The Soldier’s Curse (The Monsarrat Series Book One) by Meg and Tom Keneally

soldiers curseTitle: The Soldier’s Curse (The Monsarrat Series Book One)

Author: Meg and Tom Keneally

Genre: Historical Fiction, Crime

Publisher: Vintage/Penguin Random House

Published: 27th February 2017

Format: Paperback

Pages: 384

Price: $19.99

Synopsis: A fast-paced, witty and gripping historical crime series from Tom Keneally and his eldest daughter Meg.

In the Port Macquarie penal settlement for second offenders, at the edge of the known world, gentleman convict Hugh Monsarrat hungers for freedom. Originally transported for forging documents passing himself off as a lawyer, he is now the trusted clerk of the settlement’s commandant.

His position has certain advantages, such as being able to spend time in the Government House kitchen, being supplied with outstanding cups of tea by housekeeper Hannah Mulrooney, who, despite being illiterate, is his most intelligent companion.

Not long after the commandant heads off in search of a rumoured river, his beautiful wife, Honora, falls ill with a sickness the doctor is unable to identify. When Honora dies, it becomes clear she has been slowly poisoned.

Monsarrat and Mrs Mulrooney suspect the commandant’s second-in-command, Captain Diamond, a cruel man who shares history with Honora. Then Diamond has Mrs Mulrooney arrested for the murder. Knowing his friend will hang if she is tried, Monsarrat knows he must find the real killer. And so begins The Monsarrat Series, a fast-paced, witty and gripping series from Tom Keneally and his eldest daughter, Meg.

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This is another series that I have had on my shelf for years and have only just started reading. All the books in this series are out, so hopefully I can get through them over the next few weeks or months. The first book introduces us to Hugh Llewellyn Monsarrat, a gentleman convict who is towards the end of his sentence in 1825. He is friendly with a local housekeeper, Hannah Mulrooney, and Hugh now works as the clerk for the commandant of the Port Macquarie settlement in 1825.

It is around this time that the commandant heads off – and his wife, Honora starts getting ill, and eventually dies. When Hannah is accused, Monsarrat sets out to uncover the real killer.

The mystery within The Soldier’s Curse starts out slowly – as an illness that the doctors have several ideas as to what it might be – but poisoning does not cross their minds until it is too late, and this is where it is clever, as once Honora dies, the investigation Hugh conducts ramps up – whereas  before he is an observer, and finds himself reflecting on the events that led him to where he is at the stage of the novel. As a result, there is a lot of backstory and build up, yet I think it helps contribute to the setting and feelings of the characters and mystery. Hugh is determined to prove Hannah Mulrooney is not guilty – the presumption that she is guilty because those in charge of finding out what happens ignore the access that others had to what may have to Honora and her home.

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Whilst Hugh navigates his position between the world of convicts, education and freedom, he also observes how the Indigenous people of the area the settlers named Port Macquarie – the Birpai – interact with the newcomers to their land, and the intersections of these communities in different ways – from those who do not come into contact, to the Birpai returning absconding convicts and to those mentioned who are said to have relationships (though this is not expanded on) with the settlers – of which, knowing history, there would have been negative ones as well as the positive ones hinted at in this book. As these stories are not always told, having them mentioned brings them to light at least, and readers can, from there, explore this area of history further to gain a better understanding of what happened in those early colonial days. It will be interesting to see how this is further explored in future books. There are complexities of relationships between convicts, jailers and free settlers, between the Indigenous people and the Europeans, and indeed, between the men and women, as well as between Englishmen and Irish or Scottish folk dealt with in this novel throughout. It felt as though these were carefully considered through the lens of Hugh, and based on his personality, and ways of understanding the world. Inequality is highlighted in many ways here – as is the hierarchy of everyone there. The way this is navigated throughout is consistently there, even if not mentioned on every page: there is a constant feeling that this is all going on at the time. It reflects a world where nobody quite understands each other and struggles to find a way to collaborate.

As the start of a series, it is very dense in establishing the character and his history,  yet as with any series with a key character, there is always more to come in subsequent books – the little things that have not come to the surface yet, and questions about the character that were not answered in the first book. I have the four that are already out on my shelf and hope to get through them all soon. It is an intriguing read about colonial history, and colonies other than Sydney Cove as well as the various interactions between the original inhabitants and those brought here for punishment, and the attitudes towards those two groups from the people who south to enforce their authority. A great start to a series.

The Blue Rose by Kate Forsyth

the blue rose.jpgTitle: The Blue Rose

Author: Kate Forsyth

Genre: Historical Fiction

Publisher: Vintage/Penguin Random House

Published: 16th July 2019

Format: Paperback

Pages: 368

Price: $32.99

Synopsis: Moving between Imperial China and France during the ‘Terror’ of the French Revolution and inspired by the true story of the quest for a blood-red rose.

Viviane de Faitaud has grown up alone at the Chateau de Belisama-sur-le-Lac in Brittany, for her father, the Marquis de Ravoisier, lives at the court of Louis XVI in Versailles. After a hailstorm destroys the chateau’s orchards, gardens and fields an ambitious young Welshman, David Stronach, accepts the commission to plan the chateau’s new gardens in the hope of making his name as a landscape designer.
David and Viviane fall in love, but it is an impossible romance. Her father has betrothed her to a rich duke who she is forced to marry, and David is hunted from the property. Viviane goes to court and becomes a maid-in-waiting to Marie-Antoinette and a member of the extended royal family. Angry and embittered, David sails away from England with Lord Macartney, the British ambassador, who hopes to open up trade with Imperial China.

In Canton, the British embassy at last receives news from home, including their first 2019 Badgereports of the French Revolution. David hears the story of ‘The Blue Rose’, a Chinese fable of impossible love, and discovers the blood-red rose growing in the wintry garden. He realises that he is still in love with Viviane and must find her.

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Every two years, I eagerly await the new Kate Forsyth book for adults. Usually, this is a fairy tale infused historical fiction, and usually takes inspiration of fairy tales from the European canon, by authors and collector’s such as The Brothers Grimm or lesser known French authors, such as Charlotte Rose de la Force. The Blue Rose, Kate’s 2019 release, is based on a Chinese folk tale of the same name, based around the idea of making the unattainable a possibility. Using this folk tale as her basis, Kate sets her story during the French Revolution, and the discovery of a blood-red rose, discovered in China in 1792 and taken back to Europe.

Starting in 1788, not long before the beginning of the French Revolution, Kate’s story begins with Viviane, daughter of a marquis, meeting a gardener, David Stronach, one of the many historical personages who appear in the novel – whilst Viviane and her family are amongst the only fictional characters who appear. David is tasked with designing a garden for Viviane’s father, and the two form a friendship that blooms into love as the world around them starts to rumble towards a revolution that will change France forever.

When Viviane’s father discovers David and his daughter wish to marry, he drives David away, tells Viviane he is dead and marries her off to a Duke and sends her off to Versailles with her new step-mother to be a maid-in-waiting to Marie-Antoinette. Slowly, the rebellions begin to whittle away at the aristocrats, or aristos as they are referred to, and Viviane’s husband is killed. As the revolution moves forward, and Louis, Marie-Antoinette and their children are moved away from Versailles, the upper class are arrested, put on trial and guillotined, David travels to China in search of the blood-red rose.

While Viviane lives in constant threat of being arrested, and guillotined as many people are day after day, she takes refuge as a scullery-maid. David travels to China, where he learns about their culture, and legends of roses and love. Both thinks the other is dead as news trickles slowly back to David about the revolution through his travels. Viviane listens to the daily guillotining of many people, just waiting for her time, and hoping Pierrick, the son of a staff member from her childhood home will find her.

As the book moves between revolutionary France and David’s travels to and around China, the plot is richly gown and told through the characters and history of both countries – Revolutionary France and Imperial China, where traditional practices such as foot binding shock David and the crew, as they have never seen or heard of it before. Kate deftly reflects the reality of shock on David’s part, but uses the Chinese characters such as Father Li that he interacts with to explain what it means culturally. She manages to communicate cultural communication in an exceptional way, and in a way that the reader can understand, but that also reflects not only the different cultures, but the times in which the people lived, whilst still showing each character as an individual in their own right.

Kate is, to me, a genius when it comes to historical fiction, because she gets the balance just right. The characters are flawed and well-rounded, they are individuals who suit their setting and plot, and she infuses her historical setting with fairy or folk tales exceptionally well. When she describes the smells, sights and sounds of revolution and the guillotine, it feels like, as the reader, I was in France at the time. Kate makes it all feel so real, that you can feel the fear, wonder and everything in between as it unfolds on the page. And in China, it was the same, and the feelings of uncertainty filtered throughout both too: what was going to happen, what was it going to be like? This, as well as Kate’s ability to end a chapter or section with a mystery to come, are the things that have me coming back to her books each time one comes out. She pulls together history and mystery in a magical way, where, whilst a love story, is rich with how the historical setting affects the characters, and what they have to go through to survive, to live. The romance is the reward, but the journey is the richness of the story that makes it the romance so satisfying.

I look forward to every Kate Forsyth release, and try to get them all. A new Kate Forsyth book is always a highlight for me and will hopefully be re-reading many of her books very soon.

Music and Freedom by Zoe Morrison

music and freedom.jpg

Title: Music and Freedom

Author: Zoe Morrison

Genre: Fiction

Publisher: Vintage Australia/Random House Australia

Published: June 27, 2016

Format: paperback

Pages: 345

Price: $32.99

Synopsis: I have no use for forgiveness, not yet. But other ideas like that,
kindness, for example, I think that is fundamental. Resurrection;
I like that too. And love, of course, love, love, love.

Alice Murray learns to play the piano aged three on an orange orchard in rural Australia. Recognising her daughter’s gift, her mother sends Alice to boarding school in the bleak north of England, and there Alice stays for the rest of her childhood. Then she’s offered a scholarship to the Royal College of Music in London, and on a summer school in Oxford she meets Edward, an economics professor who sweeps her off her feet.

Alice soon finds that Edwards is damaged, and she’s trapped. She clings to her playing and to her dream of becoming a concert pianist, until disaster strikes. Increasingly isolated as the years unravel, eventually Alice can’t find it in herself to carry on. Then she hears the most beautiful music from the walls of her house …

This novel’s love story is that of a woman who must embrace life again if she is to survive. Inspiring and compelling, it explores the dark terrain of violence and the transformative powers of music and love.

~*~

Music and Freedom is Zoe Morrison’s first novel, and it is a thought-provoking and eloquently told story for a debut novel. Throughout Alice’s life, she has been educated in England, in boarding schools and music programs, where music has given her a sense of self and freedom, though she longs to return home and be free there with her family. Unable to return home, she weds an Oxford economics professor – a man who is troubled and with very traditional ideas of how a woman should act and how a husband should be allowed to treat his wife. As a result of his demands and the abuse she suffers at his hands, something she cannot speak of with the women’s circle she is part of for fear of being blamed for his temper by others, Alice internalises the abuse and her fears. She tries to escape through her music, but is forced to play elsewhere when Edward is home, and soon, even her music becomes a prison when Edward demands she attends a concert and perform a complicated Rachmaninoff piece she is not given ample time to prepare.

The novel is told in short chapters that mirror a diary, and go back and forth between a young, vibrant Alice in the 1940s and 1950s to a disoriented, confused old woman, trying to claw towards a freedom that she has been denied for so long – whether physically by her husband, or emotionally by the thoughts of doubt that imprison her.

This structure shows how Alice became the way she is at the opening of the novel, and slowly, she finds a way to be free with the help of her neighbour in Oxford, Emily, and her son, Richard.

Zoe Morrison deals with the issue of domestic abuse and the silence it can cause, even when attempts are being made to combat it. Alice’s fight for freedom is life long, and only when she is an elderly woman, can she finally find the freedom she desires, and find a way back to music, and a way into a new form of freedom: writing.

An eye-opening and emotional story, it is told with care and sensitivity for Alice, and has incorporated necessary research. This is just one story, one experience in a time when there were different expectations for men and women in some areas, and a time when the lines between what people expected men and women to do began to blur. The setting of Oxford illustrates this in the traditions that Edward holds so dear, and in the desires that Alice has throughout the novel about her music and freedom.