Title: The Strange Disppearance of a Bollywood Star
Author: Vaseem Khan
Genre: Crime and Mystery
Publisher: Mulholland Books/Hachette Australia
Published: 16th May 2017
Format: Paperback
Pages: 360
Price: $29.99
Synopsis: In the third delightful Baby Ganesh Agency novel, Inspector Chopra investigates the darkly glittering underbelly of Bollywood when a film star vanishes into thin air…
The enchanting new Baby Ganesh Agency novel sees Inspector Chopra and his elephant sidekick investigating the dark side of Bollywood.
Mumbai thrives on extravagant spectacles and larger-than-life characters.
But even in the city of dreams, there is no guarantee of a happy ending.
Rising star and incorrigible playboy Vikram Verma has disappeared, leaving his latest film in jeopardy. Hired by Verma’s formidable mother to find him, Inspector Chopra and his sidekick, baby elephant Ganesha, embark on a journey deep into the world’s most flamboyant movie industry.
As they uncover feuding stars, failed investments and death threats, it seems that many people have a motive for wanting Verma out of the picture.
And yet, as Chopra has long suspected, in Bollywood the truth is often stranger than fiction…
~*~
Ashwin Chopra, his wife, Poppy, and their little elephant, Ganesha return in this third instalment of the wonderful Baby Ganesh Agency series. This time, the star of an upcoming Bollywood movie, Vicky Verma, has gone missing at a promotional performance for the movie and his role, with Chopra and Ganesha in the audience. Together, they watch him vanish and supposedly reappear on stage, and from there, the investigation begins. Chopra speaks to the movie company, and the director, PK Das, Bijli Verma, Vicky’s mother and anyone else who has ever worked with or known Vicky during his attempts to find him. At the same time, Chopra’s partner, Rangwalla is caught up in an investigation amongst a eunuch community, where he goes undercover to investigate the activities they are being lured into, and so, he agrees to help the Queen find out what is going on. As Rangwalla and Chopra investigate their cases, ACP Rao, the officer whom Chopra bested in the last book during the Koh-I-Noor investigation, simmers in the background as a threat to Chopra and his case, leading to a series of events that Chopra, Ganesha, Poppy and their friends must find a way to get out of so that Chopra can find Verma and the person, or people who took him. But, as with any case, things are not what they seem, nor are they as simple as one might think, and Chopra’s confusion and disillusionment with the Bollywood industry and the way they operate, illuminating the way these people treat others, and this is contrasted with the case Rangwalla looks into, and the slums where the eunuchs live, their isolation from society and the way they are seen by others, as something to be discarded almost – but still retain their humanity and appreciate what Rangwalla does for them.
The contrast between the cases shows the spectrum of society in Chopra’s Mumbai, and shows that money cannot buy affections or humanity, a theme that weaves through both cases eventually, and as Chopra comes to the conclusion of his third case, the flaws of humanity and the way people react in the face of the truth illustrates that you cannot judge someone without knowing them or only knowing a public persona that they might hide behind – but the way Vaseem Khan has presented this moral was effective and done in a way that wasn’t overtly obvious, but could still be understood by the reader.
Poppy was at her finest in this book – she is a strong, capable character who has flaws and vulnerability and can be every bit as sneaky and deceptive as her husband – skills that she has picked up from Chopra. She is fast becoming a favourite of mine, because she takes no prisoners and doesn’t give up on those she cares about. And how could I not mention the star of the series, Baby Ganesha, the little elephant that started it all when he came to Chopra as an inheritance from a dead relative. Ganesha is more than just a pet – he is a special elephant whose diet consists mainly of Cadbury’s Milk Chocolate, a habit that not even Chef Lucknowwallah or Poppy can break him of. Ganesha knows when to help, and when his Chopra is in trouble – and he has saved the day before, and is loyal to Chopra, Poppy and Irfan in the fiercest way possible.
This third story with its dual plot meanders at a gentle pace, and without a hint of unnecessary gore and violence. When things get complicated and dangerous, Poppy finds a way to sort things out and ensure nobody gets hurt. As in the first two books, Ganesha comes to Chopra’s rescue at least once, and is perhaps the true hero of the series, even though it is usually Rangwalla and Chopra who uncover the truth, sometimes in unconventional and unexpected ways. The Strange Disappearance of a Bollywood Star is a wonderful addition to a series with a difference, and one that will hopefully continue for many years to come. I look forward to next year’s book, and hopefully, many more after that.
Kerry Greenwood’s Phryne Fisher is back, and solving another mystery. This time, she must work with ex-anarchists to uncover who killed the young man who died in her silk clad arms, and find out what has happened to a young girl, Alicia Waddington-Forsythe, who attends the same school as her adopted daughters, Jane and Ruth, and why she has gone missing. Managing both cases, she goes from adoring hostess and mother to undercover anarchist with a change of clothes, and finds that there is one named Peter, who catches her eye in more ways than one, and her style certainly catches his attention, and devotion. He becomes her go between in the anarchist world, and assists her in the case, eager to help, keen to see justice done, whoever the killer is. As usual, the Butlers are there, keeping the secrets that come through the house, as is Dot, who is becoming more and more adventurous with each story, but still maintains her innocence despite Phryne’s influence, and Bert and Cec are always on hand when she needs them.
In Rebus’ twenty-first outing, Rather Be The Devil, which marks thirty years since the misanthropic detective who investigates the dark underside of Edinburgh and the crimes it tries to conceal. In Rather Be The Devil, Rebus is retired, though rather unwillingly, and is haunted by an unsolved murder from forty years ago: Maria Turquand. Alongside this, a crime syndicate is trying to evade justice and capture. Naturally, a retired Rebus becomes embroiled in these cases, assisting his former colleagues as he grapples with health issues that he is hiding from those who care about him.
