Australian Women Writer’s Challenge Check in Four – forty-five to sixty.

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My fourth check in, and most current one as of the 12th of August, 2018, takes me to sixty books for the year, and in July I managed to read an entire Kate Forsyth series, as well as historical fiction, an #OwnVoices book, female focussed books, and one with  fascinating link to ancient history that I adored, as well as memoir about race, feminism and religion that unpacked how various identities can often be at conflict and how this affects you as a person and how you see the world, but also looked at how various aspects of one’s identity can inform a world view and understandings.

From Cromwell’s England to the desert hospitals of World War One, a haunted house and survivalists, dragons and China, and memoir, along with a good dose of fantasy, this list is as diverse as the others, with a large dollop of Kate Forsyth, whose books are always delightful.

My next post of this nature will begin with the latest Kensy and Max adventure, and from there, who knows what else will come?

Books forty-six to sixty

  1. The Desert Nurse by Pamela Hart
  2. The Gypsy Crown by Kate Forsyth (Chain of Charms #1)
  3. The Silver Horse by Kate Forsyth (Chain of Charms #2)
  4. The Herb of Grace by Kate Forsyth (Chain of Charms #3)
  5. The Cat’s Eye Shell by Kate Forsyth (Chain of Charms #4)
  6. Children of the Dragon: Relic of The Blue Dragon by Rebecca Lim
  7. The Legacy of Beauregarde by Rosa Fedele
  8. The Lightning Bolt by Kate Forsyth (Chain of Charms #5)
  9. The Botanist’s Daughter by Kayte Nunn and Interview
  10. The Butterfly in Amber by Kate Forsyth (Chain of Charms #6)
  11. When the Lights Go Out by Lili Wilkinson
  12. Amazing Australian Women: Twelve Women Who Shaped History by Pamela Freeman and Sophie Beer
  13. The Honourable Thief by Meaghan Wilson Anastasios
  14. No Country Woman by Zoya Patel
  15. The Extremely Inconvenient Adventures of Bronte Mettlestone by Jaclyn Moriarty

From here, there will be many review books to come, some feminist fairy tales, crime, a whole mix – anything could be read and that is what is so enjoyable about the challenge and these posts – getting to see what I have read so far, and where it all fits in.

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Australian Women Writer’s Challenge check in two – books sixteen to thirty.

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Marking off the half way point for my first sixty books as it stands on the 11th of August, is my second post, with the next fifteen books up to thirty. These range from books for kids, to choose your own adventure to historical fiction, and nearly everything in between. This post, there is much more diversity in the authors read – including some short stories, surprise arrivals and a fairy tale retelling. There were a few World War Two based books – this was around the time I read many Holocaust influenced stories from authors from around the world, one of them a true story – The Tattooist of Auschwitz – and after reading this one and going onto other Holocaust stories, it made me wonder -how many people from those stories did Lale tattoo, how many did he see – the faces that were clear as characters and historical figures in the novels would have been just numbers once he had tattooed them.

This next allotment also marks, with book sixteen, the beginning of my quiz writing job, and at times I have reviewed some of the books I have been sent, but not all. Not many are picture books on my list here, but a couple have pictures – be they photos related to the true story a novel is based on, or pictures that accompany and complement the text for younger readers, such as in Grandpa, Me and Poetry.

Sixteen to thirty:

  1. Grandpa, Me and Poetry by Sally Morgan
  2. The Paris Seamstress by Natasha Lester
  3. The Freedom Finders Series: Touch the Sun by Emily Conolan
  4. The Book of Answers: The Ateban Cipher Book 2 by A.L. Tait
  5. Little Gods by Jenny Ackland
  6. I am Sasha by Anita Selzer
  7. Thunderwith by Libby Hathorn
  8. The Tattooist of Auschwitz by Heather Morris
  9. Lovesome by Sally Seltmann
  10. Egyptian Enigma by L.J.M. Owen
  11. The Beast’s Heart by Leife Shallcross
  12. Eleanor’s Secret by Caroline Beecham
  13. Australia Day by Melanie Cheng
  14. The Most Marvellous Spelling Bee Mystery by Deborah Abela
  15. Miles Franklin: A Short Biography by Jill Roe

My next list will be thirty-one to forty-five. The vast array and mix of books I have read this year is interesting and has definitely been fun to read. Once the posts for the first sixty are up, upon the completion of the next fifteen, another post will go up – whether this is monthly or less frequently, these will act as little capsules of books to show what I have been reading in short bursts.

Australian Women Writer’s Challenge Check-in One – books one to fifteen

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All year I have been meaning to write progress posts for every month, or every ten books. Until now, I have woefully neglected this activity, and having read 61 books already, am breaking it up into posts of fifteen – and will continue to do this until the end of the year/early 2019, making the collation of posts for my final wrap up of this challenge easier than last year’s attempt. Each list will be varied, with review books and ones I chose to purchase making up my count – they will be diverse in terms of story, genre, fiction or non-fiction, readership, age and as many other aspects of diversity as I have stumbled across on my reading journey – greatly depending on what I have been able to find, have been sent and what I have access to, but also, I choose books based on what I enjoy as well, and in doing so, I feel like I hit as much diversity in my reading as possible without too much trouble.

These lists – to date so far by today, are a little less than half of my total books logged for the year, which on the 11th of August, stands at 115, and counting. I have well surpassed my goal of fifteen for the challenge – a conservative estimate as I often have a list in mind of upcoming releases and books I own, yet also don’t always know what else will come my way. I find it best to underestimate – and then anything extra becomes bonus points.

So below is my first batch of fifteen out of sixty one, with links to each review.

First fifteen

  1. The Sister’s Song by Louise Allan
  2. The Tides Between by Elizabeth Jane Corbett
  3. Rose Raventhorpe Investigates: Hounds and Hauntings by Janine Beacham
  4. Four Respectable Ladies Seek Part-Time Husband by Barbara Toner
  5. The Secrets at Ocean’s Edge by Kali Napier
  6. The Endsister by Penni Russon
  7. Graevale by Lynette Noni  
  8. Eventual Poppy Day by Libby Hathorn 
  9. Olmec Obituary by LJM Owen
  10. The Passengers by Eleanor Limprecht and Interview
  11. Miss Lily’s Lovely Ladies by Jackie French 
  12. Surf Rider’s Club #2: Bronte’s Big Sister Problem by Mary van Reyk
  13. Before I Let You Go by Kelly Rimmer
  14. Skin in the Game: The Pleasure and Pain of Telling True Stories by Sonya Voumard 
  15. Mayan Mendacity by L.J.M. Owen 

Coming up next, posts sixteen to thirty of the Australian Women Writer’s challenge and at some stage, a Book Bingo wrap up post for both of my rounds of the challenge with Mrs B’s Book Reviews and Theresa Smith Writes.

The Extremely Inconvenient Adventures of Bronte Mettlestone by Jaclyn Moriarty

bronte mettlestone.jpgTitle: The Extremely Inconvenient Adventures of Bronte Mettlestone

Author: Jaclyn Moriarty

Genre: Fantasy

Publisher: Allen and Unwin

Published: November, 2017

Format: Hardcover

Pages: 512

Price: $22.99

Synopsis: An enchanting and whimsical spell-filled fantasy novel from Jaclyn Moriarty, the award-winning author of Feeling Sorry for Celia and A Corner of White, suitable for readers who loved A Most Magical Girl.

I was ten years old when my parents were killed by pirates. This did not bother me as much as you might think – I hardly knew my parents.

Bronte Mettlestone’s parents ran away to have adventures when she was a baby, leaving her to be raised by her Aunt Isabelle and the Butler. She’s had a perfectly pleasant childhood of afternoon teas and riding lessons – and no adventures, thank you very much.

But Bronte’s parents have left extremely detailed (and bossy) instructions for Bronte in their will. The instructions must be followed to the letter, or disaster will befall Bronte’s home. She is to travel the kingdoms and empires, perfectly alone, delivering special gifts to her ten other aunts. There is a farmer aunt who owns an orange orchard and a veterinarian aunt who specialises in dragon care, a pair of aunts who captain a cruise ship together and a former rockstar aunt who is now the reigning monarch of a small kingdom.

Now, armed with only her parents’ instructions, a chest full of strange gifts and her own strong will, Bronte must journey forth to face dragons, Chief Detectives and pirates – and the gathering suspicion that there might be something more to her extremely inconvenient quest than meets the eye…

From the award-winning Jaclyn Moriarty comes a fantastic tale of high intrigue, grand adventure and an abundance of aunts.

Awards:Longlisted Book of Year, Younger Readers – Australian Book Industry Awards 2018 AU; Longlisted CBCA Book of the Year, Younger Readers 2018 AU; Shortlisted Readings Children’s Book Prize 2018 AU; Longlisted Indie Book Awards – Children’s Fiction 2018 AU; Shortlisted Best Children’s Novel, Aurealis Awards 2017 AU

~*~

AWW-2018-badge-roseTen-year-old Bronte Mettlestone has been raised by her Aunt Isabelle and the Butler, ever since her parents, Lida and Patrick, left her on her Aunt’s doorstep to go off on adventurers and hunt down pirates. The book opens with Bronte recounting the day she found out her parents had died, that they had been killed by pirates, but having been raised by her Aunt Isabelle, it does not affect her as it might other children. Following the news of their deaths, their will is read out and she is sent on a series of quests and adventures to visit all her aunts across the Kingdoms and Empires to deliver a series of gifts to them. Aunt Isabelle tries to get her out of it and go with her, but the border has been adorned by Faery cross-stitch- binding Bronte to the quest and rules set forth by her parents – and so, she must go alone.

Each gift it seems, as Bronte delivers them, is special or relevant to that aunt – and as she travels, her mind is constantly going over what will happen if she breaks the rules of the Faery cross-stitch, which will result in Gainsleigh, her home town, being destroyed. It is a journey of utmost importance, and is filled with aunts, and new friends, cousins she has never met or seldom met, as she stumbles – accidentally and against her wishes – into trouble and unforeseen scenarios, Bronte’s colourful, magical and humour filled world comes to life with the array of aunts, whose vastly different approaches to Bronte’s visits are all different, and some are far more interesting than others – her visit to the cruise ship with Aunt Maya and Aunt Lisbeth – one of her longest visits – is interesting and filled with danger, whereas her visit with Aunt Nancy is one Bronte finds rather dull and limiting, a visit where she fears the magic of the Faery cross stitch might come undone if she allows Aunt Nancy to keep her from her parents instructions.

The Extremely Inconvenient Adventures of Bronte Mettlestone is a book of beauty, from the lovely cover, to the adorable illustrations, to the magical words that fly off the page on the back of a flying unicorn and envelop the reader in the story – so much so, that whilst reading one day, I didn’t even realise how much I had read and that I was only a few chapters from the end of the story. So I’m not surprised that it has had several award nominations, long-listings and short-listings – these accolades are very well deserved, and this bridges a gap between early readers who have the confidence to read and those about to embark on Harry Potter, Narnia and other books, but is also a book that anyone can enjoy and lose themselves in as I invariably did the one day.

I loved Bronte’s character – she wasn’t a stereotype or archetype, she was a little girl, who had fears, and flaws, and who managed to find ways out of sticky situations, in a world she had not had much contact with, and yet, seemed to fit into really well. Determined to make sure she abides by the wishes and rules set forth for her in her parents will, yet still individual, and creative, able to see solutions to problems, and not the typical fairy-tale girl, Bronte is exactly the kind of character who we need these days – brave, and confident, active and able to think for herself, yet also able to accept help when she needs it. Whether it’s negotiating with water sprites to get an aunt out of jail, inadvertently causing an avalanche, or exploring a ship with a boy named Billy and a girl named Taylor, Bronte is the childhood hero for girls that my generation needed, that this generation needs, and in fact, that every girl, and woman, no matter her age or identity, will hopefully enjoy, and have a laugh with, worry and hope with her, and share in everything she feels and does.

I’m really looking forward to the next book in the series, and I hope Bronte makes another appearance as she is a rather enjoyable character, and I would like to see more of her. Aimed at what I hope will be a varied audience, it was the title and cover that attracted me to this book, and it’s fabulous first line is an excellent hook for the story – bring on book two!

Pre-Release Review: Beneath the Mother Tree by D.M. Cameron

Beneath_the_Mother_Tree_cover-195x300Title: Beneath the Mother Tree

Author: D.M. Cameron

Genre: Literary Fiction, Mystery

Publisher: MidnightSun Publishing

Published: 1st August 2018

Format: Paperback

Pages: 336

Price: $32.99

Synopsis: A spine-chilling mystery and contemporary love story, Beneath the Mother Tree plays out in a unique and wild Australian setting, interweaving Indigenous history and Irish mythology.

On a small island, something sinister is at play. Resident alcoholic Grappa believes it’s the Far Dorocha, dark servant of the Faery queen, whose seductive music lures you into their abyss. His granddaughter Ayla has other ideas, especially once she meets the mysterious flute player she heard on the beach.

Riley and his mother have moved to the island to escape their grief. But when the tight-knit community is beset by a series of strange deaths, the enigmatic newcomers quickly garner the ire of the locals. Can Ayla uncover the mystery at the heart of the island’s darkness before it is too late?

Wrought with sensuousness and lyricism, D.M. Cameron’s debut novel Beneath the Mother Tree is a thrilling journey, rhythmically fierce and eagerly awaited.

 

~*~

I received permission from the publisher to post this review before publication date to generate interest and buzz for the debut author.

The novel opens with Ayla hearing a tune played on a flute as she swims at the edge of her wild island home, where Indigenous history and Irish mythology are interwoven, and there is an understanding in the community of what happened in the past, and respect from all characters towards each other and this past. Ayla has spent her whole life on this island – and its history – Indigenous and white, and the tales of Far Dorocha and other Irish myths that she has been told by her Grappa, have informed her and created her identity.

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Riley and his mother have just moved to the island following the death of his stepfather, and instantly, Ayla’s grandfather senses that something sinister is at play when the mysterious deaths begin – and he tries to ban Ayla from seeing Riley. But as the story ebbs and flows between the viewpoints of Ayla and Riley, and at times, Riley’s mother, Marlise, the mystery that is gripping the island deepens, and it is up to Ayla and Riley, with the help of advice from friends, Riley’s stepfather’s books and the history of the island that Ayla has grown up with, they begin to look into the mysterious deaths that have occurred since Marlise arrived, and hopefully, solve the mystery that has almost destroyed the island and those that live there.

What I liked about this novel was the care that D.M. Cameron took with her research into Irish mythology and the research into the Indigenous history of the Quandamooka people and the islands near Stradbroke and Moreton Bay, and has ensured that she gave the utmost respect to these stories. This made the story richer and gave a better experience with the facts of Indigenous history, and the stories and experiences of Ayla’s friend, Mandy woven throughout.

The islanders are bonded by history and mythology, and by a tragedy that claimed the lives of two fishermen many years ago. Things are peaceful, and tranquil, as though the characters have reached an understanding of the past and what is to come, until Riley and his mother arrive. It is their presence that beings to haunt the island – and bring a feeling of unease to the novel as the reader wonders just what their motive for being there is. I found Marlise to be a suffocating character, and I suppose she was, when I think about the way she tried to control Riley. Ayla, Riley and Mandy were breaths of fresh air, and definitely my favourite characters.

Intertwined with the Indigenous history that the author carefully leant about from members of the Quandamooka community, and included sensitively, and I felt in a way that didn’t shy away from the horrors history sometimes does, and Irish mythology of the Fae, is the mystery of the deaths that Grappa says are caused by Far Dorocha, whom he thinks Riley is when he sees one of the flutes that Riley has made. I felt a sense of relief when Ayla managed to bring her Grappa around and like Riley and help him to not only uncover the mystery of what was happening on the island, but the mystery of his father, and what really happened to him. The combination of myth, history and mystery creates an atmospheric novel with a well-paced structure that climaxes effectively towards the end, and brings together the strands of history, mystery, and myth in an effective and emotive way that has the power to unite people.

I enjoyed this novel, gobbling most of it up over an afternoon yesterday. D.M. Cameron is an evocative new voice in Australian literature, and I hope she writes more novels that weave history and mythology throughout as I enjoy that sort of book.

Booktopia

Book Bingo Take Two

As per my post two weeks ago when I completed the first round, this is my second go at the bingo card, having completed it early, due to my filling in several squares at once in some posts. This time around. I’ll be trying to only do one book and square a fortnight, so I don’t finish early.

To begin, the text list of my categories is here, clean and empty for me to begin in my next post.

Book bingo take 2

 

Challenge #4: Book Bingo Take 2

(Rows Across)

Row #1 – –

 A book set more than 100 years ago:

A book written more than ten years ago:

A memoir:

A book more than 500 pages:

A Foreign translated novel:  

Row #2 –

A book with a yellow cover:

A book by an author you’ve never read before:

A non-fiction book:

A collection of short stories:

A book with themes of culture:

 Row #3:  –

 A book written by an Australian woman:

A book written by an Australian man:

A prize-winning book:

A book that scares you:

A book with a mystery:

Row #4

 A forgotten classic:

A book with a one-word title:

A book with non-human characters:

A funny book:

A book with a number in the title:

Row #5  

A book that became a movie:

A book based on a true story:

A book everyone is talking about:

A book written by someone under thirty:

A book written by someone over sixty:

Rows Down

Row #1 – –

A book set more than 100 years ago:

A book with a yellow cover:

A book written by an Australian woman:

A forgotten classic:

A book that became a movie:

Row #2

 A book written more than ten years ago:

A book by an author you’ve never read before:

A book written by an Australian man:

A book with a one-word title:

A book based on a true story:

 Row #3: – 

A memoir:

A non-fiction book:

A prize-winning book:

A book with non-human characters:

A book everyone is talking about:

Row #4 

A book more than 500 pages:

A collection of short stories:

A book that scares you:

A funny book:

A book written by someone under thirty:  

Row #5

A Foreign Translated Novel:

A book with themes of culture:

A book with a mystery:

A book with a number in the title:

A book written by someone over sixty:

 

I have not started in this post, as I have not chosen where to start yet, but I have some ideas of the books I want to add this time. I will be aiming to read and include the latest Jackie French book in the Miss Lily series, and some others that I have not had a chance to get around to yet. The first post will either be up today, the second or next bingo week, the sixteenth. I have been enjoying this book bingo and will enjoy having another go at it using as many different books as I can.

The Beast’s Heart by Liefe Shallcross

the beasts heart.jpgTitle: The Beast’s Heart

Author: Leife Shallcross

Genre: Fantasy

Publisher: Hodder & Stoughton/Hachette Australia

Published:  24th April 2018

Format: Paperback

Pages: 342

Price: $19.99

Synopsis: A richly magical retelling of the Beauty and the Beast fairy tale, from the point of view of the Beast.

A sumptuously magical, brand new take on a tale as old as time – read the Beast’s side of the story at long last.

My beast’s nose scented cold, and earth, and the faintest tang of magic. Not the same magic that pervaded the house, or even the forest. This was something older and wilder, filled with sadness and decay. Yet at its core was something pure and clear, like the peal of a bell or the heat of a burning ember. Or the colour of a crimson rose.

 

I am neither monster nor man – yet I am both.

I am the Beast.

I know why I was cursed; I know the legacy of evil I carry in my tainted blood. So how could she ever love me?

My Isabeau. She opened my eyes, my mind and my heart when I was struggling just to be human.

And now I might lose her forever.

~*~

Most retellings of the French fairy tale, written in 1740, by Madame Gabrielle-Suzanne de Villeneuve, and influenced by the literary fairy tales of authors such as Charles Perrault and Marie-Catherine d’Aulnoy. Unlike the fairy tales collected by The Brothers Grimm, which include a similar tale known as The Singing, Springing Lark, Beauty and the Beast was one of the first literary fairy tales recorded, though the specific tale that many retellings are based on oral tales over many years beforehand.

Where many retellings of this tale focus on the perspective of the Beauty – the girl who will break the spell, told in first or third person with this focus, Leife Shallcross’s debut novel takes the traditional fairy tale, and gives it new life, writing it from the perspective of the Beast, and how he deals with his situation and the beautiful girl – named Isabeau in this story – living in his house.

AWW-2018-badge-roseAt the start of the story, the Beast, whom we know to be a prince or at least, a noble from the original and previous retellings, is lonely, and losing track of time. He mentions a Fairy and the curse, and the invisible servants – who see to his every need. When Isabeau’s father, Monsieur de la Noue stumbles across his wintry castle, where seasons don’t occur as they do outside the gates, the Beast and his invisible servants extend hospitality towards him – until he plucks a rise from the rose garden for Isabeau – and a deal is struck: Isabeau must come and stay with the Beast for a year in exchange for her father not being killed. Isabeau agrees, and whilst she is at the castle, the Beast watches her family thrive with gifts he sends them magically, and their fortunes change. As the year goes by, the Beast and Isabeau become friends – but the Beast – as in other reincarnations – begins to fall in love, seeking for her to save him from the curse.

But he can’t tell her this – the Fairy warns him against it and is quite malevolent in the few appearances she makes, and even when the Beast refers to her in his private musings. What I did like was that the Beast did not force Isabeau. Rather, he was hopeful and allowed her to come to him, but also, the respect and friendship they had for each other was more important. It was an exquisitely and enchantingly written story, where lessons must be learned by all, and where forgiveness becomes a large part of the plot – forgiveness of self, forgiveness of family and forgiveness of those who appear to have done the wrong thing. Set in France, in what I imagine is the eighteenth century, it has the same magic of the original and the other incarnations but an originality that no other retelling has come close to capturing. In each retelling, we always know the Beast isn’t the horrid monster some characters, such as Gaston in the Disney version – make him out to be – much like Isabeau’s father does in this novel, and her sisters, Claude and Marie, who are inclined to believe him, are the ones who at first believe their father’s claims but then begin to doubt them, hoping that Isabeau is alive – and it is Marie who is the catalyst for this.

Each character is flawed – not one is perfect, and to this end, I think this worked exceptionally well for this novel. It showed that flaws are everywhere, and that even if we see them in others, we don’t see them in ourselves all the time. Isabeau recognises her own flaws when she goes to live with the Beast and is aware of them. She can also see past his flaws. Yet it is her family she must find a way to reassure, with a father whose stubbornness would see her live at home forever, and sisters who once relied on her for everything, must recognise what they are capable of in her absence, and as a result, make their own fortunes with suitors. Each version of the story has a variance on the siblings the Beauty character has – from the six brothers and sisters of the original, to Belle as an only child in the Disney version, and in this version, the two sisters who work to pull the family through in Isabeau’s absence.

As each character begins to recognise their flaws, I could see them grow to accept what they had to deal with in life – except Monsieur de la Noue, whose resistance illustrated that not everyone adapts to change, or wishes to. Where I loved that his daughters made the best of their circumstances, I found myself wishing he would start doing the same.

Overall, I thoroughly enjoyed this novel. I adore fairy tale retellings, and this is a really good one. It is up there with The Beast’s Garden by Kate Forsyth, which is more of a fairy tale infused historical fiction, and other novels such as Frogkisserthat incorporate fairy tale elements. Whilst this used the traditional elements and tale, turning it around and telling the Beast’s story gave more of an insight into what it must have been like for him, living as a Beast under a curse that only love, and the promise of marriage can break, and return him to his true form. What I most enjoyed as well was that the mysteries of the castle, and magic, and Marie’s letters to Isabeau weren’t solved immediately – the answers to these and many other questions were given gradually.

The chapters where Isabeau was at home for a time were dealt with well, written from the Beast’s perspective as he watched them in his mirror – his window to the outside world. The mirror and the roses were there, as they always are – key aspects to the fairy tale that has sparked many retellings and interpretations over the years.

A delightful read, and one I hope to be able to revisit one day.

Booktopia