Title: The Good Turn (Cormac Reilly #3)
Author: Dervla McTiernan
Publisher: HarperCollins Australia
Published: 24th February 2020
Synopsis: Some lines should never be crossed. Police corruption, and investigation that ends in tragedy and the mystery of a little girl’s silence – three unconnected events that will prove to be linked by one small town.
While Detective Cormac Reilly faces enemies at work and trouble in his personal life, Garda Peter Fisher is relocated out of Galway with the threat of prosecution hanging over his head. But even that is not as terrible as having to work for his overbearing father, the local copper for the pretty seaside town of Roundstone.
For some, like Anna and her young daughter, Tilly, Roundstone is a refuge from trauma. But even this village on the edge of the sea isn’t far enough to escape the shadows of evil men.
The Good Turn is the third Cormac Reilly novel, but the first I have read, and I found it very easy to get into, even though I haven’t read the first two, which I will now go back and do. This novel is set in 2015 – and centres around a series of seemingly unrelated crimes and people, and evolves into two separate storylines revolving around Cormac Reilly, whose enemies start to undermine him as he looks into the disappearance of Peggah Abbassi with his team in Galway. When the case comes to an abrupt end, Peter Fisher is sent to Roundstone. In his exile, he is forced to work with his father, faces what looks like further police corruption, in a town where community policing supposedly is the goal. Amidst all of this, Anna Collins and her daughter, Tilly had arrived in Roundstone from Dublin – has their arrival coincided with the series of events occurring around the other cases, or is it a separate reason for their arrival?
Each mystery is seemingly separate – and moves between Galway and Roundstone and also back in time – where hints are dropped about Tilly and Anna, but enough is held back throughout about each mystery that it drives it towards the end, and lays out those we think are guilty, those who people think cannot be guilty and at times, totally throws a spanner in the works when it comes to uncovering what is going on. Slowly, each case and tragedy starts to intersect, and slowly weave together to bring the novel to its conclusion, and the way Cormac, Peter, Anna and Tilly figure out their lives and resolutions to the issues at work and with family that bubble throughout the novel, across Ireland and Europe.
This was the first Cormac Reilly book I read in the series, and whilst I am guessing some things in it refer back to the previous books, I found that I was able to follow everything really well despite not having had a chance to read them yet. It was written and told in a way that I feel readers can read from any point and go back to the previous books – each story is its own encapsulated event much like the Phryne Fisher books or the Rowland Sinclair books – each case is its own event and sure, some things from the past might be mentioned in passing, but if the main plot doesn’t hinge on these mentions, it is a joy to read.
Dervla McTiernan also reveals things when it is necessary for the reader to know, and she doesn’t overdo descriptions – she gets the balance of what we need to know and leaving enough up to the imagination really well done, and to me, this is what makes a good crime novel – where we’re told what we need to know without going over the top, but at the same time, given a chance to guess, or fill in gaps for ourselves. It adds to the experience of reading the novel, and I will definitely be going back to the first two books now – hopefully this year.
The Irish setting was also lovely – I love Ireland, and this book marks off several challenge categories, including a book bingo one for later in the year, so keep an eye out for that post. Moving between the small and larger settings worked well too, as it showed that nowhere is ever truly safe or free from insidious crimes and characters – just that these crimes might manifest themselves in different ways and be perpetuated by different people – as it is with all crimes anywhere. It is a series that I will now be eagerly following – and am pleased that I have the two previous books – as well as many others by other authors – to tide me over until the next Cormac Reilly comes out.
Peter, Diedre and Cormac are great characters – not perfect – they are human and flawed and they can recognise these flaws. They are also there for each other, and I liked the dynamics that I got to experience between them throughout the novel and the way they interacted with other police officers, those in their personal lives and in their wider communities. Another great crime novel from an Irish-Australian author I will be watching with keen interest.