Isolation Publicity: Interview with Danielle Binks – literary agent, blogger and author.

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

One of my first interviews for this venture that I have called Isolation Publicity is an interview with Danielle Binks – literary agent, fellow book reviewer and author. Her debut novel, The Year the Maps Changed is due for release with Hachette on the 28th of April 2020, and I had hoped to participate in the blog tour run by AusYABloggers. As I wasn’t able to, I decided to interview Danielle about her new book, and plan to read it as soon as I can.

the year the maps changed
The Year The Maps Changed by Danielle Binks, out 28th April 2020.

Hi Danielle, and welcome to The Book Muse!

1. How did you get started working in the arts and publishing industry, and what was your first job?

A: I was really lucky once I finished up doing RMIT’s Professional Writing and Editing course (and after a year of still-working in my uni job at the local post-office) an internship program came up with the Australian Publishers Association, for a paid internship at one of (I think?) five placements around Australia. There were two going in Victoria, and I nabbed one. That was my foot in the door – and luckily, after my six-month internship that indie publisher decided to keep me on! I was a publicist and editor for a few indie-publishers over about 3-years, before getting tapped on the shoulder one day by Jacinta di Mase … she’d read my freelance writing for Kill Your Darlings digital and liked what I had to say about Aussie YA in particular, and offered me a job working as a literary agent with her. I joined her in 2016 and have never looked back – even as being a literary agent never even crossed my mind until she offered me that opportunity, I now can’t think what else I’d rather be doing!

2. As a literary agent, what is it about a book that makes you go wow, this has to be published?

A: Chills. I can’t quite describe it – but there are just some books you read and, no matter how raw and unpolished the writing or ideas may be, there’s something in their delivery that just makes the hair on the back of your neck stand on end. It’s that X-factor that’s so hard to describe. But it’s the exact same feeling you have as a reader, when you begin a book and just *know* you’re reading the exact perfect story for this point in time, and you’re reading something that’ll be a new favourite. That’s what I look for as an agent too – to first fall in love with a story as a reader.

3. As I follow you on Twitter, I feel I should know this, but what is your favourite young adult or middle grade series?

A: Oh, gosh – ask me this same question next week and it’ll totally change. I’ve got to say, a series I keep returning to in YA is Melina Marchetta’s set in the Saving Francesca universe – that continued with The Piper’s Son and concluded last year with The Place on Dalhousie. I don’t even care that that’s a series starting in YA and gradually progressing to adult-fiction – I just love those characters, and reading them is like going home and catching up with old friends. I also have a deep and abiding love for Melina’s fantasy The Lumatere Chronicles trilogy, big love and respect for The Tribe series by Ambelin Kwaymullina, and The Grisha by Leigh Bardugo. In middle-grade, it’s gotta bet the American series Gaither Sisters by Rita Williams-Garcia (P.S. Be Eleven is pretty much a masterpiece). I also love the Binny UK-series from Hilary McKay.

4. I am yet to read The Year the Maps Changed and hope to do so soon. What inspired you to write this novel for the middle grade readership?

A: I hope you like it when you do! … I started thinking of this idea way back in 2016, when I decided to delve into this big Australian event that happened in 1999 called ‘Operation Safe Haven’ when our then-Government began the biggest-ever humanitarian exercise, of offering temporary-asylum to Albanian-Kosovar refugees of the Kosovo War and NATO Bombings.

For a long time I wrestled with whether or not to make the book YA or MG – I thought, I was known to be a big fan and supporter of young-adult literature, and back in 2016 (even though I consumed a lot of American middle-grade lit) the readership wasn’t as clearly-defined in Australia then. But what tipped me into deciding to go all-in on MG was the fact that in 1999, I was eleven going on twelve. So I decided my protagonist would be too; and once I made that decision it was so easy to remember what that age and year was like, and my protagonist – Fred – seemed to spring fully-formed in my mind.

Between 2016 and now, MG also really took off in Australia; Jessica Townsend, Nova Weetman, Jeremy Lachlan, Bren MacDibble, and Zana Fraillon (to name a very few!) all wrote these gorgeous and ground-breaking books that really carved out that space in Australia, so by the time Maps was ready it was very clear who the book would be for.

5. It feels like we’re in a Golden Age of Australian Middle Grade fiction at the moment from a reader and reviewer’s perspective. What do you think, as an agent, author and also, if you’d like, a reader as well?

A: I’m so glad you think that, because I literally just wrote an article for Books+Publishing about this very topic! And it’s an article following-up something I wrote in 2016 for them, called ‘Unstuck in the Middle’ which was kind of looking at how robust and plentiful the MG readership was in America (especially after a book like R.J. Palacio’s Wonder became a mega-bestseller) but how in Australia, everyone was still grappling with what it was and who it was for.

Now, MG has always existed in Australia (books by Leanne Hall and Barry Jonsberg, Morris Gleitzman and Ursula Dubosarsky spring to mind) but those books would often win awards, or get labelled as ‘junior fiction/kids books’ or ‘young adult’ – and there didn’t seem to be an acknowledgment of the spectrum that also exists for those trickier middle-years of (roughly) 8-12. But Nevermoor by Jessica Townsend and The Bone Sparrow by Zana Fraillon really went a long way to defining modern MG in Australia (and at opposite ends of the genre-spectrum too) and carving out that space for the tricky in-between age-group. So many Aussie editors were aware of what was happening in America and the clearly-defined readership according to them, and the success of those books in Australia signalled them to just … go bananas and embrace! And they have. It was also things like ‘The Readings Children’s Book Prize’ acknowledging MG, and also The Text and Ampersand Prizes, putting a spotlight on the readership with their unpublished manuscript award-winners.

So it was a lot of ingredients that have gone into creating this ‘Golden Age’ of MG in Australia, for sure. And like most things … timing is everything.

6. Do you have a favourite middle grade author or series, past or present – or even both?

A: Gosh, look – I am a fan of contemporary fiction across all readerships so it’s the likes of Rebecca Stead, Jacqueline Woodson, Gary D. Schmidt, Nova Weetman and Emily Gale for me. All current-MG authors who I just adore and admire and I’m always on tenterhooks waiting for new books from them.

7. When you’re not reading middle grade, what do you enjoy reading, and what has been a favourite read recently?

A: Anyone who follows me anywhere, I hope, knows that I’m a HUGE romance-reader and fan. Everything from historical to paranormal; I just finished Kylie Scott’s latest romance The Rich Boy and loved it (it is adult though, not suitable for younger readers!) As an agent I’ve been lucky enough to get a sneaky-peek at Jenna Guillaume’s next book (the new stand-alone, follow-up to her debut What I Like About Me) it’s called You Were Made For Me and it’s so funny and romantic and brilliant. Think: Weird Science meets Jenny Han.

My go-to (adult!) romance authors are; Sarah Mayberry, Courtney Milan, Helen Hoang, Mhairi McFarlane, Lisa Kleypas, Sarah MacLean, and I’m hanging out for the TV series adaptation Bridgerton (based on Julia Quinn’s books!). I also have the sequel to The Royal We – The Heir Affair by Heather Cocks and Jessica Morgan – geared up on my Kindle, thanks to NetGalley!

8. What is your favourite festival, or do you have a favourite, and why or why not?

A: I went to Clunes Booktown for the first time last year, and that quickly became a new fave that I have to get to again! I’m also a big fan of The YA Room’s YA Day – just for the ingenious way they’ve found to bring the YA-lit community together in Melbourne, in a really lovely event that I hope continues to grow and thrive.

9. Do you have a favourite bookseller – which one, and why are they your favourite?

A: I have so many! Readings, Better Read Than Dead, Mary Martin, The Little Bookroom, Rabble Books, The Younger Sun, Avenue Bookstore, Antipodes … but my local independent in Mornington is Farrells and I love them so much (and they’ve been such a staple of my childhood, and now adulthood) that they even have a cameo-appearance in The Year the Maps Changed.

10. The important stuff: Cats, dogs, or both for a writing and reading companion?
A: Both! Always both! I have a very cat-like dog called Murray, so I feel he’s the best of all worlds.

11. Do you have a Hogwarts house, and which one would you be in if you attended the school?

A: Slytherin, baby. Cunning! … actually; whenever I take a quiz I literally end up like Harry and get a fair amount of Gryffindor and Slytherin in equal amounts. I guess it depends what mood I’m in.

12. Favourite Beatles song, and why?

A: I LOVE THIS QUESTION! I actually think it’s Blackbird for me. I just think it’s the most beautiful tune and poetic lullaby. And then it’s kind of a two-way tie for Hey Jude and Let It Be.

13. What is your favourite Jane Austen novel, and why?
A: Sense and Sensibility. Colonel Brandon. That’s it. That’s … everything.

14. Who played Darcy better – Colin Firth or Matthew McFadyen?
A: Laurence Olivier. Seriously: https://www.youtube.com/watch?v=643d0KOkMl8

15. What inspired you to start working in the arts industry, and what did you study at university?

A: Let’s see – when I first finished high school I knew I wanted a job *writing* because that’s what I loved. So I had it suggested to me, that I should become a journalist. So I trotted off and did that at Monash within a Communications degree but I hated it – and was always being told to stick to WHO, WHAT, WHEN, WHERE & WHY and not to give any purple prose. In my last year of study, we had to choose an internship within a publishing medium and I decided to do this crazy thing of seeing if I could try and work with kid’s books – which I did; scoring an internship at Black Dog Books (now, Walker Books) in Melbourne. It was eye-opening for me; this realisation that there are so many different areas of work in books publishing, and that I could maybe work within that industry too! So I went off and studies Professional Writing and Editing at RMIT, while also getting my own book-review blog Alpha Reader – http://alphareader.blogspot.com/ – off the ground as I delved further and further into books realms. That was it. Letting myself dream of working with books, reading more, and making that my hobby too.

16. The arts industry is important to Australia, especially now. Do you think people will come to appreciate the arts more after this crisis while they consume books, music and television shows that we need the arts around to produce?

A: Look; everything that people are reaching for is ART. Be that a television show, movie, video-game, comic-book, audiobook, or interacting with the number of museums and art-galleries who have found creative ways for people at home to do virtual-tours. So much of what is alleviating personal pain and boredom, that is continuing to connect people, is … ART. And as the saying goes – the world without ‘art’ is just ‘eh’. I think we’re all feeling that right now, and I hope that as people reach for those mediums and art forms – I do hope that realise that they are reaching for creativity, and then connect that to the people who made it happen. Benjamin Law says this all so much better than I can, in his Guardian Article – and I really do pray that the Government acknowledges that too. That film and TV alone is a $3-billion-dollar industry in Australia, and at times of crisis we’ve all reached for art in some capacity – and art is hurting right now, and needs our help.

I think it all comes back to … if you asked Australians right now, what they want to happen after all this – I’m betting most would say they’d like everything to go back to normal. Well, normal in Australia is the Arts. It’s having the option of ducking into an act during the International Comedy Festival. It’s planning a weekend-getaway in Clunes for Booktown Festival. Hearing of a great exhibit at NGV you can take an international visitor to. A band starting up at the pub. That’s normality, because art is … life. If we want it to be here when this is all over, we have to protect it now – in little and big ways. That means Government crisis packages, and it means individuals requesting digital titles of new books at their libraries, and (if they can!) ordering books from their local independent bookstores.

17. Do you have any book, television, podcast or movie recommendations to get us through these trying times over the next few months?

A: I want to recommend that you all reach for what works for you, in the moment. Don’t feel guilty that you binged Fleabag (or Drag Race!) for the fourth time instead of reading The Complete Works of William Shakespeare or something. It’s all art, as I said – and it all helps us cope. That being said, I can tell you what’s working for me and if there’s any crossover with what works for you then – Hey! – maybe we do a Houseparty get-together and discuss it?

TV: Killing Eve, The Commons, Stateless, The Heights, Bluey, North & South
MOVIES: 10 Things I Hate About You, To All the Boys I’ve Loved Before, A League of Their Own, The Mummy movies, Jane Austen-anything
PODCASTS: Keep It, The Readings Podcast, The First Time Podcast, Booktopia Podcast, The Eleventh, How to Fail with Elizabeth Day.
BOOKS: Heartstopper by Alice Oseman, Wild Fearless Chests by Mandy Beaumont, Peta Lyre’s Rating Normal by Anna Whateley and Please Don’t Hug Me by Kay Kerr.
MUSIC: The Beatles. Lizzo. Lorde. Goldfrapp. Crazy Ex-Girlfriend soundtrack. Hamilton: The Musical.

Any comments about something I may have missed?

Thank you Danielle, and congratulations on your book. I hope it finds its readers.

Christmas in Paris (Miss Lily #3.5) by Jackie French

christmas in parisTitle: Christmas in Paris (Miss Lily #3.5)
Author: Jackie French
Genre: Historical Fiction
Publisher: HarperCollins
Published: 18th November 2019
Format: eBook
Pages: 104
Price: $14.99
Synopsis: Paris, Christmas Eve, 1933
For once it was an accident. Violette did not mean to kill St Nicholas. But there he was, with blood on the cobblestones, and a family waiting for the Christmas Eve miracle that would never come. And her own family expecting her to eat Christmas goose tomorrow at Shillings Hall in England.
Violette Jones had led a life of melodrama since being born in the middle of a war to an espionage agent. But even she had never had to face a bloodied St Nicholas, and somehow conjure three miracles for Christmas.
Another story for the many fans of the Miss Lily series.
~*~

Each year, a few months after the main Miss Lily book comes out, Jackie French releases a short story – a Christmas story about the characters that takes place in between the main books. Christmas in Paris takes place in 1933 in between book three – The Lily in the Snow, which ends in 1929 as the Great Depression begins and book four – Lilies, Lies and Love – which is out in the next few months and will pick up the story in 1936, around the time Edward VIII abdicates to marry Wallis Simpson. In Christmas in Paris, Violette, the orphan from book three, is the focal character, and when she stumbles across a dead Santa Claus, and a worried American, she must call on her family – Sophie, Miss Lily and her parents – to help her solve the mystery.

AWW2020Violette’s story is mostly told in the latest Miss Lily novel yet hinted at here. She has certainly changed a lot since we last met her, and she is growing nicely as a character and will I feel become one who will be important in the later books and will help Sophie. However, Sophie is in the background of this story as Violette manages to pull together three miracles to bring Christmas to those who are not having a good time. Violette still has that spark she had when we first met her, yet she seems to have put it to good use for those who are now her family, and for what is to come in the next book. Whilst it might not set up for the main novels, each of these books will still add to the series for avid Miss Lily fans, and they are amongst some of the only eBooks I read – alongside any for work, as I find shorter works easier to read on screen than longer works. And let’s face it – it’s Jackie French and her books are always ones I will read, or even listen to if I had the chance. Thank you for these books Jackie, the Christmas ones and all your books. I’ve been a reader of them for over twenty years, since year seven when I first read Somewhere Around the Corner – and I still have my original copy.

The mystery of the dead Santa Claus, replacing him and pulling off an event that will appeal to Americans and Parisians drives this short story, and is perfect to fill the wait in between each main Miss Lily novel, though a couple of them go back in time, much like some of the Miss Lily books go back and forth as needed. Each can be read alone, yet they work better as a series. In my mind they work best when read like this – though the eBook short stories are optional and not crucial to understanding the rest of the series:

1. Miss Lily’s Lovely Ladies (1902 to 1919)
2.With Love from Miss Lily (Christmas 1918 – Miss Lily #1.5 Short Story)
3. The Lily and the Rose (1919 – 1926)
4. Christmas Lilies (Christmas 1914 – Miss Lily #2.5 Short Story)
5. The Lily in the Snow (1929/1920s)
6. Christmas in Paris (Christmas 1933 – Miss Lily 3.5 short story) – this review
7. Lilies, Lies and Love (1936-) – yet to be released

I’ve read all that are out and have loved them all. I am keen for the next one. When reading historical fiction like this, I often find myself caught between knowing what is to come and hoping none of the characters are hurt, yet at the same time, hoping that what is dreaded does not come to pass, though it inevitably does. These books give women a voice in these histories, allowing them to speak about what they did and to highlight that much more went on during the wars and interwar period than the history books tell us. Jackie French has brought history to life, and in this book, has given people a moment of hope in a dark time in history – even if only for a day at Christmas.

Death in the Ladies’ Goddess Club by Julian Leatherdale

ladies goddess clubTitle: Death in the Ladies’ Goddess Club

Author: Julian Leatherdale

Genre: Historical Fiction/Crime

Publisher: Allen and Unwin

Published: 3rd March 2020

Format: Paperback

Pages: 400

Price: $29.99

Synopsis: Murder and blackmail, family drama and love, all set within the shady underbelly of 1930s Kings Cross and its glamorous fringe.

‘Crime’s not a woman’s business, Joanie. It’s not some bloody game.’

In the murky world of Kings Cross in 1932, aspiring crime writer Joan Linderman and her friend and flatmate Bernice Becker live the wild bohemian life, a carnival of parties and fancy-dress artists’ balls.

One Saturday night, Joan is thrown headfirst into a real crime when she finds Ellie, her neighbour, murdered. To prove her worth as a crime writer and bring Ellie’s killer to justice, Joan secretly investigates the case in the footsteps of Sergeant Lillian Armfield.

But as Joan digs deeper, her list of suspects grows from the luxury apartment blocks of Sydney’s rich to the brothels and nightclubs of the Cross’s underclass.

Death in the Ladies’ Goddess Club is a riveting noir crime thriller with more surprises than even novelist Joan bargained for: blackmail, kidnapping, drug-peddling, a pagan sex cult, undercover cops, and a shocking confession.

From the shadows of bohemian and underworld Kings Cross, who will emerge to tell the real story?

~*~

In 1932, bohemian life collides with the Great Depression, and Joan, an aspiring writer, and her friend, Bernice are at the heart of it in a boarding house in King’s Cross. Amidst all the balls and parties, there is a dark underbelly of crime linked to underworld razor gangs, and Tilly Devine and Kate Leigh. Whilst all this is bubbling along, Joan’s neighbour, Ellie is murdered, and one of Sydney’s only female police officers, Special Sergeant Lillian Armfield, is called in to help with the investigation. As the case moves along, Joan’s determination to solve the case herself leads her into danger, and into the path of Hugh, a man who associates with the Communists and has his own secrets. As Joan continues to investigate despite being warned away by the police and other threats, she will uncover several shocks and secrets that she never thought possible.

It seems that mysteries set in the 1930s have been a common appearance on my blog these past couple of weeks, and a staple of these mysteries now and over the years has been the opening of the Sydney Harbour Bridge – which each book has dealt with uniquely and from different perspectives, and it’s interesting to imagine that even though the fictional characters inhabit different series, that just maybe in the fictional world, they were all present at the opening usurped by de Groot, but were unaware of each other’s presence. Whilst this is just a small scene in this novel, not only is it a significant turning point in the plot, but it also positions the  novel in a specific time and place, and allows the reader to gain some historical insight and context beyond the Great Depression and the razor gangs, all of which intersect to create a political and social backdrop to the murder that is being investigated.

It is a complex mystery, where each strand is slowly revealed and at times, might seem unrelated but when they come together, bring to life a remarkable and thrilling mystery. There are things hinted at that are cleverly revealed at the end, but at the same time, that when it is revealed, feels like everything was pointing to it much earlier, but had legitimate explanations. In doing so, Leatherdale has created spectacularly misleading characters who not only does Joan find believable in what we are told, but the reader does as well.

It is a very well-thought out mystery, and I felt delivered the right information at the right time. Historical information and bits of context are continuously peppered throughout, yet it is also not overdone. In fact, I do not think anything is overdone, as there is nothing unnecessarily described or used, and I loved the way Joan’s story was peppered throughout and the way the real case she was caught up in started to appear within the novel she was writing. The combination of the mystery and Joan’s aspirations were integrated well, as was the uncertainty of stability in employment and housing during the 1930s.

Overall, I enjoyed this book, and think readers of historical fiction and mystery will enjoy it. Including real life historical figures creates an authenticity that allows a great immersion in the world of the book and sparks an interest in this history beyond what is often taught at school.

CBCA Notables 2020

CBCA200205_NOTABLEBOOKS-WEBSITEBANNER

Every year, the Children’s Book Council of Australia chooses to award children’s books in the category a variety of honours and awards, including the Notable Books, Honour Books, and Book of the Year. Celebrating children’s books in Australia since 1946, the CBCA is a good award that gives attention to books for younger readers that might not always get the coverage that adult books do or highlight authors who may not be as well known. There are several past CBCA books I have read – I’d have to dig through all my books and reviews to find them all, but no doubt they have all won or been honoured because they are wonderful books and the Notables this year seem to have a diverse range of plots and authors for readers to explore. This post outlines the award, the categories and the Notable books that the judges will be choosing from this year. Having read some of them, I know it will be a tough call with so many good books out there.

Below are the key dates in the award announcements for 2020:

Announcement Dates:
Notables – announced the last Tuesday in February at 7pm AEDT
Short List – announced the last Tuesday in March at 12 noon AEDT
Winners and Honours – announced the third Friday in August at 12 noon AEST
The advocacy role played by the CBCA promotes the literary experience for children and assures the scope and vitality of Australian children’s books. The annual CBCA Book of the Year Awards affirm the quality of some of Australia’s most creative people and provide a boost to their capacity to devote time to their craft.
Established with the first awards in 1946, the annual CBCA Book of the Year Awards aim to:
• promote quality literature for young Australians;
• support and encourage a wide range of Australian writers and illustrators of children’s books and;
• celebrate contributions to Australian children’s literature.
Here are the award categories:
CATEGORIES
There are six categories in the CBCA Book of the Year Awards.
• CBCA Book of the Year: Older Readers
• CBCA Book of the Year: Younger Readers
• CBCA Book of the Year: Early Childhood
• CBCA Picture Book of the Year
• Eve Pownall Award
• CBCA Award for New Illustrator (previously the Crichton Award for New Illustrators administered by the CBCA Victorian Branch)

View the complete list of notables here: https://www.cbca.org.au/notables-2020

The Notable Books I have read are:

 

The Honeyman and The Hunter by Neil Grant
Four Dead Queens by Astrid Scholte
As Happy As Here by Jane Goodwin
Hapless Hero Henrie by Petra James
The Dog Runner by Bren MacDibble
The Glimme by Emily Rodda

The Notables I hope to read are:

Angel Mage by Garth Nix
Pirate Boy of Sydney Town by Jackie French
The Girl, the Dog and the Writer in Lucerne by Katrina Nannestad
The Secrets of Magnolia Moon by Edwina Wyatt, Illustrated by Katherine Quinn
Sick Bay by Nova Weetman

I’m sure there are others on the list that will interest me, but I shall have to do some investigations into the books to make my final decision. Some I already have and will be working my way through them. Bren MacDibble’s book is also on the Readings Children’s books short prize, and I am hoping to read each book on there and review it, and write about the prize in another post.

 

The Killing Streets: Uncovering Australia’s first serial murderer by Tanya Bretherton

killing streetsTitle: The Killing Streets: Uncovering Australia’s first serial murderer

Author: Tanya Bretherton

Genre: History, Non-Fiction, True Crime

Publisher: Hachette Australia

Published: 25th February 2020

Format: Paperback

Pages: 340

Price: $32.99

Synopsis: From the acclaimed author of THE SUITCASE BABY and THE SUICIDE BRIDE, the story of a series of horrific murders that began in 1930s Sydney – and a killer who remained at large for over two decades.

In December 1932, as the Depression tightened its grip, the body of a woman was found in Queens Park, Sydney. It was a popular park. There were houses in plain view. Yet this woman had been violently murdered without anyone noticing. Other equally brutal and shocking murders of women in public places were to follow. Australia’s first serial killer was at large.

Police failed to notice the similarities between the victims until the death of one young woman – an aspiring Olympic swimmer – made the whole city take notice. On scant evidence, the unassuming Eric Craig was arrested. But the killings didn’t stop…

This compelling story of a city crippled by fear and a failing economy, of a killer at large as panic abounds, is also the story of what happens when victims aren’t perfect and neither are suspects, and when a rush to judgement replaces the call of reason.

~*~

Modern Sydney has been connected to crime ever since the arrival of the First Fleet with the first lot of convicts from the UK, sent to serve out sentences for stealing bread, stealing clothes and many other crimes at what must have felt like the end of the world for those people. In 1930s Sydney, during the Depression, a violent murder occurred in Queens Park – followed by several others that were similar, and a few others had preceded the 1932 murder. It seemed Australia had its first serial killer.

AWW2020Yet in 1932, even though new forensic and crime scene recording techniques were coming to light – sketches and photography were used in conjunction as part of investigations – the police did not see the link between the initial deaths  – unfortunately laying some of the blame on the victim, due to their profession. Yet when Bessie O’Connor – an aspiring Olympic swimmer who lived a very different life to the other women – prostitutes – was murdered, the police hurriedly made the connection.

In these dark days, the police investigation appears to have been hurried somewhat in a desperate attempt to get the ‘sex slayer’ off the streets. Yet even once Eric Craig, who forever professed his innocence, was arrested – the killings continued after a brief break. The killer could have been a copycat, or perhaps in their haste, the police arrested the wrong man, and because of that, let the real killer go free for decades to come.

Tanya Bretherton uses the facts at hand in articles, archives and various other sources to construct her book, and whilst she extrapolates what may have happened in some places due to gaps in the information she has access to, this I felt was done respectfully and in a way that tried to give something more to the history, and show just how a forced and quick investigation can result in the wrong outcome, and possibly, lead to the real killer never being caught. She humanises the victims, and makes sure we remember their names: Daisy, Rebecca, Vera, Hilda, Iris, Bessie, Betty, Lucy, Joan and Ada, whose deaths were not properly investigated, and where their gender was also a factor in how the police viewed these crimes – that somehow they’d done something wrong, yet they hadn’t. Tanya makes them human again, seen through the eyes of those that loved them rather than their killer, and also, illustrated the dynamics of Eric Craig, his upbringing and the stark contrast between the way his mother – Leah, and his wife – Mary-Caroline as they watched the trial, and what happened to their son and husband.

Tanya also manages to get the balance between the emotions linked to the deaths and cases, and the facts – they both contribute to construct a narrative where one can believe that Craig wasn’t the killer, that he was coerced into a confession due to shoddy police work, and lack of further investigation into other possible suspects in an attempt to make the killings stop. The killings Craig was accused of were the 1932 ones, but very similar killings took place from 1926 to 1944, and suggest the possibility of one serial killer across the eighteen years – but nobody can know for sure, which is what makes this book so interesting – it posits that there could have been at least two, but this is something we will never know, perhaps lost to history forever. Still, these stories open up a seedy and dark underside of a well-known city, illustrating a time of fear and uncertainty through a dark and murky mystery. Readers of crime and true crime will find this a fascinating insight into Australia’s history and crime and justice system.

Pop Sugar Challenge Wrap Up 2019

In 2019 I also participated in the Pop Sugar Challenge. I missed out on completing this by one, mainly because time just ran out and I never got to it. Below is my list of categories that I completed. I am thinking of trying a different one this year, as I feel the categories are getting too specific and I may struggle to find books to fit some of them, if not many, and whilst it is meant to help expand my reading, I’d be too worried about finding something to enjoy the process. So all of these have been read, and many reviewed in 2019.

Pop Sugar Challenge

  1. A book becoming a movie in 2019: Little Women by Louisa May Alcott
  2. A book that makes you nostalgic: The Lost Magician by Piers Torday
  3. A book written by a musician (fiction or nonfiction): Best Foot Forward by Adam Hills
  4. A book you think should be turned into a movie: Four Dead Queens by Astrid Scholte
  5. A book with at least one million ratings on Goodreads: Harry Potter and the Prisoner of Azkaban by JK Rowling – 20th Anniversary House Editions
  6. A book with a plant in the title or on the cover: Bella Donna: Coven Road by Ruth Symes, Eliza Rose by Lucy Worsley
  7. A reread of a favourite book: Beauty in Thorns by Kate Forsyth
  8. A book about a hobby: The Bad Mother’s Book Club by Keris Stanton
  9. A book you meant to read in 2018: Eliza Rose by Lucy Worsley
  10. A book with POP, SUGAR, or CHALLENGE in the title: Poppy Field by Michael Morpurgo, Mary Poppins by P.L. Travers
  11. A book with an item of clothing or accessory on the cover: 99 Percent Mine by Sally Thorne, The Things We Cannot Say by Kelly Rimmer
  12. A book inspired by myth/legend/folklore: Mermaid Holidays: The Magic Pearl by Delphine Davis and Adele K Thomas
  13. A book published posthumously: Northanger Abbey by Jane Austen
  14. A book you see someone reading on TV or in a movie: Little Women by Louisa May Alcott
  15. A retelling of a classic: Enola Holmes: The Case of the Bizarre Bouquets (Enola Holmes #3) by Nancy Springer
  16. A book with a question in the title: Is It Night or Day? by Fern Schumer Chapman
  17. A book set on college or university campus: Marvel Rising: Squirrel Girl and Ms Marvel by Devin Grayson, Ryan North and Willow Wilson
  18. A book about someone with a superpower: The Unbeatable Squirrel Girl Volume One: Squirrel Power by Ryan North
  19. A book told from multiple POVs: Four Dead Queens by Astrid Scholte
  20. A book set in space: Captain Marvel: Higher, Faster, Further by Kelly Sue DeConnick
  21. A book by two female authors: The Silver Well by Kate Forsyth and Kim Wilkins, While You Were Reading by Ali Berg and Michelle Klaus
  22. A book with SALTY, SWEET, BITTER, or SPICY in the title: Australia’s Sweetheart by Michael Adams
  23. A book set in Scandinavia: The Wolf and the Watchman by Niklas Natt och Dag
  24. A book that takes place in a single day: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson
  25. A debut novel: What Lies Beneath Us by Kirsty Ferguson
  26. A book that’s published in 2019: Vardaesia by Lynette Noni
  27. A book featuring an extinct or imaginary creature: Dragon Masters: Treasure of the Gold Dragon by Tracey West
  28. A book recommended by a celebrity you admire: Split edited by Lee Kofman – recommended by Myf Warhurst
  29. A book with LOVE in the title: With Love from Miss Lily by Jackie French (short story)
  30. A book featuring an amateur detective: All the Tears in China by Sulari Gentill
  31. A book about a family: The House of Second Chances by Esther Campion
  32. A book by an author from Asia, Africa, or South America: Children of the Dragon: Race for the Red Dragon by Rebecca Lim
  33. A book with a zodiac sign or astrology term in title: The Seven or Eight Deaths of Stella Fortuna by Juliet Grames
  34. A book that includes a wedding: The Things We Cannot Say by Kelly Rimmer, Northanger Abbey by Jane Austen, A Dream of Italy by Nicky Pellegrino
  35. A book by an author whose first and last names start with the same letter: Mermaid Holidays: The Talent Show by Delphine Davis and Adele K. Thomas, The True Story of Maddie Bright by Mary-Rose MacColl, Explorer’s Academy: Nebula Secret by Trudi Trueit
  36. A ghost story: The Aunt Who Wouldn’t Die by Shirshendu Mukhopadhyay
  37. A book with a two-word title: Saving You by Charlotte Nash
  38. A novel based on a true story: The Familiars by Stacey Halls – The Pendle Witches
  39. A book revolving around a puzzle or game: Deltora Quest #1 by Emily Rodda
  40. Your favourite prompt from a past POPSUGAR Reading challenge:

2016 – A book based on a fairy tale: The Blue Rose by Kate Forsyth – based on Chinese fairy tale, The Blue Rose

2017 – A steampunk book: The Book of Dust Volume 2: The Secret Commonwealth by Philip Pullman

Prompt:

Advanced

  1. A “cli-fi” (climate fiction) book: The Dog Runner by Bren MacDibble, Daughter of Bad Times by Rohan Wilson
  2. A “choose-your-own-adventure” book: Choose Your Own Adventure #2: Journey Under the Sea by R.A. Montgomery
  3. An “own voices” book: Children of the Dragon: Race for the Red Dragon by Rebecca Lim
  4. Read a book during the season it is set in: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson (Easter Season), The Shelly Bay Ladies Swimming Circle by Sophie Green (parts are set during Autumn), While You Were Reading by Ali Berg and Michelle Klaus (Winter), The Unforgiving City by Maggie Joel (Winter)
  5. A LitRPG book:
  6. A book with no chapters / unusual chapter headings / unconventionally numbered chapters: Kensy and Max: Undercover by Jacqueline Harvey (Ciphers used to give the chapter headings)
  7. Two books that share the same title: Deltora Quest: The Forest of Silence by Emily Rodda
  8. Two books that share the same title: Deltora Quest: The Lake of Tears by Emily Rodda
  9. A book that has inspired a common phrase or idiom: Aladdin and the Arabian Nights – Open Sesame
  10. A book set in an abbey, cloister, monastery, vicarage, or convent: Northanger Abbey by Jane Austen

Book Bingo 2019 Round Up and Intro to 2020

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As 2019 comes to an end, I am starting to wrap up my reading challenges and getting my wrap-up posts done. First cab off the rank is for #BookBingo with Amanda and Theresa, wrapping up just before Christmas, with the rest to follow shortly or early in the new year.

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This year, I completed the following Bingo Card by September – where we had to double up a few times to make the card fit the year – some categories proved to be tougher than others, and there were a few I stretched for my needs but in the end it all worked. Next year, in 2020, we’re back with a glittery card with fewer squares and less restrictive categories to make finding books easier – something we all struggled with this year in various ways. Chances are, we may pick the same books again, as so often we do, but this is half the fun, and we get a good laugh out of it. Below is my text bingo card, with all the reviews linked.

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A link to this post itself will be included in my year-round round-up as well, which will hopefully capture all my links and roundups neatly. As for the 2020 card, I already have a few ideas but will also be hoping to find some new reads as the year goes on, so I will not be choosing any yet, but will still have these ideas in the back of my mind just in case I need them.

Book Bingo

Rows Across:

Row One: BINGO

 

A book with a red cover: Children of the Dragon: Race for the Red Dragon by Rebecca Lim – #AWW2019

Beloved Classic: Seven Little Australians by Ethel Turner – AWW2018

A novel that has more than 500 pages: Rebel Women who Changed Australia by Susanna de Vries, The Book of Dust Volume 2: The Secret Commonwealth by Philip Pullman

A novella no more than 150 pages: Deltora Quest: The Forest of Silence by Emily Rodda – #AWW2019

Prize winning book: Somewhere Around the Corner by Jackie French – #AWW2019, Alexander Altmann A10567 by Suzy Zail – #AWW2019

Row Two: BINGO

 

A book by an author with the same initials as you: The Book Ninja by Ali Berg and Michelle Klaus – #AWW2019

Non-Fiction book about an event: The Suicide Bride by Tanya Bretherton – #AWW2019

Fictional biography about a woman from history: Fled by Meg Keneally – #AWW2019

Memoir about a non-famous person: Australia’s Sweetheart by Michael Adams

Book written by an Australian woman more than 10 years ago: Deltora Quest: The Lake of Tears by Emily Rodda – #AWW2019 (2001)

Row Three: BINGO

 

Themes of Science Fiction: Daughter of Bad Times by Rohan Wilson

Themes of Culture: The Lost Magician by Piers Torday

Themes of Justice: What Lies Beneath Us by Kirsty Ferguson – AWW2019

Themes of Inequality: The Things We Cannot Say by Kelly Rimmer – AWW2019

Themes of Fantasy: Vardaesia by Lynette Noni – AWW2019

 

Row Four: – BINGO

 

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019

Book set in the Australian Outback: The Last Dingo Summer by Jackie French (Matilda Saga #8) – #AWW2019

Book set on the Australian Coast: The House of Second Chances by Esther Campion – AWW2019

Book set in the Australian Mountains: The Orchardist’s Daughter by Karen Viggers – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

 

Row Five: BINGO

 

Written by an Australian Man: The Honeyman and the Hunter by Neil Grant

Written by an Australian Woman: Zelda Stitch Term Two: Too Much Witch by Nicki Greenberg – AWW2019

Written by an author under the age of 35: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson – #AWW2019

Written by an author over the age of 65: Miss Franklin: How Miles Franklin’s Brilliant Career began by Libby Hathorn – #AWW2019

Written by an author you’ve never read: The Dog Runner by Bren MacDibble – #AWW2019

Row Six: BINGO

 

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

Crime: All the Tears in China by Sulari Gentill – AWW2019

Historical: The Familiars by Stacey Halls

Romance: Northanger Abbey by Jane Austen

Comedy: Best Foot Forward by Adam Hills

Rows Down:

Row One:  – BINGO

 

A book with a red cover: Children of the Dragon: Race for the Red Dragon by Rebecca Lim – #AWW2019

Book by an author with the same initials as you: The Book Ninja by Ali Berg and Michelle Klaus – #AWW2019,

Themes of science fiction: Daughter of Bad Times by Rohan Wilson

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019

Written by an Australian man: The Honeyman and the Hunter by Neil Grant

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

Row Two: BINGO

 

Beloved Classic: Seven Little Australians by Ethel Turner – AWW2018      

Non-Fiction book about an event: The Suicide Bride by Tanya Bretherton – #AWW2019

Themes of culture: The Lost Magician by Piers Torday

Book set in the Australian outback: The Last Dingo Summer by Jackie French (Matilda Saga #8) – #AWW2019

Written by an Australian woman: Zelda Stitch Term Two: Too Much Witch by Nicki Greenberg – AWW2019

Crime: All the Tears in China by Sulari Gentill – AWW2019

Row three: BINGO

 

Novel that has 500 pages or more: Rebel Women who Changed Australia by Susanna de Vries – #AWW2019, The Book of Dust Volume 2: The Secret Commonwealth by Philip Pullman

Fictional biography about a woman from history: Fled by Meg Keneally – #AWW2019

Themes of justice: What Lies Beneath Us by Kirsty Ferguson – AWW2019

Book set on the Australian coast: The House of Second Chances by Esther Campion – AWW2019

Written by an author under the age of 35: Archibald, The Naughtiest Elf in the World Causes Trouble with the Easter Bunny by Skye Davidson – #AWW2019

Historical: The Familiars by Stacey Halls

Row Four: – BINGO

 

Novella no more than 150 pages: Deltora Quest: The Forest of Silence by Emily Rodda – #AWW2019

Memoir about a non-famous person: Australia’s Sweetheart by Michael Adams

Themes of inequality: The Things We Cannot Say by Kelly Rimmer – AWW2019

Book set in the Australian mountains: The Orchardist’s Daughter by Karen Viggers – AWW2019

Written by an author over the age of 65: Miss Franklin: How Miles Franklin’s Brilliant Career began by Libby Hathorn – #AWW2019

Romance: Northanger Abbey by Jane Austen

Row Five: BINGO

 

Prize winning book: Somewhere Around the Corner by Jackie French – #AWW2019, Alexander Altmann A10567 by Suzy Zail – #AWW2019

Book written by an Australian woman more than ten years ago: Deltora Quest: The Lake of Tears by Emily Rodda – #AWW2019 (2001)

Themes of fantasy: Vardaesia by Lynette Noni – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

Written by an author you’ve never read: The Dog Runner by Bren MacDibble – #AWW2019

Comedy: Best Foot Forward by Adam Hills

I have provided the links once, but the images twice as they appear in different rows and columns, and hopefully, this has captured it all as a snapshot of what I have done this year for my Book Bingo challenge. Until next year, when my book bingo posts will appear on the second Saturday of each month.