Circe by Madeline Miller

CirceTitle: Circe

Author: Madeline Miller

Genre: Fantasy/Mythology Retelling

Publisher: Bloomsbury

Published: 10th April 2018

Format: Paperback

Pages: 352

Price: $29.99

Synopsis: When I was born, the name for what I was did not exist. 

Circe is the daughter of Helios, the sun god, and Perse, a beautiful naiad. Yet from the moment of her birth, she is an outsider in her father’s halls, where the laughter of gossiping gods resounds. Named after a hawk for her yellow eyes and strange voice, she is mocked by her siblings – until her beloved brother Aeëtes is born.

Yet after her sister Pasiphaë marries King Minos of Crete, Aeëtes is whisked away to rule his own island. More isolated than ever, Circe, who has never been divine enough for her family, becomes increasingly drawn to mortals – and when she meets Glaucus, a handsome young fisherman, she is captivated. Yet gods mingle with humans, and meddle with fate, at their peril.

In Circe, Madeline Miller breathes life once more into the ancient world, with the story of an outcast who overcomes scorn and banishment to transform herself into a formidable witch. Unfolding on Circe’s wild, abundant island of Aiaia, where the hillsides are aromatic with herbs, this is a magical, intoxicating epic of family rivalry, power struggles, love and loss – and a celebration of female strength in a man’s world.

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Set in Ancient Greece, daughter of the sun god, Helios. and naiad, Perse, Circe is cast aside in the halls of their home as an outsider, mocked by her siblings and other gods, and named after a hawk. She is unlike anyone else, with her yellow eyes and strange voice – until her brother Aeëtes arrives, and finally, someone understands her. But still, she is isolated, as her sister, Pasiphaë marries Minos, and Aeëtes is sent away to rule his own island. So she begins meddling with mortals – Glaucus, a fisherman. When her spell backfires and he falls for her sister Scylla, the revenge she takes on Scylla sends her into an exile to Aiaia, where she traps sailors as pigs, and where one day, she meets Odysseus on his way back from Troy – a war of ten years and a journey back that has already taken several years – as told in The Odyssey. From here, Circe seals her fate as a mother and exile, and what she must endure for eternity.

The Circe (Kir-kee or Cir-cee) myth cycle is one of the most interesting myth cycles in Greek mythology. A sorceress and goddess, Circe’s most famous and well-known appearance is in The Odyssey with Odysseus when she turns his crew into swine and induces him to stay for a year on the island with her. As a witch, she used potions and magic to transform people into animals. Where most mythical retellings focus on the male heroes, Madeline Miller takes Circe’s tale and spins it into something new and fresh – Circe and what she did, her exile and how the other gods treated her and feared her – from her perspective of her role as a woman, as a goddess with the voice of a mortal but the body of a goddess and sorceress. It is Circe in her own words – what she did, what she felt when she was exiled and how she reacted to other divine figures sending their nymph daughters to her – to serve her, and in the eyes of the gods, give Circe companionship in her exile.

In Miller’s story, Circe’s dark revenge spell that she casts on her sister, Scylla, forms the backbone to this story. In a mythological world where each god, goddess and mythical figure crossover into each other’s myth cycles all the time, several other gods, goddesses and characters are woven in and out, such as Medea and Jason, seeking refuge away from Colchis, away from Aeëtes, and Pasiphaë and Minos, and the birth of the Minotaur. Madeline Miller has cleverly constructed a story that reads much like the ancient myths, but injected new life into them, amplifying the voices of the goddesses and sorceresses, and giving them a story where they are true to themselves, and where the reader goes on the emotional journey with them, never quite sure what to expect from them, or how to react to them.

Miler’s Circe is allowed to be human, though she tries to hide any instances of what the gods saw as human weakness, when it comes to her son, Telegonus, she does all she can to prevent what she fears the most. Each god and goddess show their good and bad side as well, and their ability to be heartless towards one character, yet at the same time, a patron towards another. Circe is shown as neither good nor bad, but in the grey areas in between, where many figures of mythology lie. As a lover of Greek mythology, seeing the female characters front and centre, in their own words, rather than the ancient texts, is intriguing and fascinating. Whilst still living in antiquity, modern authors give them agency and voice that ancient authors didn’t always, or that the myths didn’t allow for. The mythological world is fascinating in all its incarnations, and this latest Circe interpretation is no exception – she is feminist yet fits into her time in antiquity and uses this to her advantage, and she is individual – embracing every part of who she is because it what makes her Circe, not what Helios and the rest of her family wish she was. Circe is powerful and vulnerable in equal measure and is cautious about letting her guard down – and she is a heroine in her own right, standing up for herself and not letting the world dictate what she must do.

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Trying War by S.D. Gentill (Sulari Gentill)

Book Title: Trying War, (Hero Trilogy Book Two)
Author: S.D. Gentill
Publisher: Pantera Press
Genre: Young Adult/Mythology/Fantasy
Release Date: 17th February 2012trying-war
Book Synopsis: Mac, Cad, Lycon and Hero return to the ruins of Troy to conf
ront disaster. Once again the Herdsmen of Ida are caught in unfolding legend – facing monsters, murderers and the gods at war, in a desperate attempt to challenge what the fates have decreed.

~*~
Picking up where Chasing Odysseus left us, we rejoin Mac, Cad, Lycon and Hero on their journey across the ancient Greek world. From their pursuit of Odysseus back to Ithaca to reclaim the honour for the Herdsmen of Ida, but their return is hindered by Hero’s capture by the Amazons, in search of a new Queen to have a child with Ares, their god, after the death of her mother, Pentheselia. Bremusa, which I deduced was Hero’s true name before her mother stripped her of it and sent her to live with Agelaus at the beginning of Chasing Odysseus where their journey begins. Hero’s capture made me scream NO, so many times in my mind, that I felt I was there with her brothers and Oenone plotting to get her back. Their journey brings them into contact with Medea, a figure from Greek mythology I am quite familiar with, and was immediately fascinated by her appearance, yet alarm bells started ringing as I knew her myth cycle…this is the witch who, in revenge for her husband, Jason, abandoning her and taking up with another princess, a revenge which led her to unspeakable acts that are described in the book and in all her myth cycles. S.D. Gentill has definitely done her research here with the ancient sources and any other sources. In terms of the Medea myth cycle, she has seamlessly combined each aspect of the myth cycle explored by different ancient texts together to explore her character. Her involvement with the Herdsmen does not last the entire novel, but enough for her to cause enough havoc and bring the Erinyes after Machaon for much of the book.
Trying War doesn’t follow a specific myth cycle, rather it takes on various aspects of the Pantheon of Olympus, Medea, and the priestesses of Artemis in their temple in ancient Athens, in the heyday of the power and authority of the Pantheon, and has our heroes, the Herdsmen and their sister, encountering Ares himself, due for trial in front of the entire Pantheon for a crime against another god. The climax rises with the decision of the fates and the pantheon – too many spoilers to give away here for potential readers, so all I will say that it was a great climax and finale. This familiarity with the Greek mythological cycles, I feel, gave me a better understanding of the books but it isn’t a necessary understanding to have: the important facts of the myth cycles, such as Medea’s, are presented to the reader in conversation.
Yet another spectacular book from Sulari, and I look forward to many more in the future. A definite fan here.

Book Review: Chasing Odysseus by S.D. Gentill

odysseusBook Title: Chasing Odysseus, first book in the Hero Trilogy
Author: S.D. Gentill
Publisher: Pantera Press
Genre: Young Adult/Fantasy/Mythology
Release Date: 2011
Book Synopsis: Four young heroes in a quest against myth, magic…and betrayal. One girl, three brothers…four daring young heroes… Treachery, transformations and a deadly quest. A thrilling adventure of ancient myth, monsters, gods, sorcerers, sirens, magic, and many evils…the fall of Troy and a desperate chase across the seas in a magical ship… Hero and her three brothers, Mac, Cad, and Lycon go on this exciting and dangerous quest to prove their murdered father’s honour, the betrayal by King Odysseus and the loyalty of their own people to the conquered city of Troy.

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Chasing Odysseus opens with Hero being presented to her father, Agelaus by her Amazonian mother, Pentheselia at age five. Rejected by the Amazonian tribe, and her true name, Hero is welcomed into the arms of Agelaus and her brothers, Machaon, Cadmus and Lycon, Herdsmen of Ida, during the Trojan War. Tragedy befalls the family when they are named as traitors to the Trojans and blamed for aiding Odysseus and his men enter Troy in a wooden horse. Thus begins the journey of Hero and her brothers to find Odysseus, and have him put the story right.
I entered this world with a knowledge and love of Greek mythology that carried me through several university degrees, and immediately, I was swept up
The novel uses the descriptors of the gods used by Homer in the Odyssey, and this link to the original text, though the story is told from an opposing viewpoint to that of the Greeks and Odysseus. Their Phaecian ship takes them on a journey across the world as it was known in ancient times and the setting of the Odyssey. I was swept up into this story, and felt at home amongst the gods and the various ancient Greeks and their alliances. I sat with Hero as she made her sacrifices to the gods, and protected her brothers from the wrath of Zeus, journeyed with them as they met Pan, and ate with the Cyclopes. Having previously read The Odyssey, this retelling of the tale was of great interest to me.
Though this book, and its sequels are aimed at the YA audience, it is a lovely read for those familiar with the world of Greek Mythology. The journey of discovery in Chasing Odysseus that Hero and her brothers take to avenge the death of their father, and to return honour to the Herdsmen of Ida at the hands of Odysseus.
Chasing Odysseus follows the pattern of The Odyssey, a journey that took Odysseus ten years following the conclusion of the Trojan War, from his entrapment by Calypso to encounters with The Lotus Eaters, Circe, Polyphemus, the Cyclops, the Sirens, and with Nausicaa, a Phaeacian princess, to whom he recounts his tale, before he is able to return home. The period of time is unclear in Gentill’s work, but could be days, weeks, months or years, if following the narrative of The Odyssey. Whether it does or not, however, does not take away from the beauty of Chasing Odysseus, and the wonderful set up for the subsequent books.
A five star rating, and recommendation to anyone who loves adventure, mythology or just a good read, and it is not essential to have read The Odyssey before hand.