Deltora Quest: City of Rats by Emily Rodda

city of rats.jpgTitle: Deltora Quest: City of Rats
Author: Emily Rodda
Genre: Fantasy
Publisher: Scholastic
Published: 1st June 2001
Format: Paperback
Pages: 128
Price: $14.99
Synopsis: Lief, Barda and Jasmine — companions with nothing in common but their hatred of the enemy — are on a perilous quest to find the seven lost gems of the magic Belt of Deltora.

Only when the Belt is complete once more can the evil Shadow Lord be overthrown. They have succeeded in finding the golden topaz and the great ruby. The two gems’ mysterious powers have strengthened them and given them the courage to move on in their search for the third stone.

But none of them can know what horrors await them in the forbidden City of the Rats.

~*~

2019 BadgeArmed with the topaz and the ruby, Lief, Barda and Jasmine enter the City of Rats, where they face more dangers, and many more unknown threats as they seek out the next stone, a rainbow opal. But they must contend with rats, and people who live amongst rats who fear small, furry things, and will use this fear to attack the trio and Jasmine’s animal friends before they can get to the opal and slot it into place on the belt. The challenges they face will test them and their resolve as they work out what those living in the next realm fear and why, and what the consequences of their presence and actions will mean for those who try to stop them getting the opal. For a realm that has been under a dark power for many years, Lief, Barda and Jasmine are finding that the dark powers have created fears so deep, nobody knows who to trust.

In the third part of this series, the quest Lief and his companions are on is getting more dangerous, yet still remains age appropriate for younger readers, and has lots of excitement and action to keep them engaged and enthralled throughout. As an adult reader, I certainly am, and each book gets better and there is a sense that there is an unravelling mystery happening throughout that will be revealed at the end of the series.

Each book can be read quickly and devoured, or slowly savoured, depending on how you want to enjoy it. Having all six in one volume makes it easier to go from one to the other as I finish, and I am hoping to get through all of them soon – hopefully within the next few weeks or months, and then I can wrap up with a post on the entire series.

Lief, Barda and Jasmine are great characters – they are by no means perfect, and they do fight, like any trio of friends on a quest, yet they manage to pull through whatever disaster or troubles face them to complete the quest set forth for them by Lief’s parents, Jarred and Anna, so they can return the rightful ruler of Del to the throne upon their return.

Action packed books like this will have a long life, and be enjoyed for years to come by many readers. For me, it will sit alongside classics like Narnia and Harry Potter quite comfortably. Each series uses common themes yet they each have a unique style, character and plot that make them wonderful reads for lovers of fantasy.

Book Bingo Nine – Double Bingo and BINGO – Row Six Across completed.

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Literary and Romance

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It’s the end of April, and another Book Bingo week with Amanda and Theresa. This time, I am ticking off two squares as another double bingo week, but also, I have a complete bingo with the sixth across row, as seen below:

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Row Six:

Literary: Zebra and Other Stories by Debra Adelaide – AWW2019

Crime: All the Tears in China by Sulari Gentill – AWW2019

Historical: The Familiars by Stacey Halls

Romance: Northanger Abbey by Jane Austen

Comedy: Best Foot Forward by Adam Hills

Northanger AbbeyRomance was one that I wasn’t sure how I would fill, as it is not a genre I read often or gravitate towards. Rather, I prefer the romance to be subtle and to happen alongside the core story, and where the characters have much more to them than it feels like many romance novels do. So, in my quest to read as much Jane Austen as possible this year, and books inspired by Jane’s works, I chose Northanger Abbey.

Northanger Abbey is the first of Jane Austen’s novels to be completed for publication in 1803, but the last published in 1817. It is a satirical look at the Gothic novels of the time, and the coming of age story of Catherine Morland, wishing for happiness and morality over money and wealth like other young women of her age. She loves to read and seeks others like her as friends. On a sojourn to Bath with family friends, she meets Henry Tilney, and Isabella Allen, and becomes friends with Isabelle, visits with the Tilneys and is eventually forced home after a series of misunderstandings. At the core is Catherine’s growth and understanding of real life, which is vastly different to her novels. At the same time, she has fallen in love with Tilney and they eventually marry on the final page.

Jane Austen Reading Challenge 2019

The romance in this novel is subtle, and develops slowly and cautiously alongside friendship, novel reading and ideas of class and acceptability of marriage. The subtlety of the romance allowed the characters to grow for themselves and not be pushed into a certain way of thinking by other characters. Of course, there are misunderstandings that led to the desire to correct things and set things straight, but at the same time, because it is subtle, it worked well and that’s why I enjoyed it.

ZebraLiterary

 

For this category, I chose a book sent to me by Writing NSW to review for their blog. Zebra and Other Stories by Debra Adelaide. In this book, there are many short stories, from different perspectives and about different things – a more in-depth review is here. But this classifies as literary because it simply has that feel to it, and when I think about it, these stories don’t have a distinct genre – sometimes literary fiction does, but sometimes not. Sometimes, they just slot into general fiction but because the strength of the stories are driven by the characters, rather than the plots, which are written so subtlety, that at times, they do not become clear until the end, which makes them powerful and intriguing.

Moving forward, I have about eight months left to fill the bingo card, and some are going to be harder but that’s part of the challenge, and sometimes, the review books just easily slip into a category, sometimes I have to seek one out.

Until next time!
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Interview Tanya Bretherton The Suicide Bride

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  1. Welcome to The Book Muse Tanya, it’s a pleasure to have you here.

Thank you very much for having me.

  1. You’ve written two true crime books about Australian crime – what drew you to this genre, and these cases?

As a reader, I am a big fan of crime stories, particularly those that seek to explore the darker side of human nature.  As a writer I am attracted to the true crime genre because it provides a very dramatic backdrop to tell deeply personal stories.  Loss, tragedy, heartbreak and desperation are all there – both before the crime is committed and they are present in its aftermath as well.  Both The Suitcase Baby and The Suicide Bride begin with true crime events, but they unfold as personal stories.  Crime stories, in some way or other, are always stories about families and secrets.

  1. Can you give a brief explanation of the term suicide bride for my followers who may not have read the book yet?

I began the journey of writing the book by examining at one horrible true crime event in particular. In January 1904 in the inner-city suburb of Newtown in Sydney, two young brothers discovered the bodies of their parents in the family home.  Thirty-two-year-old Alexander Sly murdered his wife Ellie, with a cut throat razor, and then killed himself.  Their four children, all under the age of eight (Bedford, Basil, Mervyn and baby Olive) were orphaned.

As I began to explore the social and economic context in which the crime was committed, I discovered to my horror that this was not the only case like this.  In the late nineteenth century there were many cases of husbands who planned their own suicide and factored the murder of their wife as part of that act (hence the term ‘suicide bride’).  In the year of 1904 alone, there were murder-suicides attempted and committed by husbands in every single month in every state of Australia. The cases all shared some remarkable and macabre similarities with the Sly murder-suicide case.

  1. What was it about the Sly case in particular that you found interesting, and why?

It is hard to imagine a family story more tragic than that of Alexander and Ellie Sly.  I had to know what happened to the children.  As a researcher, I have studied child protection and from what I knew about trauma and its long-term impacts, I knew the outcomes for the children in this case were not likely to be good.  I wanted to know how a child’s life might unfold in the wake of something so tragic and at a period in history which had a reputation for being very tough on children.

During the research process I also discovered something unique about the Sly family.  I don’t what to give too much away, but there is a twist in the book which I think readers will find as fascinating as I did.

  1. Was it hard trying to determine what really happened with limited resources and evidence for the Sly case, and in turn, the fate of the children, and where did these challenges arise from?

I undertake a lot of research before I even start to write a true crime book, because I want to see if there is enough material to sustain both a big picture account of the event, and a personal story as well.  I was well down the research road before I decided that there was enough viable material to write The Suicide Bride.  With this book I had the unusual situation of having too much material, so I had to make decisions about which stories I was going to focus on, which characters were going to play the leads, and who would play the minor roles.  In the end, those choices came down to decisions of the heart not the head.

  1. When writing true crime, what are the most important, or most informative sources for you, and why?

I tend to write social history and life history narratives disguised as true crime stories.  For this reason trial transcripts, inquest documents and those resources that might traditionally form the foundation for a true crime account play a lesser role in my research process.  I do a lot of genealogical research for my books, as I think there are powerful discoveries to be made in uncovering how deeply a crime event impacts loved ones and how long it reverberates down through a family.

  1. Do you find looking at these crimes from a sociological perspective rather than a criminology or criminal investigative perspective gives a different insight into the crime? What do you think the differences are?

There is no doubt that sociology deeply influences both how I analyse true crime events and how I write about them.  In sociology, a lot of emphasis is placed on understanding the roles we play in collective settings, social norms, and the labels that we use to categorise people.  I think this is important because it gives us a deeper understanding of the really complex context that underpins crime. In exploring murder, for example, law and order perspectives consider the question of motive: why would person A kill person B?  I think sociology can help fill the bigger canvas of ‘why?’ by asking what is the social, the economic and the familial context for ‘why’.

  1. What sparked your initial interest in true crime stories in particular, and do you plan to look into further cases that we might not know much about, or that might not have been solved?

I think my interest in the true crime genre goes way back to childhood.  We didn’t have many books in our house when I was growing up, but my Dad was an avid reader of murder mysteries.  So almost every book in our house had a dead body in it – that probably had an impact on an early reader!  To this day I write stories that have a twist in some way or other, and if I don’t find that twist, I will abandon a subject as a possible book and move on to another case.

Yes, I definitely have a number of books planned!  I always like to select cases that have not had a lot of exposure to date.  I am developing two more Sydney-based true crime books at the moment.  Both of these books will also deal with issues of women and crime.

  1. Do you think we will ever find out why Alicks Sly committed the murder-suicide and left four children orphans?

The murder suicide of Alicks Sly and his wife made national news.  It was a big story at the time.  Alicks Sly was a local spiritualist and medium who believed he could communicate with the dead.  He saw visions and heard voices.  The family were also profoundly poor as well.  All of this absolutely fascinated the public at the time, and retrospectively we continue to reflect on the different ways in which this crime can be viewed.  Was Alicks mentally ill?  Was there a pattern of violence in the home prior to the final tragic incident?  I think the same questions that investigators were asking about the Sly case in 1904, we are still asking about murder-suicides that occur today.  We might draw a clinical set of conclusions as to why this kind of crime occurs, but this analysis will always fall short in the face of something so tragic and heartbreaking.

  1. How often do you find living descendants of the families involved to talk to about the cases, and what are the ethical issues you navigate when you encounter them?

To date, I have chosen historical true crime stories that are very old.  This means there aren’t any relatives (still living) who were directly impacted by the tragedies.

  1. Are there any legal issues or obstacles you face when looking into these old crimes, and like the previous question about ethics, how does it affect the outcome of your book?

I purposefully select cases that I know won’t present me with the kinds of ethical dilemmas that will disrupt the writing process.  I want to be able to write unencumbered by those responsibilities.

Any ethical questions I face during the writing process tend to be more abstract and relate to writing in the spaces of grey that exist between rigid depictions of good and evil. Can a person be a villain and a victim at the same time?  Can a criminal act ever be a noble choice?  I hope that I offer up enough evidence to the reader, that they get to decide.  I want them to make the moral call on the crime, the criminal who committed it and how they feel society should have handled what happened.

  1. Finally, what do you hope writing about these crimes does to help society and possibly those who have links to those involved, and can this have a positive impact on crime solving?

I think true crime stories are often written as psychological portraits, and this plays an important role in helping us to understand the pathology that can underpin some criminal behaviour.  But there is also a wider social and economic context for crime.  Putting moral questions about crime and criminals aside for a moment, people who commit crimes may be labelled criminals, but they are also people looking for solutions.  We may not agree with their approach to problem solving, we may even abhor it, but understanding what drives people to commit crime remains important and conflicted terrain for us all to reflect on.  In both The Suitcase Baby and The Suicide Bride, a criminal act resulted from absolute desperation.  The people in those stories were looking for solutions.  They made unthinkable choices, terrible choices.  In the end what they found was not a solution at all.  Their choices also created even more heartbreak for the people they cared most about.  I can’t claim that my books have any impact on the field of criminology, nor the methodologies we use to catch criminals, but it is fascinating terrain to work with in terms of character and story.

Thank you for joining me on The Book Muse, Tanya and good luck with your future projects.

The Suicide Bride: A Mystery of Tragedy and Family Secrets in Edwardian Sydney by Tanya Bretherton

suicide brideTitle: The Suicide Bride: A Mystery of Tragedy and Family Secrets in Edwardian Sydney

Author: Tanya Bretherton

Genre: True Crime/History

Publisher: Hachette

Published: 23rd April 2019

Format: Paperback

Pages: 315

Price: $32.99

Synopsis: From the author of the acclaimed THE SUITCASE BABY – shortlisted for the Ned Kelly and Nib awards – comes the chilling story of a charlatan, a murder-suicide, and a family tree so twisted that it sprouts monsters.

Whenever society produces a depraved criminal, we wonder: is it nature or is it nurture?

When the charlatan Alicks Sly murdered his wife, Ellie, and killed himself with a cut-throat razor in a house in Sydney’s Newtown in early 1904, he set off a chain of events that could answer that question. He also left behind mysteries that might never be solved. Sociologist Dr Tanya Bretherton traces the brutal story of Ellie, one of many suicide brides in turn-of-the-century Sydney; of her husband, Alicks, and his family; and their three orphaned sons, adrift in the world.

From the author of the acclaimed THE SUITCASE BABY – shortlisted for the 2018 Ned Kelly Award, Danger Prize and Waverley Library ‘Nib’ Award – comes another riveting true-crime case from Australia’s dark past. THE SUICIDE BRIDE is a masterful exploration of criminality, insanity, violence and bloody family ties in bleak, post-Victorian Sydney.

~*~

I’ve only read a few true crime books, and the last one I read revolved around the last woman hanged in New South Wales – Louisa Collins in 1889. A mere fifteen years later, a spate of suicide brides would crop up in Sydney – women who were murdered by their husbands, and the husbands would later commit suicide. In the case explored in Tanya Bretherton’s new book, a husband a wife died, but also, four children were left parentless, orphaned and their fates were left to the state, which in the early twentieth century was a lot less caring than it is today, especially towards orphaned children like Mervyn, Bedford, Basil and their sister, Olive, who at the time of her parents deaths, was ill in hospital.

2019 BadgeThe lives of Alicks and Ellie Sly were taken with a razor, at the hand of Alicks – and nothing was left to help the children, apart from any money left over from the sale of all their possessions to pay off any debts, and then money would be given to orphanages for the care of the three boys, whilst Olive was adopted and given a new name, a new identity, and nothing much is heard about her after that happened. Her brothers went sent to Catholic orphanages, and as Tanya recounts, each had a very different experience and reaction while staying there, resulting in very different outcomes in their later lives as a result of the violence they had seen early on in their lives.

Tanya Bretherton looks at the circumstances surrounding the deaths, and the evidence and records that are available, and at the way society at the time dealt with the deaths and aftermath, particularly in regards to the children, and finding guardians, and paying off debts to them, and the sad fact that Alicks and Ellie had nobody come forward to mourn, or help with the children – much of their debts were paid off with the sale of their few possessions, and charity took care of the rest. Throughout the book, the stories of the children are woven throughout as Tanya tries to uncover what really happened – using the historical timeline and gazing at it through a sociological lens and the social implications of this within Edwardian society, and the importance placed on funerary rights and debt over the welfare of young children.

Where did Alicks get the idea to kill his wife, and then himself? This is a question that remains unanswered, as does the why scenario. Without any suicide note, the true motives of Alicks will likely never be known. We can only guess at why he committed the murder-suicide in 1904. Maybe Alicks had debts he couldn’t pay and saw no other way out. Maybe knowing someone, the church, would step in to help. Perhaps he assumed family or neighbours would step up. Or maybe his motives were much more nefarious, and he didn’t care what happened to his sons and daughter. Tanya Bretherton doesn’t appear to have uncovered any criminal links or issues beyond debt they owed. Yet it is the not knowing that suggests it could be more than the idea that only debts were owed, and because there is little, if any, evidence to suggest why this happened.

As we can only speculate, as Tanya has done, perhaps it was a combination of things: debts, societal pressures, and a combination of the age old debate of nature versus nurture: where the brain functionality of a person is determined at birth, or whether the way we are raised has an impact on who we become and what we do. Having studied some sociology, I like to think its a combination, that neither one nor the other can inherently determine the actions one will take. Of course, there is always the element of choice in these scenarios. What i found fascinating about this is that there are no definitive answers – given the policing and forensic processes of the time, a lot less notice would have been taken of compromising the evidence and crime scene. So we may never know the truth, but there were many suicide brides in the months surrounding this case, including one case from the same family, a sibling of Alicks weeks or months later. The Sly family appeared to have many secrets throughout the generations,  and at least two of the brothers thrived quite well, and not much is known of Olive after her adoption. So for their father and relatives, were they predestined to kill, or did something awful happen to each Sly man to make the commit the crimes? This is where the nature versus nurture argument becomes tricky, because the nature of the family based on the murder-suicides would suggest a proclivity towards crime not really seen in the kids – at least, not violently. Nurture however, takes a look at how they were raised, first in the family and then the orphanage where it sounds like they weren’t nurtured in the way one might expect a child to be cared for. Which suggests that how we turn out is a combination of nature, nurture, our experiences and unique character – perhaps the younger children were able to adjust at a faster or easier rate than the oldest boy. What is certain though, is that we will never know all the answers, and the book, and my analysis is just mere speculation based on what we have present.

Deltora Quest: The Lake of Tears by Emily Rodda

lake of tears.jpgTitle: Deltora Quest: The Lake of Tears

Author: Emily Rodda

Genre: Fantasy

Publisher: Scholastic Australia

Published: 1st April 2001

Format: Paperback

Pages: 120

Price: $14.99

Synopsis: Lief, Barda and their unruly new companion Jasmine are on a perilous quest to find the seven gems stolen from the magic Belt of Deltora.

The golden topaz has already been found. But only when all the gems have been restored to the Belt can their land be freed from the dark power of the evil Shadow Lord. To find the second stone, the three heroes must travel through territory ruled by the monster-sorceress Thaegan.

Their journey is filled with treachery, trickery and danger, and at its end they must face the hideous guardian of the enchanted Lake of Tears.

~*~

Picking up soon after they have found the first stone for the Belt of Deltora, Lief, Barda and Jasmine are on their way to the Lake of Tears to discover the second one, and where they will meet the first of Thaegan’s children, Nij and Doj, who speak a strange, haunting backwards language that gives a false sense of security to the travellers, following a broken sign that is very misleading. This is just one more dangerous step on the adventure to reunite the stones of the Belt of Deltora. This time, Lief and his companions seek the ruby – and from there, the next five to complete the belt and restore unity to Del.

I’m zipping through these books rather quickly and am trying to review each one individually before writing a wrap up post for the whole omnibus series edition I have next to me so I can move onto the second and third sets in the series. Again, this is a fast-moving book, where Lief and Barda must quickly adapt to trusting Jasmine and her ability to help them navigate the land of Del to find the stones.

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Lief, Jasmine and Barda take charge from this book onwards, and we still haven’t met the future ruler of Del, presumably still in hiding with Endon and his wife, where those who tried to kill them sixteen years before cannot find them – I will be keen to see how this is uncovered later on in the series and where the next two Deltora Quest sets take us. The perils that Lief and his companions face are heart-stopping as they work to escape being eaten by Nij and Doj (or Jin and Jod as it turns out, once they realise the two are speaking backwards), and must then face the prospect of the rest of Thaegan’s children in later books.

This is a fun series, and filled with adventure, friendship and wonder. It is one that has been loved for over a decade, and will hopefully continue to be loved and read for many years to come, if my conversations with fellow readers are anything to go by, as well as the constant lack of it being out of the library when I was much younger. So I am experiencing it now for the first time, and the magic is having as big an impact on me as it would have done had I read it as a teenager or young adult. This is what makes a good book, in my opinion. One that can transcend age and time for all readers, and that will engage on many levels and entertain many.

I’m heading into book three, The City of Rats, and hope to have that review up soon.

The Forests of Silence (Deltora Quest #1) by Emily Rodda

Title: The Forests of Silence (Deltora Quest #1)

Author: Emily Rodda

Genre: Fantasy

Publisher: Scholastic Australia

Published: 2000

Format: Paperback

Pages: 120

Price: $14.99

Synopsis: Deltora is a land of monsters and magic …

The evil Shadow Lord is plotting to invade Deltora and enslave its people. All that stands against him is the magic Belt of Deltora, with its seven gems of great and mysterious power. When the gems are stolen and hidden in dark, terrible places throughout the kingdom, the Shadow Lord triumphs and Deltora is lost.

In secrecy, with only a hand-drawn map to guide them, two unlikely companions set out on a perilous quest. Determined to find the lost gems and rid their land of the tyrant, they struggle towards their first goal — the sinister Forests of Silence.

~*~

Opening with the death of a king, and the ascension of his son to the throne, Deltora Quest opens with a bang, introducing Jarred and Endon – as friends first. Yet when Endon is made king in light of his father’s death, Jarred learns that there is more to the removal of the Belt of Deltora than the history books tell. When he tries to warn his friend, Jarred is forced to run, and it will be seven years before they meet again and uncover a nefarious plot to take over the kingdom.

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Fast forward sixteen years, and Lief, Jarred’s son, heads off on a quest with a former palace guard, Barda, to find the stones of the Belt of Deltora that have been flung throughout the land. Whilst seeking the first stone, a topaz, they meet Jasmine, Kree and Filli, who join them on their quest. But will Lief and his companions succeed?

The start of a promising series for children aged eight to twelve, I have come to this several years after it was published, having recently stumbled across the omnibus editions in the bookstores. For me, it was a quick read, but enjoyable all the same. Each character has strengths and weaknesses that enable the plot to move forward, and it is the start of an epic adventure series that will have readers of all ages enthralled.

Introducing readers to Jarred and Endon first leads into the quest that Lief goes on, and gives a much needed, brief yet important background to the story that is to come. Of course, the main story is about Lief and his quest across the next seven books, which I am looking forward to exploring as I read the rest of the series. A friendship forms between Lief, Jasmine and Barda as they venture through the Forests of Silence in search of the first gem. But whilst Lief and Barda know they need Jasmine’s help, with the state the kingdom has been in for over twenty years, they do not know who they can trust, apart from each other.

As they traverse the forests to uncover what they seek, and then had off towards The Lake of Tears and more dangers and uncertainty that lie ahead, the troupe will no doubt encounter more challenges, and become closer as they head off on a quest to save the kingdom and restore the rightful monarch to the throne of Del.

I’m looking forward to reading the rest of these books and will review each novel on its own, and finally, a wrap up post for the entire omnibus once I have done this. Look for more exciting Deltora reviews from me!

Book Bingo Eight – Double Bingo: A Book Set in an exotic location and a book by an author you’ve never read before 

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Hello, and welcome to week eight of book bingo with Amanda and Theresa. This week, I’m taking on another double bingo, and ticking off a book set in an exotic location, and a book by an author I have never read before. In all honesty, both books could fit into the second category, and one could also fit into the science fiction category, but it’s still only April, and I still have many books to read, review and that will hopefully fit into what I have left on my card. Next fortnight, I will be posting another double bingo about a book with a place in the title, and a book set on the Australian coast after both the posts have gone live for the blog tour that it they are part of.

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Here are the rows in the card this week’s choices come from:

Across

Row Four:

Book with a place in the title: The French Photographer by Natasha Lester -AWW2019

Book set in the Australian Outback:

Book set on the Australian Coast: The House of Second Chances by Esther Campion – AWW2019

Book set in the Australian Mountains: The Orchardist’s Daughter by Karen Viggers – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

Row Five:

Written by an Australian Man:

Written by an Australian Woman:Zelda Stitch Term Two: Too Much Witch by Nicki Greenberg – AWW2019

Written by an author under the age of 35:

Written by an author over the age of 65:

Written by an author you’ve never read: The Dog Runner by Bren MacDibble – #AWW2019

Down:

Row Five:

Prize winning book:

Book written by an Australian woman more than ten years ago:

Themes of fantasy: Vardaesia by Lynette Noni – AWW2019

Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

Written by an author you’ve never read: The Dog Runner by Bren MacDibble – #AWW2019

Comedy: Best Foot Forward by Adam Hills

Square One: Book set in an exotic location: Four Dead Queens by Astrid Scholte – #AWW2019

four dead queens

Okay, so I may have cheated a tad here, but to me, an exotic location is anything – real or imagined – that is either not my every day or that I have never experienced, something that is new to me and has a sense of the unusual, or the unknown but to be revealed and learned about. Quadara to me fits this, the setting for Four Dead Queens, because each Quadrant is different and therefore, not only exotic to the reader, but also to the characters, who never really venture into each other’s quadrants or meet each other but rely on information and supplies passed to them through those involved in trade. This is also a debut author, and like many books this year, would have fitted into the author I’ve never read before as well, and also had touches of science fiction mixed in with the fantasy, but I am hoping for a different title for that book.

Square Two: Written by an author you’ve never read: The Dog Runner by Bren MacDibble – #AWW2019

the dof runner

Bren MacDibble is another new author to me, and I had plenty to choose from for this category. It was one that didn’t fit into many others, which is why it has found its home here. Looking at an Australia devastated by a germ that wipes out many of the food sources, a brother and sister – who have different mothers but the same father, set out to find Emery’s Indigenous family for help. It brings diversity together in many ways – race, and personality types and the way people unite in times of difficulty or turn on each other. Coming to Bren’s writing for the first time, this one held my attention completely and is one I recommend to people to read.

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I’m planning another double book bingo for next fortnight, and that should hopefully knock off all the squares I have ticked off so far, or be getting close to that stage. See you then!

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