Harry Potter – Diagon Alley: A Movie Scrapbook by Warner Bros with Jody Revenson

diagon alley.jpgTitle: Harry Potter – Diagon Alley: A Movie Scrapbook

Author: Warner Bros with Jody Revenson

Genre: Film Guide, Harry Potter, Children’s, Fantasy

Publisher: Bloomsbury

Published: 5th July 2018

Format: Hardback

Pages: 48

Price: $27.99

Synopsis:Diagon Alley is a cobblestoned shopping area for wizards and witches, and it was Harry Potter’s first introduction to the wizarding world. On this bustling street, seen throughout the Harry Potter films, the latest brooms are for sale, wizard authors give book signings and young Hogwarts students acquire their school supplies – cauldrons, quills, robes, wands and brooms.

This magical scrapbook takes readers on a tour of Diagon Alley, from Gringotts wizarding bank to Ollivanders wand shop, Weasleys’ Wizard Wheezes and beyond. Detailed profiles of each shop include concept illustrations, behind-the-scenes photographs and fascinating reflections from actors and film-makers that give readers an unprecedented inside look at the beloved wizarding location. Fans will also revisit key moments from the films, such as Harry’s first visit to Ollivanders when he is selected by his wand in Harry Potter and the Philosopher’s Stone, and Harry, Ron and Hermione’s escape from Gringotts on the back of a Ukrainian Ironbelly dragon in Harry Potter and the Deathly Hallows – Part 1.

Destined to be a must-have collectible for fans of Harry Potter, Diagon Alley: A Movie Scrapbook also comes packed with removable inserts.

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The latest companion book to the Harry Potter series, specifically related to the movies, is a movie scrapbook of Diagon Alley, its various stores and how the street, exteriors and interiors were created for the series of eight movies that began as a series of books in 1997. With the recent release of the 20th anniversary edition of Harry Potter and the Chamber of Secrets, this movie scrapbook complements its release and will become a good shelf companion.

Starting at the Leaky Cauldron, and ending with Weasley’s Wizard Wheezes, the book is interactive, with maps, and pictures, stickers, and pieces of wizarding money peppered through the book, to illustrate the visions from the books, and how they ended up being translated onto film, as well as where inspiration came from: Tudor times, Georgian and Victorian times, and Dickensian illustrations. The Wizarding World is shown as being from a distant time and place, untouched by modernity – ensuring the magic remains intact – just as readers would have imagined it when reading the books, and just as I did – Diagon Alley could be a mishmash of various architectures from Tudor times to Victorian times, all imbued with the magic used to create the buildings.

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As each new movie guide or character comes out, a new layer of information and enjoyment is added to the series for fans new, and old. These fun and quick reads can be dipped in and out of as well and used as you watch the movies to identify various aspects of Diagon Alley and keep an eye out for them as they watch. It is an exciting and fun book for the whole family to enjoy.

Each companion book to the Harry Potter series – whether related to the books or the movies enriches the experience, and this one is no exception. I enjoyed reading it and will enjoy revisiting it, either after watching the movies or during them, to pick up on the subtleties that I may have missed in previous viewings. As there are so many things to explore, these guides are the perfect way to discover or rediscover these things and fully appreciate the complexity of the books and movies.

Diagon Alley is shown in the book from the beginning of the series to the end, from light and airy to dark, and dingy, a world that has been destroyed during war time, to accompany the darkening themes and moods of the books and films. Diagon Alley is central to the Wizarding World, in both the books and the movies. It gives readers of the books and those who enjoy the movies a chance to see behind the scenes of how the sets the most well-known areas of Harry’s world were created in a creative, fun and interactive way for all ages.

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My Girragundji by Meme McDonald and Boori Monty Prior

my girragundjiTitle: My Girragundji – 20th Anniversary Edition
Author: Meme McDonald and Boori Monty Prior
Genre: Children’s Fiction
Publisher: Allen and Unwin
Published: 23rd May 2018
Format: Paperback
Pages: 96
Price: $14.99
Synopsis: The 20th anniversary edition of the award-winning, much loved story that tells how a little tree frog helps a boy find the courage to face his fears.
‘I wake with a start. The doorknob turns. It’s him. The Hairyman.’

There’s a bad spirit in our house. He’s as ugly as ugly gets and he stinks. You touch this kind of Hairyman and you lose your voice, or choke to death.

It’s hard to sleep when a hairy wrinkly old hand might grab you in the night. And in the day you’ve got to watch yourself. It can be rough. Words come yelling at you that hurt.

Alive with humour, My Girragundji is the vivid story of a boy growing up between two worlds. With the little green tree frog as a friend, the bullies at school don’t seem so big anymore. And Girragundji gives him the courage to face his fears.

Boori Monty Pryor was the Australian Children’s Laureate from 2012-13.

Author bio:
Meme McDonald was a graduate of Victoria College of the Arts Drama School. She began her career as a theatre and festival director, specialising in the creation of large-scale outdoor performance events. Since then she worked as a writer, photographer and on various film projects. Meme McDonald’s previous books – five of which have been written in collaboration with Boori Monty Pryor – have won six major literary awards.

Boori Monty Pryor was born in North Queensland. His father is from the Birri-gubba of the Bowen region and his mother from Yarrabah, a descendant of the Kunggandji and Kukuimudji. Boori is a multi-talented performer who has worked in film, television, modelling, sport, music and theatre-in-education. Boori has written several award-winning children’s books with Meme McDonald and was Australia’s inaugural Children’s Laureate (with Alison Lester) in 2012 and 2013.
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AWW-2018-badge-roseThere’s something unique about Australian stories – wherever they come from – that show a connection to the land and history that feels different to other literature. In My Girragundji, first published twenty years ago, Meme McDonald and Boori Monty Prior have taken family stories and culture and woven them into a story that can be enjoyed by all.

In My Girragundji, young boy straddles two worlds: his Indigenous world and the world of wider Australia, where everyone is invited to participate but where the protagonist of this short, charming story is still isolated, and where difference can mean more than he thought it could. It is a world where the reader is introduced to Aboriginal words that are translated within the text, and that flow, and sing, sharing knowledge with all in an accessible and enjoyable way. The protagonist refers to migaloo, mozzies, and Aboriginal legends of a Hairyman, a figure who illustrates the fears his family feels, and perhaps shows a sense of isolation that they might feel from the migaloo – their word for the white people they live with and go to school with.

At school, the protagonist is caught between two worlds and tries to fit into both, and soon finds solace in a small friend – a girragundji – a frog. And he draws strength from this frog as he navigates his world and where he fits in.

I read this one quite quickly – and enjoyed the black and white photos and images that accompanied the text, giving it life and vitality next t brief, yet descriptive and emotive text, that communicated a story of strength, friendship, family and coming of age in a simple, accessible and charming way to the target audience, but also one that I hope will be enjoyed by all. Aimed at years four and five, this would be a great book to read and begin various conversations about our culture in Australia and introduce new readers to an Indigenous author, and Meme, who was a great advocate for reconciliation and worked together with Indigenous communities like Boori’s to help connect people and bring about reconciliation.

I enjoyed this read, and hope others do as well.

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Harry Potter: A History of Magic

A history of magicTitle: Harry Potter: A History of Magic

Author: British Library

Genre: Exhibition Catalogue/Fiction

Publisher: Bloomsbury

Published: 6th November 2017

Format: Hardcover

Pages: 256

Price: $49.99

Synopsis: Harry Potter: A History of Magic is the official book of the exhibition, a once-in-a-lifetime collaboration between Bloomsbury, J.K. Rowling and the brilliant curators of the British Library. It promises to take readers on a fascinating journey through the subjects studied at Hogwarts School of Witchcraft and Wizardry – from Alchemy and Potions classes through to Herbology and Care of Magical Creatures.

Each chapter showcases a treasure trove of artefacts from the British Library and other collections around the world, beside exclusive manuscripts, sketches and illustrations from the Harry Potter archive. There’s also a specially commissioned essay for each subject area by an expert, writer or cultural commentator, inspired by the contents of the exhibition – absorbing, insightful and unexpected contributions from Steve Backshall, the Reverend Richard Coles, Owen Davies, Julia Eccleshare, Roger Highfield, Steve Kloves, Lucy Mangan, Anna Pavord and Tim Peake, who offer a personal perspective on their magical theme.

Readers will be able to pore over ancient spell books, amazing illuminated scrolls that reveal the secret of the Elixir of Life, vials of dragon’s blood, mandrake roots, painted centaurs and a genuine witch’s broomstick, in a book that shows J.K. Rowling’s magical inventions alongside their cultural and historical forebears.

This is the ultimate gift for Harry Potter fans, curious minds, big imaginations, bibliophiles and readers around the world who missed out on the chance to see the exhibition in person.

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For twenty years, the Wizarding World of Harry Potter and Hogwarts have charmed the world, adults and children alike. From the very first lines about the perfectly normal Dursleys in Harry Potter and the Philosopher’s Stone to the final words of Harry Potter and The Deathly Hallows as a new generation begins Hogwarts, millions of people have been captivated by Harry and his friends. To celebrate the twentieth anniversary, new House editions, and various related books have been published. To coincide with this anniversary, The British Library has curated an exhibit of Harry Potter memorabilia, and related historical and literary items that have been associated with magic across the world throughout history, and influenced the subjects and the world of Harry Potter. Harry Potter: A History of Magic is a journey not just through Harry’s world but an entire historical and literary world of magic and beliefs in magic.

hp20_230From Potions to Magical Creatures, Herbology and Charms, this book has it all. The world of magic is varied, diverse and complex, and the history behind it is fascinating. Covering the power of words – Charms and the origins and ideas behind some of the magical creatures in Fantastic Beast’s and Where To Find Them, such as dragons and their eggs, the phoenix and unicorns, and their real life counterparts and imaginings as shown in ancient and medieval texts, which are part of the curated exhibit, from various museum collections, and give insight into a pre-science understanding of the world that is fascinating and intriguing.

The exhibition catalogue is separated into several chapters: The Journey, Potions and Alchemy, Herbology, Charms, Astronomy, Divination, Defence Against the Dark Arts, Care of Magical Creatures, and Past, Present and Future. Transfiguration is spoken about in Charms, and each chapter begins with an essay relating to the topic, where the Harry Potter subject is outlined, and a brief history given before historical, literary and Harry Potter specific images of artefacts are presented with notes, such as images of drafts of chapters in some books, and information about Fantastic Beasts and The Cursed Child.

Being able to read this book meant I was able to experience the exhibit from the page. Whilst I would love to go over to London and see this in person at the British Museum, the magic is not lost experiencing it on the page. You still get to see the images of the artefacts, and read the essays and notes, and see Jim Kay’s illustrations. It allowed me to immerse myself in the world beyond the books, and imagine being at the British Library, looking at the hand-written pages by JK Rowling that hold the first hints of the magic to come that charmed the world and that continues to do so.

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J.K. Rowling’s Wizarding World – The Dark Arts: A Movie Scrapbook

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Title: J.K. Rowling’s Wizarding World – The Dark Arts: A Movie Scrapbook

Author: Warner Bros

Genre: Fantasy, Children’s Literature

Publisher: Bloomsbury

Published: 10th August, 2017

Format: Hardcover

Pages: 48

Price: $24.99

Synopsis: Celebrate 20 years of Harry Potter magic!

hp20_230A fascinating guide to the Dark Arts of the Harry Potter films and Fantastic Beasts and Where to Find Them, these pages cover both Dark wizards and the heroes who rise up to combat them – from Dumbledore’s Army and the Order of the Phoenix to the Hogwarts Defence Against the Dark Arts class and the Aurors of MACUSA. This collectible volume comes filled with removable artefacts, such as ‘wanted’ posters, stickers and other extraordinary items.

Learn all about Voldemort, Death Eaters, Horcruxes, the Obscurus and more in this collectable movie scrapbook – packed with info, inserts and images from the Harry Potter and Fantastic Beasts and Where To Find Them films.

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The ever-expanding Wizarding World of JK Rowling started in 1997 as a novel, Harry Potter and the Philosopher’s Stone, the beginning of seven book saga that would spawn companion text books – Quidditch Through the Ages by Kenilworthy Whisp, Fantastic Beasts and Where to Find Them by Newt Scamander, and Tales of Beedle the Bard, the Wizarding World’s version of fairy tales. From here, eight movies, and a prequel series of movies centred around Fantastic Beasts and Where To Find Them has been spawned. As a result of these movies, several movie companions have been published, that focus on characters, and methods in the movies, sets and magical creatures.

The most recent of these is The Dark Arts, due out this month, exploring the darker side of Harry Potter. Starting with an introduction to the Dark Arts, the book then moves into profiles of Dark Wizards, such as Voldemort, discussing how they created his look in the movies, and the effects and make used to do this. Moving onto other Dark Wizards, Bellatrix Lestrange and her fate at the hands of Molly Weasley, a member of the Order of the Phoenix is included, and so a section is dedicated to this brave group who fight Voldemort and the Death Eaters. Each section on various aspects of Dark Magic is accompanied by fold out letters, posters and other paraphernalia that had been featured in the movies, which enhances the experience of reading the book and adds to all the fun, rediscovering Sirius Black’s wanted poster, and the list of Dumbledore’s Army, with a few secrets from the films that readers might not know, and will have fun discovering in this book as I did. The final pages of the book are dedicated the Fantastic Beasts and Where to Find Them, and touch on those characters and Newt Scamander especially, who has a book of his own in the same series. This was a divine surprise from Bloomsbury and a wonderful accompaniment to my Harry Potter library.

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Exploring the Wizarding World of Harry Potter in this way adds an extra dimension to the books, films, scripts, play and music already out there in the world. It gives fans a chance to explore the movie beyond what is seen on the screen and interact with images, and articles from wizarding newspapers, such as The New York Ghost. It is a fantastic book, and one that will be treasured for years to come. A wonderful surprise from Bloomsbury that I read in one night, and that I am sure I will explore again, maybe even as I watch the films, or after watching them again.

Enjoy another wonderful book to help celebrate the 20th anniversary of Harry Potter!

Harry Potter Anniversary Event: Fairy Tale and Fandom at University of Newcastle, Ourimbah Campus

Harry Potter Anniversary Event: Fairy Tale and Fandom at University of Newcastle, Ourimbah Campus

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On the 26th of June, 2017, the twentieth anniversary of Harry Potter, and in particular, Harry Potter and the Philosopher’s Stone, was marked in a variety of celebrations around the world, at bookstores and libraries, and in some places, public lectures at university campuses, such as the event held at four o’clock in the afternoon, at the exact time the first book was published and released, at The University of Newcastle’s Ourimbah Campus. It was quite an academic event, as it was a public lecture, and it was very enjoyable, especially as fairy tales and children’s literature is an area I am very interested in.

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This event was a public lecture, entitled Fairy Tale and Fandom, and through four speakers – Dr Caroline Webb, Rebecca Beirne, Dr Elizabeth Kinder and PhD Candidate, Nicole Shipley, who spoke on various aspects of Harry Potter in the fairy tale tradition, its fandom, the way images work and how gender is represented through Harry.

Dr Caroline Webb had, for me, the most interesting lecture, though all were interesting. I enjoyed hers the most as children’s literature and fairy tales are the area I am most interested in, and in particular, retellings of fairy tales, and the use of fairy tale motifs in children’s fantasy literature. Harry Potter takes on the Cinderella story for six chapters – an orphan, living with foster parents who treat him like a servant, who make them cook the breakfast, and sleep in a cupboard under the stairs – the sleeping arrangements illustrating the last vestige of servitude in a modern world where the kitchen is the hub of activity for Aunt Petunia, and where she deems it suitable for Harry to be in there to cook for Dudley’s (or her Ickle Diddykins, as she calls him though there is nothing little about him) birthday, so she can focus all her attention on her son.

harry-potter-20-paperbackThe lectures given were quite academic in nature, especially Caroline’s, and she was very passionate as this is her area of research and teaching in the university. Like Cinderella, Harry is at first passive and acted upon – Hagrid takes him to Diagon Alley and gives him his ticket to Platform 9 ¾, Molly Weasley helps him through the barrier. Yet once at Hogwarts, Harry becomes less passive, and acts for himself whilst at school. From here, it breaks away from the fairy tale tradition and extends beyond the happily ever after of an escape, however temporary, from the Dursleys.

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There was one theme that cropped up in each talk – the idea of Harry as the hero and how he became a hero, and fits into that role. Caroline mentioned that upon entering the Wizarding World of Diagon Alley and Hogwarts, Harry becomes the retrospective hero – he is celebrated for something he never knew about, something he didn’t seek out, – but all the same he is a hero, and always has been to the Wizarding World – Harry’s experience of becoming this hero is plagued throughout the book by self doubt, as referenced by Nicole Shipley, and presents him as an atypical hero who does not fit many of the traditional masculine attributes of a hero, because, as Nicole suggests, he first and foremost, a human who cares about people and craves love and family – something that is often missing in male heroes, or is at least not always a consideration. When thinking about Caroline and Nicole’s lectures in combination, Harry’s character is shown to be imperfect, but still fitting in as a hero – just in his own way and on his own terms. However, Caroline’s focus on the fairy tale aspects of the story do not go into as much detail in terms of gender as Nicole’s lecture does.

Once at school, Harry is celebrated by students, and most teachers, and perhaps even favoured by Professor McGonagall, because instead of punishing him for flying without permission, she awards him with a broomstick and a place on the Gryffindor Quidditch team, and with house points for taking on a mountain troll instead of punishing him for disobeying a direction from Dumbledore. However, she does not favour Gryffindor in the way that Snape favours Slytherin, and is also harsh on rule breaking at times, and fair in punishments and rewards. It is through Hogwarts and this world that Harry finds his place, and as Caroline says, a way out of the physical and emotional disconnect he experienced with his aunt and uncle.

hp20_230The second lecture had a focus on fandom and fan-made media, introducing us to the term transmedia – telling a story or story experience across multiple platforms. Rebecca mainly spoke about this in general terms, relating to how fans interact with the story in different ways, and what this can mean to them, and how they write their fanfiction. This transmedia phenomenon allows for the creation of complex worlds stemming from the original text, and the question of whether the fans actually own the story is a difficult one to answer. In a way they don’t, because they haven’t created the world and the characters – JK Rowling has and I think that needs to be respected and she needs to be respected as the author. A fan can own a physical copy, and own any transmedia texts they create, but at the same time, they do not have the same ownership over the origin story as the author. This is complex because many would argue that once the story is out there, the author no longer owns it – yet it is only the author who can alter the story if she wishes, whereas a fan needs to create their own story to explore something not explored in the story. I believe there are different ways to own a story, and it’s not as simple as stating that fans own it just because it’s been published. I think it is a lot more complex than that.

raven-20The world of fandom that Rebecca talks about has been spurred on by the creation of Pottermore and other games and collectables associated with the creator, and franchise owner for fans. Even though the computer games follow the story and get the same outcome, fans can act as characters in the story in their own way to get to this goal. The lecture hall was filled with fans, some dressed in house scarves and shirts, some dressed in robes or as specific characters – Harry, Hermione, Luna, Moaning Myrtle and Sirius Black, whereas others weren’t dressed up, but still keenly interested in the lecture, and eager to celebrate the anniversary.

Dr Elizabeth Kinder looked at the specular world of Harry Potter and the role that images play – whether in the Mirror of Erised, and the magic involved that allows Harry to find and get the stone, based on his desire not to use it and do the right thing, to moving photographs and portraits that adorn the castle, and the confusion that Muggle images, such as Dean’s poster of West Ham, give wizards, showing Ron prodding the poster to try and make the players move.

These portraits are shown as having their own agency, and ability to show emotion – and become important later in the books, with Phineas Black’s portrait, although, and rather disappointingly I think, this was not given any attention in the movie, even though I felt it was an important aspect that should have been included. Not many movies do much with the portraits , except with the Fat Lady in the first three, most notably when Sirius Black tries to get into Gryffindor Tower in book three.gryff-20

It is interesting that neither the books nor the movies touch on how a portrait of a deceased headmaster appears in the office in Hogwarts – as they appear upon the death of a headmaster, as in the case of Dumbledore, it would be interesting to know if there is a process. This specular world is one that is not always explored and is simply accepted as a part of the Wizarding World – like many other aspects of this new world for Harry, where Ron simply shrugs as if to say well, it just is that way. And because of the lack of explanation, as a reader, you are forced to suspend your belief and like Harry, just accept it. I think this is what makes these books so magical – that not everything is explained, that sometimes the characters and the readers just accept it for what it is and continue reading. Without this suspension of belief, the experience that the speakers at the public lecture were talking about would not exist as we know it.

Finally, Nicole Shipley’s talk on gender and Harry’s way of being male was also interesting and complemented Caroline’s. In short, she surmised that Harry, rather than being the typical male hero, free from flaws and imperfections and not distracted by love of family usually, is simply a human. He craves love and a family, he has self doubt and is not physically perfect – he is skinny and small with glasses, and yet, he is sporty and strong, and capable of finding a way to be heroic without compromising his humanity, a way of being male with compassion and feeling – aspects not typically associated with the male hero. As the final talk, I feel it summed up what the others had been saying, but in particular, Caroline’s, and together, these lectures gave a great insight into the world of Harry Potter that might otherwise go unnoticed.

As a book that started out for children, it has captured the imagination of adults as well, as has gone from being “just a kids book” to one of the biggest reading phenomena in the world today. Because all adults have been children, we can identify with Harry, self doubt and compassion and a desire for a family are not limited to the world of children. The twentieth anniversary shows that there has been a longevity of Harry Potter.

Between each presentation, there were trivia questions that just about everyone could answer correctly, a costume competition and after the lecture, a screening of the first film, which I had to miss out on to get somewhere else, but it was an enjoyable afternoon all the same. It was nice to celebrate it with friends and catch up with Caroline, and I hope to see more events for the other books in the coming years.

Harry Potter and the Philosopher’s Stone 20th Anniversary Edition: Ravenclaw

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raven-hb-20Title: Harry Potter and the Philosopher’s Stone 20th Anniversary Edition: Ravenclaw

Author: JK Rowling

Genre: Fantasy, Children’s Literature

Publisher: Bloomsbury Australia

Published: June 2017 (20th Anniversary Editions)

Format: Paperback/Hardcover

Pages: 352

Price: Paperback: $16.99, Hardback: $27.99

Synopsis: Celebrate 20 years of Harry Potter magic with four special editions of Harry Potter and the Philosopher’s Stone.

Gryffindor, Slytherin, Hufflepuff, Ravenclaw … Twenty years ago these magical words and many more flowed from a young writer’s pen, an orphan called Harry Potter was freed from the cupboard under the stairs – and a global phenomenon started. Harry Potter and the Philosopher’s Stone has been read and loved by every new generation since. To mark the 20th anniversary of first publication, Bloomsbury is publishing four House Editions of J.K. Rowling’s modern classic. These stunning editions will each feature the individual house crest on the jacket and line illustrations exclusive to that house, by Kate Greenaway Medal winner Levi Pinfold. Exciting new extra content will include fact files and profiles of favourite characters, and each book will have sprayed edges in the house colours. Available for a limited period only, these highly collectable editions will be a must-have for all Harry Potter fans in 2017.

Harry Potter has never even heard of Hogwarts when the letters start dropping on the doormat at number four, Privet Drive. Addressed in green ink on yellowish parchment with a purple seal, they are swiftly confiscated by his grisly aunt and uncle. Then, on Harry’s eleventh birthday, a great beetle-eyed giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. An incredible adventure is about to begin!

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raven-20Most of us know the story, we’ve read the series more times than we can count and seen each movie multiple times, and would probably blitz it in a Harry Potter trivia quiz. We know Hogwarts just as well as our own homes, know Harry, Ron, Hermione and the rest of the Weasley clan, as well as the teachers as Hogwarts like old friends, and we know that in the end, all will be well. Today marks the 20th anniversary of the publication of Harry Potter, and to celebrate this occassion, Bloomsbury have re-released the first book in house colours in hard cover and paperback. The hard cover book has a black slip cover, with the house crest in the respective colour – so blue for Ravenclaw, with blue and bronze strip sprayed edges on the pages. The paperback of Ravenclaw is blue with black imagery and bronze text and blue edges. Each is exquisite, and the other houses are done in the same way with their respective liveries and colours.

Before the story starts, we are treated to additional information about the founder of Ravenclaw, Rowena Ravenclaw, information about the livery – a raven, in the centre, and flanked by an owl and another raven, with a swan and a fox atop the livery on either side of a sharp arrow. This, along with other illustrations, have been completed by Levi Pinfold, and give a delightful insight into what the founder of Ravenclaw looks like, which enhances the additional information about her and the house, which includes information on the house ghost, The Grey Lady, and notable students, such as Luna Lovegood, Moaning Myrtle and Gilderoy Lockhart, perhaps the most inept Defence Against the Dark Arts teacher Hogwarts ever had, as well as head of house, Charms Professor, Filius Flitwick.

Each respective house edition has these same features in relation to Gryffindor, Hufflepuff and Slytherin.

hp20_230In Harry’s world, we are treated to characters that will stay with us, and that will be well loved and treasured. With each character growing over the series, it will be interesting to see how Bloomsbury tops each subsequent 20th anniversary after this one, whether it will be books or events held across the world.

Between these informative sections, is the original story, still the same, still magical, and still welcoming. The characters haven’t changed, ensuring that readers of all ages, new and old, will come to the series finding the same thing, and being able to share the same story in whatever way they come to enjoy it. The additions of Levi Pinfold’s illustrations and the house information enhance the experience, and make for a delightful and colourful collection if you choose to get each house edition for your collection. It is a story that will live on, and the magic doesn’t die as you read and read it again. I discover something new with each read, and I thoroughly enjoy reading my Ravenclaw edition.

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Choose your house and enjoy, and if you can, head to Harry Potter 20th Anniversary celebrations near you!

Unsung Heroes: The House Elves of Harry Potter

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There are many heroes in Harry Potter: James and Lily Potter, whose selfless sacrifice leaves their son an orphan, but is never forgotten throughout the series, Sirius, Harry’s godfather, who gives up twelve years of his life in the notorious wizarding prison, Azkaban, when former friend, Peter Pettigrew blasts away a street full of Muggles and leaves a finger behind, leaving the Wizarding World thinking he is dead, when he is living as a rat with the Weasley family. Mr and Mrs Weasley, who open their homes and their hearts to Harry from book one, when he is lost on King’s Cross, trying to get onto Platform 9 ¾. And then there are Professors McGonagall and Snape, who protect Hogwarts, and Harry, until the end, in their own ways, with McGonagall ensuring that Harry gets through his OWLs, despite the cruelty of Dolores Umbridge, and ensuring he is able to get the Battle of Hogwarts under way. And Snape, whose hatred for Harry runs deep, spends the series as a double agent, and his death to ensure Voldemort doesn’t find Harry, despite this hatred. As readers, we all remember these heroes. But there is one group of heroes we don’t hear much about, at least in the movies, but they have a much bigger role in the books. The house elves.

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We are first introduced to house elves with Dobby, in Harry Potter and the Chamber of Secrets. He has, unbeknownst to his masters, the Malfoys, run away from their Manor to try and prevent Harry from returning to Hogwarts for his second year. He has stopped Ron and Hermione’s letters from arriving, and has now come to cause havoc to ensure his expulsion. Yet, in a further act of deviousness, he closes the barrier at King’s Cross, and once Harry is finally at Hogwarts, tampers with a Bludger that injures Harry, and results in the bones being removed from his arm by the wildly inadequate, yet egotistical Defence Against the Dark Arts Teacher, Gilderoy Lockhart. At the end of Harry Potter and the Chamber of Secrets, after discovering Dobby serves the Malfoy family, Harry presents the diary of Voldemort to Lucius in a sock, which he flings aside and Dobby catches it – setting him free, as the only way a house elf can be released from his or her servitude is with clothing.

Dobby makes another appearance in book four, where Harry, Ron and Hermione find him working in the Hogwarts kitchens with Winky, who, until the beginning of Harry Potter and the Goblet of Fire, had worked for the Crouch family. Dobby comes to Harry’s aid again in the second task when he brings him Gillyweed, to help him breathe underwater to save Ron, and so it turns out, Fleur Delacour’s younger sister.

In book five, Harry Potter and the Order of the Phoenix, Dobby again helps Harry (this time without injuring him) find a secret place where Dumbledore’s Army could meet and Dobby delivers, showing him how to find The Room of Requirement, and then warns Harry that they have been discovered. During this time, Harry also employs Dobby to spy on Draco Malfoy so he can find out what he is up to, and then gives Kreacher and Dobby various tasks during this time. Dobby defends Harry against Kreacher’s screeching that Draco would make abetter master as well – proving his loyalty to Harry, and showing that house else are just as loyal and heroic. Later on, Kreacher becomes loyal to Harry following the death of Sirius, and together with Dobby, brings Mundungus Fletcher to Harry in the final book when they are searching for the Horcuxes.

Dobby, who has been the house elf who has received the most amount of page time so far, though was not as involved in the movies as he should have been, makes the ultimate sacrifice at Malfoy Manor when Harry, Ron and Hermione are captured and plot to save Luna Lovegood, Griphook and Garrick Ollivander from the Malfoys. As they Apparated out of Malfoy Manor, Bellatrix Lestrange threw a knife at Dobby, and upon their arrival at Shell Cottage, Harry discovered Dobby’s fatal injury.

Dobby, who had dedicated his last years to helping Harry, uttered his final words in Harry’s arms: Harry Potter, He was buried near Shell Cottage, under a headstone that reads:

Here lies Dobby, a free elf.

Kreacher only appears in the last few books, and at first, endears himself to nobody, lamenting the death of his mistress, Mrs Black, and lacking respect for his new master, Sirius. Influenced over the years by Dark Wizards and their thinking, the respect Kreacher is shown by Harry and Hermione is what makes him begin to help them with Dobby, and lead the House Elves of Hogwarts into the Battle of Hogwarts in Harry Potter and the Deathly Hallows. This is missing in the movies, and the omission of the role of the house elves in the books from the movies is perhaps what makes them the unsung heroes of the series. As Kreacher only has a small part, much smaller than Dobby, but just as important – both have been mistreated, and are seen as lesser beings by many wizards. They are valued by Harry, Ron and Hermione – and therefore are loyal to them. Whilst Dobby is faithful to Harry and will defend him against anyone, Kreacher takes a bit longer to come around, and it is Harry’s kindness in allowing him to keep some Black family relics in his bed, and speaking to him as an equal that eventually brings Kreacher around, and follows his orders to go to Hogwarts. It is his loyalty that makes Kreacher lead the other house elves into the battle when Dobby is no longer there to give that help.

Dobby and Kreacher are the two most significant house elves in the series but they are all heroes in the end, giving their lives and freedom for Hogwarts, which is as much their home as it is Harry’s, and they will defend it, even if they are not ordered to. This act, and the many acts of Dobby that ensured Harry’s survival, show that somebody small can be a hero. Amongst the heroes that are remembered from the series and the Battle of Hogwarts, it is not always the house elves that are remembered. On this anniversary, 20 years of Harry Potter, the house elves shall be remembered, and it all started with an elf with eyes the size and colour of tennis balls called Dobby.