Isolation Publicity with Josephine Moon

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

cake makers wish

Joephine Moon has written several books, but it’s her latest, The Cake Maker’s Wish, that has been impacted by the COVID-19 health crisis. She found out early on in the crisis, and as the days and weeks went on, like many, things were cancelled left, right and centre. This interview is getting some of her publicity out there in these trying times.

Hi Josephine and welcome to The Book Muse

1. To begin with, what was the book you were supposed to be launching in the next few months when the pandemic hit, and can you tell my readers what it is about?

I was in my publisher’s office having a team meeting to discuss the publicity and marketing strategies for The Cake Maker’s Wish quite early on in the history of Covid19. I don’t think any of us could have predicted that within weeks they’d be cancelling all author tours and events. It happened so fast.

The Cake Maker’s Wish follows the story of Olivia Kent, who bravely decides to move herself and her young son Darcy from their family home in Richmond, Tasmania, to the (fictional) village of Stoneden in the Cotswolds in England. She (along with many others from around the world) has answered the call to help the village in an experimental project to revive its dying economy. At the same time, she has just one wish—to have a family once more. She hopes that the move may help her reconnect with her grandmother’s history in the village, perhaps find some long-lost relatives, help Darcy to connect with his Norwegian father, or at the very least build a new family of village friends. When she gets there, though, she finds that not everyone in the village is as happy about the project as she believed. And while she hasn’t thought about romance in eight years, some unexpected opportunities arise.

2. Are all your books family dramas, or do you dabble in other genres and styles?

Both The Beekeeper’s Secret and The Gift of Life are mysteries.

3. What attracts you to writing family dramas?

It’s funny, but I haven’t really ever thought of them as family dramas necessarily, though you’re right in that they all contain main characters and their family circumstances either support or hinder their progress. I guess the family—whatever it looks like—is the building block of society and also the main driver behind people’s formative experiences and therefore personalities and behaviours. The narrative richness about families is that they are all so different. There are literally endless possibilities to explore in terms of relationship dynamics. Probably, too, the reason family can be such a strong theme in my books is because I frequently write multi-generational point-of-view characters, therefore they do tend to be linked by family bonds of some sort.

4. The new novel begins in Tasmania, and the moves to the Cotswolds in England – what made you choose these two locations in particular?

I went to the Cotswolds to find a story and was indeed lucky enough to find one so that setting was naturally driven by my time there. As for Tasmania, I simply love the island! My dad and stepmother had a cottage in Tasmania for a number of years and I’ve been down there many times. The first time I went to Evandale I declared that I would set a book there—and I wasn’t even yet published! (That book became my second novel, The Chocolate Promise.) I hold fantasies of having a second home down there where I go simply to write books. I had originally intended for there to be more than one chapter set in Tasmania but as it worked out, we only have the prologue. On the up side, I think that gives me an excuse to try again in the future for another Tasmanian book

5. Can you tell my readers about Story Dogs?

Story Dogs is a nation-wide charity that supports early readers by providing volunteers and their dogs as a form of reading assistance. They primarily have their human-dog teams going into schools, where the kids can read to the dogs. The dogs lift their confidence and provide a comforting, non-judgemental ear.

6. What made you decide to become involved with Story Dogs?

Originally, I wanted to be a volunteer for them with my Golden Retriever, Daisy. My son wasn’t yet in school but I thought it was wonderful and wanted to help. But when I read about the attributes a good reading dog needed, I realised Daisy would never pass the test as she was way too excitable. When Flynn started Prep, I came across the organisation again and thought it was a great initiative and one that married together many of my passions—animals, kids and literacy.

7. Prior to becoming an author, what did you teach, and what about this subject did you enjoy?

I was a high school English teacher as well as teaching Film and TV. I don’t think I enjoyed much about it, which is why I didn’t last long 😉

In hindsight, I think I should have been a primary school teacher. When I left high school teaching, I did eighteen months on contracts in primary schools and really enjoyed it. In primary school, you get the chance to build strong relationships and nurture young minds and capture that sense of natural curiosity and love of learning. I love that. After my son started at school and I was volunteering in his class, I had a real hankering to get back in the classroom. It hasn’t really gone away, but there is no way I could write novels and teach as well.

8. What sort of books did you edit during your editorial career?

I worked in an aerospace company for two years, editing aircraft maintenance manuals and company tenders. I also got myself a niche role creating training workshops for the engineers to improve their communication skills, which broke up the monotony of the job, but the whole experience was pretty soul destroying for a creative person. After that, I got a job as a project editor, working on full-colour high school text books. It was such a fun job. Hands down the best job I ever had. (And I have had a LOT of jobs! All good research material now for building characters.)

9. When did you decide to write a novel, and what gave you the confidence to submit to a publisher?

In 1999, I attended at workshop with the Queensland Writers Centre and had what I call a ‘full body moment’ when I thought, ‘This is it—this is what I want to do with the rest of my life’ I knew that I couldn’t just write a novel, though. That’s a bit like trying to build a house when you can’t even pitch a tent. I spent years writing short stories and articles and lots of other things. At some point I moved to novels and wrote across many different genres. It took me a long time to find the style I wanted to write in. Along the way, I submitted manuscripts to agents and publishers and was rejected by everyone in the country at least once.

I don’t think I ever felt confident; I’m not sure I ever feel that way even now. What I did feel was passion for wanting to improve and a hope that wouldn’t die, no matter how many times I was rejected. I’m a big believer in just having a go, so I think that was always my driving force.

10. Have you had any shorter pieces published elsewhere?

Yes, several short stories and multiple articles for newspapers and magazines.

11. When not writing or helping with Story Dogs, what do you enjoy doing?

I’m a huge animal lover, and we live with a lot of animals, so I’m always patting a cat, playing with a dog, or taking care of horses or goats. I bake a lot and read a lot. I also work as the Business Coordinator for an aged care company and create digital content for them too. And, of course, I am a mum to a gorgeous seven-year-old and that’s a huge part of my day and life.

12. Which is easier to write – fiction or non-fiction, or do you find each has its own challenges?

For me, non-fiction is far easier for the simple fact that all the information you want is already ‘out there’ somewhere. Your role then becomes one of being a curator of that information. Writing fiction on the other hand is so difficult. You are creating whole worlds and people out of nothing. It’s much trickier to find the boundaries of the story and set the course for the narrative and I spend vast amounts of time rewriting. Non-fiction uses a completely different part of my brain so it’s an enjoyable counterpoint.

13. Did your background in education and literacy help when it came to crafting your stories?

Being an editor definitely helped because you need to drill down into the really fine points of language that are mostly overlooked.

14. During your writing process, what kind of research do you do?

Research is my happy place and I spent loads of time there. It’s where I find my stories, the inspiration for characters and content for settings. I love location research for settings. I’m also very much a ‘method writer’, so if my character wants to do a coffee cupping, I need to do it too to have that hands-on experience to write about. I also do a lot of interviews with people because human beings are always the best source of information.

15. What events did you have to cancel when the lockdown hit Australia, and which were you looking forward to?

All my touring events were cancelled. Usually, I visit several cities and do dozens of book signings and author talks. I love meeting readers and I’m lucky enough to have some people come out to see me every year. I’m really sad about not seeing my readers.

16. You’ve worked in education and the arts – how do you think these industries complement each other?

Education (at its best) teaches us how to think. The arts teach us how to think creatively, differently and compassionately, and strengthens our resilience.

17. Top five books or authors that you always enjoy?

Monica McInerney, Marian Keyes, JoJo Moyes, Liane Moriarty, and two new favourites this year in Rachel Givney (Jane in Love) and Rose Hartley (Maggie’s Going Nowhere).

18. What are your plans for your future novels?

Right now, I’m working on my 2021 book, currently called The Jam Queen. After that, I honestly don’t know. With the world as it is right now, I’m finding it difficult to organise three meals a day, let alone a new novel

There are many things I’d still like to write, passion projects and children’s stories, and I have many non-fiction books still inside me that I’d like to bring forth too. Part of being a creative is that I need to stay open to what comes my way. I’m always open to a story ‘arriving’ and demanding to be written.

Anything else you’d like to say?

Thank you so much for having me along and for supporting authors, especially at this time. The Cake Maker’s Wish is out on 2 June and pre-orders are open now, with all the links here.

Thanks Josephine!

A Treacherous Country by K.M. Kruimink

A Treacherous CountryTitle: A Treacherous Country
Author: K.M. Kruimink
Genre: Historical Fiction, Literary
Publisher: Allen and Unwin
Published: 21st April 2020
Format: Paperback
Pages: 256
Price: $29.99
Synopsis: The winner of the prestigious literary award that has launched over a hundred authors – The Australian/Vogel’s Literary award

There is a woman, somewhere, here, in Van Diemen’s Land, unless she had died or otherwise departed, called Maryanne Maginn.

Gabriel Fox, the young son of an old English house, arrives in a land both ancient and new.

Drawn by the promise of his heart’s desire, and compelled to distance himself from pain at home, Gabriel begins his quest into Van Diemen’s Land.

His guide, a Cannibal who is not all he seems, leads him north where Gabriel might free himself of his distracting burden and seek the woman he must find. As Gabriel traverses this wild country, he uncovers new truths buried within his own memory.

Authentic, original and playful, A Treacherous Country is a novel of loyalty, wisdom and the freedom to act.


When Gabriel Fox arrives in Australia in 1820 – just over thirty years since the First Fleet arrived, he sets out with his Irish companion, called his Cannibal, to Van Diemen’s land in search of a woman who was transported thirty years ago – Maryanne Maginn. But he’s also running away from pain at home, and seeking something new, which he hopes to find in this wild country – as seen through the eyes of those who came here from Europe. On this quest into Van Diemen’s land, Gabriel does not know what he will find nor what dangers he will stumble across as he seeks to find this woman who was transported when she was very young. As Gabriel searches for her, her learns more about this country and land that is new to him – yet so ancient for others, and for another group, it is a prison. Gabriel’s task is simple – find out whether Maryanne is dead or alive – and survive his journey.

The story is told solely through Gabriel’s eyes, so we see the results of colonisation through his lens and what others tell him about the convicts and displacement – which is hinted at throughout the novel, but the main focus is the quest for Maryanne, more than the history of the land and colonisation. Through this quest, Gabriel shows how little those who are new to this country understand the land, but also, their desire to tame it for their own will. It shows how colonisation affected the land – and a world shown through the eyes of those with power – and what this means for those forgotten or ignored.

AWW2020It is a quest with a clear goal, yet an ending that might lead into another story, as it was so open to interpretation, anything could have happened, but I think I know what the author was aiming for – to find out you’ll have to read it for yourself though. It is a book about freedom in some ways and being a prisoner or tied to something awful in other ways, as shown through Gabriel’s eyes, story and experience. It is another way of exploring Australia’s history in a micro sense – taking one experience and telling that story to expand on what we already know, or to add to the myriad of voices out there. This is just one example of how the known story is not the only one out there. There are many others that can be told from a variety of diverse perspectives, and to be able to read them alongside this story and other stories would help give a well-rounded view of Australian history.

K.M. Kruimink has crafted a story that is compelling and intriguing, and that explores the unknown world of Van Diemen’s land, as well as the interior world and mind of her main character, Gabriel. The isolation he feels physically mirrors the isolation and at times, desolation he feels emotionally and mentally as his mind and body battle an unknown world and situation. It is an interesting novel – one that needs to have time spent with it to unravel everything in the novel, and work out where everyone fits and especially, some parts of the final chapters. Not everything is made obvious, but this is what makes it work within the scope and purposes of the novel. It is at times gentle and at times wild, but when combined, these aspects are what makes the novel work for what is and its audience.

It is more literary than historical, though the historical elements are there and help to create the world that Gabriel is in, showing just how the colonists saw Australia and Van Diemen’s land as wild and untamed land as they see it. This was an intriguing novel that will certainly find an interested audience, and sometimes, it is these stories of individuals that give history its colour and richness, in all shapes and forms.


Announcement 2020 Vogel Winner – Media from Allen and Unwin Australia


Every year, Allen and Unwin run the Vogel Awards for an unpublished manuscript for authors under the age of 35. This year, the announcement had to made online, and was hosted by Claire Bowditch. Below is a copy of the press release sent to me by Allen and Unwin, about the winner, A Treacherous Country by K.M. Kruimink. Here is the author’s reaction to seeing her book for the first time as well.

A Treacherous Country

About the book:

Set in the 1800s, Gabriel Fox is newly arrived to Van Diemen’s Land (Tasmania) from England. Drawn by the promise of his heart’s desire and compelled to distance himself from pain at home, Gabrielle is on a quest to find a woman called Maryanne Maginn.

His guide, a Cannibal who is not all he seems, leads him north. As Gabriel traverses this wild country, he uncovers new truths buried within his own memory.

Media Release for distribution: Monday, 20 April

In conjunction with the Vogel’s company and The Australian, Allen & Unwin is pleased to announce the 2020 winner of The Australian/Vogel’s Literary Award, A Treacherous Country by
K.M. Kruimink. This authentic, original and playful novel is about loyalty, wisdom and the freedom to act.

The Australian/Vogel’s Literary Award is one of Australia’s richest and most prestigious literary prizes for an unpublished manuscript from an author under the age of thirty-five. This longstanding award is integral to Australia’s cultural landscape having launched the careers of over 100 Australian authors including Tim Winton, Rohan Wilson, Kate Grenville, Andrew McGahan and Gillian Mears.

K.M. Kruimink says she entered The Australian/Vogel’s Literary Award with no concrete thought of what would happen to her submission.

‘For me, at that time, the value in entering was in the structure and the deadline: it helped motivate me to complete something. To actually win is helping me articulate to myself what I would really like to do with my career, and it’s given me permission to articulate it to others, too.

‘It’s astonishingly wonderful to have my book published, and it’s just as wonderful to be able to say, “Yes, this is something I’ve wanted to do”.’

About A Treacherous Country

About K.M. Kruimink

K.M. (Katherine) Kruimink was born in Tasmania and spent most of her childhood in the Huon Valley, with an interlude on the West Coast. After completing a largely ornamental Arts degree at the University of Tasmania, she lived and worked interstate and abroad for several years. Today, she lives once again in the Huon Valley, now with her husband and daughter. A Treacherous Country is her first novel.

Set in the 1800s, Gabriel Fox is newly arrived to Van Diemen’s Land (Tasmania) from England. Drawn by the promise of his heart’s desire and compelled to distance himself from pain at home, Gabrielle is on a quest to find a woman called Maryanne Maginn.

His guide, a Cannibal who is not all he seems, leads him north. As Gabriel traverses this wild country, he uncovers new truths buried within his own memory.

The judges were unanimous with their praise, saying:

‘Witty, warm, lively and delightful. It has an assured voice that rose out of the pages rich, complete and true. The development of character and plot is simultaneous, elegant and natural.’  Tegan Bennett Daylight, award-winning author of Six Bedrooms

‘Dialogue and interplay are fantastic. The characters and storyline completely “hooked” me. Loved the ending.’ – Megan O’Brien, bookseller

The Octopus and I by Erin Hortle

the octopus and ITitle: The Octopus and I

Author: Erin Hortle

Genre: Fiction

Publisher: Allen and Unwin

Published: 15th April 2020

Format: Paperback

Pages: 368

Price: $29.99

Synopsis: A stunning debut novel set on the Tasmanian coast that lays bare the wild, beating heart at the intersection of human and animal, love and loss, and fear and hope.

Lucy and Jem live on the Tasman Peninsula near Eaglehawk Neck, where Lucy is recovering from major surgery. As she tries to navigate her new body through the world, she develops a deep fascination with the local octopuses, and in doing so finds herself drawn towards the friendship of an old woman and her son. As the story unfolds, the octopuses come to shape Lucy’s body and her sense of self in ways even she can’t quite understand.

The Octopus and I is a stunning debut novel that explores the wild, beating heart at the intersection of human and animal, love and loss, fear and hope.


The Octopus and I by Erin Hortle is a debt novel, moving between the human perspective – Lucy, told in first person at times, and also in third person, but also the animal perspective, some of which appear in third person and it felt like some were in third person. Each chapter is unnumbered and untitled, but easily delineated with clear places for readers to stop where they need to. Set in coastal Tasmania, there is an ebb and flow of the sea and the environment, the clashes of man and beast, and ideological clashes that on the surface, are said to be different by those who hold the beliefs,  yet if you dig a little deeper, there are similarities that allow for each side as it were to somewhat converge at some point, even though they believe that they are not the same.


This is a strange yet lyrical book, and weaves in and out of nature and the human world, and the human world’s relationship with nature, seen through Lucy’s obsession with the octopus she saves one night, and her decision to immortalise it in a tattoo, and to find out everything she can about them, fuelling her fascination with the creatures.

Lucy’s journey is seen through the ideology of breasts and body image – and the way some people define a woman by her breasts. Lucy’s breast implants following surgery for breast cancer attract a lot of unwanted attention. So when an accident forces her to re-evaluate how she sees her body, Lucy’s obsession and fascination with the local wildlife, and in particular, the octopus becomes clear – a fascination that leads her to save them when she sees one in danger, and feel more at ease in the ocean than she does on land at times.

I wondered if the octopus, specifically the female octopus and her life cycle, was a metaphor for Lucy and her breast cancer, and how she was trying to understand her identity without her breasts. If so, it was done in a way that wasn’t overtly obvious, so that the reader has to dig for it like a treasure hunt, which is why I am glad I read to the end of the book and uncovered Lucy’s journey of body image, and her relationship to Jem, to Harry and to Flo, but also her relationship to the natural landscape and the animals of Tasmania. Those perspectives are dotted throughout, and present the reader with a different, yet well-rounded idea of how human and animal engage with the earth, even if, albeit, it does feel like a shock when you’ve been reading Lucy’s story for so long, and the seal or another sea creature appears. Though it doesn’t take along to readjust, as Erin has clearly signposted where each part begins and how each perspective begins for the reader to interact effectively.

The things that human and animal have in common that are present in the novel, and that effectively link each different perspective include love, loss, hope, and fear – feelings present in each character within this novel manifesting themselves in different ways.

It is to me, an experiment in how to interact with the world around you and the unknowns in life that come along when we least expect them to. It is a book that is equal parts strange, moving and intriguing, that knows when to hold back, and when to reveal secrets and plot points, and allows the reader to almost swim through the words. It has a clear focus on the connection of human and animal to nature, and what this can mean for different people.

It is a book that needs time spent with it – to fully understand and appreciate what is happening, so that the reader can immerse themselves in the world Lucy finds herself in. At times it felt a little more conceptual, but this worked for the novel, and it will work for those who enjoy something a little out of the ordinary, that allows the reader to explore a sense of self in a very different way.


The Orchardist’s Daughter by Karen Viggers

orchardists daughter.jpgTitle: The Orchardist’s Daughter

Author: Karen Viggers

Genre: Literary Fiction

Publisher: Allen and Unwin

Published: 4th January 2019

Format: Paperback

Pages: 400

Price: $29.99

Synopsis:A story of freedom, forgiveness and finding the strength to break free. International bestselling writer Karen Viggers returns to remote Tasmania, the setting of her most popular novel The Lightkeeper’s Wife.

Sixteen-year-old Mikaela has grown up isolated and home-schooled on an apple orchard in south-eastern Tasmania, until an unexpected event shatters her family. Eighteen months later, she and her older brother Kurt are running a small business in a timber town. Miki longs to make connections and spend more time in her beloved forest, but she is kept a virtual prisoner by Kurt, who leads a secret life of his own.

When Miki meets Leon, another outsider, things slowly begin to change. But the power to stand up for yourself must come from within. And Miki has to fight to uncover the truth of her past and discover her strength and spirit.

Set in the old-growth eucalypt forests and vast rugged mountains of southern Tasmania, The Orchardist’s Daughter is an uplifting story about friendship, resilience and finding the courage to break free.


Miki’s world has been one of isolation her whole life. She was home-schooled on a Tasmanian apple orchard, in the forests and mountains. When her life is altered by the ravages of a bushfire, she is forced into an even more isolated life by her brother Kurt. Kurt keeps many secrets from Miki – and ensures she never ventures out of the takeaway shop he owns and forces her to work in until the arrival of the new resident, Leon, a Parks Ranger whose presence starts to link Miki with other people in the town: Geraldine, and a family whose young son – Max – befriends Leon. Max’s father and friends are loggers, and Leon’s presence rubs Shane and his friends the wrong way.

2019 BadgeThe new guy in town, Leon finds he has few allies: Miki, Max, Geraldine, and Wendy – Max’s mother. They are the first people to welcome him and stick up for him in the face of hatred from the loggers, Shane and Kurt – and the story traverses several weeks and encounters between the characters, as Geraldine and Leon encourage Miki to leave the confines of her prison when Kurt is gone. Max faces a bully at school, and Wendy, like Miki, faces her own kind of isolation, and both face things that will eventually come to a head with a series of events that sees the coming together of a community.

In this story, the mountains and forest of Tasmania are as much characters as Miki, Leon and the others. It is a living, breathing, and natural character in this story. The human characters lives revolve around the forest and become connected by it – through the good and the bad, and what the forest can provide and take from them.  It is a love story of sorts – an ode to the forests and mountains of Tasmania and nature as a whole. It reveals the flaws in the people Miki and Wendy thought they loved and knew. The flaws and cracks in the small town are revealed slowly – through alternating chapters from the perspectives of Max, Miki and Leon, and the bonds that grow between them.

In this story, the focus is on personal growth, as well as community connection, and what isolation can do to someone and how it makes them feel – and the final chapters are filled with heart stopping moments that make you want to read on and find out what happens and how it all turns out. The rest, I enjoyed meandering about, and taking in the story slowly, but not too slowly, of course. It is the kind of book that can be savoured and devoured in equal amounts. Some sections need to be gobbled up, but some need time spent on them, and Karen Viggers has done this well – when you’re in each character’s life, you are wholly in their life, but at the same time, wanting to know how the others are doing. Seeing how they came together was very satisfying and I liked that the story focussed on friendships between Leon, Geraldine, Miki and Max, and used their backstories to build what it was that drew them to each other, and the flaws in humanity that can lead us to do the unexpected, and why.

I really enjoyed this novel  – it was complex and intriguing with a cast of characters who reflected a diverse selection of human nature, and showed what pressure can do to us – and the ways people respond differently to the same situation they might find themselves in.

P is for Pearl by Eliza Henry Jones

p is for pearl.jpgTitle: P is for Pearl

Author: Eliza Henry Jones

Genre: Young Adult, Literary

Publisher: HarperCollins Australia

Published: 19th of February 2018

Format: Paperback

Pages: 304

Price: $19.99

– Gabrielle Tozer, award-winning author of The InternFaking It and Remind Me How This Ends

Seventeen-year-old Gwendolyn P. Pearson has become very good at not thinking about the awful things that have happened to her family.

She has also become used to people talking about her dead mum. Or not talking about her and just looking at Gwen sympathetically.

And it’s easy not to think about awful things when there are wild beaches to run along, best friends Loretta and Gordon to hang out with – and a stepbrother to take revenge on.

But following a strange disturbance at the cafe where she works, Gwen is forced to confront what happened to her family all those years ago. And she slowly comes to realise that people aren’t as they first appear and that like her, everyone has a story to tell.

From the talented author of the celebrated novels In the Quiet and Ache comes a poignant and moving book that explores the stories we tell ourselves about our families, and what it means to belong.


P is for Pearl is a complex, authentic exploration of grief, friendship, mental illness, family and love, sensitively written by a writer whose voice will resonate with teen readers.’  Books+Publishin


Gwendolyn P. Pearson hides the dark family secrets that have plagued her family for years very well, and she is good at it. For years, the small Tasmanian town of Clunes has whispered and spoken about her mother, who died when Gwen was a child, one of two family tragedies that happened within months of each other. Gwen has her best friends, Loretta and Gordon, school and running to distract her – that is, until a strange incident at the cafe she works at triggers a memory, and Gwen must confront her memories. When new kids, Ben and Amber arrive in town, Gwen is torn between letting them be, and befriending them and their aunt. As she tries to hide secrets from everyone and hide from her past, it is Ben who will show her that the surface of someone is not always what they seem, and that it is okay to be angry when you are hurt.

AWW-2018-badge-roseP for Pearl completes my book bingo for the first half of 2018 – this will be in a separate post next Saturday, and then I am embarking on round two, using the same card but hopefully, different books as much as I can. First written when Eliza was sixteen, P for Pearl is the world of tragedy and loneliness seen through the eyes of a teenager whose understanding of what happened is coloured by what she wants to believe, and what, as a child, she was told or led to believe. Through narrative and diary entries, Gwen’s story is slowly revealed, and we see the pain she has been in for years, slowly emerging and bubbling its way to the top following the smashed windows at work.

Gwen’s family – her father, stepmother Biddy, step-brother Tyrone and half-sister Evie, are all key figures in the way Gwen experiences her life, and of them all, she seems to feel closer to Evie at first, and a little distanced from the rest of her family, perhaps feeling a little lost in it all. Tyrone is older – and at first, is rather annoying but later, I found something endearing about him and the way he genuinely cared for Gwen, which comes through gradually as she comes to terms with her confusion and pain. In the end, Tyrone, Ben, Loretta and Gordon are the ones who help her come through her pain and the realisation of the painful family history that has haunted her.

P for Pearl is aimed at teenagers but is a novel that speaks to the grief and complicated events and tragedies in life that we all face and endure. Gwen’s voice is genuine, and works well in the novel, as is the character growth and learning little bits about characters as the novel progresses. A greet novel to check off my final bingo box.


The Sister’s Song by Louise Allan

*Read in 2017, published review in 2018*
sisters songTitle: The Sister’s Song

Author: Louise Allan

Genre: Historical Fiction

Publisher: Allen and Unwin

Published: 2nd January 2018

Format: Paperback

Pages: 288

Price: $29.99

Synopsis: Set in rural Tasmania from the 1920s to the 1990s, The Sisters’ Song traces the lives of two very different sisters. One for whom giving and loving are her most natural qualities and the other who cannot forgive and forget.

As children, Ida loves looking after her younger sister, Nora, but when their beloved father dies in 1926, everything changes. The two young girls move in with their grandmother who is particularly encouraging of Nora’s musical talent. Nora eventually follows her dream of a brilliant musical career, while Ida takes a job as a nanny and their lives become quite separate.

The two sisters are reunited when Nora’s life takes an unwelcome direction and she finds herself, embittered and resentful, isolated in the Tasmanian bush with a husband and children.

Ida longs passionately for a family and when she marries Len, a reliable and good man, she hopes to soon become a mother. Over time, it becomes clear that this is never likely to happen. In Ida’s eyes, it seems that Nora possesses everything in life that could possibly matter yet she values none of it.

Set in rural Tasmania over a span of seventy years, the strengths and flaws of motherhood are revealed through the mercurial relationship of these two very different sisters. The Sisters’ Song speaks of dreams, children and family, all entwined with a musical thread that binds them together.


Most of the time when a novel contains love, it is the romantic kind, between two unrelated people, crossing paths and finding themselves tumbling head-first into a relationship, and its ups and downs, creating a much-loved genre amongst many readers. However, as someone who is not an avid fan of such novels, I always love it when I come across a novel where if there is romance, it is a subplot, or an element of the novel, and the main story shifts the important focus to something else, like family – a kind of love that is not often seen in many novels, but one that I have begun to see as creeping into books by Australian women writers, sometimes alongside a historical backdrop and some romantic love. It is this familial love that drives and instigates the plot of the debut novel by Louise Allan, The Sister’s Song.


Beginning in 1926 and set in Tasmania, and spanning the next seventy years, The Sister’s Song follows the lives of Ida and Nora Parker after their father dies, and their mother withdraws into herself. Nora is a gifted singer and piano player, and dedicated to faith, aww2017-badgeguided by the loving hand of her grandmother. Ida is the opposite, unsure of her place in the world, only knowing there are things she is not good at. When they grow up, their paths separate and Nora goes to the mainland to study music, against all her mother’s wishes, and Ida stays behind, becomes a nanny, weds, hoping to start a family. Their mother tries to keep Nora in Tasmania in the rural town they live in with their grandmother, pushing realism, not dreams, into their heads as the way to go. For Ida, this advice sticks with her but so does a feeling of wanting to be a better mother, a better sister. When Nora falls pregnant, she is sent home and married off to another man, and from here, the sister’s lives take a new turn, with Nora bearing the children Ida wishes she could, and each sister turning into what they never thought they would become.

Where Nora becomes more like their mother, Ida becomes more like their mother’s mother, and a supportive Aunt whose nephews and niece turn to in times of strife. Throughout the years, these sisters fight and come together, and ultimately, show the power of sisterly love through hard times. Spanning across seventy years, The Sister’s Song hints at the historical events Ida and Nora live through, but these moments are almost like passing ships as the reader becomes invested in the characters. I found that the love between the sisters, and Nora’s children was stronger, and had more depth in them than some romance novels I have read – deeper, more meaningful relationships always make a book more relatable and readable for me.

Louise Allan has created characters with flaws, that are not perfect and who make mistakes, and she allows them to make mistakes. She allows them to act and live within their time and frame of understanding as well, ensuring that their attitudes suit what they know, even if there are characters who find these attitudes shocking. Through Ida and Nora, various ways of living and thinking are explored, and understood over the years. It is a beautifully crafted story that shows everyone is human, and that everyone has the capability to follow their dreams, to fall, and to find their way back to who they once were, and the changing dynamics of family throughout time.

Ideal for readers looking for a new reader and a new author, and a refreshing take on the relationships that women have in literature and fiction. It’s always lovely to see one that doesn’t focus on falling in love, as it gives some variety and spice to female characters and their stories.


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