Cover Reveal for Corella Press Blog Tour – 27th August

At the end of August, Corella Press are publishing two instalments of the 19th Century Australian Crime and Mystery Collection.

Below are two covers designed by illustrator, Kathleen Jennings, which I think are really cleverly created, and give a good idea of what the stories might contain.

If you’re in Queensland, the launch is on the 30th of August, 2019, at Avid Reader bookshop.

Cover Reveal: Illustrated Goblet of Fire

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An announcement has been made recently about the upcoming release of the next in the illustrated editions of Harry Potter. Below are the details about the release and cover reveal for Harry Potter and the Goblet of Fire. I’m looking forward to adding it to my library with the first three.

Release from the Publisher:

 

BLOOMSBURY REVEALS STUNNING JACKET OF HARRY POTTER AND THE GOBLET OF FIRE ILLUSTRATED EDITION

‘And there was the Horntail, at the other end of the enclosure, crouched low over her clutch of eggs, her wings half furled, her evil, yellow eyes upon him, a monstrous, scaly black lizard, thrashing her spiked tail, leaving yard-long gouge marks in the hard ground.’

Bloomsbury Publishing is delighted to reveal the cover of the eagerly anticipated Harry Potter and the Goblet of Fire Illustrated Edition written by J.K. Rowling and illustrated by Jim Kay.

For the breath-taking front cover image, Kate Greenaway Medal winner Jim Kay has pictured the moment Harry Potter faces the Hungarian Horntail dragon during his first task in the Triwizard Tournament.

Publishing in Australia, New Zealand, the UK and USA on Tuesday 8th October 2019, the hardback Illustrated Edition will feature a wraparound dust jacket, ribbon marker, head and tail bands, illustrated endpapers and over 115 colour images. The Illustrated Edition will subsequently be published around the world in more than 21 languages all featuring Jim Kay’s artistic wizardry. A sumptuous Deluxe Edition will also publish 18 November 2019.

The first three Harry Potter Illustrated Editions were published to worldwide critical acclaim and Jim Kay’s artwork was universally embraced by fans and new readers alike. Combined sales of all the current Illustrated Editions across hardback and paperback formats now exceed 213,300 copies in Australia and New Zealand through Neilsen Bookscan.

Pottermore has exclusively revealed examples of artwork from Harry Potter and the Goblet of Fire Illustrated Edition. Visit pottermore.comt o see Jim Kay’s astonishing art.

Harry Potter and the Goblet of Fire Illustrated Edition by J.K. Rowling, illustrated by Jim Kay

Published in hardback on 8th October 2019 (RRP AU$65.00/ NZ$69.99/ 464pp / 9781408845677)

Deluxe Edition also publishing 18 November (AU$300.00 / 464pp / 9781526600424)

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Cover Reveal: The Crimes of Grindelwald Screenplay

Releasing on the 16th of November, 2018, is the screenplay of the second part in the Fantastic Beasts series, The Crimes of Grindelwald,which will pick up where the first film left off two years ago, with the capture of Gellert Grindelwald by Newt Scamander and the MACUSA squad. However, Gellert has escaped and is on a quest to give power to pure blooded wizards over non-magical beings. Newt is enlisted by Albus Dumbledore to thwart these plans, and draw lines between loyalty and love, as they fight to save the wizarding world.

The cover of the screenplay (pictured below), hints at what is to come in the film and screenplay. As expected, the Deathly Hallows symbol is present, its significance known to fans of the Harry Potter books. The Eiffel Tower is present, signifying a move into the wizarding world of countries beyond the UK and Hogwarts and America, a few favourite magical creatures, and other symbols from the film. We will not know what these symbols mean until we see the film and read the screenplay.

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MinaLima is the graphic design team behind the cover and the Fantastic Beasts series, and they have done a wonderful job of this cover as well as the previous one. They used the Art Nouveau aesthetic for this because of the centrality of France to the film and the iconography of the Eiffel Tower associated with France. Looking forward to reading this and seeing the film when they are released, and a review of the screenplay will appear on my blog later in the year.

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