2018 NSW PREMIER’S LITERARY AWARDS

The NSW Government has a long tradition of celebrating and connecting the public with art and literature. The NSW Premier’s Literary Awards are an opportunity to highlight the importance of literacy and literature, whilst enjoying and learning from the work of our writers in NSW and Australia. Like other literary awards, this award in highlighting the spectacular Australian Literature Australian writers produce, highlights and honours the achievements of Australia’s writers, and their artistic contributions to society, but also to highlight our literary achievements to the world. The State Library administers the awards.AWW-2018-badge-rose

The NSW Premier’s Literary Awards have more categories than the Victorian awards. These categories are:

Christina Stead Prize for Fiction

2017 Winner: The Museum of Modern Love by Heather Rose

2017 Shortlist: Vancouver #3 in the series Wisdom Tree by Nick Earls

Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers by Ryan O’Neill

Where the Light Falls by Gretchen Shirm

After the Carnage by Tara June Winch

The Natural Way of Things by Charlotte Wood.

UTS Glenda Adams Award for New Writing

2017 Winner: Letter to Pessoa by Michelle Cahil

2017 Shortlist:

The Memory Artist by Katherine Brabon

Dodge Rose by Jack Cox

Our Magic Hour by Jennifer Down

Portable Curiosities by Julie Koh

The Bonobo’s Dream by Rose Mulready

Douglas Stewart Prize for Non-Fiction

2017 Winner: Our Man Elsewhere: In Search of Alan Moorehead by Thornton McCamish

2017 Shortlist: Everywhere I Look by Helen Garner

Talking to My Country by Stan Grant

The Art of Time Travel: Historians and Their Craft by Tom Griffiths

Avalanche by Julia Leigh

Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire by Shane White

Kenneth Slessor Prize for Poetry

2017 Winner: Ghostspeaking by Peter Boyle

2017 Shortlist: Burnt Umber by Paul Hetherington

Breaking the Days by Jill Jones

Fragments by Antigone Kefala

Firebreaks: Poems by John Kinsella

Comfort Food by Ellen van Neerven

Ethel Turner Prize for Young People’s Literature

2017 Winner: One Thousand Hills by James Roy and Noël Zihabamwe

2017 Shortlist: Elegy by Jane Abbott

The Ghost by the Billabong by Jackie French 

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The Sidekicks by Will Kostakis

The Boundless Sublime by Lili Wilkinson

One Would Think the Deep by Claire Zorn

Patricia Wrightson Prize for Children’s Literature

2017 Winner: Iris and the Tiger by Leanne Hall

2017 Shortlist: Magrit by Lee Battersby and Amy Daoud

Something Wonderful by Raewyn Caisley and Karen Blair

Desert Lake Pamela Freeman and Liz Anelli

Figgy and the President by Tamsin Janu

Welcome to Country by Aunty Joy Murphy and Lisa Kennedy

Nick Enright Prize For Playwriting

 

2017 Winner: The Drover’s Wife by Leah Purcell

2017 Shortlist:  The Hanging by Angela Betzein

You, Me and the Space Between by Finegan Kruckemeyer

Ladies Day by Alana Valentine

Betty Roland Prize for Scriptwriting

2017 Winner: The Code – Series 2, Episode 4 by Shelley Birse

2017 Shortlist: Down Under by Abe Forsythe

Sucker by Lawrence Leung and Ben Chessel

The Kettering Incident episode 1 by Victoria Madden

Afghanistan: Inside Australia’s War by Victoria Midwinter Pitt

Cleverman Episode 5 “Terra Nullius” by Michael Miller

Multicultural NSW Award

 2017 Winner: The Hate Race by Maxine Beneba Clarke

2017 Shortlist: Offshore: Behind the Wire on Manus and Nauru by Madeline Gleeson

Not Quite Australian: How Temporary Migration is Changing the Nation by Peter Mares

Of Ashes and Rivers that Run to the Sea by Marie Munkara

Promising Azra Helen Thurloe – on my To Be Read pile.

The Fighter: A True Story by Arnold Zable

NSW Premier’s Translation Prize

 2017 Winner: Royall Tyler

2017 Shortlist: J.M.Q Davies

Penny Hueston

Jennifer Lindsay

Multicultural NSW Early Career Translation Prize

 2017 Winner: Jan Owen

2017 Shortlist: Christopher Williams

Indigenous Writer’s Prize – Biennial Prize Next Awarded in 2018

Last awarded in 2016.

2016 Winners: Dark Emu by Bruce Pascoe and Heat and Light by Ellen van Neerven

2016 Shortlist: Ghost River by Tony Birch

Inside My Mother by Ali Cobby Eckermann

Dirty Words by Natalie Harkin

Not Just Black and White by Lesley Williams and Tammy Williams

Other Awards:

NSW Prize for Literature

2017 Winner: The Drover’s Wife by Leah Purcell

People’s Choice Award

 2017 Winner: Vancouver #3 in the series Wisdom Tree by Nick Earls

 Special Award

 The Special Award was last awarded to Rosie Scott AM in 2016.

Across these twelve categories and the three additional ones, there is a diverse range of authors and stories, that tell of personal experiences, imagined worlds and that draw on history and the world the authors have lived that led them to write these books. Each prize I have looked at so far has shown a different degree of diversity, with this one having a broader range, if only because it has more categories than the others I have looked at. Last year’s winners and nominees are in good company with past winners Peter Carey, David Malouf AO, Elizabeth Jolley, Thomas Keneally AO and Helen Garner.

Each prize has a different amount of money, and further details can be found in the provided links. In 2018, the total prize money, including sponsored awards is up to $305 000, and to be nominated for any of these awards, the writer and illustrator must be living Australian citizens or hold permanent resident status.

Taken from the website:

The NSW Premier’s Literary Awards are presented by the NSW Government and administered by the State Library in association with Create NSW. We are pleased to acknowledge the support of Multicultural NSW and the University of Technology Sydney (UTS).

The 2018 winners will be announced on 30 April 2018.The short-list will be announced in March.

Purchase any of the above books here:

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2018 Stella Prize Longlist

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On the 8th of February, 2018, the long-list for one of Australia’s most prestigious literary prizes was announced. The Stella Prize – a prize that recognises the contribution to literature of Australian Women Writers – announced its twelve-book long list yesterday in a year when women’s voices and diverse voices are starting to be heard more. This longlist showcases these diverse voices and shows how literature and the written word can drive political and social change, make people think and question what we think we know, what has been taught to us and what we have been told about the world. In these twelve books, women’s stories shine through fiction and non-fiction, the diversity of voices, and the fact that many were published by smaller presses, and some by larger presses illustrates the vibrancy of Australian publishing through our plethora of publishers, and the diversity and potency of women’s voices to explore issues that affect them at a personal, and social level, and that can impact the world around them and their understanding of it.

Of these books, I have read Terra Nullius by Claire G Coleman, and am deciding which of the other eleven I might want to read. One book that has caught my eye is Michelle de Krester’s The Life to Come as has The Fish Girl by Miranda Riwoe, who has also written She Be Damned under pen name M.J. Tjia, published with Pantera Press.

The long-list:

The Enlightenment of the Greengage Tree by Shokoofeh Azar

A Writing Life: Helen Garner and Her Work by Bernadette Brennan

Anaesthesia: The Gift of Oblivion and the Mystery of Consciousness by Kate Cole-Adams

Terra Nullius by Claire G. Coleman (read and reviewed)

terra nullius

The Life to Come by Michelle de Krester

The Water: Five Tales by Beverley Farmer

The Green Bell: A Memoir of Love, Madness and Poetry by Paula Keogh

An Uncertain Grace by Krissy Kneen

The Choke by Sofie Laguna

Martin Sharp: His Life and Times by Joyce Morgan

The Fish Girl by Miranda Riwoe

Tracker by Alexis Wright

History of the Stella Prize

The idea of a prize to celebrate women’s literature began in 2011, from a panel meeting at an independent bookstore in Melbourne, Readings, on International Women’s Day that year. At the time, the panel was discussing the under-representation of women in the literary pages of the major newspapers in Australia as reviewers and the authors of books reviewed. At the time of this discussion in 2011, 70% of reviewed books were written by men.

AWW-2018-badge-roseThe panel also discussed the under-representation of women as winners and nominees of literary prizes in Australia. in 2011, only ten women had ever won the Miles Franklin Award, which had been running for fifty-four years at the time. Since the inception of the Stella Prize, four women have won the Miles Franklin Award and 2013 had the first ever all-female shortlist for the prize. However, women not being nominated or winning is a trend across all major literary prizes, though in general, women are often winners of the fiction category of the state premier Literary Awards across Australia, but not often winners of non-fiction, despite women having written some brilliant and moving non-fiction that I have devoured and enjoyed. A full history can be read here on the website for the Stella Prize, but these discussions resulted in the creation of the Stella Prize, and the reclaiming of Stella Maria Sarah Miles Franklin’s first name, Stella, for the name of a prize to honour writing by Australian women and recognise these voices across a diverse spectrum of identities and stories.

Past Winners:

2013 Stella Prize was  Carrie Tiffany forMateship with Birds.(Inaugural year).

mateship with birds

2014 Stella Prize was Clare Wright for The Forgotten Rebels of Eurekarebels of eureka

2015 Stella Prize was Emily Bitto for The Strays.

the strays

2016 Stella Prize was Charlotte Wood for The Natural Way of Things.

natural way of things

2017 Stella Prize was Heather Rose for The Museum of Modern Love.

museum of modern love

This year marks the sixth year the prize has been running, and the shortlist will be announced in March 2018, and the winner in April.

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200 Years of Emily Brontë

2018 marks the two hundredth anniversary of Emily Brontë’s birth. The fifth of six children, Emily lived with her parents and siblings at Haworth, a Pennine village in Yorkshire, England. Born on the 30th of July 1818, Emily Brontë, along with her sisters Anne and Charlotte, are the most well-known of the Brontë siblings.

Growing up, Emily didn’t receive much formal schooling than her sisters. Instead, most of her education took place at Haworth from tutors, and family members, such as her sister Charlotte. Her broader education came from her father. Happiest at home, Emily didn’t last long in traditional school or working for other people.

Emily wrote from the time she could read, much like her sisters, Charlotte and Anne, and brother, Branwell, creating the imaginary world of Gondal together, a collaboration that does not seem to have lasted. However, this literary family has produced some of the most famous works in English literature that are still widely known and read even today, over a century after their publication. The Haworth website speculates that it is possible that Emily never abandoned her imaginary world, yet it is her 1847 novel she is best known for.

Emily’s only book, Wuthering Heights was first published in 1847, just over 170 years ago. Today, it is a much-loved classic read by many, and known across the literary world. However, at the time it was published, Emily wrote under a nom de plume – Ellis Bell, and her sisters wrote as Acton and Currer Bell. Not wanting to reveal her true identity upon publication, Emily refused to go to London to do so. Only a year after Wuthering Heights was published, at the age of thirty, Emily died on the 19th of December 1848.

The endurance of the Brontës and their writing for over 150 years could be due to the passion in their books, and the fact that people will mostly love them or hate them – for me, perhaps it has more to do with the spectrum of emotions that these books evoke. I’m not on either extreme, but somewhere comfortably in the middle, where I can enjoy it but don’t need to declare an extreme love or hatred for the book. Perhaps Wuthering Heights has enjoyed the endurance it has after Emily’s death because it was her only book, whereas her sisters, Anne and Charlotte, wrote a few more – the titles lesser well known than their most famous ones – The Tennant of Wildfell Hall and Jane Eyre respectively. Whatever the reason, the fact that it is still readily available in bookstores and libraries, and still read and studied, indicates that it has indeed made a mark on literary culture – and that it has endured over the decades to be one of the best known stories ever.

Wuthering Heights

Synopsis taken from the Penguin Random House website:

Wuthering Heights has achieved an almost mythical status as a love story, yet it is also a unique masterpiece of the imagination: an unsettling, transgressive novel about obsession, violence and death.

“May you not rest, as long as I am living. You said I killed you – haunt me, then

Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before: of the intense passion between the foundling Heathcliff and Catherine Earnshaw, and her betrayal of him. As Heathcliff’s bitterness and vengeance is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past.

The Penguin English Library – 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

It has been a while since I read Wuthering Heights. But with the 200th anniversary of Emily Brontë’s birth approaching, I will try to plan another read. Have any of you read it, and what did you think about it?

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The Secret Books by Marcel Theroux

the secret books.jpgTitle: The Secret Books

Author: Marcel Theroux

Genre: Literary Fiction

Publisher: Faber Fiction

Published: 27th September, 2017

Format: Hardback

Pages: 352

Price: $29.99

Synopsis: A world on the brink of catastrophe. A two-thousand-year-old mystery. A lost gospel. Both a page-turning adventure and an examination of the stories that humans are willing to kill and die for.

Seeking adventure, a young man flees the drudgery of shopkeeping in Tsarist Russia to make a new life among the bohemians and revolutionaries of 19th century Paris.
Travelling undercover in the mountains of British India, he discovers a manuscript that transforms the world’s understanding of the historical Jesus.
Decades later, in a Europe threatened by unimaginable tragedy, he makes a despairing attempt to right a historic injustice.

This breathtaking novel by the award-winning author of Far North and Strange Bodies tells the extraordinary tale of Nicolas Notovitch and his secret gospel.

It is the epic story of a young man on the make in a turbulent world of spies and double-cross, propaganda and revolutionary violence, lost love and nascent anti-semitism – a world which eerily foreshadows our own era of post-truth politics.

Based on real events, The Secret Books is at once a page-turning adventure and an examination of the stories that humans are willing to kill and die for.

~*~

With most historical fiction novels, it is easy to delineate between the history behind the story, and the fictional elements the author has employed – whether it is characters, or integration of time travel, employed in books such as the Outlander series, or an alternate history, where elements can be changed but some aspects remain historically the same to ensure a degree of authenticity. The Secret Books by Marcel Theroux takes these aspects and turns them on their head, making the reader question what is real, and what is not, and in doing so, has written a clever piece of literary fiction that captures a figure and a moment in time linked to his family, and that interrogates the Pali Gospels, looking at the lost years of Jesus in a historical context, with a touch of spirituality thrown that illuminates the doubt that the religious scholars the main character interacted with had when he presented them with his theories.

Nicolas Notovitch was a real person, the one who looked into these lost years and tried to bring them to the attention of the world, suggesting that the gospels had somehow ignored these years in favour of spreading the message they wanted. At the same time, it explores the journey Nicolas took that led him to these gospels, and down a path of love, marriage and fatherhood, beginning during the late nineteenth century and moving forward into the early decades of the twentieth century, the First World War and eventually, the beginnings of the Second World War. Nicolas’s obsession with proving the existence of these books will cost him – he does not know what until it happens, and I felt him have his heart broken and the rug ripped from beneath his feet. In following a passion for discovering something of historical importance, he had sacrificed the passion and love of family. Prior to discovering these manuscripts and investigating them, Nicolas had escaped his dreary life in Russia for a new bohemian one in Paris, where he meets a variety of characters who introduce him to new ways of thinking such was McGahan, a female journalist in a male dominated world – one aspect that had me questioning whether this was set in current times, a time travel story or whether the author was having a bit of fun with the history – and I feel it was the latter as it left me questioning whether that would have been possible in the time period and social structure of the time.

With each section book-ended by quotes, it was an unusual yet intriguing format that questions what we know about history and what is known about Biblical history, and how these books could alter our understanding of religion and history, and how it might impact religious scholars. It interrogated how people respond to the unknown with fear, something that happens in many areas and places. It was an intriguing book, but one that needs focus to be read, and fully appreciated. It may not be the best before bed book, but it is indeed one that will have an audience out there – and one that can be appreciated by anyone with an interest in history and society.

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Beyond the Wild River by Sarah Maine

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Title: Beyond the Wild River

Author: Sarah Maine

Genre: Fiction, Historical Fiction

Publisher: Hachette Australia

Published: 26/4/17

Format: Paperback

Pages: 400

Price: $32.99

Synopsis: A spellbinding and beautiful novel from a major new voice in fiction, perfect for fans of Kate Morton, Santa Montefiore and Rachel Hore.

From the author of THE HOUSE BETWEEN TIDES, comes an atmospheric and stunningly evocative historical novel. Perfect for fans of Eowyn Ivey’s TO THE BRIGHT EDGE OF THE WORLD, Stef Penney’s UNDER A POLE STAR, and Sarah Perry’s THE ESSEX SERPENT.

‘Maine skilfully balances a Daphne du Maurier atmosphere with a mystery… compelling’ Kirkus Reviews Scotland, 1893. Nineteen-year-old Evelyn Ballantyre, the daughter of a wealthy landowner, has rarely strayed from her family’s estate in the Scottish Borders. She was once close to her philanthropist father, but his silence over what really happened on the day a poacher was shot on estate land has come between them.

An invitation to accompany her father to Canada is a chance for Evelyn to escape her limited existence. But once there, on the wild and turbulent Nipigon river, she is shocked to discover that their guide is James Douglas, Ballantyre’s former stable hand, and once her friend. He disappeared the night of the murder, charged with the shooting.

Evelyn never believed that James was guilty – and her father’s role in the killing has always been mysterious. What does he have to hide? In the wild landscape of a new world, far from the constraints of polite society, the secrets and lies surrounding that night are finally stripped away, with dramatic consequences.

~*~

Evelyn Ballantyre has rarely left her family estate in the Scottish Borders, but a mystery from five years ago has put a strain on their relationship. In 1888 , there was a murder on the estate, and Evelyn knows the wrong man was accused, and so does her father, but he refuses to reveal the truth. They encounter the wrongly accused young man, James, on their trek in Canada as they travel across the country, taking in the wilderness and encountering the Native Americans living there at the time, faced with emerging memories of the murder, and the cover up that has led them to where they are. Through these scenes, a mystery emerges, and Evelyn is determined to prove to her father that James isn’t the killer and force him to tell the truth and reveal what he knows.

The wilderness of nineteenth century Canada is as much a character in the novel as the Ballantyres, James and their travelling companions. Evelyn and those she is travelling with are as intrigued by the mystery of the murder back in Scotland, yet they seem more fascinated by the Canadian wilderness, and the unknown culture they are faced with – though attitudes of the time and the approach they took in showing their fascination affect the actions and words of the characters. Yet Sarah Maine has managed to show these attitudes sensitively and with care, illustrating the different attitudes, but not resorting to using derogatory terms of the time, but still maintaining the fascination of the Other and the unknown prevalent at a time when contact between cultures wasn’t as instantaneous as it is today.

The character and setting of the Canadian adds another layer: it is the mystery of a new land, a physical place, contrasted against the mystery of the murder – leading to Evelyn wondering if the murderer is actually with them, given that James didn’t do it. In making the setting a character, Sarah Maine has used it to show the flaws in the other characters, as well as showing this through their interactions with each other, eventually bringing the truth out into the open.

I enjoyed the pacing – it was slow at times, but only when it needed to be, and wasn’t too quick. It fitted the genre and plot nicely, and ensured a delightful read with an unexpected ending that I wasn’t sure would happen, but was a pleasant surprise when it happened.

An enjoyable novel for fans of literary fiction, historical fiction, mystery and Kate Morton.

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See What I Have Done by Sarah Schmidt

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Title: See What I Have Done

Author: Sarah Schmidt

Genre: Crime Fiction, Historical Fiction, Literary Fiction

Publisher: Hachette Australia

Published: 28th March, 2017

Format: Paperback

Pages: 328

Price: $32.99

Synopsis: A deeply atmospheric novel by a startling new Aussie talent; an incredibly unique look inside the mind of Lizzie Borden, famously accused of murdering her father and stepmother in 1892.

‘Eerie and compelling, Sarah Schmidt breathes such life into the terrible, twisted tale of Lizzie Borden and her family, she makes it impossible to look away.’ – Paula Hawkins, bestselling author of THE GIRL ON THE TRAIN

‘He was still bleeding. I yelled, “Someone’s killed Father.” I breathed in kerosene air, licked the thickness from my teeth. The clock on the mantel ticked ticked. I looked at Father, the way hands clutched to thighs, the way the little gold ring on his pinky finger sat like a sun. I gave him that ring for his birthday when I no longer wanted it. “Daddy,” I had said. “I’m giving this to you because I love you.” He had smiled and kissed my forehead.

A long time ago now.’

On 4 August 1892 Andrew and Abby Borden were murdered in their home in Fall River, Massachusetts. During the inquest into the deaths, Lizzie Borden was arrested and charged with the murder of her father and her stepmother.

Through the eyes of Lizzie’s sister Emma, the housemaid Bridget, the enigmatic stranger Benjamin and the beguiling Lizzie herself, we return to what happened that day in Fall River.

Lizzie Borden took an axe. Or did she?

~*~

aww2017-badgeSee What I Have Done brings the mystery of Fall River, and the deaths of Andrew and Abby Borden to life. Living together in the Second Street house with Lizzie, the youngest daughter, and the maid Bridget. Emma has since moved out, and a fourth narrator to this tale, Benjamin, who has links to Uncle John, the first Mrs Borden’s brother (Emma and Lizzie’s biological mother), arrives the day before the murders, on the 3rd of August 1892. The next day, Andrew and Abby were dead. And this is where See What I Have Done begins, going between the perspectives of Lizzie, Emma, Benjamin and Bridget on the day of the murder and the day before, and then the days and weeks following, where one character recounts the trial as they recall it, and the events that lead to the conclusion of the case, and leaving a murderer to go free, and live out their lives.

What Sarah Schmidt does in See What I Have Done through the other three perspectives is to present alternative suspects to Lizzie. Throughout the book, each character’s motives are shown through memories and flashbacks as they navigate the day before, the day of and the days after the murders, hinting that it really could have been anybody who had been in the house, and interrogates the life that Lizzie may have lived with her father and stepmother. The loss of her pigeons is what I felt finally made Lizzie lose herself, and may have led to why she murdered her parents.

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A mixture of historical fiction, literary fiction and crime fiction, See What I Have Done evokes an atmosphere of mystery and intrigue and transports the reader to the late nineteenth century in America, and into a family where secrets are kept, and tensions felt deeply by all. Because the novel is told in first person, the reader gains insight into the minds of Lizzie, Emma, Benjamin and Bridget, and we see in Lizzie and through Bridget and Emma’s perceptions of her a woman who is childlike, who perhaps has not let herself mature, or who hasn’t been allowed to be mature – this is part of the mystery, why Lizzie became who she was. Perhaps losing her mother at a young age contributed, perhaps her sister’s protection became a factor. Whatever the reason, Lizzie is shown as someone who needs protection and understanding, to whom some things might not make sense.

Out of all the narrators, Emma was the only one who was not a suspect, whereas the others had motives and could be seen as unreliable narrators – in presenting them as so – where we only see their perspective and understanding, and these narrators hide things from everyone – Sarah Schmidt has crafted a novel that presents a puzzle to the reader. It is successful in that it made me question what is known about the case, what is known from popular culture and other stories. In suggesting there may have been other suspects, another killer, Schmidt paints Lizzie the killer as an ambiguous one at times, but at others, having people question her innocence.

A novel of mystery, intrigue and literary quality, See What I Have Done sets up a story inspired by events that are yet to be solved, and gives Lizzie, Emma, their maid, Bridget and the stranger, Benjamin, a voice, and motives to kill, apart from Emma. It is a story that can stay with you long after finishing it. It is engrossing, and authentic. Reading it, I could clearly see the nineteenth century setting, hear the way they may have spoken and felt immersed in their daily life. And not only see and hear, but smell, taste and feel. It is an astounding debut novel and one that I do want to revisit, but maybe I’ll let Lizzie rest for now.

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Stay with Me by Ayòbámi Adébàyò

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Title: Stay With Me
Author: Ayòbámi Adébàyò
Genre: Literary Fiction
Publisher: Allen and Unwin/Canongate
Published: 29th March, 2017
Format: Paperback
Pages: 304
Price: $27.99
Synopsis: This Nigerian debut is the heart-breaking tale of what wanting a child can do to a person, a marriage and a family; a powerful and vivid story of what it means to love not wisely but too well.
‘There are things even love can’t do…If the burden is too much and stays too long, even love bends, cracks, comes close to breaking and sometimes does break. But even when it’s in a thousand pieces around your feet, that doesn’t mean it’s no longer love…’

Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything – arduous pilgrimages, medical consultations, dances with prophets, appeals to God. But when her in-laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of 80s Nigeria, Stay With Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief, and the all- consuming bonds of motherhood. It is a tale about our desperate attempts to save ourselves and those we love from heartbreak.

~*~

Yejide and Akinyele’s story begins in 2008, where Yejide is travelling to her old home to attend a funeral of a family member, and the novel begins to flashback to 1980s Nigeria, where the world of the twentieth century that Yejide and Akinyele have grown up in begins to rub shoulders with the traditional world of the Yoruba people in Nigeria. Amidst political unrest, and societal expectations of the Yoruba traditions, Yejide and Akinyele begin to live their lives as a married couple, hoping for children to enter the world and bring them joy.

Yejide’s world however, is turned upside down by the addition of a second wife to the family, and the phantom pregnancy that sets a plan in motion – where everyone is deceived, and Yejide and Akinyele find their relationship crumbling slowly with each tragedy, and with everyone they know, their friends, their family – at least on Akinyele’s side, trying to persuade them things will get better, and putting the onus of keeping a child on Yejide – they struggle to find a way to stay together.

Set against the backdrop of a politically turbulent Nigeria straddling the traditional world with the modern world, Stay With Me is a story about family, about a husband and wife trying to work through obstacles that keep them from building the family they desire. It shows that what they so desperately want – for their children to stay with them, can drive them apart for many years, and it also shows the power of love in all its forms coming together, and the power of forgiveness and understanding in times of crisis where rash decisions can be made. It evokes an image of Africa that shows the beauty but also, the cracks that come into society at ties and how these cracks slowly seep into families and personal lives.

It was an enjoyable read that tugs at the heart strings, and demands to be read all at once but at the same time, savoured, with a lyrical voice lingering on each word, and the songs ringing out long after you have finished.

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