Murder On The Ballarat Train (Phryne Fisher #3) by Kerry Greenwood

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Title: Murder on the Ballarat Train

Author: Kerry Greenwood

Genre: Crime

Publisher: Allen and Unwin

Published: March 2005

Format: Paperback

Pages: 180

Price: $22.95

Synopsis: In Phryne’s third adventure, Phryne is off to Ballarat for a week of fabulousness, but the sedate journey by train turns out to be far from the restful trip she was planning.

For the elegant Phryne Fisher, travelling sedately is not at all what it seems.

‘Lie still, Dot dear, we’ve had a strange experience.’ But neither the resourceful Honourable Miss Phryne Fisher nor her loyal maid, Dot Williams, are strangers to odd events.

When the glamorous Phryne Fisher, accompanied by Dot, decides to leave her delightfully fast, red Hispano-Suiza at home and travel to the country in the train, the last thing she expects is to have to use her trusty Beretta .32 to save their lives.

What was planned as a restful country sojourn turns into the stuff of nightmares: a young girl who can’t remember anything, rumours of vile white slavery and the body of an old woman missing her emerald rings. And Phryne is at the centre, working through the clues to arrive at the incredible truth before another murder is committed.

Fortunately, Phryne can still find a little time for a discreet dalliance and the delicious diversion of that rowing team of young men.

~*~

aww2017-badgeJourneying to Ballarat on the train with Dot, Phryne is expecting a week of elegance and a break from the bustle of the city. However, Miss Fisher finds herself midst a murder case, a young girl whose memory has disappeared and rumours of white slavery occurring in Melbourne. Returning back to Melbourne with Dot, the young girl, Jane, and the daughter of the murder victim, Phryne sets herself the task of finding out who killed the old woman, and where Jane comes from so she can help her, and engaging in a dalliance with a rowing team from the local university, culminating in events that Phryne had not thought possible.

As always, Phryne engages the Communist drivers, Bert and Cec to help her look into the less savoury aspects, people and locations that are linked to Jane in order to help her, and eventually, another young girl called Ruth. Little does Phryne know that somehow the rowing team and the two cases she picked up on the train are to become linked, and the killer and their secrets revealed.

Kerry Greenwood has succeeded again in creating a female character who simultaneously fits in with the time period she lives in yet also flouts all socially acceptable behaviour for a woman of her standing. She allows the male police to act when necessary, but assists them and uses her feminine wiles to ensnare Detective-Inspector Robinson into helping her, which he does, gladly, and in awe of her.

Set in the late 1920s, during the early stages of the Great Depression that gripped the world during the 1930s, and up to the Second World War, Kerry Greenwood at times hints at moments of Australian history that are significant, though these moments are a bit more prevalent in Sulari Gentill’s Rowland Sinclair series, set roughly during the same time, and with a character who is also an amateur detective and gives the police he deals with a run for their money.

A series of historical fiction crime books with a female character who is strong and feminine in equal measures, and whose escapades shock the prim and proper, and traditional echelons of society in a young Australia, merely ten years fresh from a world war and almost three decades old, Kerry Greenwood has captured an essence of the Australian character in a unique way. I am enjoying this series, and look forward to reading more, and hopefully getting through them all this year.

Booktopia

Under The Same Sky by Mogjan Shamsalipoor and Milad Jafari with James Knight

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Title: Under the Same Sky
Author: Mojgan Shamsalipoor and Milad Jafari with James Knight
Genre: Non-fiction, biography
Publisher: Hachette Australia
Published: 26th April 2017
Format: Paperback
Pages: 331
Price: $32.99
Synopsis: The powerful and incredibly moving story of Mojgan Shamsalipoor and Milad Jafari – two young Iranian asylum seekers who are showing that the power of love can conquer all obstacles.
After fleeing their homeland, Australian refugee policies threaten to tear this young couple apart. An unforgettable story of love, hope and a quest for freedom.
At seventeen, all Mojgan Shamsalipoor wanted was to be safe from physical and sexual abuse, go to school, and to eventually marry for love. In Iran, she was denied all of this.
Milad Jafari was a shy teenage boy who found his voice as a musician. But the rap music he loved was illegal in his country. All Milad’s father, a key maker, builder and shopkeeper, wanted was for his family to live free from the fear of arrest, imprisonment or execution. To do that they all had to flee Iran.
Mojgan and Milad met in Australia. But in the months between their separate sea voyages, the Australian government changed the way asylum seekers were treated. Though Milad is recognised as a refugee and will soon become a proud Australian citizen, Mojgan has been told she cannot stay here even though the threat of imprisonment and further abuse, or worse, means she can’t return to Iran.
UNDER THE SAME SKY, is a powerful insight into the human face of asylum seekers and the way history has shaped the lives of these two young people. It also shows the compassion alive in our suburbs. For Mojgan and Milad, their love keeps their hopes alive.

~*~

Under the Same Sky is the story of Mojgan and Milad’s lives in Iran, and their escape as asylum seekers to Australia. In Iran, both led very different lives under a regime that restricted what women could do, and promoted one religion over all others, persecuting anyone who didn’t fall into line with what the government dictated to them. Eventually, both their families saw the need to flee: Milad’s together, and Mojgan with one of her older brothers, Hossein. With the government as it was, each had to pretend they were only headed to Indonesia for holidays, and that they would return to Iran. Doing it this way, they were able to leave, yet still had to find a way to Australia, where they hoped to find safety. In each chapter, Mojgan and Milad tell their story as their journeys progress, and in some ways, they had similar journeys, but in other ways, their experiences as asylum seekers and refugees differed.

After traumatic events that led to Mojgan and Hossein fleeing Iran for Australia – with the uncertainty of their fate and the fate of the family members they had had to leave behind, and months spent in detention, the two met at a Baha’i camp, and became good friends, and eventually, started dating. However, the government had decided on Mojgan and Hossein’s fate – they had not been granted visas and after months of living in community detention, and a relationship, and marriage between Mojgan and Milad, the brother and sister were sent back to detention, where they were again in limbo, awaiting decisions.

Throughout these turbulent times, Milad, his family and the friends and teachers Mojgan had met at Yeronga at school began fighting for her to be freed, and returned to a safe home with people who cared about her. This fight is included in the story, in some of the chapters told by James Knight, who gives a lot of background to the instability of Iran and the changing attitudes towards asylum seekers and refugees and their treatment. Mojgan’s experiences in detention affected her deeply –even though she wasn’t always harshly treated, the instances she was, and the guards who were rough with her stood out in her mind. Even the guards who tried to help her , who were nice, couldn’t fully erase these experiences.

At the time of the publication of the book and the writing of this review, a final decision is yet to be made and Mojgan and Hossein, though now living with Milad and his family, are still in limbo.

Mojgan and Milad’s story sheds light on an issue that is fraught with complexities and often simplified in the media – which does not always allow for in depth discussion. Mogjan, Milad and James all acknowledge throughout the complexities, especially in the constantly changing attitudes at the political level and in public opinion about refugees, illustrated by interviews with teachers who knew Mogjan and Milad, and quotes from papers about refugees and asylum seekers and references to speeches by the former Minister for Immigration, Scott Morrison. What these do is to establish the political backdrop of Australia, and in a way, contrast it against what Milad and Mojgan ran from – the stark contrast of a dictatorship like Iran, whose government demanded to know the whereabouts of Mogjan long after she left, and the freedom of Australia that they sought but that they were unsure they would ever gain. James Knight’s statements are supportive of those who helped Mogjan and Milad, and less supportive of the government of the time. Some come across as political because issues of asylum seekers and refugees can never be divorced from politics, but I feel like he fell short of outright condemnation and name-calling.

It was an interesting book to read, because it presented a side to the issue not often seen, and one that maybe, should be given more attention. Cases such as Mogjan and Milad’s, where they’ve fled danger and persecution, and simply want a safer life, are the ones we should be hearing about as well as any negative stories that come out. Reading it, I felt moved and shocked by what Mogjan had gone through in Iran and detention. It is only their experiences of fleeing and people smugglers, and becoming asylum seekers. It touches on the issue of how difficult it can be to leave a place like Iran for good. I recommend it for anyone interested in human rights and those wanting to know about the experience from the perspective of someone who has been there.

Stars Across the Ocean by Kimberley Freeman

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Title: Stars Across the Ocean

Author: Kimberley Freeman

Genre: Fiction, Historical Fiction

Publisher: Hachette Australia

Published: 26th April 2017

Format: Paperback

Pages: 450

Price: $29.99

Synopsis: The powerful new novel from Kimberley Freeman.

A rich and satisfying story of two women with indomitable spirits and the high costs they have to pay for being strong-minded, from the author of the bestselling LIGHTHOUSE BAY and EMBER ISLAND.

1874: Only days before she is to leave the foundling home where she grew up, Agnes Resolute discovers that, as a baby, she had been abandoned with a small token of her mother: a unicorn button.

Agnes always believed her mother had been too poor to keep her, but after working as a laundress in the home she recognises the button as belonging to Genevieve Breckby, the beautiful and headstrong daughter of a local noble family. Agnes had seen Genevieve once, in the local village, and had never forgotten her.

Despite having no money, Agnes will risk everything in a quest that will take her from the bleak moors of northern England to the harsh streets of London, then on to Paris and Ceylon. As Agnes follows her mother’s trail, she makes choices that could cost her dearly. Finally, in Australia, she tracks Genevieve down. But is Genevieve capable of being the mother Agnes hopes she will be?

~*~

aww2017-badgeStars Across the Ocean opens in the present, in first person. Victoria, or Tori as she prefers, has travelled from Australia to England to assist her ailing mother, who following an accident at work, is recovering in a rehabilitation centre. Tori is sent by her mother to her office to recover some work she has, and in the process, Tori finds a letter from about 1855: To My Child, Whom I Could Not Keep. And so begins Tori’s adventure into the past, via this letter, which abruptly ends and transitions from the first person perspective of Tori in the present and the letter, to 1874, third person, and Agnes.

Agnes Resolute is a foundling child of Perdita Hall in Hatby, Yorkshire. She has lived there for nineteen years, since her abandonment as a baby, with only a unicorn button the only clue to her past. Putting together her memories of a young woman named Genevieve from Breckby Hall, and a connection to the button, Agnes sets off on a journey to London, where she becomes the companion to Marianna Breckby, Genevieve’s sister and someone whom Agnes hopes, can help her find Genevieve.

Her time in London is cut short as she travels to Paris, where Genevieve’s son, Marianna’s nephew, Julius, finds her and listens to her story, and decides to help her find out about her family, telling her a few secrets of his own that make her question their relationship and what they might mean to each other. From Paris, Agnes travels alone to Ceylon to find Genevieve, and instead, finds a former lover, whose stories about Genevieve lead Agnes to Melbourne, Australia and the theatres. It is here that Agnes hopes to find Genevieve and have her questions answered,

Throughout the novel, it flicks back to the present as Tori struggles to put the letter together, with several sections missing, and whilst she is trying to solve the mystery of the letter, she is also struggling with her own demons back home in Australia, the lack of contact with her husband, and her ailing mother, who seems to need constant care.

It is a story about a young woman finding her place in the world, and reuniting with a mother who wanted her despite her family, and finding an unexpected love in the process. The romance was done exceptionally well, because the characters were given a chance to be their own people first and foremost; Agnes was allowed to be her own woman for a time, and find answers to questions she had had for years. It was a small part of the novel, but at the same time, a nice addition to a story that became about knowing who you are and not accepting what other people expected of you. There are two endings to this – the ending to Agnes’ story and the ending to Tori’s story. One was satisfying in many ways, and the other was a little abrupt, though realistic in relation to the plot. However, this second ending still left me wanting to know more, and wanting to know what else Tori and her mother would find out.

A delightful historical fiction story set in Victorian London, with a heroine who in some ways, fits into the gender expectations of the time but is still her own person and refuses to be tied down – the kind of character who can spread her wings when she wants to, and come home when she needs to. It is a lovely tale, and I hope to read it again soon.

A great read for lovers of historical fiction, and anyone who has read and enjoyed authors such as Kate Forsyth.

Booktopia

Aurealis Awards

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Established in 1995 by Chimaera Publications, the publishers of Aurealis magazine, to recognise the achievements of Australian writers of fantasy, science fiction and horror. These awards are intended to complement the Ditmar Awards of the Annual Australian National Science Fiction Convention and the Australian Children’s Book Council Awards, as well as the various other state and national literary awards such as the Stella Prize, as none of these awards distinguishes the different categories of speculative fiction that fantasy, horror and science fiction fit into.

 

Out of these winners, I have read the Best Children’s Fiction recipient, When the Lyrebird Calls by Kim Kane, and the winner of the Convenor’s Award for Excellence, The Rebirth of Rapunzel by Kate Forsyth.

 

Congratulations to the winners.

 

 

The 2016 Winners are listed below:

 

Congratulations to the winners of the 2016 Aurealis Awards!

BEST CHILDREN’S FICTION

When the Lyrebird Calls, Kim Kane (Allen & Unwin)lyrebird

 

BEST GRAPHIC NOVEL / ILLUSTRATED WORK

Negative Space, Ryan K Lindsay (Dark Horse Comics)

 

BEST YOUNG ADULT SHORT STORY

“Pretty Jennie Greenteeth”, Leife Shallcross (Strange Little Girls, Belladonna Publishing)

 

BEST HORROR SHORT STORY

“Flame Trees”, TR Napper (Asimov’s Science Fiction, April/May 2016)

 

BEST HORROR NOVELLA

“Burnt Sugar”, Kirstyn McDermott (Dreaming in the Dark, PS Australia)

 

BEST FANTASY SHORT STORY

“Where the Pelican Builds Her Nest”, Thoraiya Dyer (In Your Face, FableCroft Publishing)

 

BEST FANTASY NOVELLA

“Forfeit”, Andrea K Höst (The Towers, the Moon, self-published)

 

BEST SCIENCE FICTION SHORT STORY

“Of Sight, of Mind, of Heart”, Samantha Murray (Clarkesworld #122)

 

BEST SCIENCE FICTION NOVELLA

“Salto Mortal”, Nick T Chan (Lightspeed #73)

 

BEST COLLECTION

A Feast of Sorrows, Angela Slatter (Prime Books)

 

BEST ANTHOLOGY

Year’s Best YA Speculative Fiction 2015, Julia Rios and Alisa Krasnostein (eds.) (Twelfth Planet Press)

 

BEST YOUNG ADULT NOVEL

Lady Helen and the Dark Days Pact, Alison Goodman (HarperCollins Publishers)

 

BEST HORROR NOVEL

The Grief Hole, Kaaron Warren (IFWG Publishing Australia)

 

BEST FANTASY NOVEL

Nevernight, Jay Kristoff (Harper Voyager)

 

BEST SCIENCE FICTION NOVEL

Gemina: Illuminae Files 2, Amie Kaufman & Jay Kristoff (Allen & Unwin)

 

THE CONVENORS’ AWARD FOR EXCELLENCE

The Rebirth of Rapunzel: A Mythic Biography of the Maiden in the Tower, Kate Forsyth (FableCroft Publishing)

 

Congratulations to the 2016 winners, announced on .the 14th of April, 2017.

Looking for Rose Paterson: How Family Bush Life Nurtured Banjo the Poet by Jennifer Gall

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Title: Looking for Rose Paterson: How Family Bush Life Nurtured Banjo the Poet.

Author: Jennifer Gall

Genre: Non-fiction. History, Biography

Publisher: NLA Publishing

Published: 1st March 2017

Format: Paperback

Pages: 208

Price: $44.99

Synopsis: ROSE ISABELLA PATERSON gave birth to a boy, Barty, in 1864. That child became the famous balladeer, Andrew Barton ‘Banjo’ Paterson. Barty was the first of seven children who lived on Illalong station, a property near the New South Wales township of Binalong, where Rose spent most of her married life.
In this book, we enter into the rustic world of late nineteenth-century pioneers, where women endured continuous cycles of pregnancy, childbirth and recovery, and the constraints of strict social codes. Rose faced the isolation of Illalong – ‘this poor old prison of a habitation’ – with resolute determination and an incisive wit. Her candid letters, written throughout the 1870s and 1880s, to her younger sister, Nora Murray-Prior, reveal a woman who found comfort in the shared confidences of correspondence and who did not lack for opinions on women’s rights, health and education. Here we see a devoted sister, a loyal wife battling domestic drudgery with scarce resources, and an affectionate mother whose parenting approach embraced ‘a little judicious neglect & occasional scrubbing’.

‘Looking for Rose’ recreates the world of Rose Paterson and, within the rhythm of her life, the bush childhood of ‘Banjo’ Paterson, which ultimately found a place in some of Australia’s best-known verses.

DR JENNIFER GALL is Assistant Curator, Documents and Artefacts, at the National Film and Sound Archive in Canberra, and a Visiting Fellow at the Australian National University School of Music. Her publications include ‘In Bligh’s Hand: Surviving the Mutiny on the Bounty’, published by the National Library of Australia, for which she won the 2011 Barbara Ramsden Award.

~*~

aww2017-badgeLooking For Rose Paterson brings the domestic world of women on the land in the mid to late nineteenth century, colonial era Australia, and in particular, the life of the mother of one of Australia’s much-loved poets. Andrew Barton “Banjo” Paterson’s (or Barty as his mother called him) mother Rose raised the generation of children that would go on to see the Federation of Australia, suffrage, and the early stages of the women’s rights movement, and the First World War. As Rose was a part of the generation that preceded this, Jennifer Gall’s book focuses on the trials she faced living the pastoral life, having a large brood of children, and the importance that society at the time placed on the role of women in the household, bringing up children and at times, seeing to the education of boys and girls, with a little more importance placed on the birth and education of sons who could provide for the family and take care of female relatives and younger sisters who were still children themselves if both parents were dead.

Rose was not however, the meek and mild stereotype that some accounts and stories make women of this time out to be. She fulfilled the roles of mother, caregiver and wife as was expected, yet she also maintained a close relationship with her sister, strived to teach her children to be humble as well as self-sufficient and accomplished at various things – which usually meant music, housework, and maybe some language skills, reading and writing for the girls, so they could run a household of their own, and instilled a desire to write in her son, Barty – known to us these days as Banjo Paterson.

Each chapter begins with the reproduction of a painting depicting nineteenth century pastoral life, and a quote from Banjo Paterson’s poetry. Throughout, Jennifer Gall has reproduced some letters that Rose wrote to her sister Nora, as well as other images and artefacts from the time period to illustrate to the reader what Rose’s life would have been like, and the advice that would have been available to mothers and women.

The story of Rose Paterson is one that until now was unknown to me. I suppose, like the stories of many women of her generation, it was one that may not have been seen as important to the history of Australia. Indeed, we celebrate many male stories from colonial times and the first part of the twentieth century, but apart from the suffrage movement and women’s involvement in the First World War, some stories are still hidden and we need to continue mining away to find the gems, such as this story of Rose Paterson. In a time when women’s voices were often not listened to, Rose played an integral role in bringing up her son, Barty to become the poet we know today.

Reading Rose’s story brought me back to thinking about Jackie French’s Matilda Saga, and the way she has brought the lives of these women to life, white, Indigenous, rich, poor and sometimes, of various nationalities throughout the books. Rose Paterson is a figure whose story is worthy of being told, allowing insight into a world predominantly seen through the written word of men and their world views. A world where boys and girls were faced with different expectations and futures, and a world that only a generation later, would see the beginnings of Federation, and suffrage for women, moving into the twentieth century where women became more vocal, and fought for their rights. It makes me wonder: with Rose as strong as she was – what would she have made of that world, and would she have been for or against suffrage? If she had met a girl like Jackie French’s Matilda O’Halloran, what would she have thought?

An intriguing book, and one to be treasured, so we never forget these hidden voices of which there are so many. It is both informative and entertaining, and gives deeper insight into the world of women of this era and the ways so many found to step outside of the confines of a gendered world, even if only in a small way.

Booktopia

Booktopia

From the Wreck by Jane Rawson

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Title: From the Wreck

Author: Jane Rawson

Genre: Fiction, Historical

Publisher: Transit Lounge

Published: 1st March, 2017

Format: Paperback

Pages: 272

Price: $29.95

Synopsis: From the Wreck tells the remarkable story of George Hills, who survived the sinking of the steamship Admella off the South Australian coast in 1859. Haunted by his memories and the disappearance of a fellow survivor, George’s fractured life is intertwined with that of a woman from another dimension, seeking refuge on Earth. This is a novel imbued with beauty and feeling, filled both with existential loneliness and a deep awareness that all life is interdependent.

~*~

aww2017-badgeFrom the Wreck is inspired by the family history of Jane Rawson, and her great-great grandfather, who survived a shipwreck – the Admella, a steam ship that sunk off the coast of South Australia in 1859 – and the family he created afterwards. George is haunted through the book by the memories of those who died around him, and the strange woman – seemingly unearthly, and her presence around his son, Henry, born several years later. It is Henry that seems marked by the encounter with the woman, who entered George and Eliza’s house when Henry was born.

Years pass, and George continues to be haunted by the events surrounding the shipwreck and the strange woman who has simply disappeared, and whom nobody can find or recall. George starts to take his anguish out on his son, who yearns for knowledge, and feels rejection at his father’s anguish that stems from his experiences on the sea.

The woman who saved George, a being from another world, also feels anguish – she is displaced and unsure of where she is, lost, ripped away from her world in an unknown place – pre-Federation Australia. The anguish each feels mirrors each other throughout the novel, which tells George and Henry’s story in third person, and the mystical being’s story in first person. An unusual combination, I felt that it worked for this novel, and allowed the reader to explore the psyches of each character involved in a different way, and how they were connected to each other and the impending tragedy that would shake everyone involved to the core, and came as a shock whilst reading – a powerful shock that ensured I kept reading to see how it was all resolved.

From the Wreck is Jane Rawson’s third novel, and an unexpected addition to my Australian Women Writer’s Challenge. It explores a family history and how tragedy can leave a mark – and not necessarily one that is physical or seen. The being and George are both seeking refuge and sanctuary after catastrophes that ripped them apart in some ways. It is done in an intriguing way, and in turning a mysterious historical figure into something mystical and unexplained for much of the book, utilising the voices of history, and family history, to tell the story.

Jane Rawson’s use of history and her own family history to tell the story with an injection of fantasy allowed the story to flow nicely, and gave it a good grounding, intrigue and rich characters, and positioned it within a historical time and place through the use of words no longer in use today commonly, attitudes towards others and the unknown, and how people dealt with tragedy, and family dynamics that evolved over time.

It was the first Jane Rawson book I have read, and I enjoyed the mystery and history that she wove together. The sense of the unknown can be unsettling but in a way that kept me reading. Historical fiction with a twist, it is an interesting novel and though deeply entrenched in the author’s family history, it is still something that readers of historical fiction may enjoy.

Thank you to Scott Eathorne for contacting me and giving me the chance to read this.

From the Wreck is available online through Angus and Robertson and Booktopia

Booktopia

Country Roads by Nicole Hurley-Moore

 

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Title: Country Roads
Author: Nicole Hurley-Moore
Genre: Fiction
Publisher: Allen and Unwin
Published: 25th January 2017
Format: Paperback
Pages: 303
Price: $29.99
Synopsis: Rebecca Duprey is working day and night to keep the family sheep station, Bluestone Ridge, afloat. But Bec’s father, who’s been in a wheelchair since a farming mishap, keeps second-guessing her decisions. Now, to add Bec’s woes, her unfaithful ex-boyfriend has started lurking around, and the adjoining farm she’d hoped to buy has been snapped up by a guy from the city called Matt Harvey.

After leaving his job in advertising, Matt became a bestselling novelist. But since the death of his fiancee in a car accident, he’s had severe writer’s block and is desperately hoping his move to the country will help him deal with his grief and allow him to focus on completing his next book. Problem is, he seems to have started off on the wrong foot with his new neighbour, Bec Duprey.

Bec isn’t quite sure when she started feeling attracted to Matt, but she’s determined not to succumb to his charms. And Matt isn’t sure when his feelings changed about Bec; all he knows is he can’t get her out of his mind. Can Bec and Matt overcome their fear of loss to find love and happiness with each other…?

~*~

Rural romances like Country Roads aren’t really novels that I enjoy. In Country Roads, we meet Matt Harvey, an author nursing physical and emotional injuries from a car accident, and Rebecca Duprey, his neighbour. Not surprisingly, they get off to a rocky start, and this is the initial spark that has the book playing ping-pong between the characters and the drive towards their relationship. To make things more complicated, perhaps not surprising for a romance, is the dogged determination of Rebecca’s ex, Zane from the neighbouring farm, and the conflict between their fathers, and what Zane’s father, and the larger community, once expected of Rebecca and Zane. There are conflicts but the stubbornness of each character, and the same arguments rehashed a few times because some people didn’t want to relinquish control, accept no for an answer, or believe their own bull-headed thoughts over the truth worked for a while. Conflict between characters is always good, but I felt that a little variation on how these conflicts played out and what drove them could have made the story more interesting.

The one character, Nathan Langtree was sort of just there – perhaps to help Matt, or for Matt to identify with, but a few mentions and appearances had me forget who he was until he next appeared. His history and character being given more page time could also have made things more interesting. The interactions between Rebecca and Matt were written well, though, but like any characters in books, did and said things that made were frustrating – yet they fit the scene and character for the most part.

One thing I didn’t really like was how obvious I felt the author made it as to who to like and who not to like. Indeed, in some books, it can be quite clear who is good, bad and in-between – however, in this case, I felt like I was being guided into having to like certain characters – and these characters felt a little too perfect at times. I would have liked to see other sides to these characters, to give a little depth to them – depth that comes out in their backgrounds and in the few instances this is discussed, yet a little more might have changed the dynamics a little, and given the promising plot a little more oomph.

The interesting scenes for character development, like farming, writing, hanging out at the pub or the movies – were a little too much tell. It was these scenes that could have really moved the story and characters, but felt a little rushed, as though they weren’t really important.

At the base though, there was an interesting story and the characters did eventually open up and talk, and provide a little character development that gave them deeper needs and desires behind the facade of the girl next door and the mysterious, wounded out of town guy, mixed in with the various gossiping characters. Even though this wasn’t a book I enjoyed or would read again, it is a good book for a lazy beach day, or for readers who enjoy romance and stories like this.