Cover Reveal: The Crimes of Grindelwald Screenplay

Releasing on the 16th of November, 2018, is the screenplay of the second part in the Fantastic Beasts series, The Crimes of Grindelwald,which will pick up where the first film left off two years ago, with the capture of Gellert Grindelwald by Newt Scamander and the MACUSA squad. However, Gellert has escaped and is on a quest to give power to pure blooded wizards over non-magical beings. Newt is enlisted by Albus Dumbledore to thwart these plans, and draw lines between loyalty and love, as they fight to save the wizarding world.

The cover of the screenplay (pictured below), hints at what is to come in the film and screenplay. As expected, the Deathly Hallows symbol is present, its significance known to fans of the Harry Potter books. The Eiffel Tower is present, signifying a move into the wizarding world of countries beyond the UK and Hogwarts and America, a few favourite magical creatures, and other symbols from the film. We will not know what these symbols mean until we see the film and read the screenplay.

crimes of grindewald cover reveal.jpg

MinaLima is the graphic design team behind the cover and the Fantastic Beasts series, and they have done a wonderful job of this cover as well as the previous one. They used the Art Nouveau aesthetic for this because of the centrality of France to the film and the iconography of the Eiffel Tower associated with France. Looking forward to reading this and seeing the film when they are released, and a review of the screenplay will appear on my blog later in the year.

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Book bingo nine – a book of short stories, and an award-winning book.

book bingo 2018

This week, I’m knocking off two more squares, leaving me with two more before I embark on a second card for the second half of the year – which will include new reads and some previous reads from this year that had several categories to fit into, but I ended up choosing one. In this week’s bingo, I have also completed two more rows across,

Row #2 – BINGO

 

A book with a yellow cover: Tin Man by Sarah Winman

A book by an author you’ve never read before: The Secrets at Ocean’s Edge by Kali Napier – AWW2018

A non-fiction book: Spinning Tops & Gum Drops: A Portrait of Colonial Childhood by Edwin Barnard

A collection of short stories: Australia Day by Melanie Cheng – AWW2018

A book with themes of culture: The Sealwoman’s Gift by Sally Magnusson

Row #3:  BINGO

A book written by an Australian woman:The Tides Between by Elizabeth Jane Corbett – AWW2018

A book written by an Australian man: The Opal Dragonfly by Julian Leatherdale

A prize-winning book: Miles Franklin: A Short Biography by Jill Roe – AWW

A book that scares you: The Good Doctor of Warsaw by Elisabeth Gifford

A book with a mystery: Olmec Obituary by LJM Owen – AWW2018

And one row down, Row three, the middle row:

Row #3: – BINGO

A memoir: Skin in the Game: The Pleasure and Pain of Telling True Stories by Sonya Voumard

A non-fiction book:Spinning Tops & Gum Drops: A Portrait of Colonial Childhood by Edwin Barnard

A prize-winning book: Miles Franklin: A Short Biography by Jill Roe

A book with non-human characters: Monty the Sad Puppy by Holly Webb

A book everyone is talking about: The Tattooist of Auschwitz by Heather Morris – AWW2018

Australia DayThe square for a book of Short Stories in row three across and down, was filled by one that is also an award winner and has a yellow cover – but that I had not read in time to fill the yellow cover square, is Australia Day by Melanie Cheng. It won the Victorian Premier’s Literary Awards this year for the fiction category. It is a series of short stories about Australians from various backgrounds and walks of life, full of diversity and difference, and the attitudes towards people in each of these groups. It is a reflection on who we are as a nation as well, digging into the Australia that is perhaps less laidback, more complex and at times, not as ideal as the image of Australia we want everyone to have is – whether it is race, gender, socioeconomic status or a combination of those. It is bookended by two stories that take place on Australia Day itself and the clashing of cultures and ideas about the day and the nation that illustrate the day is not the same for everyone, in a myriad of ways.

Miles Franklin Short BioMy second, and 23rd book of this book bingo card, is an award-winning book. Miles Franklin: A Short Biography by Jill Roe – an abridged version of her longer one, which won three awards in nine and eight years ago:

Queensland Premier’s Literary Award – 2009

South Australian Prize for Non-Fiction – 2010

Australian Historical Association Magarey Medal for Biography – 2010

The interesting story of Miles Franklin’s life fills this category, because I thought it was rather fitting that the biography of a woman who has two literary prizes named for her – one endowed upon her death in her Will – The Miles Franklin Literary Award, and the Stella Prize for Australian women’s writing, which was inaugurated in 2013. Miles Franklin is primarily known for her literary prowess and the awards named for her – and for being a feminist. This biography shows much more of her life and what she did over her lifetime for literature and politics.

I’ve been enjoying doing this book bingo with Mrs B and Theresa Smith – I perhaps let my enthusiasm get away with me in marking off squares but in doing a second round, I at least will have some of the books read already and can space them out a bit more.

Until next time!

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Australia Day by Melanie Cheng

Australia Day.jpgTitle: Australia Day

Author: Melanie Cheng

Genre: Short stories, Fiction

Publisher: Text Publishing

Published: 3rd July 2017

Format: Paperback

Pages: 272

Price: $29.95

Synopsis: Australia Day is a collection of stories by debut author Melanie Cheng. The people she writes about are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world.

Melanie Cheng is an important new voice, offering a fresh perspective on contemporary Australia. Her effortless, unpretentious realism balances an insider’s sensitivity and understanding with an outsider’s clear-eyed objectivity, showing us a version of ourselves richer and more multifaceted than anything we’ve seen before.

Prizes won:

  • Winner, Victorian Premier’s Literary Award for Fiction, 2018
  • Longlisted, Indie Book Award for Debut Fiction, 2018
  • Longlisted, ABIA Literary Fiction Book of the Year, 2018
  • Longlisted, ABIA Matt Richell Award for New Writer of the Year, 2018
  • Longlisted, Dobbie Literary Award for a first time published author, 2018
  • Shortlisted, Readings Prize for New Australian Fiction, 2017
  • Winner, Victorian Premier’s Literary Award for an Unpublished Manuscript, 2016

~*~

AWW-2018-badge-roseAustralia Day by Melanie Cheng contains fourteen unique, and individual stories about Australians – those born here, immigrants, and from all walks of life, moving through a society and country that has various expectations, and where those they encounter respond to them in a variety of ways, from ignorance to trying to help, to saying the wrong thing and sometimes, misunderstandings that could happen to anyone, as well as clashes of cultural and generational expectations that illustrate the differences in everyone’s lives.

They are simple, yet complex – stories where identities and sense of self are sometimes at war internally, and sometimes externally, and where the flaws of humanity are exposed – no character is perfect, no character knows everything, and no character has ultimate control.

I wasn’t sure what story was my favourite because they were all so different and diverse. Melanie allowed the characters to speak for themselves, revealing their true natures, how they thought and went through their lives. Since publication, Australia Day has won two awards in 2016 and 2018, and been longlisted for four awards this year and shortlisted for one last year – a remarkable achievement for a new book, and very much deserved.

It is filled with various experiences of Australia and Australia Day – the first and last story – both taking place on Australia Day – bookend the book, with the in between stories taking place, around the day, before, or after, but still capturing something of what it means to be Australian, and how this differs for many people, regardless of your race or gender – that being Australian and living in Australia is not the same for everyone. It is a multicultural book, where cultures clash or come together, and where some people try to embrace the multicultural world, and accept it, or where some look upon the differences with disdain or disappointment that things are not what they always expect them to be – perhaps a key factor in Australia, with the ever-changing world we live in. I found this aspect to be the most interesting – to see how different people responded to and accepted difference, or perhaps, struggled to. How people tried but failed to be inclusive or perhaps said the wrong thing or felt trapped by what was going on around them and just tried to fit in with it all. The diversity these stories show give a snapshot into modern Australian life and how everyone is trying to find a way to live together.

An intriguing book, and one I enjoyed, as I don’t often read short stories but thoroughly enjoyed the way these were written and opened my eyes to the different way people approach living in Australia and Australia Day.

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The Guernsey Literary and Potato Peel Society by Mary Ann Shaffer and Annie Barrows

guernsey.jpgTitle: The Guernsey Literary and Potato Peel Society

Author: Mary Ann Shaffer and Annie Barrows

Genre: Literary Fiction/Historical Fiction

Publisher: Allen and Unwin

Published: Movie tie-in published 21st March 2018

Format: Paperback

Pages: 280

Price: $22.99

Synopsis:A celebration of literature, love, and the power of the human spirit, this warm, funny, tender, and thoroughly entertaining novel is the story of an English author living in the shadow of World War II and the writing project that will dramatically change her life. An international bestseller.

‘I can’t remember the last time I discovered a novel as smart and delightful as this one. Treat yourself to this book, please–I can’t recommend it highly enough.’
Elizabeth Gilbert, author of Eat, Pray, Love

The beloved, life-affirming international bestseller–now a major film coming in April 2018, starring Lily James, Matthew Goode, Jessica Brown Findlay, Tom Courtenay and Penelope Wilton.

It’s 1946. The war is over, and Juliet Ashton has writer’s block. But when she receives a letter from Dawsey Adams of Guernsey–a total stranger living halfway across the Channel, who has come across her name written in a second-hand book–she enters into a correspondence with him, and in time with all the members of the extraordinary Guernsey Literary and Potato Peel Pie Society.

Through their letters, the society tell Juliet about life on the island, their love of books–and the long shadow cast by their time living under German occupation. Drawn into their irresistible world, Juliet sets sail for the island, changing her life forever.

Gloriously honest, enchanting and funny, The Guernsey Literary and Potato Peel Pie Society is sure to win your heart.

~*~

This book came to me as a surprise from Allen and Unwin, and it being the shortest of the ones that arrived the other day, I decided to read it first and work my way through the others over the next week or so. And what a lovely surprise it was! Juliet Ashton is a writer who has writer’s block and is searching for her next story. Whilst searching, she is contacted by Dawsey Adams, a member of the Guernsey Literary and Potato Peel Society on one of the Channel Islands, who are emerging from years of occupation by German forces during World War Two. Dawsey’s letter begins the months of correspondence between the society and Juliet, and the novel is solely told in letters and telegrams. As Juliet begins to uncover a story in Guernsey and those who live there, she is courted by Markham Reynolds, and goes to the island to do research for her book, leaving Markham behind. As Juliet corresponds with the society members and her publishers, a picture of their life and what they have been through unfolds, with heart-warming results for many of the characters of the book.

The use of letters to tell the story was really quite effective because you got to know the characters and their voices, how they thought and what they enjoyed doing, and even though some questions or letters might not have had direct answers, the questions in them were given in other letters, ensuring that their stories were told. Within these stories was that of Elizabeth and her daughter Kit, and Markham Reynolds, who was keen on Juliet. I enjoyed the way these two plot points were dealt with, and that Juliet was of her own mind, and her own person – she was probably my favourite, next to Dawsey and Kit.

Key to the society is literature, and what it means to them. The literary society they created is what got them through the war, and what they survived on – potato peel pie, and what they did to try and keep the German forces at bay and survive. It is touching and at times sad when you read some of the letters, but it has the impact needed: showing what happened and how people dealt with it. A very touching testament to the power of the human spirit, and what people do in the face of adversity for themselves and each other.

The letters are peppered with literary references, and talk about books – the solace that they give, and what they meant to the society but also the Channel Island of Guernsey as a whole, as they endured things they never thought they would endure. Literature and their society pulled them through, showing the power of literature and how it can help people in hard times.

The novel is both peaceful and heartbreaking – the memories and aftershocks of the years of German occupation are not quickly forgotten, especially as someone who knew Elizabeth and knew of her fate comes into their lives, and the realities of what was happening on the European Continent hit home for the society members. There are hints of romance, but the focus is on Juliet and the society members, and their friendship and the family they have built for themselves and Kit, whose entertaining and intriguing character is revealed through the letters.

I really enjoyed this novel and read it quite quickly. It reflects on how war can affect a small community, and in this instance, bring them closer together as family, and the way they welcomed someone else into their family and society, where they could help each other heal as they emerged from an occupation during wartime and the implications of that, where their love of literature binds them together.

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Book Bingo Seven – A Book that everyone is talking about, and a book with non-human characters.

book bingo 2018

Week seven of the 2018 Book Bingo, and I’ve managed to mark off 20 of the 25 squares already! This week there are two squares to include in this post: a book that everyone is talking about, and a book with non-human characters.

monty the sad puppyFirst, my book with non-human characters is Monty the Sad Puppy, where the two key characters are dogs – 5 month old Labrador puppy, Monty, and the eight year old dachshund, Daisy. Sad and lonely, Monty feels cast aside with Daisy’s arrival, and both must adjust to being together. It is a charming story, full of cute dogs and funny moments, as well as moments that had me shaking my head at Monty, because he reminded me of the puppy we had years ago.

And my second book, a book that everyone is talking about – The Tattooist of Auschwitz is a powerful story of what the human spirit can endure, and how love came out of one of the darkest places in recent history. It is a story of triumph and pain, and what people in the camps had to do, and were forced into doing to survive one day at a time, and avoid the death carts, mass graves and gas chambers at all costs. It is moving and haunting, and as I said many times in my review, a book that should be read be all.The-Tattooist_FCR_Final

So there are now twenty squares marked off on my bingo card. I have five left, and I know there might be one or two that might be a little tricky to fill but there are some that shouldn’t be too hard to do, especially if there are lots of choices for me for that category.

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Book Bingo Six: A Book With a One-word title, a book published more than ten years ago. 

book bingo 2018.jpg

Only two books for today’s book bingo post – both of which fit into one of the categories I am filling today, and two more rows have a bingo – Row One Across:

Row #1 – – BINGO

 

A book set more than 100 years ago: Rose Raventhorpe Investigates: Hounds and Hauntings by Janine Beacham – AWW2018

A book written more than ten years ago: Thunderwith by Libby Hathorn – AWW2018

A memoir: Skin in the Game: The Pleasure and Pain of Telling True Stories by Sonya Voumard

A book more than 500 pages: Miss Lily’s Lovely Ladies by Jackie French – AWW2018

A Foreign translated novel: Babylon Berlin by Volker Kutschner (translated by Niall Seller)

And Row Two down.

Row #2 – BINGO

 

A book written more than ten years ago: Thunderwith by Libby Hathorn – AWW2018

A book by an author you’ve never read before: The Secrets at Ocean’s Edge by Kali Napier – AWW2018

A book written by an Australian man: The Opal Dragonfly by Julian Leatherdale

A book with a one-word title:Thunderwith by Libby Hathorn – AWW2018, Munmun by Jesse Andrews

A book based on a true story: Mr Dickens and His Carol by Samantha Silva

The first square that I filled for this week is a book with a one-word title, and there happened to be two books that filled this square, with one of them filling the other completed square. First, Munmun by American author, Jesse Andrews, a new release book where, in a satirical world based on America, your height is related to your wealth, and where littlepoors struggle to climb up the wealth ladder whilst being blamed for their standing in the society – a reflection on how society treats the vulnerable today. I reviewed it several weeks ago on the blog, and wasn’t overwhelmed by it, though the premise was interesting and there were times that the execution worked well, though I still found some aspects could have been reworked to have a similar effect.

AWW-2018-badge-rose

Second is an old favourite, Thunderwith, which fits two squares this week. I first encountered this book in 1998 and still have the same copy that has been sitting on my shelf for twenty years. I’ve been trying to fill each square with at least one book, but this square had so many options, I felt that at least two would work. I also entered Thunderwith into the published more than ten years ago square – it was published twenty-eight years ago in 1990. Lara’s story has layers of emotion that many can relate to, and is set in the Australian bush, in an area a few hours north of me, so reading the familiar names of places I have visited is always enjoyable. I’ve reviewed it here.

So that’s my sixth book bingo of the year, and I’m off to see how Mrs B and Theresa Smith are doing with theirs!

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Australian Book Industry Awards Longlist 2018

The ABIA Longlist has also been announced today for 2018, and celebrates the diversity and quality of Australian writing, publishing and bookselling. The ABIA Academy – a group of booksellers, agents, media and industry representatives – voted for the longlist, and the 2018 campaign was long and exhaustive, resulting in this year’s academy having 250 members.

A shortlist will be announced of the nineteenth of April, and the winners announced at the ABIA Awards on the 3rd of May, at the International Convention Centre in Sydney. The ABIA awards have been sponsored by: The Australian Women’s Weekly, JC Decaux, Media Super, Audible, Opus, Booktopia, Curtis Brown, Ingram, Nielsen Bookscan, Leading Edge Books, Simpsons Solicitors, John Fisher Printing, and industry partners, ABA, ALIA, APA, ASA, BorrowBox, The Copyright Agency, Books + Publishing and the Children’s Book Council.

The award has twelve categories, and below are the long-lists for each category:

BioAbia2018

Biography Book of the Year

  • A Writing Life: Helen Garner and Her Work, Bernadette Brennan (Text Publishing, Text Publishing)
  • Danger Music, Eddie Ayres (Allen & Unwin, Allen & Unwin)
  • The Enigmatic Mr Deakin, Judith Brett (Text Publishing, Text Publishing)
  • Tracker, Alexis Wright (Giramondo Publishing, Giramondo Publishing Company)
  • Unbreakable, Jelena Dokic and Jess Halloran (Ebury Australia, Penguin Random House Australia)
  • Unmasked, Turia Pitt (Ebury Australia, Penguin Random House Australia)
  • Wednesdays with Bob, Derek Rielly and Bob Hawke (Macmillan Australia, Pan Macmillan Australia,)
  • Working Class Man, Jimmy Barnes (HarperCollins Publishers, HarperCollins Publishers)

General-Fiction-Book-AWW-Sqaure

General Fiction Book of the Year

  • Force of Nature, Jane Harper (Macmillan Australia, Pan Macmillan Australia)
  • On the Java Ridge, Jock Serong (Text Publishing, Text Publishing)
  • The Dark Lake, Sarah Bailey (Allen & Unwin, Allen & Unwin)
  • The Girl from Munich, Tania Blanchard (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Inaugural Meeting Of The Fairvale Ladies Book Club, Sophie Green (Hachette, Hachette Australia)
  • The Secrets She Keeps, Michael Robotham (Hachette, Hachette Australia)
  • The Tea Gardens, Fiona McIntosh (Michael Joseph Australia, Penguin Random House Australia)
  • The Trip of A Lifetime, Monica McInerney (Michael Joseph Australia, Penguin Random House Australia)

GENERAL-NON-FICTION-BOOK-OF-THE-YEAR-Copyright-Agency-Square

General Non-fiction Book of the Year

  • Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness, Kate Cole-Adams (Text Publishing, Text Publishing)
  • Being 14,Madonna King (Hachette, Hachette Australia)
  • Depends What You Mean By Extremist, John Safran (Hamish Hamilton Australia, Penguin Random House Australia)
  • First, We Make The Beast Beautiful, Sarah Wilson (Macmillan Australia, Pan Macmillan Australia)
  • Not Just Lucky, Jamila Rizvi (Viking Australia, Penguin Random House Australia)
  • Saga Land, Richard Fidler and Kári Gíslason (ABC Books, HarperCollins Publishers)
  • Taming Toxic People, David Gillespie (Macmillan Australia, Pan Macmillan Australia)
  • The Harbour: A City’s Heart, A Country’s Soul, Scott Bevan (Simon & Schuster Australia, Simon & Schuster Australia)
  • The Trauma Cleaner: One Woman’s Extraordinary Life in Death, Decay & Disaster, Sarah Krasnostein (Text Publishing, Text Publishing)

ABIA2018_Illustrated

Illustrated Book of the Year

  • Basics to Brilliance Kids, Donna Hay (Fourth Estate, HarperCollins Publishers)
  • Cornersmith: Salads and Pickles, Alex Elliott-Howery and Sabine Spindler (Murdoch Books, Murdoch Books)
  • Hummus and Co, Michael Rantissi and Kristy Frawley (Murdoch Books, Murdoch Books)
  • Maggie’s Recipe for Life, Maggie Beer and Professor Ralph Martins (A Julie Gibbs Book for Simon & Schuster Australia, Simon & Schuster Australia)
  • Native: Art and Design with Australian Plants, Kate Herd and Jela Ivankovic-Waters (Thames & Hudson Australia, Thames & Hudson Australia)
  • Ostro, Julia Busuttil Nishimura (Plum, Pan Macmillan Australia)
  • Paris: Through a Fashion Eye, Megan Hess (Hardie Grant Books, Hardie Grant Publishing)
  • The Vegetable, Caroline Griffiths and Vicki Valsamis (Smith Street Books, Smith Street Books)

International-Book-of-the-Year-Square

International Book of the Year

  • Eleanor Oliphant is Completely Fine, Gail Honeyman (HarperCollins Publishers, HarperCollins Publishers)
  • Good Night Stories for Rebel Girls, Elena Favilli and Francesa Cavallo (Particular Books -UK Juvenile, Penguin Random House Australia)
  • Here We Are: Notes For Living On Planet Earth, Oliver Jeffers (HarperCollins Publishers, HarperCollins Publishers)
  • Home Fire, Kamila Shamsie (Bloomsbury Circus, Bloomsbury Publishing)
  • La Belle Sauvage: The Book of Dust Volume One, Philip Pullman (David Fickling Books, Penguin Random House Australia)
  • Lincoln in the Bardo, George Saunders (Bloomsbury Publishing, Bloomsbury Publishing)
  • Mythos, Stephen Fry (Michael Joseph – UK, Penguin Random House Australia)
  • The Sun and her Flowers, Rupi Kaur (Simon & Schuster UK, Simon & Schuster UK)

LITERARY-FICTION-BOOK-OF-THE-YEAR-longlist-SQUARE

Literary Fiction Book of the Year

  • A Long Way Home, Peter Carey (Hamish Hamilton Australia, Penguin Random House Australia)
  • Australia Day, Melanie Cheng (Text Publishing, Text Publishing)
  • First Person, Richard Flanagan (Knopf Australia, Penguin Random House Australia)
  • See What I Have Done, Sarah Schmidt (Hachette, Hachette Australia)
  • Taboo, Kim Scott (Picador Australia, Pan Macmillan Australia)
  • The Choke, Sofie Laguna (Allen & Unwin, Allen & Unwin)
  • The Life to Come, Michelle de Kretser (Allen & Unwin, Allen & Unwin)
  • Wimmera, Mark Brandi (Hachette, Hachette Australia)

SMALL-PUBLISHERS-ADULT-BOOK-OF-THE-YEAR-SQUARE

Small Publishers’ Adult Book of the Year

  • Atlantic Black, A. S. Patric (Transit Lounge, Transit Lounge)
  • Call of the Reed Warbler – A New Agriculture – A New Earth, Charles Massy (The University of Queensland Press, The University of Queensland Press)
  • Cardinal, Louise Milligan (Melbourne University Press, Melbourne University Publishing)
  • Journeys into the Wild: The Photography of Peter Dombrovskis, Introduction & Commentary by Bob Brown (NLA Publishing, National Library of Australia)
  • The Australian Bird Guide, Peter Menkhorst, Danny Rogers, Rohan Clarke, Jeff Davies, Peter Marsack and Kim Franklin (CSIRO Publishing, CSIRO Publishing)
  • The Restorer, Michael Sala (Text Publishing, Text Publishing)
  • Museum of Words, Georgia Blain (Scribe Publications, Scribe Publications)
  • Mirror Sydney, Vanessa Berry (Giramondo Publishing, Giramondo Publishing Company)

small-publishers-childrens-book-longlist-SQUARE

Small Publishers’ Children’s Book of the Year

  • At the Beach I See, Kamsani Bin Salleh (Magabala Books, Magabala Books)
  • At the Zoo I See, Joshua Button and Robyn Wells (Magabala Books, Magabala Books)
  • Big Fella Rain, Beryl Webber and illustrated by Fern Martins (Magabala Books, Magabala Books)
  • Hello, Melbourne!, Megan McKean (Thames & Hudson Australia, Thames & Hudson Australia)
  • It’s OK to Feel the Way You Do, Josh Langley (Big Sky Publishing, Big Sky Publishing)
  • The Elephant, Peter Carnavas (The University of Queensland Press, The University of Queensland Press)
  • Slow Down, World, Tai Snaith (Thames & Hudson Australia, Thames & Hudson Australia)
  • Under the Love Umbrella, Davina Bell and Allison Colpoys (Scribble Kids’ Books, Scribe Publications)

THE-MATT-RICHELL-AWARD-FOR-NEW-WRITER-OF-THE-YEAR-Simpsons-WIDE-Square

The Matt Richell Award for New Writer of the Year

BOTY_OlderChildrenlonglist-SQUARE

Book of the Year for Older Children (ages 13+)

  • Beautiful Mess, Claire Christian (Text Publishing, Text Publishing)
  • Begin, End, Begin: A #LoveOzYA Anthology, Amie Kaufman, Melissa Keil, Will Kostakis, Ellie Marney, Jaclyn Moriarty, Michael Pryor, Alice Pung, Gabrielle Tozer, Lili Wilkinson and Danielle Binks (HarperCollins Publishers, HarperCollins Publishers)
  • Frogkisser!,Garth Nix (Allen & Unwin, Allen & Unwin)
  • My Life as a Hashtag, Gabrielle Williams (Allen & Unwin, Allen & Unwin)
  • Take Three Girls, Simmone Howell, Cath Crowley and Fiona Wood (Pan Australia, Pan Macmillan Australia)
  • Tales From a Tall Forest, Shaun Micallef and illustrated by Jonathan Bentley (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Silent Invasion, James Bradley (Pan Australia, Pan Macmillan Australia)
  • Untidy Towns, Kate O’Donnell (The University of Queensland Press, The University of Queensland Press)

Younger-Children-square

Book of the Year for Younger Children (ages 7-12)

  • Frankie Fish and the Sonic Suitcase, Peter Helliar and illustrated by Lesley Vamos (Hardie Grant Egmont, Hardie Grant Egmont)
  • Funny Kid for President, Matt Stanton (ABC Books, HarperCollins Publishers)
  • Maybe, Morris Gleitzman (Viking – AU YR, Penguin Random House Australia)
  • Nevermoor, Jessica Townsend (Lothian Children’s Books, Hachette Australia)
  • Polly and Buster: The Wayward Witch and the Feelings Monster, Sally Rippin (Hardie Grant Egmont, Hardie Grant Egmont)
  • The Bad Guys Episode 6, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • The Extremely Inconvenient Adventures of Bronte Mettlestone, Jaclyn Moriarty (Allen & Unwin, Allen & Unwin)
  • The Girl, the Dog and the Writer in Rome, Katrina Nannestad (ABC Books, HarperCollins Publishers)
  • The 91-Storey Treehouse, Andy Griffiths and Terry Denton (Pan Australia, Pan Macmillan Australia)

PICTURE-BOOK-longlist-Square

Children’s Picture Book of the Year (ages 0-6)

  • Do Not Lick This Book, Idan Ben-Barak and illustrated by Julian Frost (Allen & Unwin, Allen & Unwin)
  • Florette, Anna Walker (Viking – AU YR, Penguin Random House Australia)
  • I Just Ate My Friend, Heidi McKinnon (Allen & Unwin, Allen & Unwin)
  • I’m Australian Too, Mem Fox and illustrated by Ronojoy Ghosh (Scholastic Press, Scholastic Australia)
  • Mopoke, Philip Bunting (Scholastic Press, Scholastic Australia)
  • Pig the Star, Aaron Blabey (Scholastic Press, Scholastic Australia)
  • No One Likes a Fart, Zoë Foster Blake (Viking – AU YR, Penguin Random House Australia)
  • The Bum Book, Kate Mayes and illustrated by Andrew Joyner (ABC Books, HarperCollins Publishers)
  • The Very Noisy Baby, Alison Lester (Affirm Press, Affirm Press)

Some books have been nominated for several other prxizes, and I would not be surprised if Nevermoor takes out Book of the Year for Younger Children. There are a few on these lists I have read, and several more I am planning on reading. I look forward to future announcements for this prize.

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