Reading Challenge
Alexandra-Rose and Her Icy Cold Toes by

 

Monique Mulligan and Kate Fox (Illustrator) Reading Challenge, AWW2020
Meet Mia by the Jetty Janeen Brian and Danny Snell Reading Challenge, AWW2020
Meet Sam at the Mangrove Creek Paul Seden and Brenton McKenna Reading Challenge, STFU Reading Challenge, Dymocks Reading Challenge
Death by Shakespeare: Snakebites, Stabbings and Broken Hearts  Kathryn Harkup Reading Challenge
Edie’s Experiments: How to Be the Best Charlotte Barkla Reading Challenge, AWW2020

 

 

 

 

 

Edie’s Experiments #2: How to Be the Best by Charlotte Barkla

Edies Experiments 2Title: Edie’s Experiments #2: How to Be the Best
Author: Charlotte Barkla
Genre: Fiction
Publisher: Puffin
Published: 2nd July 2020
Format: Paperback
Pages: 240
Price: $14.99
Synopsis: Edie’s experiments in how to win at life continue . . . but how will she cope with a new rival?
I’m Edie and I’m obsessed with science.
So I was sure that Annie B and I would win the Eco Fair competition.
Then Dean Starlight arrived and started sabotaging our project.
Now the competition has become an epic science battle of robotic spider attacks, exploding foam and sneaky spying.
Dean thinks he’s the best scientist of Class 5Z, but we’ll show him …
~*~

Edie is settling into school at Cedar Road Primary in 5Z, with her friend Annie B, whilst still competing with Emily James, who feels the need to win everything and is very over the top when she does. Just as Mr Zhu, their teacher has announced a science competition for years five and six, former student, Dean Starlight arrives from a stint at a school dedicated to science, and begins to enthral the class, as well as sabotaging Edie and Annie’s project – but his reasons why are a lot more complex than anyone knows. As the pranks and experiments get bigger and more competitive, Edie will find out why Dean is under pressure – and hopefully, they can beat Emily James!

Friendship is front and centre again in this book, as is science, and environmentalism – we get more insight into Edie and her family, her friends and the other things they enjoy, and the challenges that they face throughout their lives and at school. Dealing with a new student that everyone else knows and who seems too perfect is threaded throughout the narrative – Dean comes across as annoying but there is more to his story – and it is fun and interesting unfolding this with Edie, as tings become clearer and clearer throughout the novel in the lead up to the science fair.

AWW2020Environmentalism is a strong theme throughout this book, from Edie’s shower experiment to the final projects for the science competition and is a theme that is very on topic at the moment. It is a theme and conversation that is relevant to everyone, whether we are scientists or not, and something that everyone can do something about, even if it’s not as big as Edie’s grand plans. But we can all do something small within our abilities and what is available to us.

Again, this book has something for everyone – about the power of friendship and support from those around us, about how high expectations can fail, and what it means to come together and solve problems as a team, even when that person has been mean to you – finding out what is behind Dean’s behaviour is eye opening for everyone, and he seems to be a pretty cool character by the end. Maybe in future books he will team up with Edie!

The universality of the themes of family, friendship, cooperation and environmentalism ensure that all readers will enjoy this book and series, and the scientific experiments give it an element that makes science look fun for kids and allows kids who like science to engage with the story and the characters. It is a charming addition to this series, and it will be interesting to see where this series goes in the future.

Aussie Kids: Meet Mia at the Jetty by Janeen Brian and Danny Snell

Meet miaTitle: Meet Mia at the Jetty

Author: Janeen Brian and Danny Snell

Genre: Fiction

Publisher: Puffin

Published: 2nd July 2020

Format: Paperback

Pages: 64

Price: $12.99

Synopsis: Aussie Kids is an exciting new series for emerging readers 6-8 years.

From a NSW Zoo to a Victorian lighthouse, or an outback sheep farm in WA to a beach in QLD, this junior fiction series celebrates stories about children living in unique places in every state and territory in Australia.

8 characters, 8 stories, 8 authors and illustrators from all 8 states and territories!

Come on an adventure with Aussie Kids and meet Mia from South Australia.

Hi! I’m Mia
Jim is coming to stay with us soon.
I want to show him the jetty, beach and island.
But I don’t want my bossy sister Alice to take over.
So I have a plan . . .

~*~

In the other Aussie Kids book being released this month, Mia lives by a jetty in South Australia. She’s excited to have Jim come to stay and can’t wait to show him around her jetty and the world she lives in – but she doesn’t want her big sister, Alice, taking over! So Mia comes up with a genius plan that she hopes will show Jim how clever she is.

Another story that takes place over one day, exploring the coast and its sights as Mia introduces Jim and the reader to her world. Again, this book shows the diversity of Australia and its people, where they live and the kind of things they enjoy doing.

AWW2020Janeen Brian is a wonderful author, and her story here is as engaging and delightful as her other book from this year, Eloise and the Bucket of Stars. This lovely story about friendship, sibling rivalry and discovering the world around you in a new and fascinating way is a beautiful addition to this series.

Much like the other books in the series, Mia’s adventure takes place over a single day, or part of a day, and each story is its own entity but collaboratively, they showcase an Australia that is in some ways familiar and in other ways not so familiar across the board – depending on what the readers and children know. This series will build their reading confidence, vocabulary, and knowledge of diversity and the country they live in.

A lovely story that all readers will enjoy and that will help children build their vocabulary and reading confidence, accompanied by fun and joyful illustrations by Danny Snell.

 

When Rain Turns to Snow by Jane Godwin

when rain turns to snowTitle: When Rain Turns to Snow
Author: Jane Godwin
Genre: Fiction
Publisher: Hachette Australia
Published: 30th June 2020
Format: Paperback
Pages: 280
Price: $16.99
Synopsis: A beautiful and timely coming-of-age story about finding out who you are in the face of crisis and change. Perfect for fans of Kate DiCamillo, Fiona Wood and Emily Rodda.
A runaway, a baby and a whole lot of questions…
Lissa is home on her own after school one afternoon when a stranger turns up on the doorstep carrying a baby. Reed is on the run – surely people are looking for him? He’s trying to find out who he really is and thinks Lissa’s mum might have some answers. But how could he be connected to Lissa’s family – and why has he been left in charge of a baby? A baby who is sick, and getting sicker …
Reed’s appearance stirs up untold histories in Lissa’s family, and suddenly she is having to make sense of her past in a way she would never have imagined. Meanwhile, her brother is dealing with a devastating secret of his own.
A beautiful and timely coming-of-age story about finding out who you are in the face of crisis and change.

~*~

When Lissa meets Reed, she’s determined to find out who he is – and where he came from. Yet Reed has other ideas, and desperately needs Lissa’s help to look after Mercy, whom he says is his niece. When Reed tells Lissa he thinks he has a connection to her family. Eager to get Reed to leave and go home, Lissa agrees to help, and finds that she is drawn into his mystery.

At the same time, she is trying to find her place in a new friendship group, after her best friend, Hana, has moved across the country to Western Australia. Her older brother, Harry, is going through his own issues and secrets, and her dad is moving on with his life in Beijing. Lissa feels caught between everything – wanting to please everyone as she tries to find out how to be herself. Lissa and Reed’s story intertwines in ways they never thought possible and uncover secrets that have been hidden from everyone in this touching coming of age story about identity, love, family and friendship.

Jane Godwin has a delightful way of taking events and instances of everyday life and turning them into something special. Her last book, As Happy as Here, is set in a hospital, with a mystery unfused throughout. When Rain Turns to Snow begins with a family, with friends and evolves into a mystery about identity and how teenagers find their place in the world, their families and with their friends.

Lissa’s story is a powerful one, – and there are many strands of her story that all readers can relate to – family dynamics, school, friendship groups, secrets, and many other instances that people will find something in. It is a touching story, that is neither too fast or too slow – it has a decent pace, and from the start we know there will be more to the story than we are told initially.

AWW2020

I thought this was a lovely story, sensitively dealt with on all levels. The story is told mostly through Lissa’s eyes, which gives it the perspective needed to experience what she is feeling. Yet every other character has a voice and they are all given equal room on the page to tell their stories. The way they intertwine is intriguing and evolve throughout the story to a hopeful conclusion that brings all the strands of the stories together, It is at times light, and not too heavy. I found it a very moving and delightful read, and hopeful even when things seem like they won’t work out.

Jane Godwin’s characters and stories are relatable and accessible – she does what she can to make her stories, characters and the situations they find themselves in diverse and relatable for her readership. It is a lovely story that I hope the readers it finds will enjoy.

Isolation Publicity with Christine Bell

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

Christine released No Small Shame with Ventura Press in April, and like many authoors, had her events surrounding the release of the book cancelled. In this environment, reviews online and interviews like this are crucial in getting the word about the books out – in a time when authors cannot physically and socially connect with their readers, it must be done virtually. Christine also has a background in educational writing for reluctant readers, and this historical fiction novel was inspired by her own family history.

 

NoSmallShameCOVER 98

Hi Christine and welcome to The Book Muse

  1. To begin with, what is the premise of your novel, No Small Shame, which came out with Ventura Press in April 2020?

 

No Small Shame is the story of a young Catholic wife faced with a terrible choice between love and duty during WW1. Mary O’Donnell sets out for Australia in hope of a better life, but one foolish night of passion with a boy from her village back in Scotland leads to an unexpected pregnancy and a loveless marriage. Mary’s journey from powerlessness to agency is an epic story of loyalty and betrayal, friction in families, and confronting the past before you can seek a future.

  1. What inspired this novel and its World War One setting?

The idea for the novel emerged through researching my family history. In 1913, my great-grandparents emigrated from the tiny mining village of Bothwellhaugh in Scotland to the new state-owned coal town of Wonthaggi in Victoria. While I was visiting the State Coal Mine Museum, a little voice kept whispering, ‘there’s a story here. There’s a story here and what a great setting!’ Instead of writing the novel I’d begun a few months earlier, I found myself researching the long-demolished village of Bothwellhaugh and pre-WW1 steam ship journeys to Australia. Once my main character, Mary, turned up, I could ignore the pull no longer and had to set aside the other novel and write Mary’s story.

 

  1. When researching the themes, characters and era of your novel, what sort of sources did you consult, and where did you begin your research?

My initial research was done through libraries and the internet. I accessed archived copies of local newspapers and spent hours in the Public Records Office of Victoria studying the correspondence files of the Wonthaggi State Coal Mine. I studied primary sources, such as: diaries, oral histories, letters etc. And I gathered more specific resources through historical societies and heritage centres: ie: booklets, texts, maps and photographs. During a research trip to Scotland, I visited a replica of miner’s rows from the era, ventured down a coalmine and visited the site of the demolished village of Bothwellhaugh. I met with a local park ranger and studied photographs and maps, and learned of some of the characters who’d once lived in the village. I walked the battlefields of France and visited several WW1 war museums to learn of soldier’s lives and read a lot of non-fiction to gain a greater understanding of the effects of war and shellshock.

  1. Did you complete your research prior to writing, or did you do some research as you wrote?

I did four months research while I fought the urge to switch novels. Once I commenced the writing, it seemed like I was continually needing to query or verify some small detail ie: When were matches invented? When did electricity come to Melbourne? How many days did it take a steamship to reach Australia from England? Plus I spent many hours researching the timeline and progress of WW1 and its impact on the Australian homefront?

 

  1. Was this story planned out when you began writing it, or was it written as you went?

I began with the idea of exploring the life and choices of a young immigrant coming to Australia in the hope of a better life. I wanted to use the timing of my great-grandparent’s migration to Australia – even though the story is fiction – so the war was always going to be a backdrop to the novel. From there, the plot developed organically which led me down a few dead ends while I worked out what I ultimately wanted the story to say. Writing without a plan, I loved the unexpected turns in the characters’ journeys. Some plot twists occurred naturally as a result of the character’s personalities and circumstances. I was shocked when I realised what would be the inevitable outcome for one character. My urge was to fight it, but after considerable research I realised it was consistent historically and too often true.

  1. What events were planned for the release of your novel prior to the COVID-19 pandemic cancelling them?

I was so excited and keen to get my choice of day and date, I booked my launch at Readings Hawthorn way back in December. So it was really disappointing when it became a casualty of Covid-19. I was also booked to be one of the featured authors at Dymocks Camberwell First Tuesday Book Club in April, but, sadly, that too had to be cancelled. I was very fortunate that I got to speak at the Women Writing History Day at Eltham Library the weekend before restrictions were enacted.

 

  1. Prior to having this novel published, you’ve had stories for younger readers published – can you tell my readers about these stories?

I’ve had over 30 short fiction titles published for children from picture story, middle-grade to YA for reluctant readers. I wrote mysteries, adventures and even a few humorous titles though I’d never call myself humorous. I loved to write action books where lots was happening. It’s interesting now to look back and see that as my children grew up, I began to write for an older and older readership!

 

  1. Are any of these works for children still available?

The majority of my children’s titles were published in the education market and so not available for purchase in general bookstores. It’s a few years since the last one was published, but, wonderfully, many are still selling and yielding royalties, plus ELR and PLR.

  1. What are the challenges writing for children versus writing for adults, and as someone who writes, or has written for both audiences, is one easier than the other?

Many similar craft skills are needed when writing for both children and adults. Young children need to be quickly engaged and love action and fun language. With illustrated texts the author needs to trust and leave room for the illustrator to contribute equally to the story. I found once I began writing novels, I gravitated to writing more gritty, complex characters and difficult situations. I love the scope of novel to explore the complexity of relationships and why people make certain choices.

  1. You’ve worked with CYA and SCWBI Victoria – what sort of grounding did these experiences give you for your career as a writer?

I loved my five years working as Assistant Coordinator with SCBWI Vic. It’s such a valuable and inclusive organisation and offers so many opportunities for writers and illustrators to gain knowledge, and meet both peers and industry contacts. Acting as a judge for CYA, I learned much about my own writing through reading the competition entries with a critical eye. Both my SCBWI and CYA roles were wonderful opportunities to contribute and give back, as well as make many friends and contacts in the publishing industry.

 

  1. What have you been doing to pass time since the pandemic shut many things down?

The day cancellations began, author Kirsten Krauth set up a Facebook group Writers Go Forth. Launch Promote Party. Within hours, posts appeared offering, authors who’d had launches or events cancelled, blog spots, interviews, the chance to apply for podcasts, among many other opportunities. An online launch became a real possibility and I instantly became very busy both organising it and responding to various opportunities, as well as those set up by my publicist. So through the pandemic, I’ve been busier than ever.

 

  1. Many people are turning to reading in these difficult times – what have you been reading, and what recommendations do you have for people?

I’ve bought a heap of new books in recent weeks and my TBR pile is about to topple off my bedside table. I try not to read fiction when I’m in the thick of writing, so during this promotion period for No Small Shame it’s a chance to catch up on some of the amazing historical fiction that’s coming out right now, including: Gulliver’s Wife by Lauren Chater; The Darkest Shore by Karen Brooks; The Lost Jewels by Kirsty Manning; The Dictionary of Lost Words by Pip Williams just to name a few.

  1. Which local booksellers do you regularly use?

 

Sadly, we don’t have an independent bookseller anywhere nearby but it’s usually no trouble for me to travel to an independent bookstore. I do buy from Booktopia on occasions and have been buying a lot of books online at present. I always go through the local store rather than order online through headoffice as I want the individual store to get the benefit of my purchase.

 

  1. How important do you think the arts are in Australia, now and in other times, and what can people do to support the local industry?

The arts are hugely important in Australia, though it seems they’re no longer well supported by the Government who deleted the Arts portfolio and shoved it in with infrastructure, transport and communications, as if the Arts is a floater that can be slotted in anywhere rather than acknowledged as an important contributor to this country’s cultural life and well-being. We need to support our creators more than ever and whenever possible send that message to the Government. Also please BUY BOOKS!

  1. When not writing, what do you enjoy doing?

I’m more dedicated to taking time out for activities away from my desk these days. I’m learning, albeit slowly, to play the piano. It’s been a lifelong dream and I’m learning to produce simple tunes – though strictly for my own enjoyment. I’m also getting into photography. I loved my recent writing residency (pre-Covid) on Norfolk Island which gave me time to practise photographing nature and some truly amazing sunsets and sunrises.

 

  1. Any plans for a future novel, and what are they?

I can’t give away too much yet. But my work-in-progress is set in the year directly after the First World War and tells the story of a young Australian soldier who stays on in France and the traumatic reason he refuses to go home.

Thank you Christine

 

Isolation Publicity with Wendy Orr

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

NimsIsland_roughs

Wendy is the author of several books for children, including the Nim’s Island seriesDragonfly Song and Swallow’s Dance – the latter are both set in Bronze Age Greece. 2020 marks the 21st Birthday of Nim Rusoe, and Wendy had to cancel lots of celebrations around this milestone. So she has agreed to appear here to celebrate, along with my review of Nim’s Island which appeared a few weeks ago.

Hi Wendy and Welcome to The Book Muse

  1. You’re a prolific writer, perhaps best known for Nim’s Island, which celebrates its 21st birthday this year – where did the idea for Nim come from, and what is the basic premise?

Nim’s Island is the story of a girl who lives with her scientist dad and various animal friends on a small, secret island. When her dad disappears on a research trip, Nim reaches out to an adventure writer for help – and they both discover more courage than they knew they had.

Nim was inspired by seeing a small rocky islet off the coast of Vancouver Island when I was eight or nine and deciding I’d like to run away and live on an island all by myself. When we got home – to a town in the landlocked Canadian prairies –  I started writing a story about an orphan girl who runs away to live on an island.

Then in 1995, after Ark in the Park won the CBCA book of the year, two girls wrote one week, each asking me to write a book about them. I said that I couldn’t do that, but I started playing the writer’s game of “What if?” “What if a girl wrote to an author and said “Could you please write a book about me?” and the author said, “No, because I’m a very famous writer who writes very exciting books.”  But what if the girl’s life was more exciting than the author’s?   I decided that the girl’s life was more exciting because she lived on an island, and after many bad drafts, remembered the feeling of writing the island story when I was nine, and Nim’s Island finally came to life.

  1. As a remarkable coincidence, the day we set this up, a review copy of the 21st anniversary edition of Nim’s Island appeared on my doorstep just before I sat down to write these questions. Did you have anything fun planned to celebrate Nim turning 21 that had to be cancelled due to the pandemic?

I was planning to do lots of birthday parties at various bookstores, which would have been fun.

  1. Were any other events – festivals, school visits – cancelled in the wake of the pandemic?

Yes, a few. I had less scheduled than usual because of some family events that had to take precedence.

I can’t wait to dive into Nim. I’ve also seen the movie with Jodie Foster and Abigail Breslin – how do you think the movie differs to the books, or at least, the first book, which I think the movie was based on? The first movie is very close to the first book. The book doesn’t have the author’s interaction with her protagonist, as the movie does, but it makes so much sense to me I often forget that I didn’t put it in.

  1. Nim’s Island was the first Australian children’s book to be adapted for a Hollywood film – what was it like to be the first author to go on this journey, and how do you think the Australian adaptation with Bindi Irwin differs? Or is Nim’s Island the kind of place that could be situated anywhere in the world?

I was very lucky; I had a truly wonderful experience all through the production and film process. The producer Paula Mazur and I formed a firm friendship, and I ended up working on the first two drafts of the screenplay with her, as well as being a consultant. I think that there was a total of 10 days that we didn’t communicate with each other in the entire 5 year process – it was very intense, stimulating, and I learned a huge amount. I was on set twice, was very well treated by the stars as well as crew, and then was taken over for the Premiere at Graumman’s Chinese Theater and a short tour of the US. The whole thing was one of the greatest experiences of my life.

Return to Nim’s Island, starring Bindi Irwin as Nim, was loosely based on Nim at Sea. This book would have been horrendously expensive to film as I’d written it, so there had to be a lot of changes, but when I read the final screenplay, I loved it and felt it was very much a story that I could have written. It was filmed in the Gold Coast studios and hinterland, as the first film was, and of course Bindi was a natural for Nim.

Rescue on Nim’s Island  then had to work both as a sequel for the book, and for the people who’d seen the film and expected it to carry on from there. It took a bit of juggling but once I’d worked out what I wanted to do, it was a joy to play in that world again.

 

  1. You’ve also written two books – Dragonfly Song and Swallow’s Dance – set in Bronze Age Greece. What was it about the Bronze Age that made you choose it as a setting?

It’s fascinated me from childhood – Rosemary Sutcliff’s Eagle of the Ninth was probably the most pivotal for me, but all of her work as well Mary Renault’s fed my obsession. Then when I first started writing seriously, about 30 years ago, I had a dream which led me to start researching the Minoans, an absolutely fascinating people.

Both of these novels incorporate free verse and prose – which to me, felt like you were drawing on the oral traditions of antiquity – was this a conscious decision? No, though I’m very pleased it feels like that.  Very little of the writing of Dragonfly Song felt like a conscious decision, although of course with Swallow’s Dance I knew that I wanted to do it the same way. I simply always heard Dragonfly Song in verse – I often hear my books in verse before I write them, but this time I was unable to persuade it to turn into prose. I felt the story was too complex and so eventually decided to write it in the combination that it is now. I was very sure that my publisher would say it was a terrible idea, but she said why not try it? So I did.

  1. How much research did you do into myths of the minotaur prior to writing Dragonfly Song, which very much felt like the journey of Theseus heading to thwart the beast of the labyrinth?

Quite a bit of reading different interpretations of the minotaur myths, and a huge amount on the Minoan civilisation. Swallow’s Dance required even more specific research, and I was lucky enough to receive an Australia Council grant to travel to Santorini and Crete to visit the archaeological sites and museums there and spend time with an archaeologist. Seeing the places in person was almost overwhelming.

  1. You’ve written everything from picture books to middle grad, young adult and as I just found out, you even have a book for adults! Are there any challenges in juggling different styles, genres and audiences, and do you have a preferred audience to write for?

It seems to be more that I find a story and as I work it out, it becomes obvious which genre or age group it needs to be for. If I could only choose one it would probably be middle grade.

  1. If you were to live on an island like Nim, what sort of island would it be, and what sort of shelter would you live in?

Nim’s suits me perfectly: a tropical island, lots of animal friends, and a small hut with internet connection…

  1. Have you won any awards for any of your books?

 

 

*coughs modestly. Quite a few. I’ll attach a list and you can choose which to mention.

Some of Wendy’s awards – she has won and been shortlisted for awards in Australia and America. We both agreed to just feature a handful of the awards she has won or been shortlisted for.

Winner:

Award for Children’s Literature (Dragonfly Song)

Australian Prime Minister’s Award for Children’s Literature (Dragonfly Song)

Australian Standing Orders Librarians’ Choice Award, Secondary Schools, (Dragonfly Song)

Environment Award for Children’s Literature, Australia (Rescue on Nim’s Island)

“Mits’ad Hasfarim” – “The March of Books” Israel (Nim’s Island)
Parent’s Guide  Children’s Media Award Winner (USA)

Puggles Award – Children’s Choice, Australia (Rescue on Nim’s Island)

 

Honour or Shortlist:

 

BILBY Award (Queensland)

CROW Award (South Australia)

Kirkus Reviews Best Middle Grade Books, USA
KOALA awards, NSW , Australia

NSW Premier’s Award: Children’s Literature;Community Relations

Rocky Mountain Award
Society of Children’s Book Writers and Illustrators Crystal Kite Award

South Carolina Best Books for Young Adults

Speech Pathology Australia Awards,
Student Choice Picture Book Award (USA)

  1. How long have you lived in Australia, and what made you and your family choose to move here?

I married an Australian farmer while studying in London, UK, so it was obvious that we would move here when I finished college, which is what we did. There were a few unfortunate twists and turns after that, but we ended up managing to buy a farm eventually.

 

  1. Have any particular places in Australia inspired some of your works?

Spook’s Shack was inspired by the 5 acre bush block that we live on now. There was a very creepy shack here that seemed likely to be inhabited by a ghost.

  1. What did you do prior to becoming an author, and what made you decide to give writing a go and submit to publishers?

I was a paediatric occupational therapist. At lunch one day a friend told me she’d written a book and I thought, ‘I’ve always said I was going to write – when am I going to start?’ I was doing a postgrad course at the time but started writing the day after I mailed my last assignment. My dream was to write and work part time but after breaking my neck, I became a full time writer.

 

  1. Do you have any favourite writing companions, snacks or rituals?

My dogs remind insist that two walks a day is the most important writing ritual. I had started becoming a bit precious about favourite pens and notebooks, but since the pandemic started we’ve had family living with us, which includes two toddlers, and I’ve quickly gone back to being able to write whenever there’s a moment, with whatever’s at hand, much as I did when I started writing with two young children.

  1. When not writing, what do you enjoy doing or reading?

Walking – after being told that my injuries meant I’d never be able to go for a walk again, I’m constantly grateful that I can do it. I especially love beach walks. Singing brings me a lot of joy too. Apart from that, all very normal things – coffee with friends, seeing my family, travelling…  And of course reading, but that’s like saying breathing.

 

  1. Who are your favourite authors to read when you’re not writing?

I’m always working on a book, so I always keep on reading too. Lots of classics, a lot of literary fiction – and of course children’s books. I’m not good at choosing favourites, but a couple that I’ve loved lately were Where the Crawdads Sing by Delia Owens and There Was Still Love by Favel Parrett. I can’t wait to read the next Hilary Mantel – you can’t go past Phillip Pulman’s Dark Materials series.

  1. Do you have a favourite local bookseller where you live, and who are they? (multiple is okay too)

We’re incredibly lucky to have four great indie bookshops on the Peninsula – 5 if you count Frankston, which has Robinsons Books. Farrell’s Booksellers in Mornington; Petersen’s Bookshop in Hastings, The Rosebud Book Barn and Antipodes Book Shop in Sorrento – they’re each quite individual shops, different from each other except all run by passionate individuals with a great knowledge of books.

  1. Do you have any new projects in the works, and what do you think they will be?

How would I survive without new projects in my head? The next will be Cuckoo’s Flight, a third Bronze Age novel which will come out in March 2021. The others are too embryonic t be shared right now.

  1. The arts are always important, and is even more important now as we isolate from each other – what impact do you think the pandemic will have, and how can people help to support the arts, in particular the Australian arts industry?

I’m hoping that as people turn to the arts during their quarantine, they’ll realise how important arts are to their well-being at all times.  Like many authors and other artists, I’m offering some free resources but hope that people will also understand the need to support the arts that are supporting them. Most bookshops are processing orders and often delivering even while they’re closed, so I’d encourage people to buy from them rather than a multinational like Amazon – your local shop will be able to suggest suitable books for different tastes, so you’ll read books that you’d miss by shopping online. And of course that’s also a great way of supporting Australian authors.

Kensy and Max: Freefall by Jacqueline Harvey

kensy and max 5Title: Kensy and Max: Freefall
Author: Jacqueline Harvey
Genre: Adventure
Publisher: Puffin
Published: 3rd March 2020
Format: Paperback
Pages: 400
Price: $16.99
Synopsis: Where do you draw the line when your family and friends are in grave danger? Do you take action even though it means ignoring the rules?
Back at Alexandria, with their friend Curtis Pepper visiting, Kensy and Max are enjoying the school break. Especially when Granny Cordelia surprises them with a trip to New York! It’s meant to be a family vacation, but the twins soon realise there’s more to this holiday than meets the eye.
The chase to capture Dash Chalmers is on and when there’s another dangerous criminal on the loose, the twins find themselves embroiled in a most unusual case. They’ll need all their spy sensibilities, along with Curtis and his trusty spy backpack, to bring down the culprit.

~*~
Kensy and Max are on their summer break at Alexandria with their grandmother and Song, and new friend from Sydney, Curtis Pepper when they’re summoned to New York! A family vacation – how fantastic! Only…it’s not. When whispers of Dash Chalmers coming to find his family arise, Kensy and Max find their family and themselves in the middle of a race to keep Dash from finding his family and uncovering the culprit behind the poisonings from letters and parcels.

image002

At the same time, Dame Spencer has her own reasons for including Curtis – she sees him as a possible recruit and spends much of the novel assessing him – we know from the blurb on the back that Curtis is a recruit being considered by Dame Cordelia Spencer. Kensy, Max and Curtis must work together to find out what is going on and who is behind it – and why all the adults around them are suddenly so secretive.

AWW2020The Kensy and Max series gets more and exciting as it goes on, and each book should be read in order – some characters pop in and out of the series, the books refer back to previous events, but don’t give a full recap of what has come before, and there are new things to learn all the time that need to be connected to the previous stories. The codes and ciphers are always fun too – in this one, Jacqueline uses the A1Z26 code – where each letter of the alphabet is represented with the numbers one to twenty-six in that order.

Be swept up in a New York adventure as Kensy, Max and Curtis hone their spy skills, and seek to uncover the person who has been sending poison through the postal system. This is yet another highly addictive adventure in the Kensy and Max series, and as more secrets and hints at why the family is constantly targeted are revealed, we get closer to finding out why Anna and Edward had to go into hiding for so many years.

Kensy and Max: Freefall ramps up the action in the final chapters, where everything seems to happen quickly and seamlessly as Kensy, Max and Curtis get caught up in finding out who they’re after and saving Tinsley and her children, and many other people. It has the perfect balance of humour and action, and I love that Kensy and Max get to be who they are, but are growing and changing across the course of the series. This is a great addition to the Kensy and Max series, filled with continuity and in jokes, and a new take on the spy novel that has a fresh take on the world of spies and their training and gadgets. I am looking forward to Kensy and Max book six when it comes out.

Isolation Publicity with Dee White

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.


Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

Dee White small author photo 2019 colour
Dee White has two books coming out, or that have come out during this pandemic – Beyond Belief, and Eddy Popcorn’s Guide to Parent Training – she has discussed them both here in one of my longest interviews yet! So it is interesting and exciting to get so many different interviews and responses, and shows how diverse our writing industry is in many ways. Like many authors, the release of Dee’s books was affected by the pandemic, and events have been cancelled. Dee agreed to take part in my series to promote these books and hopefully reach her readers.

Hi Dee and welcome to The Book Muse!

1. You’ve got two new releases that I am featuring here – one of which I do have on order. Could you tell my readers about each of them?

Beyond Belief is a work of historical fiction inspired by the true story of Muslims at a Paris Mosque who saved Jewish children during WW11. It tells the story of eleven year-old Jewish boy, Ruben and his family who are fleeing the Nazis and French police after more than 13,000 Jews were arrested and taken to concentration camps during the Vel D’hiv roundup on 16 and 17 July 1942.

Eddy Popcorn also features an eleven year-old boy, but couldn’t be more different. Eddy Popcorn is contemporary, humorous illustrated fiction. Eddy has been grounded for the school holidays for not doing his homework. Faced with not seeing the beach, or his mates, for the WHOLE holidays, Eddy puts all of his frustration into a helpful book for kids: Eddy Popcorn’s Guide to Parent Training.

2. Beyond Belief is the one I have on order, and was published in early April – can you tell my readers what it is about, and where the idea came from?

As I mentioned earlier, this book is inspired by a true story that I stumbled upon when I was researching another book, Paris Hunting. (Still a work in progress.) After the roundup, Ruben’s parents leave him at the mosque where they know he will be safe while they go looking for his sister Rosa who has been missing for some months. Ruben must wait for there for the infamous Fox who will take him to Spain to be reunited with his family. (The Fox is also inspired by a real historical character). At the mosque, Ruben must learn how to be a Muslim. One hint of his true identity and he’ll be killed, and so will the people trying to save him.

3. Following on from the previous question, Beyond Belief explores one of the untold stories of World War Two. What draws you to these kinds of stories, and how do you think we can get them into classrooms and mainstream discussions of history?

I feel like there’s so much we can learn from the past but also so much that we can relate to the modern world. Racism and propaganda are still issues we face today. In Paris and in other parts of Europe in the late 1930’s the Nazis instigated a campaign of hate against the Jews. They produced posters showing Jews taking over the world and stealing people’s hard earned money. They forced Jews from the ghettos to ‘act’ in films. They dressed them up in opulent clothes and forced them to walk past Jews dying on the streets of the ghettos to convince the general public that these people didn’t even care about their own race. It was all fake news, but people believed it. They used this propaganda to dehumanise the Jews so that when atrocities were committed against them, people wouldn’t step into help. They used these campaigns of hate to turn people against the Jews in much the same way that the Howard government used the fake ‘children over board’ campaign to turn modern day Australians against refugees. They tried to make us believe that parents were throwing their children overboard to save themselves and this was proven not to be true.

I think I’m drawn to these stories because they show the power of human kindness … and that we are all people, regardless of religious beliefs or place of birth. The interfaith solidarity between the Jews and the Muslims crossed all religious and historical boundaries. It was simply an example of genuine human concern for other humans. During the war there were examples of this all over the world between many different races. During my research I discovered an amazing organisation called I Am Your Protector. https://iamyourprotector.org/ I really believe in their ethos. They do amazing things. They are, “a community of people who speak out and stand up for one another other across dimensions of religion, ethnicity, gender, and sexual orientation. Through our work, we transcend perceived lines of division between different communities and endeavour to change the way people view the “other”. We share knowledge, stories, and tools that inspire people to become each other’s protectors.”

In February, the Victorian Education Minister, James Merlino announced that the Holocaust would become compulsory learning for Years 9 and 10 and I think that’s a great start to bringing books like Beyond Belief into schools. With themes like racism and fake news, books like Beyond Belief aren’t just a way to examine the past, they’re also relevant today. I think that all we can do is try to get the word out about books like Beyond Belief (like you are doing with your blog) and through social and mainstream media to make schools aware that these books are available and how valuable they can be in the classroom. Publishers like Scholastic also provide curriculum-based teacher’s notes to help.

4. Your other new release, Eddy Popcorn’s Guide to Parent Training, was released on the first of May – what is this about, and is it a stand-alone, or part of a series?

Eddy Popcorn’s character and story are inspired by my boys when they were around eleven or twelve. I love the ironic humour of kids at this age. Eddy Popcorn’s Guide to Parent Training is about the pre-teen relationship between kids and adults – that time when kids are starting to question the world around them and whether parents actually have all the answers. I love this age because kids are starting to develop their own perspective on the world and it’s often very funny.

Eddy Popcorn’s Guide to Parent Training is the first book in the series illustrated by Ben Johnston, whose illustrations are amazing. I’d never met or spoken to him, but he really seemed to connect with Eddy and his story. The second book in the series, Eddy Popcorn’s Guide to Teacher Taming is coming out with Scholastic Australia next year.

5. With both of these books released in the midst of a pandemic, what events, launches and appearances did you have to cancel?

I had a launch at our local library and one at the Little Bookroom organised … and of course these were both cancelled. I had received a grant to do a month long artist residence at a remote regional Victorian school in May/June but this couldn’t go ahead either. I had planned a three-month book tour (in my caravan Luna) from Melbourne to Townsville and return with school, library and bookstore visits and events booked in Sydney, Canberra, Brisbane and the Sunshine Coast. I also planned to visit isolated regional areas because I feel they often miss out on having authors visit their towns and schools. All this had to be cancelled. There were also a number of writer’s festivals that had booked me to appear and these didn’t go ahead either.

6. Did you always want to be a writer, and what do you think you would have been if you hadn’t gone down the publishing road?

I wanted to be a writer since I was seven, but it wasn’t considered a ‘proper job’ at that time so when I left school I actually went into insurance, which I hated, and then marketing and advertising. From this I was able to get a job as a copywriter so at least I was writing and from there I went into journalism. But even when I was working in insurance, I still wrote in my own time. I was compelled to write. For me it has always been as essential as breathing.

7. What are the craziest, or most outlandish things you have done in the name of research for one of your books?

Probably doing a tour of the Paris sewers for Beyond Belief. It was certainly the smelliest thing I’ve ever done. I’ve also been up in a hot air balloon and invented and trialled my own weapons in the name of research.

8. Where have you travelled to research your books, and which of these places has been the most interesting or your favourite?

My research has taken me to different parts of Australia and the world including Amsterdam, New York and Paris. Paris would definitely have to be my favourite. The month I spent in Paris researching Beyond Belief (Thanks to a Creative Victoria VicArts grant) was amazing. Everything just seemed to fall into place. And the information I needed seemed to find me. I was given an interpreter, Laetitia for the sewer tour and she was so lovely. She also happened to be a Muslim who spoke Arabic and she helped me to verify the authenticity of the events I was writing about. Her next door neighbour was the mother of a Rabbin so Laetitia was able to get me into a synagogue in Paris as well.

9. When it comes to research – how do you begin your research process, and are some topics easier to research than others?

I usually begin my research online, but I always love to visit the actual place I’m writing about if I can. It’s definitely easier to find out about some topics than others. France didn’t actually acknowledge their part in the Holocaust until about 1995 and memorials came much later so it wasn’t that easy to find out some things. Beyond Belief was also emotionally hard to research because of the nature of the subject matter. It was just so awful to visit Holocaust centres and memorials and see the faces of babies and small children who had been murdered. It was also a deeply personal story for me because my father and his parents were forced to flee Nazi occupied Austria.

I’m currently researching an historical fiction set in Australia, The Explorer’s Niece, and that’s proving difficult too because there are discrepancies between the information I’ve uncovered. And two of the local historians were at odds over it and disagree on dates and events. The research process is never smooth sailing. There are always places where you stumble. But that’s part of the challenge and fun of it. I love research because you never know where it will take you and your characters. If I do research online I always try and verify its authenticity in some other way through museums, libraries or a local historical society or by visiting the place myself and talking to people.

10. You’re also a certified writing teacher. Do all your classes take place face to face, or do you also teach online, and how has this been affected by the pandemic?

I’ve been running online writing classes for kids for almost ten years now. My students come from all over the world … From USA, UK, Australia and India, to Singapore, Hong Kong and Dubai, so that part hasn’t really been affected by the pandemic. But I also do face-to-face workshops and appearances at festivals, libraries and schools and these have all been cancelled. Also as I mentioned, my one month artist-in-residence, would all have been face-to-face workshops with students from prep to Year 8. I also mentor writers of all ages and this is often done via email so that hasn’t changed either.

11. Is the History, Mystery and Mirth tour still going ahead, or has it been cancelled or postponed – alternatively, has it been adapted into an online tour like some other festivals have?

Unfortunately I’ve had to cancel the tour for this year because of the closure of state borders and also schools are very busy at the moment with all the online learning. They have their hands full just trying to deal with the basic curriculum and paperwork and parents and technology fails etc. Perhaps I might be able to go ahead with tour next year. I’m currently in talks with the school I was going to be doing the artist-in-residence at, and hopefully that will go ahead in 2021. I am doing some online events still. I run the writer’s bootcamps at the CYA festival, which will be happening online in July. I’m also running an online workshop on creating compelling characters through SCBWI ACT on 28 June and that will feature Ruben from Beyond Belief and Eddy.

12. Who else is – or was – involved with the History, Mystery and Mirth tour?

I was organising this tour myself, but I’d scheduled a number of events through SCBWI in various parts of Australia and at a number of schools and festivals. And of course there was my artist-in-residence in Yarrawonga, which was to be part of the tour.

13. Apart from novels for children and young adults, have you had any other writing published elsewhere?

I’ve had many articles published in newspapers and magazines and online and I’ve written for a number of blogs. I started the Kids’ Book Capers blog at Boomerang Books and as well as my own blogs I ran a blog for a school for four years. When my kids were 2 ½ and 8 months old, we travelled around Australia in tents (with the family dog) for about 18 months and as we travelled I wrote articles for publications like Practical Parenting, Good Weekend and Go Camping.

14. Do you have a favourite writing companion or spot to write your novels in?

My goat Molly used to be my muse but sadly, she passed away when she was 14. I’m a bit of a nomadic writer and don’t have a single place that I work. I love writing outside and I love being in the location that I’m writing about and immersing myself in the setting.

15. Do you prefer to write with a notebook and pen, or on the computer, or a combination?

I always start out writing with a notebook and pen. It’s more portable and works well outside because I don’t have to worry about screen glare. Even in the editing process, if I have to rewrite a section I tend to do it with a notebook and pen. It seems to make it easier for me to immerse myself and connect more closely with my story and characters.

16. Do you have a favourite bookseller you’re trying to support during these tough times?

That’s a really hard one. All the booksellers are amazing and having a difficult time too. My local bookseller New Leaves doesn’t have an online store, but you can post your order through a slot in their front door and they deliver to your door. (Good old fashioned country service) Squishy Minnie is also wonderful. They’re in the next town and they have an online store and they have gorgeous books for kids and teens. And I love The Little Bookroom who are always so supportive of me and other creators and they have my books in store and online as well. Collins Booksellers in Sunbury always so enthusiastic about my work too.

17. Which authors or books are you always drawn to?

I love books with heart and a touch of humour and a bit of mystery … and of course, history as well. I love Bren MacDibble’s books because they have so much heart and originality and her characters are always so memorable. Wendy Orr’s books are like that too and I particularly like her historical fiction like Dragonfly Song and Swallow’s Dance. Kathryn Gauci is also an amazing author who writes adult historical fiction. I love Rebecca Stead’s books and Jessica Townsend and Nova Weetman and Chrisse Perry and Adam Wallace and Michael Gerard Bauer. There are just so many wonderful books and authors out there.

18. Many authors I have interviewed have also been involved in reading, writing and literacy programs – is this something you do as well?

I have worked in schools and with individuals on a voluntary basis, helping with reading, writing and literacy, but I’m not associated with any particular organisation.

19. Are all your books published by one publisher, or do you work with different publishers?

I work with different publishers. Beyond Belief and Eddy Popcorn are published by Scholastic, my picture book Reena’s Rainbow is published by EK books, I’ve had books published by Pearson Australia and my YA novel Letters to Leonardo was published in Australia by Walker Books and by Mazo Publishing in USA and UK.

20. How would you like to see people supporting the arts and artists in this time, and beyond the pandemic?

The best way that people can support the arts and artists is to engage with art and spread the word about it. Buy books and music and artworks. Go to live shows and festivals and if you like what you read, heard or saw, tell people about it. One of my local bookstores keeps selling out of Beyond Belief and that’s because people keep recommending it to others. Of course reviews are great too. If you like a book, review it on Goodreads or online bookstores.

21. What books do you have planned for the future?

I’m working on Eddy 2 – Eddy Popcorn’s Guide to Teacher Taming, and I have another historical fiction, The Explorer’s Niece. I’m working on Paris Hunting which is the book I was working on when I stumbled across the story that became Beyond Belief. I also have another historical fiction in the pipeline, Canary Girl and another humorous junior fiction work in progress, Will Smite the Nearly Fearless Knight. So plenty to stop me from getting bored!

Anything you wish to say that I may have missed?

Wow, thank you for your great questions and for having me on your fabulous blog.

I have a Youtube channel  and you can find out more about me at my website  or on social media at Dee White Author.

The other thing I wanted to mention is that I’ve been making Pop Motion videos (stop motion videos using popcorn) for Eddy Popcorn’s Guide to the Apocalypse and it is so much fun! In his pop motions, Eddy shares his experiences and tips on how to survive the pandemic. Eddy’s pop motions can be viewed on my Youtube channel and through Eddy’s page on my website. I’m also happy to do workshops in schools about using pop motion as a storytelling tool.

Thanks Dee!