Isolation Publicity with Madelaine Dickie

Due to recent events, many Australian authors have had to cancel book launches and festival appearances. For some, this means new novels, series continuations and debut novels are heading into this scary, strange world without much publicity or attention. The good news is, you can still buy books – online or get your local bookstore to deliver if they’re offering that service. Buying these books, talking about them, sharing them, reading them, reviewing them – are all ways that for the next six months at least, we can ensure that these books don’t fall by the wayside.

Over the next few months, a lot of us will be consuming some form of art – entertainment, movies, TV, radio, music, books – the list goes on. It is something we will be turning to take our minds off things and to occupy vast swathes of free time. One of the things I will be doing to support the arts, and specifically, Australian Authors, will be reading and reviewing as many books as possible, conducting interviews like this where possible, and participating in virtual book tours for authors.

Madelaine Dickie is the author of Troppo and Red Can Origami. Like many authors, she had launches and events cancelled surrounding the release of her book. Whilst this is disappointing for authors, giving them an opportunity to virtually promote their books here and as some publishers and booksellers have done, will help with the release.  

Hi Madelaine, and welcome to The Book Muse

 

  1. To begin with, what genre do you usually write in, and what audience do you primarily focus on?

 

My audience, my readers, love racy plots, gorgeous language and vivid characters. They’re deep thinkers, who are empathetic, curious and not afraid to question the status quo. They also love a good dash of danger—a flirtation with risk!

I write across a number of genres and forms. My early publications were mostly poetry and creative non-fiction, my first novel is a surf-noir thriller, my second novel is literary fiction, and I’m currently working on a biography, a 14,000-word essay on art and violence in Mexico, and a crime novel.

 

 

Madelaine's second novel, Red Can Origami, was released by Fremantle Press in December 2019
Red Can Origami was released by Fremantle Press in December 2019

 

 

  1. Your latest novel, Red Can Origami, is about the conflict between a Japanese mining company and a local Aboriginal group in northern Australia – what inspired you to write this story?

 

I spent about six years living and working for Traditional Owners in the Kimberley, first in Broome, then in Wyndham. It was a privilege to reside in a living cultural landscape, where people have a continuing and powerful connection to country. Through my work, I had the opportunity to attend native title consent determinations, Indigenous Protected Area celebrations, back to country trips and huge bush meetings attended by hundreds of people. Red Can Origami came out of these wonderful and wild years. The book has serious subject matter, but it’s also funny and fast-paced, and the action flies from the rodeos and fishing holes of northern Australia, to the dazzling streets of night time Tokyo …

 

 

  1. Did you have any events related to your book or books planned for this year before everything had to be cancelled due to the COVID-19 pandemic? What were they, and which were you most excited about?

I was really looking forward to all of my events. They included talks for the City of Fremantle; Melville Library; Margaret River Readers and Writers Festival; and Corrugated Lines up in Broome.

 

  1. You’ve travelled to Japan, Mexico, and many African countries – how have these trips informed your writing, and do you have a favourite place you’d love to go back to one day?

 

Martha Gellhorn spoke of countries being like lovers. For me, Indonesia was my first love affair—passionate, troubled, exhilarating, exhausting. I’ve spent about three years in Indonesia all up on different trips. It’s where I wrote my debut novel Troppo. Troppo is set in Sumatra and is about mad Aussie expats, black magic and big waves.
Now, my tastes and interests are shifting. In Mexico last year, I wrote a non-fiction essay about representations of violence in Mexican textile art and lithographs, as well as manifestations of violence in the surf culture. This is coming out in an anthology with Fremantle Press in 2021 and I’ll be allowed to share more details soon.

I think generally, travelling has always meant the space to write, the space to dream, to think, to read, to drift, and to reflect with some objectivity on my own country, on Australia, on our strengths and shortcomings.

I’d love to go back to Pavones in Costa Rica, and one day, I would love to visit Angola and Equatorial Guinea.

 

  1. When did your writing journey begin with Fremantle Press?

 

My journey with Fremantle Press began when I won the City of Fremantle T.A.G Hungerford Award for Troppo in 2014.

 

Madelaine's first novel Troppo won the City of Fremantle Hungerford Award
Madelaine’s first novel, Troppo, won the City of Fremantle Hungerford Award in 2014

 

  1. Have you won any awards for your writing, and what are they?

 

At university, I won the Illawarra Mercury Journalism Prize and the Nicholas Pounder Prize. I received a Prime Minister’s Asia Australia Endeavour Award to write the first draft of Troppo in Java … and the book went on to win the Hungerford Award, as well as to be shortlisted for the Barbara Jefferis Award and the Dobbie Literary Award. Red Can Origami was written in Tokyo, at Youkobo Art Space, with the support of an Asialink Arts Residency.

 

  1. Do you prefer writing with pen and paper, or on the computer, and why?

 

I write in pen or pencil on blank sheets of A4 paper. This slow form of writing lends itself to stronger, more poetic work. It gives me the chance to see how the words within a sentence settle next to each other. I write and rewrite and rewrite until the rhythm is exactly right.

 

  1. Apart from Troppo and Red Can Origami, have you written anything else in either short or longform that has been published?

 

My first short story won a national competition and was published when I was seven years old. I wrote it on a typewriter and my dad helped me with the editing! Since then, my short stories, radio stories, poetry, essays and creative non-fiction pieces have consistently been published, mostly in Australia, and sometimes overseas. While I was in Japan, I wrote a piece titled ‘Wandering the Yellowcake Road’ about my journey through parts of the Fukushima Da’ichi Nuclear Exclusion Zone. If you Google the title, you should be able to find this one online, published by Coldnoon International Journal of Travelling and Travelling Cultures.

 

  1. Have you ever appeared at, or attended writer’s festivals, and have there been any that have stood out for you?

 

I was invited to Makassar International Writers Festival in 2017, organised by Lily Yulianti, and presenting in Indonesian was an incredible (and challenging!) experience. I was inspired by how many young people were in attendance. They were curious, engaged, energised and intelligent. It was really different to the vibe at writers’ festivals in Australia.

 

  1. How important do you think the arts are in society, and what can people do to support them in these difficult times?

 

I think literature is crucial to our contemporary society. Literature is our memory, our history, and our mirror. I hope people are able to keep reading. My reading has suffered a blow since the coronavirus pandemic—I’m spending more time on that endless scroll of Facebook, or Instagram, or news, and finding it harder to focus, to lose myself.

 

  1. Do you have any favourite booksellers you support in your local area?

 

I live in Exmouth, a remote town on the Ningaloo Reef of Western Australia, and I’m very pleased to have the support of The Social Society and Exmouth Newsagency and Toyworld. They both stock copies of my books!

 

  1. Who are your favourite authors and/or books?

 

I love the work of Barry Lopez, Don Winslow, Thea Astley, James Crumley, Antonio Lobo Antunes, Merlinda Bobis, Ludmilla Petrushevskya and Denis Johnson.

 

Madelaine's writing schedule is structured around tides, winds and the arrival of swells. Photo by Aimee Jan.
Madelaine arranges her writing schedule around tides and swells. Photo by Aimee Jan

 

  1. Other than writing, what do you enjoy doing during your spare time?

 

I’m a surfer—and not a summer surfer, or a sometimes surfer. My writing days and weeks are structured around tides, winds and the arrival of swells. Many of our surf spots here are boat access only, and my best days in the surf are off the reef with my girlfriends. They’re amazingly capable water women—they have their skippers’ tickets, can 4WD, own their own boats, and are incredibly brave. When I’m not surfing or writing, I like going for long walks through the desert with my husband, and I like drinking cold white wine on hot desert evenings.

Red Can Origami came out of six years living, working and fishing in the Kimberley region of Western Australia.
Red Can Origami came from 6 years living, working and fishing in the Kimberley region of WA
  1. Working in the arts, what have you learned from others in the industry, and have you been able to apply this to your own work?

 

My greatest lessons have been from the masters—from writers who push the boundaries of form and of language. From the way Beckett finds rhythm in minimalism, to Joyce’s bold and shameless play, to Kurniawan’s quirky narrative structures, writing is a constant learning process. I have also learned a great deal from Georgia Richter, my wonderful editor at Fremantle Press.

 

  1. What do you think the most important thing the arts can bring to people in these trying times?

 

I think the arts can bring escapism and hope, can prompt reflection and contemplation.

 

  1. Do you have any other novels in the works, and when do you hope to be able to release them?

 

I’m currently working on a biography of the Kimberley Aboriginal leader Wayne Bergmann.

Wayne is a Nyikina man, a boiler-maker welder, a lawyer, and a former finalist in the Western Australian of the Year Awards.

He has rubbed shoulders with Queen Elizabeth, the King and Queen of Sweden, as well as numerous Australian Prime Ministers and Western Australian premiers. His most demanding role was as CEO of the Kimberley Land Council (KLC). At its helm, Wayne successfully negotiated a 1.5-billion-dollar compensation package for Traditional Owners relating to Woodside Petroleum’s proposed gas plant at James Price Point, north of Broome. Wayne came under constant assault during this time, was called a ‘toxic coconut’ and accused of thinking white, lying white, and talking white. He approached me to write this book out of a desire to set the public record straight.

It’s a fantastic project and I’m genuinely thrilled to be at the desk each day. This book is going to be really special and really powerful! I’m hoping to finish a first draft by the end of the year.

 

 

Anything you wish to say that I may have missed?

 

Thanks Madelaine and best of luck in your career.

 

Aussie Kids: Meet Eve in the Outback by Raewyn Caisley and Karen Blair

meet eveTitle: Aussie Kids: Meet Eve in the Outback

Author: Raewyn Caisley and Karen Blair

Genre: Fiction

Publisher: Puffin

Published: 31st March 2020

Format: Paperback

Pages: 64

Price: $12.99

Synopsis: Aussie Kids is an exciting new series for emerging readers 6-8 years.

From a NSW Zoo to a Victorian lighthouse, or an outback sheep farm in WA to a beach in QLD, this junior fiction series celebrates stories about children living in unique places in every state in Australia.

8 characters, 8 stories, 8 authors and illustrators from all 8 states and territories!

Come on an adventure with Aussie Kids and meet Eve from Western Australia.

Hi! I’m Eve.
I live at a roadhouse in the Nullarbor. We don’t get many visitors. But today my cousin Will is coming. We’ll have so much fun!

~*~

The Aussie Kids series is a new and continuing series for this year, where each state and territory will be represented in a story about where they live. In Meet Eve in the Outback, readers take a journey to the Nullarbor in Western Australia, where they will meet Eve and her cousin Will for a day in the vast outback that covers much of our continent. Eve is excited to show Will and Nan around her outback home – to see the kangaroos, and the wildlife that calls the vast expanse home, to introduce them to the people she knows and to share her world with him.

Taking place over a single day, this story shows one of the ways  life is different for children, and compares it with cousin Will – who lives where dolphins play in the river.

Along the journey, Eve, Dad and Doug show Will how their farm works, what they do every day and tell him stories about their land and what is around it.

AWW2020

Each of these stories can be read alone, as each is its own contained story and is aimed at early readers aged five to eight years old, with simple, two-colour illustrations, short sentences and simple vocabulary that will make this series the ideal place to start growing confident readers, whilst teaching them language, and help them learn about Australia and diversity so they can go further and explore these themes in more challenging books as the years go on.

With thanks to Pengiun for sending me this and another in the series to review.

Matters of the Heart by Fiona Palmer

matters of the heart.jpgTitle: Matters of the Heart

Author: Fiona Palmer

Genre: Fiction/Jane Austen retelling

Publisher: Hachette Australia

Published: 27th August 2019

Format: Paperback

Pages: 330

Price: $29.99

Synopsis: A classic love story about manners, men and modern romance retold by bestselling Australian author, Fiona Palmer

Western Australia, 2019: The Bennets are a farming family struggling to make ends meet. Lizzy, passionate about working the land, is determined to save the farm. Spirited and independent, she has little patience for her mother’s focus on finding a suitable man for each of her five daughters.

When the dashing Charles Bingley, looking to expand his farm holdings, buys the neighbouring property of Netherfield Park, Mrs Bennet and the entire district of Coodardy are atwitter with gossip and speculation. Will he attend the local dance and is he single? These questions are soon answered when he and Lizzy’s sister Jane form an instant connection on the night. But it is Charlie’s best friend, farming magnate Will Darcy, who leaves a lasting impression when he slights Lizzy, setting her against him.

Can Lizzy and Will put judgements and pride aside to each see the other for who they really are? Or in an age where appearance and social media rule, will prejudice prevail?

Australia’s bestselling storyteller Fiona Palmer reimagines Jane Austen’s beloved classic tale of manners and marriage, transporting an enduring love story in this very twenty-first century novel about family, female empowerment and matters of the heart.

~*~

Over the years, many myths, fairy tales and classic works have been retold in many ways in books, for the stage, and for the screen. Jane Austen is no exception, and perhaps one of the stories that has been retold the most is Jane Austen’s Pride and Prejudice.Most retellings or adaptations of Pride and Prejudicetake place during the Regency period, but every so often, something new comes along, whether that is the time period or the country or culture the story is set in. Pride and Prejudice is one of those stories where you can take the general idea and characters, and it will translate extremely well into a myriad of settings with the necessary tweaks.

2019 BadgeMatters of the Heart is one such retelling, and it is set in Australia in 2019. In Coodardy, Western Australia, Longbourn is a struggling farm. Lizzy Bennet returns home from an early morning walk with her dog, Pippa, to hear the gossip about Charlie Bingley, who has bought the neighbouring farm, Netherfield. Lizzy’s mother, Margaret, is determined to meet Charlie, a very eligible bachelor that Kitty and Lydia know more about than Lizzy as a match for Jane. From here, Matters of the Heartfollows the basic premise of Pride and Prejudice, where the romance is a result of the arguing over manners and expectations.

Mrs Bennet – Margaret – still wants her daughters, especially Jane and Lizzy – to make a good match in this one, yet she is also a woman who has a complex role as well, who encourages her daughters’ passions, but much like the Bennet matriarch of the original, is overly concerned about money and how people see her, and unfortunately, as in the original, the way Mrs Bennet acts and speaks starts to  impact how the Bingleys and Will Darcy start to see and understand Jane and Lizzy as being just like their mother, whilst Lizzy judges Will because he is reserved and seemingly cold – until she sees him come to life on the farm and hears him talk about his sister.

Not only did this retelling and the original have a touch of romance in it, but the main premise is the idea of manners and what happens when we prejudge people based on minimal interaction or gossip. Also, many of the events are similar, just with a twenty-first century flavour, and a uniquely Australian flavour that makes it exciting and enjoyable to read. It also deals with modern ideas of the roles of men and women in a country town, and preconceived  notions of who makes a good farmer or not, and all the surprises along the way that make the story ebb and flow to the pattern and timeline of the original Pride and Prejudice. Placed in the twenty-first century, the climax happens quite differently, and is effectively done so that it works within the original base narrative and the new setting.

Like Jane Austen’s original characters, these ones are flawed and complex, and not entirely perfect, though some seem to think they are. Lizzy and Jane are my favourites, because they are true to their modern selves, but also their origins from the 1800s. As the main focus of the novel, they get the most attention with sisters Mary, Kitty and Lydia popping in and out as they are needed in the story. It has a bit of everything – humour, romance and most importantly, the strength of women and their ability to stand on their own two feet, even in the face of people thinking they are unable to do certain things – old prejudices that in some areas have not gone away.

Overall, this was a very interesting take on an older story, and one that I would recommend it to fans of Fiona Palmer, and fans of Jane Austen.

Check in #5: Australian Women #60 to #78

AWW-2018-badge-roseIn what is likely my final Check in for 2018 for the Australian Women Writers Challenge, I’m making my list a little longer as it did not make sense to make another post for one or two books, given I did this in blocks of fifteen – and am debating whether to do monthly, or blocks of ten for next year to increase my content output. Most books are already out, but the seventy-sixth book is only out in January, and based on challenge rules and discussions with a fellow participant, counts in both years – as the review goes up in 2019. This is one of my wrap up posts for the year – still to come, my overall challenge, my Australian Women Writer’s Challenge, my overall reading log and number books read over the past twelve months, and my wrap up post for book bingo, which in theory, should include the intro for next year and that means I need to pick a book to read for the first square I’ll be marking off on the fifth of January, 2019 for book bingo with Theresa and Amanda.

My past check-ins have each had fifteen books – but given how close to the end of the year we are, I did the final seventeen in one post. Over the year, I have read a wide variety of books by Australian Women, but mainly Young Adult, Fantasy, Kids, and Historical Fiction or Crime. Of these books, Graevale, We Three Heroes, Lenny’s Book of Everything and Fairy Tales for Feisty Girls have been amongst my favourites, for various reasons.

Graevaleis the fourth book in the Medoran Chronicles and sees Alex and her friends trying to prevent their visions of the future coming true, now that Aven Dalmarta sits on the Meyarin throne. He is a threat to all Medora, and Alex must find a way to unite all the kingdoms and species. Despite resistance, for the most part, she succeeds. Until it comes to Graevale and the Shadow Walkers – whose indifference to the message she has been delivering around Medora will lead to a series of catastrophic events with devastating consequences.

In the same series, is We Three Heroes – a trio of novellas told from the perspectives of D.C., Bear and Jordan across the series, based around key events that affected them as well as Alex. Chronicling their lives before, and after they met Alex and became the group of friends we love, as they navigate Akarnae and the ups and downs of life as their world heads into a war that they may not be able to win.

Taking quite a different turn, is Lenny’s Book of Everything.  A story about a family, a brother and sister whose lives revolve around building an encyclopedia letter by letter, and a rare genetic disease that makes Lenny’s brother Davey keep growing. With a bittersweet storyline told through Lenny’s eyes about these years and her search for her father and his family, this book will make you laugh and cry in equal amounts and stay with you long after the last page is turned.

Finally, for everyone who always wanted to be the princess but be more than the girl waiting to be rescued – the girl who can take care of herself and where sometimes, the prince changes his fate for her, we have Fairy Tales for Feisty Girls. Filled with four fairy tales where the girl traditionally must wait for the male to come, these tales show Rapunzel, Thumbelina, Cinderella and Little Red Riding Hood taking charge of their own fate, as inventors and activists, adventurers and scientists within a fairy tale word frame. A wonderful addition to a growing fairy tale collection of traditional and reimagined ones.

The Final Seventeen:

My stats and final comments will appear in my wrap up post in the coming days – but to finish off the year, I am looking forward heading into the 2019 challenge as the YA editor for the AWW blog as well as everything else. This has been a great challenge and I have had some excellent crossover with other challenges, that I hope to continue into next year.

Booktopia

Sisters and Brothers by Fiona Palmer

sisters and brothers.jpgTitle: Sisters and Brothers

Author: Fiona Palmer

Genre: Fiction

Publisher: Hachette Australia

Published: 28th August 2018

Format: Paperback

Pages: 372

Price: $29.99

Synopsis: A poignant novel of heartbreak, adoption and family secrets by beloved bestselling Australian author, Fiona Palmer.

A poignant novel of heartbreak, adoption and family secrets

Emma
, a nurse and busy mother of three, has always dreamed of having a sister.
Michelle, at 46, wonders if it’s too late to fall in love and find her birth parents.
Sarah, career woman and perfectionist homemaker, struggles to keep up with the Joneses.
Bill, 72, feels left behind after the death of his adored wife.
Adam can’t stop thinking about the father he never had.
These five very different people are all connected but separated by secrets from the past. Sisters and Brothers will both break and warm your heart in a way that only bestselling Australian storyteller Fiona Palmer can.

‘Her books are tear-jerkers and page-turners’ Sydney Morning Herald

‘Fiona Palmer just keeps getting better’ RACHAEL JOHNS

~*~

AWW-2018-badge-roseSisters and Brothers  by Fiona Palmer explores the intricacies and complexities of family, and what happens when a family grows unexpectedly and has to face a crisis together. Bill, aged seventy-two, has recently lost his wife, and isn’t well – so it falls to his daughter, Sarah, to look after him. Just before his surgery and hospital stay, he discovers another daughter, Emma. At first, Sarah resists her new sister, Emma, yet at the same time, finds comfort in her, and confides in her, allowing her to become part of the family. At the same time, Adam, whose success as a florist and with his new life is taking off, starts to look for his father, and discovers a whole new family along the way.

As Emma, Sarah and Adam find their way to each other, Michelle, who has always wondered about her birth parents, begins to look for them, yet for her, finding a way to be happy is more important as she ventures into new territory with her cake-making business.

The love story in this novel primarily centres around family and the different ways love manifests with siblings, spouses, friends and children, mothers and fathers and everything in between. It explores family dynamics and what it means to find siblings as an adult, and how this can affect you and everyone involved. It is a powerful novel about family love, and the changes that sometimes come later in life to us and our families, and how we deal with them.

With each new revelation, Sarah begins to accept the larger family she had always wanted as a child but never had. When Emma finds out after her father’s accident that Bill is her father, the initial shock wears off after she meets Bill, and eventually Sarah – with whom a bond soon forms, and she helps Sarah with the stresses in her life and overcoming them. Two sisters, who never knew each other, are soon caring for each other, each other’s families and Bill as they each gain something, rather than lose something in the wake of tragedy.

Adam’s discovery of his father and sisters brings a new dynamic – with his partner, they are looking to grow their family with a child, but never expected siblings, nieces, nephews, and the father Adam never knew plus more, whilst Michelle seeks answers to her adoption, keen to find her birth mother and perhaps someone to love.

What I enjoyed about this novel was that it focussed on familial love and friendship in all its variations and inserted a few romantic subplots that evolved from the family-oriented plot line. It is always refreshing to read these kinds of books that acknowledge more than just romantic relationships and place family and friends at the forefront of the plot line. By exploring these relationships, and issues such as adoption, single parenthood and familial conflict, Fiona Palmer has created a story that will hopefully resonate with many people.

Another lovely, moving and poignant offering from Fiona Palmer, published by Hachette Australia.

The Secrets at Ocean’s Edge by Kali Napier *Debut novel*

oceans edgeTitle: The Secrets at Ocean’s Edge

Author: Kali Napier

Genre: Historical Fiction/Literary Fiction

Publisher: Hachette Australia

Published: 30th January 2018

Format: Paperback

Pages: 410

Price: $29.99

Synopsis: Every family has secrets that bind them togetherA heart-rending story of a guesthouse keeper and his wife who attempt to start over, from devastatingly talented debut author Kali Napier.

  1. Ernie and Lily Hass, and their daughter, Girlie, have lost almost everything in the Depression; all they have keeping their small family together are their secrets. Abandoning their failing wheat farm and small-town gossip, they make a new start on the west coast of Australia where they begin to build a summer guesthouse. But forming new alliances with the locals isn’t easy.

Into the Hasses’ new life wanders Lily’s shell-shocked brother, Tommy, after three harrowing years on the road following his incarceration. Tommy is seeking answers that will cut to the heart of who Ernie, Lily and Girlie really are.

Inspired by the author’s own family history, The Secrets at Ocean’s Edge is a haunting, memorable and moving tale of one family’s search for belonging. Kali Napier breathes a fever-pitch intensity into the story of these emotionally fragile characters as their secrets are revealed with tragic consequences. If you loved The Light Between Oceans and The Woolgrower’s Companion you will love this story.

‘Kali Napier may be a debut author but she is certainly no novice. The Secrets at Ocean’s Edge is an incredible novel, a story layered with all of the hallmarks that make for an Australian classic.’ – Theresa Smith

~*~

AWW-2018-badge-roseThe Secrets at Ocean’s Edge is a story about a family and the secrets they are hiding from each other, and the small towns they live in – Perenjori, on the wheat farm – Cowanup Downs, and the town they move to at the height of the Great Depression in 1932 – Dongarra (spelt with two r’s at the time) in Western Australia. Ernie, his wife Lily, and their daughter, Girlie have left a failing wheat farm for a new life and new guest-house venture in Dongarra by the ocean. Here, they are determined to hide their secrets – from each other and from the close-knit town – unsure of who they can trust. As hints drop at their secrets – Lily’s Arnott’s tin, Ernie’s frequent absences, and Girlie’s questions about the Feheely family and why Ruby Feheely can’t go to school with her – more secrets are destined to come out, especially when Lily’s brother, Tommy arrives – still scarred from The Great War, after six years apart, and Tommy’s search for his family. The secrets Lily has kept from him will set off a chain reaction of events, where even the most innocent of secrets can harm, and where the Hasses secrets are unlikely to stay secret forever.

Kali has used her own family history as inspiration for this story, and woven these family stories and history together with research and fictional characters to create an engaging story. It is a story about what the love for family does, and what people will do for family and to protect themselves and those they love. Likened to The Light Between Oceans, The Secrets at Ocean’s Edge reveal the flaws of humanity and the attitudes of small towns to something a little bit different, and how the people involved cope with this. I’m finding that Australian Women Writers have a wonderful way or using more than just romantic love to tell a story, and when it is used, it fits in with the rest of the story and doesn’t overpower the driving force of the plot. In The Secrets at Ocean’s Edge, Kali Napier has achieved all of this, and diversity within her novel where the characters and plot drive the novel in equal amounts, ensuring that the history is presented realistically and the characters are true to themselves. A wonderful debut that I recommend to anyone who enjoys historical fiction, and stories about family love with a depth that allows the flaws as well as the good characteristics of Lily, Girlie, Ernie and the other characters to shine through.

This marks off square two in row two of my Book Bingo and will be linked back to in one of the write ups to come in the next few weeks.

Kali Napier’s debut novel, The Secrets at Ocean’s Edge was longlisted for the Bath Novel Award as her first manuscript. It was also a finalist in the Hachette Australia Manuscript Development Program.

Booktopia

The Light Between Oceans by M.L. Steadman

light between oceans.jpgTitle: The Light Between Oceans

Author: M.L. Steadman

Genre: Historical Fiction, Literary Fiction

Publisher: Vintage

Published: 3rd December 2012

Format: Paperback

Pages: 368

Price: $19.99

Synopsis: This mesmerizing Australian novel has been a bestselling book around the world, and Hollywood movie rights were recently snapped up by DreamWorks, with David Heyman (Harry Potter) set to produce. It is the winner of three prestigious ABIA awards, including their ‘Book of the Year’, and also won the Indie Awards’ ‘Book of the Year’. They break the rules and follow their hearts. What happens next will break yours.1926. Tom Sherbourne is a young lighthouse keeper on a remote island off Western Australia. The only inhabitants of Janus Rock, he and his wife Isabel live a quiet life, cocooned from the rest of the world. Then one April morning a boat washes ashore carrying a dead man and a crying infant – and the path of the couple’s lives hits an unthinkable crossroads. Only years later do they discover the devastating consequences of the decision they made that day – as the baby’s real story unfolds …

Winner of three ABIA awards for Best Newcomer, Best Literary Novel and Book of the Year – 2013 ABIA Book of the Year, 2013 ABIA Literary Fiction of the Year
Winner of two Indie Awards for Best Debut and Book of the Year – 2013 Book of the Year

Winner of the Nielsen BookData Booksellers Choice Award for 2013
Recently voted Historical Novel of 2012 by GoodReads
reading community

~*~

aww2017-badgeThe Light Between Oceans opens in 1926, when Isabel and Tom Sherbourne discover a boat washed up on the shore of their home, Janus, with a dead body and a baby inside. Torn between doing the right thing according to the laws of Australia, Western Australia and the code of being a lighthouse keeper he is bound by, and what feels like the right thing as humans, yet under the law is wrong, Tom and his wife Isabel make the decision to keep the baby and raise her as their own, and not notify anyone of her presence. Lucy grows up in this isolated place, studying the land and the stars, and the sea, learning the boundaries of this place, and slowly becoming a little person with curiosity, but also immense trust in the two people she thinks of as her parents. A chance trip to the mainland for her baptism will set in motion a series of events that lead to the discovery of what really happened to the man in the boat, and the fracturing of a life that seemed so perfect – and what happens when the truth comes out, and for both sides, right and wrong look like the same thing – the best place for a little girl who had been washed ashore in a strange place, and whose family had thought her gone.

When Tom and Isabel are faced with having to give Lucy back to her real mother, everyone is affected by the lies and deception, and the fallout that leads to tragedy and separation. Their lives have been impacted by several miscarriages, the arrival of the boat, and Tom’s service in World War One – the scars of the war are ever present throughout the book, and threads of the story hint at these deep physical and emotional scars that have impacted a generation sent away to a war to end all wars. This backdrop gives insight into how the characters make decisions and why, and who they end up becoming. Tom and Isabel are good people, who thought they were doing the right thing, in a place where communication with other people might not happen for months at a time. When they are caught up in the legalities and returning Lucy to her mother in Partageuse, their lives take an unexpected turn, and the happy ending for Lucy that they’d all hoped for looks like it might not come. The life that Isabel had imagined for Lucy is lost as the truth comes out, and the little girl is returned to the family who thought her lost forever.

I’ve described this as literary fiction mixed with historical fiction – set in a time and place between a war, and the Great Depression, The Light Between Oceans uses history as its backdrop but is heavily driven by the characters of Tom, Isabel, Lucy, and the character of the lighthouse, and Janus. Slowly, the mainland characters come in but they’re more peripheral in Tom and Isabel’s journey. The conflict of morals and the right thing to do – as a human and legally – drive the conflict of the plot and the characters. As a reader, I was always thinking about why a character did what they did, or reacted the way they did – and M.L. Steadman has created flawed, imperfect characters who are at war within themselves and whose react to what is happening in a very human way. It is a story of human hope, trust and emotions, and what we can be driven to do when caught in a tricky situation where no answer feels like the right one.

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Secrets Between Friends by Fiona Palmer

secrets between friendsTitle: Secrets Between Friends

Author: Fiona Palmer

Genre: Fiction

Publisher: Hachette Australia

Published: 12th September 2017

Format: Paperback

Pages: 352

Price: $29.99

Synopsis: Life was about living, experiencing and emotions. The good and the bad. You had to laugh to cry. You had to love to hurt. You had to jump to fall or fly.

Best friends AbbieJess and Ricki are setting sail on a cruise ship, rekindling the excitement of a school excursion they took ten years earlier to the historic port town of Albany, the oldest city on the stunning turquoise coastline of Western Australia. But are they truly prepared for what this voyage will reveal?

Ricki, a dedicated nurse, harbours a dream she hasn’t chased. Is she actually happy or stuck in a rut?

Jess, a schoolteacher and single mother to little Ollie, had a tough upbringing but found her way through with the help of her closest male friend, Peter. But Peter has bought an engagement ring and is ready to propose to Ricki . . .

Abbie had it all: a career, a loving boyfriend and a future, but a visit to the doctor bears scary news. Her world is tumbling down and she feels adrift at sea.

SECRETS BETWEEN FRIENDS is a poignant novel of romance, family dynamics and friendship. Through her highly relatable, sympathetic characters, beloved Australian storyteller Fiona Palmer writes about issues, experiences and emotions we have all faced while posing the ultimate question: What is really important in this life?

~*~

Ricki, Abbie and Jess have been friends for as long as they can remember, and have always shared secrets, and confided in each other – until recently. Jess is a single mother and teacher, who has never revealed the identity of her son’s father. Ricki is a nurse, living with Peter, Jess’s best friend since childhood, and harbouring her own secrets about her dreams that she’s ignored for years, and Abbie has just lost her job, her boyfriend and received devastating news that she feels she can’t share with her friends – at least not yet, if ever. And Peter, loyal to them all, unaware of the secrets his friends are keeping, harbours feelings for two of them. Together, they embark on a cruise to Albany to revisit where they once went during school. It is on this journey that the secrets they have been hiding from each other explode into the open, with each reacting differently to the revealing of their secret to their friends and everyone finding a way to cope, culminating in events towards the end that change their lives forever.

aww2017-badgeWhen I first received this book, I wasn’t sure whether I would enjoy it – however, I found that in some ways I did – I enjoyed that the focus was on the friendship rather than romance, and the life goals of the characters. I felt this gave it something special and important, that finding the one you love isn’t the be all and end all of your life, but having friends who are your chosen family and whom you care about no matter what is just as, if not more important, and it was to Ricki, Jess, Abbie and Peter. I think reading about friendship and the love of friends who become your family is something we need more of – it gives everyone something to relate to, even if you can’t relate directly to the events and characters, but we can all relate to family and friendship, and the importance of this.

As this was the first Fiona Palmer I have read, having received an uncorrected proof with an adorable little beach chair courtesy of Hachette, I wasn’t sure what to expect – and whilst it is one that I may not read again, fans of Fiona will enjoy her latest offering, exploring friendship and what can make or break friends and relationships. The romantic relationships did happen, but were secondary to the friendship the characters exhibited. I hope that fans of Fiona’s work will enjoy this and maybe she will find some new fans from this book too.

Even though I have no plans to read this book again soon, it is a nice light read, and there will be an audience out there for it, and it is possible I will one day revisit this book, but for now, I’ll work my way through the rest of this year’s review books.