Pre-Release Review: Beneath the Mother Tree by D.M. Cameron

Beneath_the_Mother_Tree_cover-195x300Title: Beneath the Mother Tree

Author: D.M. Cameron

Genre: Literary Fiction, Mystery

Publisher: MidnightSun Publishing

Published: 1st August 2018

Format: Paperback

Pages: 336

Price: $32.99

Synopsis: A spine-chilling mystery and contemporary love story, Beneath the Mother Tree plays out in a unique and wild Australian setting, interweaving Indigenous history and Irish mythology.

On a small island, something sinister is at play. Resident alcoholic Grappa believes it’s the Far Dorocha, dark servant of the Faery queen, whose seductive music lures you into their abyss. His granddaughter Ayla has other ideas, especially once she meets the mysterious flute player she heard on the beach.

Riley and his mother have moved to the island to escape their grief. But when the tight-knit community is beset by a series of strange deaths, the enigmatic newcomers quickly garner the ire of the locals. Can Ayla uncover the mystery at the heart of the island’s darkness before it is too late?

Wrought with sensuousness and lyricism, D.M. Cameron’s debut novel Beneath the Mother Tree is a thrilling journey, rhythmically fierce and eagerly awaited.

 

~*~

I received permission from the publisher to post this review before publication date to generate interest and buzz for the debut author.

The novel opens with Ayla hearing a tune played on a flute as she swims at the edge of her wild island home, where Indigenous history and Irish mythology are interwoven, and there is an understanding in the community of what happened in the past, and respect from all characters towards each other and this past. Ayla has spent her whole life on this island – and its history – Indigenous and white, and the tales of Far Dorocha and other Irish myths that she has been told by her Grappa, have informed her and created her identity.

AWW-2018-badge-rose

Riley and his mother have just moved to the island following the death of his stepfather, and instantly, Ayla’s grandfather senses that something sinister is at play when the mysterious deaths begin – and he tries to ban Ayla from seeing Riley. But as the story ebbs and flows between the viewpoints of Ayla and Riley, and at times, Riley’s mother, Marlise, the mystery that is gripping the island deepens, and it is up to Ayla and Riley, with the help of advice from friends, Riley’s stepfather’s books and the history of the island that Ayla has grown up with, they begin to look into the mysterious deaths that have occurred since Marlise arrived, and hopefully, solve the mystery that has almost destroyed the island and those that live there.

What I liked about this novel was the care that D.M. Cameron took with her research into Irish mythology and the research into the Indigenous history of the Quandamooka people and the islands near Stradbroke and Moreton Bay, and has ensured that she gave the utmost respect to these stories. This made the story richer and gave a better experience with the facts of Indigenous history, and the stories and experiences of Ayla’s friend, Mandy woven throughout.

The islanders are bonded by history and mythology, and by a tragedy that claimed the lives of two fishermen many years ago. Things are peaceful, and tranquil, as though the characters have reached an understanding of the past and what is to come, until Riley and his mother arrive. It is their presence that beings to haunt the island – and bring a feeling of unease to the novel as the reader wonders just what their motive for being there is. I found Marlise to be a suffocating character, and I suppose she was, when I think about the way she tried to control Riley. Ayla, Riley and Mandy were breaths of fresh air, and definitely my favourite characters.

Intertwined with the Indigenous history that the author carefully leant about from members of the Quandamooka community, and included sensitively, and I felt in a way that didn’t shy away from the horrors history sometimes does, and Irish mythology of the Fae, is the mystery of the deaths that Grappa says are caused by Far Dorocha, whom he thinks Riley is when he sees one of the flutes that Riley has made. I felt a sense of relief when Ayla managed to bring her Grappa around and like Riley and help him to not only uncover the mystery of what was happening on the island, but the mystery of his father, and what really happened to him. The combination of myth, history and mystery creates an atmospheric novel with a well-paced structure that climaxes effectively towards the end, and brings together the strands of history, mystery, and myth in an effective and emotive way that has the power to unite people.

I enjoyed this novel, gobbling most of it up over an afternoon yesterday. D.M. Cameron is an evocative new voice in Australian literature, and I hope she writes more novels that weave history and mythology throughout as I enjoy that sort of book.

Booktopia

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Book Bingo Take Two

As per my post two weeks ago when I completed the first round, this is my second go at the bingo card, having completed it early, due to my filling in several squares at once in some posts. This time around. I’ll be trying to only do one book and square a fortnight, so I don’t finish early.

To begin, the text list of my categories is here, clean and empty for me to begin in my next post.

Book bingo take 2

 

Challenge #4: Book Bingo Take 2

(Rows Across)

Row #1 – –

 A book set more than 100 years ago:

A book written more than ten years ago:

A memoir:

A book more than 500 pages:

A Foreign translated novel:  

Row #2 –

A book with a yellow cover:

A book by an author you’ve never read before:

A non-fiction book:

A collection of short stories:

A book with themes of culture:

 Row #3:  –

 A book written by an Australian woman:

A book written by an Australian man:

A prize-winning book:

A book that scares you:

A book with a mystery:

Row #4

 A forgotten classic:

A book with a one-word title:

A book with non-human characters:

A funny book:

A book with a number in the title:

Row #5  

A book that became a movie:

A book based on a true story:

A book everyone is talking about:

A book written by someone under thirty:

A book written by someone over sixty:

Rows Down

Row #1 – –

A book set more than 100 years ago:

A book with a yellow cover:

A book written by an Australian woman:

A forgotten classic:

A book that became a movie:

Row #2

 A book written more than ten years ago:

A book by an author you’ve never read before:

A book written by an Australian man:

A book with a one-word title:

A book based on a true story:

 Row #3: – 

A memoir:

A non-fiction book:

A prize-winning book:

A book with non-human characters:

A book everyone is talking about:

Row #4 

A book more than 500 pages:

A collection of short stories:

A book that scares you:

A funny book:

A book written by someone under thirty:  

Row #5

A Foreign Translated Novel:

A book with themes of culture:

A book with a mystery:

A book with a number in the title:

A book written by someone over sixty:

 

I have not started in this post, as I have not chosen where to start yet, but I have some ideas of the books I want to add this time. I will be aiming to read and include the latest Jackie French book in the Miss Lily series, and some others that I have not had a chance to get around to yet. The first post will either be up today, the second or next bingo week, the sixteenth. I have been enjoying this book bingo and will enjoy having another go at it using as many different books as I can.

The Beast’s Heart by Liefe Shallcross

the beasts heart.jpgTitle: The Beast’s Heart

Author: Leife Shallcross

Genre: Fantasy

Publisher: Hodder & Stoughton/Hachette Australia

Published:  24th April 2018

Format: Paperback

Pages: 342

Price: $19.99

Synopsis: A richly magical retelling of the Beauty and the Beast fairy tale, from the point of view of the Beast.

A sumptuously magical, brand new take on a tale as old as time – read the Beast’s side of the story at long last.

My beast’s nose scented cold, and earth, and the faintest tang of magic. Not the same magic that pervaded the house, or even the forest. This was something older and wilder, filled with sadness and decay. Yet at its core was something pure and clear, like the peal of a bell or the heat of a burning ember. Or the colour of a crimson rose.

 

I am neither monster nor man – yet I am both.

I am the Beast.

I know why I was cursed; I know the legacy of evil I carry in my tainted blood. So how could she ever love me?

My Isabeau. She opened my eyes, my mind and my heart when I was struggling just to be human.

And now I might lose her forever.

~*~

Most retellings of the French fairy tale, written in 1740, by Madame Gabrielle-Suzanne de Villeneuve, and influenced by the literary fairy tales of authors such as Charles Perrault and Marie-Catherine d’Aulnoy. Unlike the fairy tales collected by The Brothers Grimm, which include a similar tale known as The Singing, Springing Lark, Beauty and the Beast was one of the first literary fairy tales recorded, though the specific tale that many retellings are based on oral tales over many years beforehand.

Where many retellings of this tale focus on the perspective of the Beauty – the girl who will break the spell, told in first or third person with this focus, Leife Shallcross’s debut novel takes the traditional fairy tale, and gives it new life, writing it from the perspective of the Beast, and how he deals with his situation and the beautiful girl – named Isabeau in this story – living in his house.

AWW-2018-badge-roseAt the start of the story, the Beast, whom we know to be a prince or at least, a noble from the original and previous retellings, is lonely, and losing track of time. He mentions a Fairy and the curse, and the invisible servants – who see to his every need. When Isabeau’s father, Monsieur de la Noue stumbles across his wintry castle, where seasons don’t occur as they do outside the gates, the Beast and his invisible servants extend hospitality towards him – until he plucks a rise from the rose garden for Isabeau – and a deal is struck: Isabeau must come and stay with the Beast for a year in exchange for her father not being killed. Isabeau agrees, and whilst she is at the castle, the Beast watches her family thrive with gifts he sends them magically, and their fortunes change. As the year goes by, the Beast and Isabeau become friends – but the Beast – as in other reincarnations – begins to fall in love, seeking for her to save him from the curse.

But he can’t tell her this – the Fairy warns him against it and is quite malevolent in the few appearances she makes, and even when the Beast refers to her in his private musings. What I did like was that the Beast did not force Isabeau. Rather, he was hopeful and allowed her to come to him, but also, the respect and friendship they had for each other was more important. It was an exquisitely and enchantingly written story, where lessons must be learned by all, and where forgiveness becomes a large part of the plot – forgiveness of self, forgiveness of family and forgiveness of those who appear to have done the wrong thing. Set in France, in what I imagine is the eighteenth century, it has the same magic of the original and the other incarnations but an originality that no other retelling has come close to capturing. In each retelling, we always know the Beast isn’t the horrid monster some characters, such as Gaston in the Disney version – make him out to be – much like Isabeau’s father does in this novel, and her sisters, Claude and Marie, who are inclined to believe him, are the ones who at first believe their father’s claims but then begin to doubt them, hoping that Isabeau is alive – and it is Marie who is the catalyst for this.

Each character is flawed – not one is perfect, and to this end, I think this worked exceptionally well for this novel. It showed that flaws are everywhere, and that even if we see them in others, we don’t see them in ourselves all the time. Isabeau recognises her own flaws when she goes to live with the Beast and is aware of them. She can also see past his flaws. Yet it is her family she must find a way to reassure, with a father whose stubbornness would see her live at home forever, and sisters who once relied on her for everything, must recognise what they are capable of in her absence, and as a result, make their own fortunes with suitors. Each version of the story has a variance on the siblings the Beauty character has – from the six brothers and sisters of the original, to Belle as an only child in the Disney version, and in this version, the two sisters who work to pull the family through in Isabeau’s absence.

As each character begins to recognise their flaws, I could see them grow to accept what they had to deal with in life – except Monsieur de la Noue, whose resistance illustrated that not everyone adapts to change, or wishes to. Where I loved that his daughters made the best of their circumstances, I found myself wishing he would start doing the same.

Overall, I thoroughly enjoyed this novel. I adore fairy tale retellings, and this is a really good one. It is up there with The Beast’s Garden by Kate Forsyth, which is more of a fairy tale infused historical fiction, and other novels such as Frogkisserthat incorporate fairy tale elements. Whilst this used the traditional elements and tale, turning it around and telling the Beast’s story gave more of an insight into what it must have been like for him, living as a Beast under a curse that only love, and the promise of marriage can break, and return him to his true form. What I most enjoyed as well was that the mysteries of the castle, and magic, and Marie’s letters to Isabeau weren’t solved immediately – the answers to these and many other questions were given gradually.

The chapters where Isabeau was at home for a time were dealt with well, written from the Beast’s perspective as he watched them in his mirror – his window to the outside world. The mirror and the roses were there, as they always are – key aspects to the fairy tale that has sparked many retellings and interpretations over the years.

A delightful read, and one I hope to be able to revisit one day.

Booktopia

Winners of the Indie Book Awards Announcement.

Congratulations to the following books and their fabulous home-grown authors for winning in the following categories for the Indie Book Awards, especially Nevermoor by Jessica Townsend, which won in two categories! These winners were announced today and what a wonderful surprise to get home to!

nevermoor

Nevermoor: The Trials of Morrigan Crow by Jessica Townsend: Children’s Book of the Year and Book of the Year

The Choke by Sophie Laguna: Fiction Winner

Wimmera by Michael Brandi: Debut Fiction Winner

Native: Art & Design with Australian Plants by Kate Herd & Jela Ivankovic-Waters: Illustrated Non-Fiction Winner

Wilder Country by Mark Smith: Young Adult Winner

2018 is the first year that a children’s book – Nevermoor – has won overall, and it is even more special as this is the tenth year the Indie Awards have been running!

I’ve read Nevermoor and can say it’s well deserving of all the nominations, shortlists and prizes it has been winning as it is an engaging story and full of wonder and magic. Much like some other prize winners I have read, it captures the reader and their imagination, and opens up a world of possibilities to them. Of the others, I have Wimmera on my reading pile, as well as several of the long listed and shortlisted works, some of which I have also read.

Seeing such amazing books and many Australian authors getting the recognition they deserve is amazing, and shows that the love of books is still around.

Booktopia

NSW Premier’s Literary Awards Shortlist for 2018

One of the Australia’s literary awards has just announced the shortlist for 2018 – The NSW Premier’s Literary Awards, with the winner to be announced in April. Each category and the shortlisted novels for this prize are listed below for 2018, and information about each prize category can be found here in a previous post:

The Christina Stead Prize for Fiction:

Common People by Tony Birch, published by UQP

Seabirds Crying in the Harbour Dark by Catherine Cole, published by UWA

Pulse Points by Jennifer Down, published by Text Publishing

The Book of Dirt by Bram Presser, published by Text Publishing

The Restorer by Michael Sala, published by Text Publishing

Taboo by Kim Scott

Douglas Stewart Prize for Non-Fiction:

Victoria: The Woman Who Made the Modern World by Julia Baird, published by HarperCollins Publishers “A passion for exploring new countries” Matthew Flinders & George Bass by Josephine Bastian, published by Australian Scholarly Publishing

The Enigmatic Mr Deakin by Judith Brett, published by Text Publishing

Passchendaele: Requiem for Doomed Youth by Paul Ham, published by Penguin Random House Australia

The Green Bell: a memoir of love, madness and poetry by Paula Keogh, published by Affirm Press

The Boy Behind the Curtain by Tim Winton, published by Penguin Random House Australia

Kenneth Slessor Prize for Poetry:

Archipelago by Adam Aitken, published by Vagabond Press

Euclid’s dog: 100 algorithmic poems by Jordie Albiston, published by Gloria SMH Press

Bone Ink by Rico Craig, published by Guillotine Press

Argosy by Bella Li, published by Vagabond Press

Captive and Temporal by Nguyễn Tiên Hoàng, published by Vagabond Press

These Wild Houses by Omar Sakr, published by Cordite Books

Patricia Wrightson Prize for Children’s Literature

The Patchwork Bike by Maxine Beneba Clarke and illustrated by Van T Rudd, published by Hachette Australia

The Elephant by Peter Carnavas published by UQP

Blossom by Tamsin Janu, published by Omnibus Books for Scholastic Australia

Figgy Takes the City by Tamsin Janu, published by Omnibus Books for Scholastic Australia

How To Bee by Bren MacDibble, published by Allen & Unwin

The Sorry Tale of Fox and Bear by Margrete Lamond and illustrated by Heather Vallance, published by Dirt Lane Press

Ethel Turner Prize for Young People’s Literature

In the Dark Spaces by Cally Black, published by Hardie Grant Egmont

the blue cat

The Blue Cat by Ursula Dubosarsky, published by Allen & Unwin

The Ones That Disappeared by Zana Fraillon, published by Hachette Australia

A Shadow’s Breath by Nicole Hayes, published by Penguin Random House Australia

The Build-Up Season by Megan Jacobson, published by Penguin Random House Australia

Ballad for a Mad Girl by Vikki Wakefield, published by Text Publishing

Nick Enright Prize for Playwriting

The Sound of Waiting by Mary Anne Butler, published by Brown’s Mart Arts Ltd

Rice by Michele Lee, Presented by Queensland Theatre and Griffin Theatre Company, published by Playlab

Black is the New White by Nakkiah Lui, published by Sydney Theatre Company

Mark Colvin’s Kidney by Tommy Murphy, published by Currency Press and Belvoir

Little Emperors by Lachlan Philpott, published by Malthouse Theatre

The Real and Imagined History of the Elephant Man by Tom Wright, published by Malthouse Theatre

Betty Rowland Prize for Scriptwriting

Deep Water: The Real Story written by Amanda Blue and Jacob Hickey – Blackfella Films

Top of the Lake: China Girl, Series 2 Episode 4 ‘Birthday’ by Jane Campion and Gerard Lee – See-Saw Films

Sweet Country by Steven McGregor and David Tranter – Bunya Productions

Seven Types of Ambiguity, Episode 2 ‘Alex’ by Jacquelin Perske – Matchbox Pictures

Please Like Me, Series 4 Episode 5 ‘Burrito Bowl’ by Josh Thomas, Thomas Ward and Liz Doran – Guesswork TV

Multicultural Award NSW

No More Boats by Felicity Castagna, published by Giramondo Publishing

The Permanent Resident by Roanna Gonsalves, published by UWA Publishing

Dark Convicts by Judy Johnson, published by UWA Publishing

The Family Law, Series 2 Episode 4 by Benjamin Law and Kirsty Fisher – Matchbox Pictures

Down the Hume by Peter Polites, published by Hachette Australia

Quicksilver by Nicholas Rothwell, published by Text Publishing

Indigenous Writer’s Prize

Finding Eliza: Power and Colonial Storytelling by Larissa Behrendt, published by UQP

Common People by Tony Birch, published by UQP

Barbed Wire and Cherry Blossoms by Anita Heiss, published by Simon & Schuster Australia

The Drover’s Wife by Leah Purcell published and produced by Currency Press and Belvoir in association with Oombarra Productions)

Taboo by Kim Scott, published by Pan Macmillam Australia

UTS Glenda Adams Award for New Writing

2018 Shortlist The winner will be announced at the awards ceremony on 30 April 2018. There is no shortlist for this category.

About the award

  • The UTS Glenda Adams Award ($5,000) is for a published book of fiction written by an author who has not previously published a book-length work of narrative fiction or narrative non-fiction.

  • The Award seeks to recognise outstanding new literary talent. The winning author may produce an excellent piece of writing in a traditional fictional form or may challenge and expand the boundaries of the genre.

  • The winner of the UTS Glenda Adams Award is chosen from entries submitted for the Christina Stead Prize (no additional entry fee is required for this award).

  • Entrants who meet the UTS Glenda Adams Award criteria should indicate on the nomination form if they wish to be considered for the Award.

  • There may not be a shortlist in this category.

NSW Premier’s Translation Prize – Next awarded 2019

Multicultural NSW Early Career Translator Prize – Next awarded 2019

 

 

Booktopia

Australian Book Industry Awards Longlist 2018

The ABIA Longlist has also been announced today for 2018, and celebrates the diversity and quality of Australian writing, publishing and bookselling. The ABIA Academy – a group of booksellers, agents, media and industry representatives – voted for the longlist, and the 2018 campaign was long and exhaustive, resulting in this year’s academy having 250 members.

A shortlist will be announced of the nineteenth of April, and the winners announced at the ABIA Awards on the 3rd of May, at the International Convention Centre in Sydney. The ABIA awards have been sponsored by: The Australian Women’s Weekly, JC Decaux, Media Super, Audible, Opus, Booktopia, Curtis Brown, Ingram, Nielsen Bookscan, Leading Edge Books, Simpsons Solicitors, John Fisher Printing, and industry partners, ABA, ALIA, APA, ASA, BorrowBox, The Copyright Agency, Books + Publishing and the Children’s Book Council.

The award has twelve categories, and below are the long-lists for each category:

BioAbia2018

Biography Book of the Year

  • A Writing Life: Helen Garner and Her Work, Bernadette Brennan (Text Publishing, Text Publishing)
  • Danger Music, Eddie Ayres (Allen & Unwin, Allen & Unwin)
  • The Enigmatic Mr Deakin, Judith Brett (Text Publishing, Text Publishing)
  • Tracker, Alexis Wright (Giramondo Publishing, Giramondo Publishing Company)
  • Unbreakable, Jelena Dokic and Jess Halloran (Ebury Australia, Penguin Random House Australia)
  • Unmasked, Turia Pitt (Ebury Australia, Penguin Random House Australia)
  • Wednesdays with Bob, Derek Rielly and Bob Hawke (Macmillan Australia, Pan Macmillan Australia,)
  • Working Class Man, Jimmy Barnes (HarperCollins Publishers, HarperCollins Publishers)

General-Fiction-Book-AWW-Sqaure

General Fiction Book of the Year

  • Force of Nature, Jane Harper (Macmillan Australia, Pan Macmillan Australia)
  • On the Java Ridge, Jock Serong (Text Publishing, Text Publishing)
  • The Dark Lake, Sarah Bailey (Allen & Unwin, Allen & Unwin)
  • The Girl from Munich, Tania Blanchard (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Inaugural Meeting Of The Fairvale Ladies Book Club, Sophie Green (Hachette, Hachette Australia)
  • The Secrets She Keeps, Michael Robotham (Hachette, Hachette Australia)
  • The Tea Gardens, Fiona McIntosh (Michael Joseph Australia, Penguin Random House Australia)
  • The Trip of A Lifetime, Monica McInerney (Michael Joseph Australia, Penguin Random House Australia)

GENERAL-NON-FICTION-BOOK-OF-THE-YEAR-Copyright-Agency-Square

General Non-fiction Book of the Year

  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness, Kate Cole-Adams (Text Publishing, Text Publishing)
  • Being 14,Madonna King (Hachette, Hachette Australia)
  • Depends What You Mean By Extremist, John Safran (Hamish Hamilton Australia, Penguin Random House Australia)
  • First, We Make The Beast Beautiful, Sarah Wilson (Macmillan Australia, Pan Macmillan Australia)
  • Not Just Lucky, Jamila Rizvi (Viking Australia, Penguin Random House Australia)
  • Saga Land, Richard Fidler and Kári Gíslason (ABC Books, HarperCollins Publishers)
  • Taming Toxic People, David Gillespie (Macmillan Australia, Pan Macmillan Australia)
  • The Harbour: A City’s Heart, A Country’s Soul, Scott Bevan (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster, Sarah Krasnostein (Text Publishing, Text Publishing)

ABIA2018_Illustrated

Illustrated Book of the Year

  • Basics to Brilliance Kids, Donna Hay (Fourth Estate, HarperCollins Publishers)
  • Cornersmith: Salads and Pickles, Alex Elliott-Howery and Sabine Spindler (Murdoch Books, Murdoch Books)
  • Hummus and Co, Michael Rantissi and Kristy Frawley (Murdoch Books, Murdoch Books)
  • Maggie’s Recipe for Life, Maggie Beer and Professor Ralph Martins (A Julie Gibbs Book for Simon & Schuster Australia, Simon & Schuster Australia)
  • Native: Art and Design with Australian Plants, Kate Herd and Jela Ivankovic-Waters (Thames & Hudson Australia, Thames & Hudson Australia)
  • Ostro, Julia Busuttil Nishimura (Plum, Pan Macmillan Australia)
  • Paris: Through a Fashion Eye, Megan Hess (Hardie Grant Books, Hardie Grant Publishing)
  • The Vegetable, Caroline Griffiths and Vicki Valsamis (Smith Street Books, Smith Street Books)

International-Book-of-the-Year-Square

International Book of the Year

  • Eleanor Oliphant is Completely Fine, Gail Honeyman (HarperCollins Publishers, HarperCollins Publishers)
  • Good Night Stories for Rebel Girls, Elena Favilli and Francesa Cavallo (Particular Books -UK Juvenile, Penguin Random House Australia)
  • Here We Are: Notes For Living On Planet Earth, Oliver Jeffers (HarperCollins Publishers, HarperCollins Publishers)
  • Home Fire, Kamila Shamsie (Bloomsbury Circus, Bloomsbury Publishing)
  • La Belle Sauvage: The Book of Dust Volume One, Philip Pullman (David Fickling Books, Penguin Random House Australia)
  • Lincoln in the Bardo, George Saunders (Bloomsbury Publishing, Bloomsbury Publishing)
  • Mythos, Stephen Fry (Michael Joseph – UK, Penguin Random House Australia)
  • The Sun and her Flowers, Rupi Kaur (Simon & Schuster UK, Simon & Schuster UK)

LITERARY-FICTION-BOOK-OF-THE-YEAR-longlist-SQUARE

Literary Fiction Book of the Year

  • A Long Way Home, Peter Carey (Hamish Hamilton Australia, Penguin Random House Australia)
  • Australia Day, Melanie Cheng (Text Publishing, Text Publishing)
  • First Person, Richard Flanagan (Knopf Australia, Penguin Random House Australia)
  • See What I Have Done, Sarah Schmidt (Hachette, Hachette Australia)
  • Taboo, Kim Scott (Picador Australia, Pan Macmillan Australia)
  • The Choke, Sofie Laguna (Allen & Unwin, Allen & Unwin)
  • The Life to Come, Michelle de Kretser (Allen & Unwin, Allen & Unwin)
  • Wimmera, Mark Brandi (Hachette, Hachette Australia)

SMALL-PUBLISHERS-ADULT-BOOK-OF-THE-YEAR-SQUARE

Small Publishers’ Adult Book of the Year

  • Atlantic Black, A. S. Patric (Transit Lounge, Transit Lounge)
  • Call of the Reed Warbler – A New Agriculture – A New Earth, Charles Massy (The University of Queensland Press, The University of Queensland Press)
  • Cardinal, Louise Milligan (Melbourne University Press, Melbourne University Publishing)
  • Journeys into the Wild: The Photography of Peter Dombrovskis, Introduction & Commentary by Bob Brown (NLA Publishing, National Library of Australia)
  • The Australian Bird Guide, Peter Menkhorst, Danny Rogers, Rohan Clarke, Jeff Davies, Peter Marsack and Kim Franklin (CSIRO Publishing, CSIRO Publishing)
  • The Restorer, Michael Sala (Text Publishing, Text Publishing)
  • Museum of Words, Georgia Blain (Scribe Publications, Scribe Publications)
  • Mirror Sydney, Vanessa Berry (Giramondo Publishing, Giramondo Publishing Company)

small-publishers-childrens-book-longlist-SQUARE

Small Publishers’ Children’s Book of the Year

  • At the Beach I See, Kamsani Bin Salleh (Magabala Books, Magabala Books)
  • At the Zoo I See, Joshua Button and Robyn Wells (Magabala Books, Magabala Books)
  • Big Fella Rain, Beryl Webber and illustrated by Fern Martins (Magabala Books, Magabala Books)
  • Hello, Melbourne!, Megan McKean (Thames & Hudson Australia, Thames & Hudson Australia)
  • It’s OK to Feel the Way You Do, Josh Langley (Big Sky Publishing, Big Sky Publishing)
  • The Elephant, Peter Carnavas (The University of Queensland Press, The University of Queensland Press)
  • Slow Down, World, Tai Snaith (Thames & Hudson Australia, Thames & Hudson Australia)
  • Under the Love Umbrella, Davina Bell and Allison Colpoys (Scribble Kids’ Books, Scribe Publications)

THE-MATT-RICHELL-AWARD-FOR-NEW-WRITER-OF-THE-YEAR-Simpsons-WIDE-Square

The Matt Richell Award for New Writer of the Year

BOTY_OlderChildrenlonglist-SQUARE

Book of the Year for Older Children (ages 13+)

  • Beautiful Mess, Claire Christian (Text Publishing, Text Publishing)
  • Begin, End, Begin: A #LoveOzYA Anthology, Amie Kaufman, Melissa Keil, Will Kostakis, Ellie Marney, Jaclyn Moriarty, Michael Pryor, Alice Pung, Gabrielle Tozer, Lili Wilkinson and Danielle Binks (HarperCollins Publishers, HarperCollins Publishers)
  • Frogkisser!,Garth Nix (Allen & Unwin, Allen & Unwin)
  • My Life as a Hashtag, Gabrielle Williams (Allen & Unwin, Allen & Unwin)
  • Take Three Girls, Simmone Howell, Cath Crowley and Fiona Wood (Pan Australia, Pan Macmillan Australia)
  • Tales From a Tall Forest, Shaun Micallef and illustrated by Jonathan Bentley (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Silent Invasion, James Bradley (Pan Australia, Pan Macmillan Australia)
  • Untidy Towns, Kate O’Donnell (The University of Queensland Press, The University of Queensland Press)

Younger-Children-square

Book of the Year for Younger Children (ages 7-12)

  • Frankie Fish and the Sonic Suitcase, Peter Helliar and illustrated by Lesley Vamos (Hardie Grant Egmont, Hardie Grant Egmont)
  • Funny Kid for President, Matt Stanton (ABC Books, HarperCollins Publishers)
  • Maybe, Morris Gleitzman (Viking – AU YR, Penguin Random House Australia)
  • Nevermoor, Jessica Townsend (Lothian Children’s Books, Hachette Australia)
  • Polly and Buster: The Wayward Witch and the Feelings Monster, Sally Rippin (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Bad Guys Episode 6, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • The Extremely Inconvenient Adventures of Bronte Mettlestone, Jaclyn Moriarty (Allen & Unwin, Allen & Unwin)
  • The Girl, the Dog and the Writer in Rome, Katrina Nannestad (ABC Books, HarperCollins Publishers)
  • The 91-Storey Treehouse, Andy Griffiths and Terry Denton (Pan Australia, Pan Macmillan Australia)

PICTURE-BOOK-longlist-Square

Children’s Picture Book of the Year (ages 0-6)

  • Do Not Lick This Book, Idan Ben-Barak and illustrated by Julian Frost (Allen & Unwin, Allen & Unwin)
  • Florette, Anna Walker (Viking – AU YR, Penguin Random House Australia)
  • I Just Ate My Friend, Heidi McKinnon (Allen & Unwin, Allen & Unwin)
  • I’m Australian Too, Mem Fox and illustrated by Ronojoy Ghosh (Scholastic Press, Scholastic Australia)
  • Mopoke, Philip Bunting (Scholastic Press, Scholastic Australia)
  • Pig the Star, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • No One Likes a Fart, Zoë Foster Blake (Viking – AU YR, Penguin Random House Australia)
  • The Bum Book, Kate Mayes and illustrated by Andrew Joyner (ABC Books, HarperCollins Publishers)
  • The Very Noisy Baby, Alison Lester (Affirm Press, Affirm Press)

Some books have been nominated for several other prxizes, and I would not be surprised if Nevermoor takes out Book of the Year for Younger Children. There are a few on these lists I have read, and several more I am planning on reading. I look forward to future announcements for this prize.

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Book Bingo Four: A book more than 500 pages, a book with themes of culture, and a book with a mystery.

 

 

AWW-2018-badge-roseIn my fourth book bingo, I have three books to include and link back to. At this stage, I have almost completed the fifth column on the square, with the final square needing a foreign translated book – yet to be decided. The others are all a little bit spaced out randomly at this stage, but for the most part, shouldn’t be too hard to fill. Whilst I was aiming to fill all of the squares with Australian women authors, with the exception of the translated novel and a novel by an Australian man, I have decided to fill them with what fits with any book as I read them.

Miss Lily 1So, for this week, I have three to report on. There is one that I have known will fit since signing up to this challenge, so let’s start there – A book with more than 500 pages. There are a few that fit into this category, but I chose Miss Lily’s Lovely Ladies by Jackie French for this square. Set during the turbulent years of the First World War, Miss Lily’s Lovely Ladies is the story of Sophie Higgs, an Australian from a wealthy family, learning ways of engaging men and the upper class of pre-war British society, a society that will come to change in the years of war that will soon plague Europe and the world. As with many of Jackie’s books, it tells the lesser known history, the stories of women – in all walks of life –  whose stories have been overlooked when recording history. It is a touching and emotional story full of ups and downs and gut punches that you don’t see coming, yet they work with the story, and the theme of the untold of casualties of war.

sealwomanAt the end of the second, is a book with themes of culture – The Sealwoman’s Gift by Sally Magnusson. The Sealwoman’s Gift tells the story of Icelanders taken into slavery by Barbary pirates in 1627, ripped away from what they know and transplanted – as all slaves were – into an alien culture where they are forced to adapt and assimilate. Ásta, the main character, struggles with her old identity and her new one, and the forced separation of her family. From Iceland to Algiers and back to Iceland, the differing cultures are referred to, and the uniting feature of story-telling of cultures shines through.

OLMEC_B_SMLFinally, my third square for this week is the fifteenth square, a book with a mystery. For this one, I read Olmec Obituary by L.J.M. Owen, the first in the Dr Elizabeth Pimms series. It has a mystery – an ancient mystery. It’s cases so cold, only a trained archaeologist-cum-librarian can solve them. It is an excellent book with mysterious colleagues who show nothing but hatred, family secrets and ancient mysteries, where people want to cover up the truth. It is a great start to the series, and though the ending leaves a few unanswered questions, I am hoping these will be picked up throughout the series. The main character is well established, and it is a decent read with a good pace that keeps things interesting, going back and forth to build the mystery of the past and finally reveal what happened.

As I go through this book bingo, I am marking the squares off that are easily completed first or that are fairly broad and open, and leaving the more challenging ones for now, until I come across something that fits them.

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