The War I Finally Won by Kimberly Brubaker Bradley

the war I finally won.jpgTitle: The War I Finally Won

Author: Kimberly Brubaker Bradley

Genre: Children’s/YA, Historical Fiction

Publisher: Text Publishing

Published: 2nd October 2017

Format: Paperback

Pages: 400

Price: $19.99

Synopsis: Like the classic heroines of literature, Ada wins our hearts as she continues her World War II adventures after the Newbery Honor–winning The War that Saved My Life.

When Ada’s clubfoot is surgically fixed at last, she knows for certain that she’s not what her mother said she was—crippled in her mind as well as in her body. But who is she, she wonders?

Ada and her brother, Jamie, are living with their guardian, Susan, in a cottage in the English countryside, on the estate of the formidable Lady Thorton and her daughter, Maggie, Ada’s dearest friend. Life in the crowded cottage is tense. Then Ruth, a Jewish girl from Germany, moves in. A German? Everyone is horrified. Ada must decide—where do her loyalties lie?

The War I Finally Won is the marvellous conclusion to Ada’s powerful, uplifting story.

~*~

Ada’s life has changed since she ran away from home, where her mother kept her locked up and punished her for being born with a club-foot. Living as an evacuee with her brother, Jamie, and their guardian, Susan, Ada’s journey is not yet complete. Though she has had her foot fixed, and she now knows she is not what her mother said she was, she must find a way to discover who she is. As the war comes closer to British shores, Ada and Jamie’s lives alter significantly, and many changes uproot their lives. When Lady Thorton moves in with them because her home is commandeered for the war effort, Ada feels the safety and comfort she has begun to get used to feel threatened. Only Maggie’s presence and Susan’s understanding seems to calm her through times of turmoil and worrying about Jamie and feeling like she still has to take care of everyone. Soon, Ada becomes accustomed to having Maggie’s mother around, because it means Maggie gets to visit for school holidays. But when Ruth, a Jewish girl from Germany arrives, Ada is caught between loyalty to those she loves and fiercely protects and welcoming another young girl who has been forced out of her home and away from all she loves. Soon, Ada discovers a way to be who she is and help Ruth adjust. It is a war she must fight within herself, whilst another war rages on outside – discovering who she is and overcoming the horrors of her past to find peace.

In the wonderful and touching conclusion to Ada’s story, The War I Finally Won, has Ada still struggling with her mother’s words, but finding ways to cope with her anxiety around events she is unfamiliar with. Kimberly Brubaker Bradley has taken a devastating war and used it as the backdrop to personal wars – Ada, Mrs Thorton and Susan – and tenderly dealt with disability, both physical and mental, wars, death, love and loss, all through the eyes of an orphaned child during World War Two, and her brother, who can see and accept love for what it is – though Ada’s struggle to love easily is part of the story, and her vulnerability and confusion are ever-present.

Each character in the story is fighting a war. They are all involved and connected to World War Two – as evacuees, as hosts, as a mother and wife to a husband and son who are fighting in the war, a war of loss and of love, and identity wars, to find who they are in a new and frightening world. When the safety Ada is getting used to is threatened, she feels the war anew, and it is Lady Thorton who steps in to help her through it. Ada finds that in this new place in Kent, she has people who care about her: the Thortons, Maggie, Ruth, and Susan – she has always had Jamie, who does what he can to help his big sister throughout both books.

Like the first book, this one dealt with what are difficult themes in an eloquent and thoughtful way, approaching it so that readers of all ages can understand what is going on at their level and through their experiences. Through these characters, the personal and physical war is experienced in different ways, and learning to love and understand others is a key theme in the book.

With a satisfying yet realistic ending, The War I Finally Won is a great way to end Ada’s battle.

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Into the World by Stephanie Parkyn

into the worldTitle: Into the World

Author: Stephanie Parkyn

Genre: Historical Fiction

Publisher: Allen and Unwin

Published: 1st December 2017

Format: Paperback

Pages: 448

Price: $29.99

Synopsis: Abandoned by her lover and fleeing the wrath of her family, Marie-Louise must make a desperate choice. Find a man or become one.

  1. In the midst of the French Revolution, unwed mother Marie-Louise Girardin takes one last look at her baby son before entrusting him to her friend, the revolutionary Olympe de Gouges. She must escape, and only the most daring plan will bring her both the anonymity she needs and the independence to return one day for her son.Marie-Louise disguises herself as a man and joins a voyage of exploration employed as a steward on the Recherche, one of two ships commissioned to journey to the Great Southern Ocean to find the missing explorer La Perouse.

    Protecting her identity throughout, Marie-Louise forms friendships among the eccentric naturalists. But tensions rise between the royalist officers and the revolutionaries, and Marie-Louise’s position becomes precarious when she discovers someone on board knows the secrets of her past. When the expedition docks in Java, chaos erupts as they learn of King Louis XVI’s execution and are imprisoned by the Dutch. Marie-Louise seems certain to be unmasked. Will she ever return to France and be reunited with her child?

    Inspired by a true story, Into the World is a compelling novel of the amazing life of Marie-Louise Girardin battling perilous seas, her own self-doubt, and finding unforeseen loves on a journey to reclaim her child.

~*~

Marie-Louse Giradin lives in a time of turmoil, where revolutionaries – the Jacobins – and royalists, the supporters of Louis XIV and his Austrian queen, Marie-Antoinette, are at loggerheads as the Jacobins petition for the removal of the King, and a new, more egalitarian government. In 1791, Marie-Louise finds herself alone, and a single mother, she fled during the early days of the revolution, and found herself aboard a ship, disguised as a young man named Louis. The Recherche and the rest of their fleet are charged with finding out what happened to explorer La Pérouse. As they follow his path in the Great Southern Ocean, exploring the Cape of Good Hope, various Pacific Islands, New Holland and Van Diemen’s land, Marie-Louise must find a way to hide her true identity. Only a few senior officers know, the captain, Kermadoc and a few others, and she is at the mercy of their protection during the perilous journey that has separated her from her son. Far from home, and unaware of the dangers of the revolution, Marie-Louise is fighting her own battle – abandoning her son, and where she fits in the world. As a man, she is still mocked in some ways, and finds herself caught between the royalists and the revolutionaries aboard the ship as they navigate the Southern Hemisphere and what was at the time, in the 1790s, the unknown and exotic. Told through Marie-Louise’s eyes in third person, the reader can experience her horror at the way islander tribes and Aboriginal people are treated, and the awe that she has when coming into contact with these people who appear to be wary, but at times happy and helpful – for a woman in the 1790s to have these experiences would have been extraordinary and her reactions reflect how she coped with the unknown, whilst reflecting the attitudes of the time, and coupling them with the horrified reactions and emotional outpour from Marie-Louise.

As they journey home after their experiences in Van Diemen’s Land and New Holland, unsuccessful at finding La Pérouse, they are taken hostage in the Dutch East Indies, where they hear what has happened back home during the revolution and the end to the monarchical system. But to Marie-Louise, the fear of being unmasked and unable to return home to her son looms overhead.

aww2017-badgeIt is always refreshing to read a novel where the central female character isn’t driven by romantic love, but rather, the love for son and country, and where she heads off into the unknown because of this love. It is as much about the journey and subsequent history as it is about Marie-Louise herself, and what she went through and endured to return to France in 1793-4. A quick Google search spat back some resources from various state libraries, the national library and the Australian Dictionary of Biography, in total, 245,000 results, with the most relevant appearing to be at the top. Stephanie Parkyn’s book takes a look at Marie’s journey and what she went through, in an eloquent and interesting way, perhaps hinting at romance between another crew member and Marie-Louise, but not explicitly stating it. In doing so, Parkyn has recreated a historical figure, who, had she submitted to society’s expectations as her father demanded, might never have set foot in Australia and we might never have known her story. Stephanie’s story has provided readers with a strong, determined character who flouts convention and manages on her own, a refreshing characteristic in historical fiction, and a trend I have been observing. Allowing the characters like Marie-Louise to be strong in many ways but at the same time of their time is a feat that when done well, results in an engaging and intriguing story that sparks interest in these characters beyond the pages of the book they appear in.

I thoroughly enjoyed this book, which has sparked an interest in the French Revolution and finding more about Marie-Louise Giradin and her fate at the end of the expedition. Each character is a real person, giving the story a colour that ensures the history as it is retold feels as real as it would when reading about it in a history book, with a little more colour to it that is engaging and enjoyable. I found this book hard to put down, and it is one that will show what women were capable of and achieved in a time when the people around them expected less of these women.

Booktopia

Wolf Children by Paul Dowsell

wolf childrenTitle: Wolf Children

Author: Paul Dowsell

Genre: Historical Fiction

Publisher: Bloomsbury

Published: 1st November 2017

Format: Paperback

Pages: 288

Price: $14.99

Synopsis: survival in the cellar of an abandoned hospital, Otto and his ragtag gang of kids have banded together in the desperate, bombed-out city.
The war may be over, but danger lurks in the shadows of the wreckage as Otto and his friends find themselves caught between invading armies, ruthless rival gangs and a strange Nazi war criminal who stalks them …

A climactic story of truth, friendship and survival against the odds, Wolf Children will thrill readers of Michael Morpurgo and John Boyne.

~*~

 

Wolf Children begins as World War Two has ended, and Germany has fallen into the clutches of Russian occupation as the rest of the world wages the final few months of war in the Pacific. With Hitler gone, and the Nazi regime obliterated, those who remain in crumbling Berlin must endure the Russian control over their city until an agreement can be made about where the East and West will be divided. Their world has been turned upside down, and Otto, Helene, Erich and Klaus have turned their backs on Nazi ideology, perhaps never quite bought into it in the first place, and have accepted the fate of the regime and seek only to survive the invading armies, rival gangs and a strange Nazi war criminal who has taken an interest in Otto’s younger brother, Ulrich, who has never quite let go of the Hitler Youth.

 

In a world not always seen in World War Two historical fiction, the impact of the end of the war on German citizens who did not support the regime they lived under, but were kept silent out of fear is not always explored. Here, it is shown through the eyes of six children who appear to have nobody left but each other, and in a world of uncertainty and lack of shelter, food and money, they must learn to barter with what they can, and eat when food comes their way. In a world of uncertainty, these children can only rely on each other, and with their lives at stake, will they survive the next few months of post-war Germany?

 

The harrowing stories set during, and after World War Two, from any perspective, are deeply unsettling and raw, and at times, uncomfortable, with characters like Ulrich who cling to the vestiges of a failed regime – where their attitudes are not shied away from, but at the same time, condemned by the characters around them. These stories, whether historical fiction, or biographical, or non-fiction, are not meant to make us comfortable. They are meant to remind us of what dangerous language and divisive ideas and talk can lead to. I have read many books that are set in the turbulent inter-war, war and post war years this year, and none of them have shied away from the discomforts of the historical setting or the ideas and language that floated around then, yet at the same time, have presented them in an accessible way for the audience – in this case, children and young adults. It is a book that is humbling and can serve to remind adults too about what happened and that it must not happen again. The devastation of Germany shows the scars of war – in the buildings, in the crumbling walls and bricks, and in the rubble that surrounds the bartering markets. It shows in the half starved people, and in the children who forage for food and who fear anyone they don’t know.

 

Wolf Children is a story that will stay with me, and one that should be read to gain a broader perspective of these post-war years. In uncertain times, this book shows what people will do when they are desperate, and what it will take for them to turn their backs on what they thought they knew, and help those who are truly the only ones there for them. A brave story, that shows the flaws of humanity in dark and dangerous times for all, with a touch of hope ebbing through the novel.

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A Dangerous Language by Sulari Gentill (Rowland Sinclair #8)

Flat Cover_Gentill_ADL_2017Title: A Dangerous Language

Author: Sulari Gentill

Genre: Crime Fiction

Publisher: Pantera Press

Published: 1st October 2017

Format: Paperback

Pages: 384

Price: $29.99

Synopsis: Set against the glamorous backdrop of the 1930s in Australia and overseas, A Dangerous Language is the latest in the much loved, award winning Rowland Sinclair Mysteries.

When Rowland Sinclair volunteers his services as a pilot to fly the renowned international peace advocate, Egon Kisch, between Fremantle and Melbourne, he is unaware of how hard Australia’s new Attorney-General will fight to keep the “raging reporter” off Australian soil. In this, it seems, the government is not alone, as clandestine right-wing militias reconstitute into deadly strike forces.

When a Communist agent is murdered on the steps of Parliament House, Rowland Sinclair finds himself drawn into a dangerous world of politics and assassination.

A disgraced minister, an unidentified corpse and an old flame all bring their own special bedlam. Once again Rowland Sinclair stands against the unthinkable, with an artist, a poet and a brazen sculptress by his side.

~*~

A Dangerous Language by Sulari Gentill marks book number thirty eight in my Australian Women Writer’s challenge for 2017, and as usual, has not failed to impress and of course, distress at times. Now in 1934, inching closer to the threat of war, Rowland is in Melbourne, purchasing a new car to replace his beloved Mercedes, that met with destruction in the almost fatal car race of the previous book, Give The Devil His Due. The trip back from Melbourne with Clyde Watson Jones and Milton Isaacs, an artist and poet whose political allegiances, especially on Milt’s account, have put Rowland in his brother’s firing line of anguish, should be uneventful. However, their sojourn through Canberra, where they are to meet Edna, Milt stumbles across the body of a Communist on the steps of Parliament House – an event that beings the tumultuous venture to get Egon Kisch into Australia, and speaking out against the Fascist tendencies that Rowland and his friends witnessed in Germany in Paving the New Road. When Rowland’s brother, Wilfred, comes onto the scene, Rowly must do whatever he can to keep his plans to help Egon away from his conservative brother – who nonetheless knows that the Fascists are dangerous. Even so, the big brother is also keen to pry his mostly apolitical brother away from the influence of those Rowland chooses to keep company with.

aww2017-badgeIn this eighth venture, politics begins to have a larger focus than in the previous seven novels, where it was present, but had less impact on the plot. In this novel, it seems nobody is safe from the clashes between each side – this is what makes the novel gripping, as it ensures that those who hurt Milt and Rowly (poor Rowland was in the wars a bit in this one again) are shrouded in mystery. As always, I enjoy the Rowland Sinclair novels, and this one was two years in the waiting, and rightly so in the end, because it captured the political turbulence and environment of the 1930s in a way that is accessible to those just discovering it, and highlighting some aspects and characters that are perhaps less well-known than others during this time.

Fiction often offers parallels to history or contemporary times, and it is not hard to see BW_Author_Photo_Gentill_2016how the dangerous language that Rowland and his friends opposed in 1934 from Fascists and the conservatives of the time is repeating itself today. The feelings of powerlessness that the ordinary people had against those in politics and with influence that can encourage this dangerous language Rowland dislikes are felt through Milt and Clyde throughout the novel, and in particular Clyde during a boat cruise from Fremantle to Melbourne, where they must ensure Egon gets to Melbourne safely, and in Traveller’s Class, Rowland is able to get Egon as far as possible on his trip. The social class contrast between Rowland and his friends appears even more so in this book, where class and politics have become crucial to the evolution of the plot and characters at the stage of the series. The history of this turbulent period is woven into the plot and is sometimes the motive behind the crime, such as in A Dangerous Language. I also enjoy the inclusion of historical figures and people throughout that had an impact on history – this gives the stories an authenticity to them that is both exciting and informative at the same time.

As always, Rowland takes a few hits from people trying to cover up their crime, or another secret, and his brother Wilfred, battle-weary by now from saving the family name, is still faithful to Rowland, if a bit pompous at times. I do feel for Rowly when Wilfred loses his temper, as so often happens when Rowland stumbles into something he didn’t intend to. As polar opposites, Sulari has created exceptional characters in the Sinclair family, and their friends, including the heartbreak that Rowland’s own mother doesn’t recognise him, but sees him as his long-dead brother, Aubrey, an ongoing theme throughout the series that Rowland takes in his stride, and that Sulari has written exceptionally well. The Rowland Sinclair series is one that gets better with each subsequent mystery, and the uniquely Australian settings are in themselves a character – from Woodlands estate in Sydney, to the family property at Yass, and each place Rowland and his friends visit. They are often the unwilling detectives at first, dedicated to their art and friendship, but also dedicated to speaking out when and where they need to, to ensure that the dangerous language that Egon Kisch is trying to warn against does not infect the way of life that many in Australia enjoy. Once they are involved in the crime, it seems they cannot help themselves, and Rowland, as an honourable person, is always at hand to warn Colin Delaney of new information they stumble across.

An excellent addition to this series, and I look forward to the next one, which will hopefully be out soon!

Buy the new Rowland Sinclair and the rest of the books in the series here:

The Children of Willeseden Lane by Mona Golabek and Lee Cohen

willesden laneTitle: The Children of Willesden Lane

Author: Mona Golabek and Lee Cohen

Genre: Non-Fiction

Publisher: Allen and Unwin

Published: 23rd August 2017

Format: Paperback

Pages: 224

Price: $16.99

Synopsis: A true story of courage and survival during World War II, and a celebration of the power of music to lift the human spirit.

Jewish musical prodigy Lisa Jura has a wonderful life in Vienna. But when the Nazis start closing in on the city, life changes irreversibly. Although he has three daughters, Lisa’s father is only able to secure one place on the Kindertransport. The family sends Lisa to London so that she may pursue her dreams of a career as a concert pianist. Separated from her beloved family, Lisa bravely endures the trip and a disastrous posting outside London before finding her way to the Willesden Lane Orphanage.

Here, her music inspires the other children, and they, in turn, cheer her on in her efforts to make good on her promise to her family to realise her musical potential. Through hard work and sheer pluck, Lisa wins a scholarship to study piano at the Royal Academy. As she supports herself and studies, she makes a new life for herself and dreams of reconnecting with the family she was forced to leave behind.

Based on the true story of her mother, Mona Golabek describes the inspirational story of fourteen-year-old Lisa Jura Golabek’s escape from Nazi-controlled Austria to England on the famed Kindertransport.

~*~

The human stories of World War Two, whether on the home front, or about those fleeing persecution, are the ones that always have the biggest impact on me when reading about them, because it can be easy to forget that wars were more than just the statistics of dead and injured, and easy to forget the human cost – not just in life and limb, but in loss of family, loss of country and loss of self. The stories about these people whether true, based on a true story or imagined and based on history, broaden the story told in history books and go beyond the statistics. The Children of Willesden Lane is one such story of the human face and the human cost of World War Two, and Nazi occupied Austria prior to the war.

In 1938, Germany enacts the Anschluss, annexing Austria, and placing it and its citizens under Nazi control. Just like the past five years in Germany, the Nazi Party begins to erode the rights of the Jewish citizens in Austria. In Vienna, Lisa Jura is forced to stop her piano lessons because she is Jewish – her teacher is heartbroken, but there is nothing else they can do, and so, Lisa’s mother teaches her until a spot opens up for Lisa on the Kindertransport to take her to London, away from the clutches of the Nazis, and where her family will make every attempt they can to join her as soon as possible. In London, Lisa finds her way to Willesden Lane, where she becomes part of a family of refugee children, and through her music, finds a way to get through the war, eventually gaining a spot in a music program, and a job playing piano at a hotel, which gets her through the dark days of the war.

Playing the piano at Willesden Lane gives Lisa and the other children, and those taking care of them, Mrs Cohen and Mrs Glazer a chance, even if just for an hour, to escape the war and the damage it is doing to London and Europe, and the hearts and souls of those directly impacted by the war and what has come out of the Nazi regime. It is a story of hope amidst tragedy and war, retold for children aged ten to fourteen, and anyone interested by Lisa’s daughter, Mona.

It is a story that I didn’t know much about, but that will stay with me. Like other stories of escape from the Nazis, or Anne Frank’s story, and novels such as The Book Thief, and the three novels by Jackie French about this period in history: Hitler’s Daughter, Pennies for Hitler and Goodbye, Mr Hitler, it serves as a reminder of what men like Hitler can do, and what the attitudes they spread and justify can do to ordinary people who have done nothing wrong, using it to back up their ideology and effectively, scare people into silence. Lisa’s journey was powerful and emotional, and it gives a human face to a war fought less than a century ago, showing the power of the human spirit to triumph over hatred and adversity.

Booktopia

A Reluctant Warrior by Kelly Brooke Nicholls – Book Review and Launch Write Up

A-Reluctant-Warrior-Kelly-Brooke-Nicholls-1-265x400Title: A Reluctant Warrior

Author: Kelly Brooke Nicholls

Genre: Fiction, Political Thriller

Publisher: The Author People

Published: 28th of June, 2017

Format: Paperback

Pages: 232

Price: $26.99

Synopsis:
When Luzma’s brother Jair unwittingly uncovers the plan by Colombia’s most notorious drug cartel to smuggle an unprecedented cocaine shipment into the US, it puts their family in grave danger.

Jair’s kidnapping by the cartel, forces Luzma to go face to face with vicious paramilitary leader, El Cubano, and General Ordonez, ruthless head of the military – men who will stop at nothing to protect their empires. But for Luzma, nothing is more important than saving her family – not even her own life.

While the story and characters in A Reluctant Warrior are fictitious, they are based on events Kelly Brooke Nicholls witnessed first-hand while living and working in Colombia. During this time, she interviewed thousands of victims of paramilitaries, guerrilla and drug cartels. She knows Buenaventura, where the novel is set, intimately, including the most notorious neighborhoods where foreigners rarely venture. She worked closely with the former Andean Director of the Drug Enforcement Administration to help her realistically map the events in this novel.

Now her gripping novel of one young woman’s terrifying encounter with Colombia’s most notorious drug cartel gives readers a rare glimpse into Colombia’s drug wars and their impact on ordinary citizens.

~*~

aww2017-badgeA Reluctant Warrior by Kelly Brooke Nicholls is, at its heart, a story about people, and a story worth telling. It is Luzma’s (Luz-Marina Cuesto) of standing up to the cartels, paramilitary and guerrillas in Colombia after her brother, Jair, is kidnapped after inadvertently getting caught up with them and seeing and hearing things he shouldn’t, and the entire plot covers about two weeks of searching for him, and trying to face up to the cartels that ravage the nation and city of Buenaventura. Luzma is yanked unwillingly into the war against drugs and the cartels after Jair disappears and her family is threatened. Working with an American, Rafa, and his contacts in the DEA to find Jair, and capture El Cubano, Luzma also hopes to prevent a shipment of drugs reaching the United States, and will put her life and humanity on the line to do so.

Luzma’s story is a powerful one, and one that needs to be told, because we do not hear enough about what goes in in Colombia, and the drug trade, and related human rights abuses, where people like El Cubano think, feel and say that they can do what they want, when they want, how they want and to whoever they want – because who is going to stop them? This attitude strikes right to the heart of the novel and reveals what ordinary people have to deal with, or turn a blind eye to the goings on if they want to stay alive. It was Luzma’s stubborn drive that kept her going, something that at times, could be frustrating, yet at the same time, showed her determination and strength, and her ability to fight back and fight for what mattered: her family.

Stories like this need to be told – even in a fictional format, because doing so reveals a world that many probably don’t realise exists, or maybe they do and they feel powerless. Luzma’s story gives the people in the situation she finds herself in a voice, and Kelly constructed this voice through interviews with Afro-Colombians like Luzma caught up in the conflict, caught up in trafficking and human rights abuses, and through these very real people, both in Colombia and the DEA, has written an authentic story that is both moving and terrifying in equal parts. It is a story that highlights the inequalities in the world, and the inequalities and abuses throughout history that have brought the characters to where they are in the story, and why they are the way they are. Why some fight, and some turn a blind eye. Why some feel they can take what they want without consequences, and why some are caught in between, scared of the cartels, and wanting to keep their heads down, but at the same time, when push comes to shove, showing their loyalty and willingness to put themselves in dangerous positions.

Though the DEA and other federal agencies become involved. Luzma, and the man who starts helping her at the start, Rafael, are the driving force behind the fight. Luzma is strong, stubborn and determined, but when it comes to her brother, Jair, shows a vulnerability that she winds up using to her benefit to find Jair and towards the end of the novel. Throughout the novel, the human cost of this hidden, not often spoken about war is shown in a myriad of ways.

I can see why this took Kelly almost a decade to write. The amount of research, through interviews and reading, and travel that she did would have taken a considerable amount of time, and constructing the story into what it became certainly would have taken a decent amount of time to achieve the emotional impact that it has on the reader.

A fantastically written novel about issues not often spoken about, but that need to be. I now know a lot more about Colombia and the cartels than I did, and the story is enhanced by Kelly’s own experiences in Colombia that were the impetus and trigger for this story.

ABOUT KELLY

Kelly Brooke Nicholls’ fascination with other cultures was instilled in her early years growing up on a boat in the south pacific islands. She’s been passionate about human rights from an early age and following a stint as a journalist at Australian Associated Press she moved to Latin America when she was 23. From there she was compelled to make a difference and help people affected by conflict, abuse and extreme poverty. She has over 15 years’ senior leadership experience working for NGOs ranging from Medecins Sans Frontieres/Doctors Without Borders to a small indigenous-led organisation in the Ecuadorian Amazon.

Her extensive time living and working in Colombia has left an indelible mark. She has travelled extensively to places few foreigners have been, researching and documenting the impact of the ongoing war on ordinary citizens and the horrendous human rights abuses inflicted on them.

Kelly wrote her novel A Reluctant Warrior to help shine a light on the way ordinary Colombian citizens have suffered and continue to suffer, despite the advancement in the Peace Agreement. But more than that, she wrote this book to celebrate, support and amplify the message of the brave people who risk their lives to protect and make a difference to others.

Kelly strongly believes that everyone has the ability to make a difference in the world and bring about positive change, and has spent her life helping people achieve that.

Kelly lives on the Northern Beaches of Sydney with her Colombian husband and two sons.

A Reluctant Warrior Book Launch: Gleebooks, 30th June, 2017

 

Just over a month ago, I attended the book launch of A Reluctant Warrior by special invitation of Kelly herself, and was able to arrive earlier to chat with her publisher, Lou Johnson from The Author People. At the beginning of the year, I responded to a job advertisement from Kelly, seeking a Publishing Intern who could work from home to research various places to feature reviews of the book, interviews with Kelly and general websites of interest in relation to Colombia and Latin America for potential readers. It was because of this work that I received the invitation, and so, headed down to Gleebooks at the end of June to attend the launch.

At the launch, Kelly and Lou sat up the front of the function area and chatted about the book, and the inspiration behind the book – in their words, a unique read, and one that Kelly was inspired, and compelled to write after her work in Colombia. She was overwhelmed by the violence she saw – and found herself asking: how do people get to that level of violence? In contrast, she saw those who stood up to the violence – human rights defenders, ordinary people, risking their lives – it was these people that inspired the character of Luzma, and that helped to make the story as accurate and authentic as possible.

For Kelly, the story came before the compulsion to tell it, and in doing so, she feels she has given a voice to the voiceless and the human rights defenders and victims of the fifty-two year conflict that we hear so little about in Australia. At the launch, Kelly said writing this story was about getting people to care, and she wrote it so that anyone could pick it up and read it, leaving it open at the end to ask questions about what might happen next.

Kelly’s discussion about what Colombia, and the port city where the story is set is like cemented the image in the story – from the ramshackle houses that were slapped together, to the constant disappearances and recruitment of young children, to the inability of people to escape, all came together in A Reluctant Warrior and provided a background to the story, and allowed for immersion – all depicted in the novel as it was when Kelly was in Colombia.

This talk at the launch gave greater insight into the book, and as I was reading it over the past few days, doing so after attending the launch made making the connections with Kelly’s personal story and the fictional story more powerful, and allowed me to appreciate it more, even though Kelly and I had previously met and discussed the book and her experiences, hearing more about them gave more strength to the story I have just read.

Following Kelly’s talk with Lou about the book, I was able to chat with Lou about writing and publishing, and it was a fairly busy even – about fifty people were in attendance for the talk and to get their books signed. It was the first book launch I have ever really attended and was a little nervous about meeting Lou, who is such a lovely and generous person who has been helping me to make contacts in the industry I want to work in. People came and went after Kelly and Lou had had their chat, so I didn’t stay for the entire launch as Dad and I had to get back to the Central Coast, but it was a lovely evening and Gleebooks has a fantastic space for a book launches and author events upstairs, with a divine selection of books to choose from.

Booktopia

Under The Same Sky by Mogjan Shamsalipoor and Milad Jafari with James Knight

under the same sky.jpg

 

 

Title: Under the Same Sky
Author: Mojgan Shamsalipoor and Milad Jafari with James Knight
Genre: Non-fiction, biography
Publisher: Hachette Australia
Published: 26th April 2017
Format: Paperback
Pages: 331
Price: $32.99
Synopsis: The powerful and incredibly moving story of Mojgan Shamsalipoor and Milad Jafari – two young Iranian asylum seekers who are showing that the power of love can conquer all obstacles.
After fleeing their homeland, Australian refugee policies threaten to tear this young couple apart. An unforgettable story of love, hope and a quest for freedom.
At seventeen, all Mojgan Shamsalipoor wanted was to be safe from physical and sexual abuse, go to school, and to eventually marry for love. In Iran, she was denied all of this.
Milad Jafari was a shy teenage boy who found his voice as a musician. But the rap music he loved was illegal in his country. All Milad’s father, a key maker, builder and shopkeeper, wanted was for his family to live free from the fear of arrest, imprisonment or execution. To do that they all had to flee Iran.
Mojgan and Milad met in Australia. But in the months between their separate sea voyages, the Australian government changed the way asylum seekers were treated. Though Milad is recognised as a refugee and will soon become a proud Australian citizen, Mojgan has been told she cannot stay here even though the threat of imprisonment and further abuse, or worse, means she can’t return to Iran.
UNDER THE SAME SKY, is a powerful insight into the human face of asylum seekers and the way history has shaped the lives of these two young people. It also shows the compassion alive in our suburbs. For Mojgan and Milad, their love keeps their hopes alive.

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Under the Same Sky is the story of Mojgan and Milad’s lives in Iran, and their escape as asylum seekers to Australia. In Iran, both led very different lives under a regime that restricted what women could do, and promoted one religion over all others, persecuting anyone who didn’t fall into line with what the government dictated to them. Eventually, both their families saw the need to flee: Milad’s together, and Mojgan with one of her older brothers, Hossein. With the government as it was, each had to pretend they were only headed to Indonesia for holidays, and that they would return to Iran. Doing it this way, they were able to leave, yet still had to find a way to Australia, where they hoped to find safety. In each chapter, Mojgan and Milad tell their story as their journeys progress, and in some ways, they had similar journeys, but in other ways, their experiences as asylum seekers and refugees differed.

After traumatic events that led to Mojgan and Hossein fleeing Iran for Australia – with the uncertainty of their fate and the fate of the family members they had had to leave behind, and months spent in detention, the two met at a Baha’i camp, and became good friends, and eventually, started dating. However, the government had decided on Mojgan and Hossein’s fate – they had not been granted visas and after months of living in community detention, and a relationship, and marriage between Mojgan and Milad, the brother and sister were sent back to detention, where they were again in limbo, awaiting decisions.

Throughout these turbulent times, Milad, his family and the friends and teachers Mojgan had met at Yeronga at school began fighting for her to be freed, and returned to a safe home with people who cared about her. This fight is included in the story, in some of the chapters told by James Knight, who gives a lot of background to the instability of Iran and the changing attitudes towards asylum seekers and refugees and their treatment. Mojgan’s experiences in detention affected her deeply –even though she wasn’t always harshly treated, the instances she was, and the guards who were rough with her stood out in her mind. Even the guards who tried to help her , who were nice, couldn’t fully erase these experiences.

At the time of the publication of the book and the writing of this review, a final decision is yet to be made and Mojgan and Hossein, though now living with Milad and his family, are still in limbo.

Mojgan and Milad’s story sheds light on an issue that is fraught with complexities and often simplified in the media – which does not always allow for in depth discussion. Mogjan, Milad and James all acknowledge throughout the complexities, especially in the constantly changing attitudes at the political level and in public opinion about refugees, illustrated by interviews with teachers who knew Mogjan and Milad, and quotes from papers about refugees and asylum seekers and references to speeches by the former Minister for Immigration, Scott Morrison. What these do is to establish the political backdrop of Australia, and in a way, contrast it against what Milad and Mojgan ran from – the stark contrast of a dictatorship like Iran, whose government demanded to know the whereabouts of Mogjan long after she left, and the freedom of Australia that they sought but that they were unsure they would ever gain. James Knight’s statements are supportive of those who helped Mogjan and Milad, and less supportive of the government of the time. Some come across as political because issues of asylum seekers and refugees can never be divorced from politics, but I feel like he fell short of outright condemnation and name-calling.

It was an interesting book to read, because it presented a side to the issue not often seen, and one that maybe, should be given more attention. Cases such as Mogjan and Milad’s, where they’ve fled danger and persecution, and simply want a safer life, are the ones we should be hearing about as well as any negative stories that come out. Reading it, I felt moved and shocked by what Mogjan had gone through in Iran and detention. It is only their experiences of fleeing and people smugglers, and becoming asylum seekers. It touches on the issue of how difficult it can be to leave a place like Iran for good. I recommend it for anyone interested in human rights and those wanting to know about the experience from the perspective of someone who has been there.