Title: Royce Rolls
Author: Margaret Stohl
Publisher: Bloomsbury Australia
Published: 1st May 2017
Synopsis: Sixteen-year-old Bentley Royce is the wild-child of a super-glam reality TV dynasty. She has it all – designer clothes, a fancy school and an actual Bentley to drive around in. Her ambitious mom Mercedes has dragged the family from trailer park to Hollywood stardom. But Bentley wants out – she wants to go to college, escape her own storyline, be NORMAL – but Royces don’t do normal (or college).
Rolling with the Royces is running out of ways to keep viewers hooked and suddenly the show is threatened with cancellation. Bentley faces an impossible choice. Without the show, she could live the college dream – but her family will crumble (and is $20million in debt). Bentley Royce has a mission. She must use her brains to save the show; if she saves the show, she can save her family – and she’ll do whatever it takes …
Royce Rolls is a laugh-out-loud funny romp with a twist of mystery – a behind-the-scenes comedy with a brilliant voice, a hilarious and subversive antidote to the Kardashians and TOWIE (which will still work for fans of both!).
In Royce Rolls, the main character, Bentley Royce, is tired of playing the role of wild child in the reality television show, Rolling with the Royces. She’s tired of having her every waking minute filmed, and tired of being told how to act, and what to wear and humiliated by her sister, Porsche and her mother, Mercedes. After six seasons of the humiliation, Bentley’s only hope for a normal life and college – something that goes against everything Mercedes has instilled in her children and everything the show runners have encouraged for the Bentley character – is for the show to be cancelled. But when the threat of cancellation, her family will be faced with a large debt they’d have no chance of paying off. And so, Bentley must make a choice between family and a life that she has yearned for over many years.
Starting with an incident that shocks the reader, and inevitably, the characters, the novel switches back to the events that led to the tragedy. Each chapter ends or begins with relevant articles that would probably be found on a celebrity gossip site that blow things out of proportion with sensationalist headlines and stories, these do little to reflect the reality Bentley and her family manage to live when the cameras aren’t rolling during hiatus, or those rare hours when they’re studying their characters and Mercedes is probing them to be a person that they aren’t.
Bentley’s only solace is a local library, where she meets fellow library patron, Venice, and for the first time, experiences a real friendship, outside of a scripted “reality” that has been coerced to bring in ratings. She manages to get away at a certain time of day for this time out, and realises through these meetings that there is more than life on the show, and she wants more. Venice is the only person she can be the real Bentley with, not the scripted wild child “Bad Bentley” that everyone expects on the show.
Royce Rolls takes the reality television format and makes a mockery of it, revealing that what viewers see in the shows that populate television screens claiming to be reality television, television of real life, is really scripted and carefully produced and created using real people – acting as characters who are projected as the true selves of those on the screen, as opposed to fictional characters played by actors in television shows that often have much more interesting story lines.
As a rather anti-reality television fan, or at least, a viewer of shows like Masterchef who looks at the way things are edited for story telling purposes, this was an amusing read, and I was pleasantly surprised that I liked it. It shed light on the fallacy of reality television and indicates the power of reality comes from who a person really is, not what the world sees. It establishes the flaws of celebrity as well, and shows that that world is not as perfect as it may seem.
An interesting read for the YA audience, fans of reality television and those who don’t enjoy it. It is an antidote to the saturation of this genre and it uses humour and satire to show what this world is really like in an accessible and fun way.