Title: The Psychology of Time Travel
Author: Kate Mascarenhas
Genre: Science Fiction/Crime
Publisher: HarperCollins Australia/Head of Zeus
Published: 1st August 2018
Synopsis: A time travel murder mystery, set in a female-centric alternate world.
A time travel murder mystery from a brilliantly original new voice. Perfect for readers of Naomi Alderman’s The Power and Emily St John Mandel’s Station Eleven . 1967 : Four female scientists invent a time travel machine. They are on the cusp of fame: the pioneers who opened the world to new possibilities. But then one of them suffers a breakdown and puts the whole project in peril… 2017 : Ruby knows her beloved Granny Bee was a pioneer, but they never talk about the past. Though time travel is now big business, Bee has never been part of it. Then they receive a message from the future – a newspaper clipping reporting the mysterious death of an elderly lady… 2018 : When Odette discovered the body she went into shock. Blood everywhere, bullet wounds, that strong reek of sulpher. But when the inquest fails to find any answers, she is frustrated. Who is this dead woman that haunts her dreams? And why is everyone determined to cover up her murder? What readers are saying: ‘A complex murder mystery thriller that offers something new and exciting … I was gripped!’ ‘Fantastic! The plot was hugely thought-provoking and the characters engaging’ ‘A fascinating, thought-provoking thriller about time travel, murder and a conspiracy that threatens to explode through time’
In 1967, four female scientists – Barbara, Grace, Lucille and Margaret – invent a time machine. The initial tests send them minutes, or hours into the future, before they start travelling years, and decades into the future, meeting their future selves and future families, and form an organisation called the Conclave, where they work within their own laws, uninhibited by the courts of England. As the novel goes back and forth between 2017, 2018 and various years of significance for the four scientists and the rest of the time travellers they work with, there is a death in a museum, a woman is found shot to death, but with no discernible evidence pointing towards a suspect or weapon. In 2017 and 2018, Barbara’s granddaughter, Ruby, crosses paths with a time traveller to be, Odette, and the intersection of their lives starts to reveal more secrets about the Conclave and those involved and those to come.
In this diverse, and female driven novel, various identities are explored, and the idea of time travel, and being able to interact with ones future and past selves, see their deaths but go back to one’s own time and see them again, and the implications of actions taken during time travel that can influence ones future are all explored in Kate Mascarenhas’ first novel, The Psychology of Time Travel. Her characters are typically English, yet interspersed with the diversity of race and sexuality, giving the novel an atmosphere that is delightful to read and engaging, because the diversity is broad, and incorporates age, and personality as well, ensuring there is something to like for all readers.
Equally delightful was the entirely female main cast – showing the power of femininity, representing women as they are, with flaws, with varying characteristics, of different races, sexualities and also disability and mental illness. The story does not shy away from the rather harsh side effects of time travel on some of the characters, nor does it shy away from the devious nature of others, and the mistrust that time travel can bring for some people, the conflict of needing to know, but not wanting to know, of wanting to tell people what is to come, but at the same time, wanting to protect them from this knowledge, creating emotional journeys for all the characters amidst their penchant for science and time travel.
The raw humanity and the feminism that drives this female centric novel, where women are who they are, where they have family and relationship conflicts like anyone but where they accept each other without judgement for the most part, is a wonderful example of the power of female driven stories, where women can see themselves represented in a variety of ways and not just in the archetype of maiden, mother or crone, or as romantic desires – which there is nothing wrong with these topes, it is always nice to see women taking centre stage in narratives and points in history where their stories might have been overpowered by others.
It is important to see the kinds of representation in other fiction that is present here: female, bisexuality, lesbians, mental health, and different races, all on the spectrum of these aspects of identity that make up who we are as humans. It is a refreshing book to read with these aspects of the characters so raw and front and centre, with a realism about them that doesn’t shy away from the realities of the lives of these women as they travel through time and space. It is an intriguing book with a very curious premise, a time travelling murder mystery, where all the pieces of the puzzle do not fit as neatly together as one would think, yet this is exactly what makes it work so well, and gives it the story its unique characteristics.