The Paris Secret by Natasha Lester

the paris secretTitle: The Paris Secret

Author: Natasha Lester

Genre: Historical Fiction

Publisher: Hachette

Published: 31st March 2020

Format: Paperback

Pages: 460

Price: $32.99

Synopsis: A wardrobe of Dior gowns, a secret kept for sixty-five years, and the three women bound forever by war… from the New York Times bestselling author of THE FRENCH PHOTOGRAPHER.

England, 1939
 Talented pilot Skye Penrose joins the British war effort where she encounters her estranged sister, Liberty, and childhood soulmate Nicholas Crawford, now engaged to enigmatic Frenchwoman Margaux Jourdan.

Paris, 1947 Designer Christian Dior unveils his extravagant first collection to a world weary of war and grief. He names his debut fragrance, Miss Dior, in tribute to his sister, Catherine, who worked for the French Resistance.

Present day Australian fashion conservator Kat Jourdan discovers a secret wardrobe filled with priceless Dior gowns in her grandmother’s vacant cottage. As she delves into the mystery, Kat begins to doubt everything she thought she knew about her beloved grandmother.

An unspeakable betrayal will entwine all of their fates.

THE PARIS SECRET is an unforgettable story about the lengths people go to protect one another, and a love that, despite everything, lasts a lifetime.

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Skye Penrose dreams of flying and following in the footsteps of her mother and Amy Johnson – yet when war breaks out, and all civilian flying is grounded, Skye finds another way to help the war effort with the ATA – transporting planes between bases for repairs and when they need to be turned into scrap metal. During her tenure doing this, she is reunited with her childhood friend from Cornwall, Nicholas Crawford, and the sister she hasn’t seen since she was eighteen – Liberty. Skye then meets Margaux Jourdan, and from here, it weaves in and out of World War Two as Skye and her fellow pilots fight for their right to fly, fight discrimination and eventually, find that they have to hide their own secrets as the novel progresses and the war heads further and further into darker days and eventually, towards the end.

In between the stories of Margaux, Skye and Nicholas and those they work with, is the 2012 story of Kat Jourdan, Margaux’s granddaughter, who uncovers a trove of Dior dresses in her grandmother’s Cornwall home, and a link to the well-known designer. It is here that she starts unravelling Margaux’s past when Elliott Beaufort starts asking questions about a Margaux Jourdan, an ATA pilot and SOE agent who helped the French Resistance and survived imprisonment and escaped. As Kat delves further into the mysteries with Elliott, and finds out about Skye, Margaux, Nicholas, and Liberty, she begins to question what she knows.

AWW2020The novel weaves in and out of the years leading up to World War Two, World War Two, the years just after the war and 2012, telling the reader and Kat the story as it moves along – as though Kat is reading the diaries of those from that time. Each part and perspective is richly brought to life through all the senses and a range of emotions as the war lurches on, and Skye faces loss over and over again, in many ways, tearing her apart from what she knows.

Cleverly, Natasha Lester ensures that the reader does not get lost in the changing characters – each part is clearly marked as to whose story it is, and each part is told in third person, making the transitions seamless and at times, they feel like they are sitting side by side – as something in the past happens, it feels like it might relate to the future.

Fashion plays a big role in this book – the Dior dresses are key to Kat finding out who her grandmother really is, and what happened to Margaux, Skye and Liberty – and why Elliott is determined that Kat’s Margaux is the one he is looking for.

Natasha Lester does something amazing with her books – she puts female history front and centre – and makes this the focus of her book, and leads us gently, and delicately into the romance at the end – much like Kate Forsyth and Jackie French in their historical novels where women are front and centre. The story is about what the women did, and how they coped in the face of sexism and discrimination, and assumptions about what they could do. This is what draws me to these books – seeing the women like Skye as active participants in history and learning about topics and perspectives that I had never known about even with all my reading. These are perspectives that are not always shared widely and books like this give an introduction to this history and for me, a deeper and further interest in trying to find out more. The happy ending was great too – and left me with a huge smile on my face.

Natasha also drops her clues very carefully and cleverly, and I enjoyed trying to work out who was who with what I was given – a very nicely written mystery!

I hope all of Natasha’s fans enjoy this book when it comes out, as it covers so many things – war, friendship, family, and love of all kinds, and illustrates the complexities of history in an accessible manner.

Chanel’s Riviera by Anne De Courcy

chanels riviera.jpgTitle: Chanel’s Riviera

Author: Anne de Courcy

Genre: History, Non-Fiction

Publisher: Hachette/Weidenfeld and Nicholson

Published: 11th June 2019

Format: Paperback

Pages: 291

Price: $32.99

Synopsis: Bestselling social historian Anne de Courcy reveals the glamour and grit of the Second World War on the French Riviera

Far from worrying about the onset of war, in the spring of 1938 the burning question on the French Riviera was whether one should curtsey to the Duchess of Windsor. Few of those who had settled there thought much about what was going on in the rest of Europe. It was a golden, glamorous life, far removed from politics or conflict.

Featuring a sparkling cast of artists, writers and historical figures including Winston Churchill, Daisy Fellowes, Salvador Dali, the Duke and Duchess of Windsor, Eileen Gray and Edith Wharton, with the enigmatic Coco Chanel at its heart, CHANEL’S RIVIERA is a captivating account of a period that saw some of the deepest extremes of luxury and terror in the whole of the twentieth century.

From Chanel’s first summer at her Roquebrune villa La Pausa (in the later years with her German lover) amid the glamour of the pre-war parties and casinos in Antibes, Nice and Cannes to the horrors of evacuation and the displacement of thousands of families during the Second World War, CHANEL’S RIVIERA explores the fascinating world of the Cote d’Azur elite in the 1930s and 1940s. Enriched with much original research, it is social history that brings the experiences of both rich and poor, protected and persecuted, to vivid life.

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1938 Europe was awash with the rise of Nazism, the threat of war, and the unsettled nature of the European continent. Yet at the same time, there was a section of society living along the Riviera in France – for a time, untouched by Nazism, where the biggest concern was whether to curtsey for the wife of the Duke of Windsor, who had abdicated two years earlier to marry her. This latter world was that of Coco Chanel, and a wide, and varied cast of artists, people involved in fashion, an d many others for whom, until the German occupation of France, and Vichy’s increasing anti-Semitic laws in the 1940s, war was not a reality. Until the worlds of luxury and terror clashed, nobody thought much of the threat facing people in other parts of France or Europe. Chanel was focussed on her fashion designing, and fashion house. She did not appear to care that rights were being cut down for Jews, despite employing them and claiming to have Jewish friends, there was evidence to suggest she was anti-Semitic and later in the war, she was spied on under suspicion of collusion with the German side. Yet evidence for this is inconclusive and could never been proven by French and English spies and investigators.

For Chanel, the interruption of war was an economic inconvenience for her fashion house and empire, rather than the completely traumatic upheaval it was for the rest of society. She was put out by the fact that she had to shut her business down and move out of her apartments at the Ritz, which, when she returned later, she found overrun by Germans and this led to the suspicions that she was working with them. One possibility – based on her view that she was merely economically inconvenienced in my reading – was that her meeting with Churchill towards the end of the war was motivated by her desire to simply get back into business. That does not exclude any other motivations or her collaboration with the Nazis as a spy. Economy is one possibility for why she did what she did – but it should not be a reason to excuse her views either. However, as De Courcy mentions, it may never be known what her true motivations were, even if there is proof of her anti-Semitism and Nazi connections, which aren’t really touched on in this book too much, as it is more of a history of the Riviera during the 1930s and 1940s  than a biography of Chanel herself. Still, it is important to remember that she was an anti-Semite and she was a Nazi supporter and spy. Looking further into Chanel herself will reveal more about this for those interested.

This is not just about Coco Chanel though, nut she appears throughout and not in the most flattering light, given she was a Nazi supporter and spy.  It is more about the social fabric that made the Riviera the place it was before and during World War Two, the people who lived on the Cotê d’Azur, and the elite world they lived in – far removed from the realities of what most people were dealing with. But as the threat of war and war itself progressed, these people found themselves at threat, running and hiding until the war was over, keeping their art and literature away from the Nazis. In some cases, those with Jewish heritage did what they could to hide that heritage, often at great cost or pain to themselves and their families. But the fear and knowledge of what could happen made people desperate.

It was a dark time in European history, and a time filled with contradictions, where the French under the German rule found subtle, subversive ways to rebel against the rules imposed upon them. If they could not wear the French standard as it was, they found ways to wear all three colours together, so that each looked innocuous but really, they were making a point – and nothing could be done. Overall, it is quite a complex book, with many individuals and events creating the environment that went dead for the duration of the war but was lively again following liberation and the end of the war. It shows a society that was at first so far removed from war, they didn’t think about what might happen until it affected them. In a lavishly rich society, these people were cushioned and protected to some extent by their belief that France wouldn’t fall, that war would not touch them. History certainly tells a different story, and the idyllic Riviera would be changed for a time, and those who lived there altered as well.

The Paris Seamstress by Natasha Lester

9780733640001Title: The Paris Seamstress

Author: Natasha Lester

Genre: Historical Fiction

Publisher: Hachette Australia

Published: 27th March 2018

Format: Paperback

Pages: 435

Price: $29.99

Synopsis: How much will a young Parisian seamstress sacrifice to make her mark in the male-dominated world of 1940s New York fashion? From the bestselling author of A KISS FROM MR FITZGERALD and HER MOTHER’S SECRET.

How much will a young Parisian seamstress sacrifice to make her mark in the male-dominated world of 1940s New York fashion? From the bestselling author of A KISS FROM MR FITZGERALD and HER MOTHER’S SECRET.

  1. Parisian seamstress Estella Bissetteis forced to flee France as the Germans advance. She is bound for Manhattan with a few francs, one suitcase, her sewing machine and a dream: to have her own atelier.
  1. Australian curator Fabienne Bissettejourneys to the annual Met Gala for an exhibition of her beloved grandmother’s work – one of the world’s leading designers of ready-to-wear clothing. But as Fabienne learns more about her grandmother’s past, she uncovers a story of tragedy, heartbreak and secrets – and the sacrifices made for love.

Crossing generations, society’s boundaries and international turmoil, THE PARIS SEAMSTRESS is the beguiling, transporting story of the special relationship between a grandmother and her granddaughter as they attempt to heal the heartache of the past.

Author+photo+for+Biblio+high+res+NatashaLester006

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Estella Bissette’s quiet life in Paris with her mother working as an atelier and making copies of patterns in 1940 is under threat. A chance encounter with MI0 Agent, Alex Montrose, and what Estella sees as a case of mistaken identity, pulls her into a world of danger and espionage, and as the Germans march further towards France, and her beloved Paris, Estella’s mother ensures her safe passage to America, on American papers – revealing that the stories she had told Estella about her father were not true. Escaping with her sewing machine and one suitcase, Estella is sustained on the trip by a dream to become a fashion designer, and the friends she makes on the journey from Paris to New York. Once in New York, Estella will encounter a variety of people in the fashion industry and who are working as spies and will soon be drawn into a world of fashion and secrets.

In 2015, Estella’s granddaughter, Fabienne, is in New York to see an exhibition of Stela Designs, the ready to wear clothing line that Estella created during the turbulent years of war. Fabienne is close to her grandmother, and in New York, away from work and her mother, she begins to uncover the secrets of her family – secrets surrounded by tragedy, espionage and heartbreak that shaped Estella, and the decisions she made, and why she made them. As Fabienne uncovers these family secrets, she encounters Will, who works in one of the top jobs at Tiffany’s, and his sister. As they work through their lives together, and the struggles they face, their friendship grows, and evolves. In the face of personal tragedy, Fabienne must uncover the answers to her family’s past.

AWW-2018-badge-roseThis was the first Natasha Lester novel I have read, and I really enjoyed it. I loved Estella’s passion, and her desire to create something unique in an unknown world during a time when there was so much uncertainty. Safe in America as Hitler and the Nazis take Paris, Estella finds herself in and out of work as a sketcher, working towards her own goal of creating her own line. Her passion for this, which is ignited further by her friends Sam, and Janie, who are amazingly fun characters as well, and in a time of war and feeling alone, welcome Estella easily into their lives as a friend.

Estella’s world is peopled by figures who existed at the time – Lena Thaw, Alexander Montrose, and others connected to them, and the mystery surrounding these characters and their links to Estella are slowly revealed as the novel moved between the early 1940s and 2015, where Estella’s story revealed itself as Fabienne spoke to her grandmother and went through diaries. Estella’s bravery drives the narrative, and it is her strength that I adored, her ability to find what she loved and make something of it. When she discovers Lena, a woman who looks just like her, something stirs in her, and this is where the mystery of what links them starts to come out, slowly, with many questions along the way from Estella in 1940, and Fabienne in 2015.

It is the slow yet well-paced pacing of the secrets and their unfolding that I enjoyed, alongside the history of World War Two in France and Paris, and the moment America is drawn into the war, and the reactions that Estella experiences from people to whom the war is a mere inconvenience for them getting their fashion from Paris, and the feelings of betrayal Estella felt throughout when she found out the secrets people had kept, and the burden of these secrets that she was able to let go of and help Fabienne discover her family history.

I found this to be a delectable book, where the history of the war, and a family of secrets and mysteries were the forefront against a backdrop of fashion, and a world where grandmother and granddaughter found solace, It crosses three continents: Europe, America and Australia, and encompasses the love of a mother and daughter, the love of friends, family, a sister, and sacrifices made to keep secrets. It is a well-written novel, where the romance is realistic, and not over-powering but still there, existing in a perfect balance with the other elements that kept me more engaged. I liked that Estella and Fabienne found love, but it was their family mystery and secrets that kept me reading late into the night to find out what Estella had been hiding for so many years.

An excellent historical fiction that takes female voices, in a time and place where their lives are dictated by those around them and expectations of society, and where in a male dominated world, Stella Designs made a mark in the fashion world of Natasha’s novel, and where these strong women didn’t allow their lives to be dictated by convention. Instead, they were spies, and mothers, seamstresses and friends, people who sacrificed so much for those they loved, and whose lives were complex and interesting. I always enjoy novels with a heroine who finds a way to fit into the world she lives in yet at the same time, question the conventions and finds a way to make her own mark on the world, and show that women could do what they set their minds to, even in a time of war like Estella.

Much like Kate Forsyth’s historical fiction, this had similar elements of mystery and intrigue that drew me in, and I hope to read more of Natasha’s novels soon.

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