Title: Trials of Apollo: The Dark Prophecy
Author: Rick Riordan
Publisher: Penguin Random House
Published: 30th April 2018
Synopsis: The second title in Rick Riordan’s Trials of Apollo series – set in the action-packed world of Percy Jackson.
The god Apollo, cast down to earth and trapped in the form of a gawky teenage boy as punishment, must set off on the second of his harrowing (and hilarious) trials.
He and his companions seek the ancient oracles – restoring them is the only way for Apollo to reclaim his place on Mount Olympus – but this is easier said than done.
Somewhere in the American Midwest is a haunted cave that may hold answers for Apollo in his quest to become a god again . . . if it doesn’t kill him or drive him insane first. Standing in Apollo’s way is the second member of the evil Triumvirate – a Roman emperor whose love of bloodshed and spectacle makes even Nero look tame.
To survive the encounter, Apollo will need the help of a now-mortal goddess, a bronze dragon, and some familiar demigod faces from Camp Half-Blood. With them by his side, can Apollo face down the greatest challenge of his four thousand years of existence?
As I work my way (slowly, mainly due to other commitments) through these four books after being sent the latest by the publisher after the publication date, I’m finding the way the author includes mythology and ancient history in the modern world amidst modern issues interesting. It is first and foremost the mythology that I am interested in, and as I was sent book four late last year, decided to read the first three so I knew what to expect and what was going on.
There are some series that I find easy to read out of order, as they tend to be their own singular stories that are linked through a theme, genre or character. However, there are some that I do feel need to be read in order, and this one is one of those series. As Apollo moves through his tasks to earn back his immortality from Zeus, he keeps running into Meg, and is accompanied by Leo Valdez and sorceress Calypso as they journey across America in pursuit of Nero and those who are trying to stop Apollo.
Apollo often references all kinds of literary and musical highlights and has a running commentary about how good he is – and how he is responsible for certain bands and songs. This is secondary to the ongoing plot, and Apollo’s godlike mind and memories is at constant odds with what his mortal teenage body is capable of.
The combination of Greek and Roman elements makes sense as the Romans would eventually usurp the Greek society and culture and assign their own names to the Greek gods, goddesses and heroes. As someone who loves reading about Greek mythology, I find the way it is used in contemporary literature interesting, as each retelling and reimagining is unique, and some are very cleverly done. At the very least, this series makes it accessible to new readers and this will hopefully spark an interest in Greek mythology beyond this series.